No one has done more to introduce the world to the authentic, flavorful cuisines of Mexico than Diana Kennedy. Acclaimed as the Julia Child of Mexican cooking, Kennedy has been an intrepid, indefatigable student of Mexican foodways for more than fifty years and has published several classic books on the subject, including The Cuisines of Mexico (now available in The Essential Cuisines of Mexico, a compilation of her first three books), The Art of Mexican Cooking, My Mexico, and From My Mexican Kitchen. Her uncompromising insistence on using the proper local ingredients and preparation techniques has taught generations of cooks how to prepare—and savor—the delicious, subtle, and varied tastes of Mexico.
In Oaxaca al Gusto, Kennedy takes us on an amazing journey into one of the most outstanding and colorful cuisines in the world. The state of Oaxaca is one of the most diverse in Mexico, with many different cultural and linguistic groups, often living in areas difficult to access. Each group has its own distinctive cuisine, and Diana Kennedy has spent many years traveling the length and breadth of Oaxaca to record in words and photographs "these little-known foods, both wild and cultivated, the way they were prepared, and the part they play in the daily or festive life of the communities I visited." Oaxaca al Gusto is the fruit of these labors—and the culmination of Diana Kennedy's life's work.
Organized by regions, Oaxaca al Gusto presents some three hundred recipes—most from home cooks—for traditional Oaxacan dishes. Kennedy accompanies each recipe with fascinating notes about the ingredients, cooking techniques, and the food's place in family and communal life. Lovely color photographs illustrate the food and its preparation. A special feature of the book is a chapter devoted to the three pillars of the Oaxacan regional cuisines—chocolate, corn, and chiles. Notes to the cook, a glossary, a bibliography, and an index complete the volume.
An irreplaceable record of the infinite world of Oaxacan gastronomy, Oaxaca al Gusto belongs on the shelf of everyone who treasures the world's traditional regional cuisines.
Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analogue.
Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs” or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants’ experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?”
For centuries throughout large portions of the globe, petty agriculturalists and industrialists have set their physical and mental energies to work producing products for direct consumption by their households and for exchange. This twofold household reproduction strategy, according to both Marxist and neoclassical approaches to development, should have disappeared from the global economy as labor was transformed into a producer as well as a consumer of capitalist commodities. But in fact, during the twentieth century, only the United States and Britain seem to have approximated this predicted scenario. Tens of millions of households in contemporary Asia, Africa, and Latin America and millions more in industrialized capitalist economies support themselves through petty commodity production alone or in combination with petty industry wage labor.
Obliging Need provides a detailed and comprehensive analysis of small-scale peasant and artisan enterprise in the Oaxaca Valley of Mexico. The authors show how commodity production is organized and operates in different craft industries, as well as the ways in which it combines with other activities such as household chores, agriculture, wage labor, and petty commerce. They demonstrate how—contrary to developmentalist dogma—small-scale capitalism develops from within Mexico's rural economy.
These findings will be important for everyone concerned with improving the lives and economic opportunities of countryfolk in the Third World. As the authors make clear, political mobilization in rural Mexico will succeed only as it addresses the direct producers' multiple needs for land, credit, more jobs, health insurance, and, most importantly, more equitable remuneration for their labor and greater rewards for their enterprise.
Exploring the materiality of this volcanic glass rather than only its functionality, this book considers the interplay among people, obsidian, and meaning and how these relationships shaped patterns of procurement, exchange, and use. An international group of scholars hailing from Belize, France, Japan, Mexico, and the United States provides a variety of case studies from Mexico, Guatemala, Belize, and Honduras. The authors draw on archaeological, iconographic, ethnographic, and ethnohistoric data to examine obsidian as a touchstone for cultural meaning, including references to sacrificial precepts, powerful deities, landscape, warfare, social relations, and fertility.
Obsidian Reflections underscores the necessity of understanding obsidian from within its cultural context—the perspective of the indigenous people of Mesoamerica. It will be of great interest to Mesoamericanists as well as students and scholars of lithic studies and material culture.
Mexico was second only to the United States as the world's largest oil producer in the years following the Mexican Revolution. As the revolutionary government became institutionalized, it sought to assure its control of Mexico's oil resources through the Constitution of 1917, which returned subsoil rights to the nation. This comprehensive study explores the resulting struggle between oil producers, many of which were U.S. companies, and the Mexican government.
Linda Hall goes beyond the diplomacy to look at the direct impact of a powerful, highly profitable foreign-controlled industry on a government and a nation trying to recover from a major civil war. She draws on extensive research in Mexican archives, including both government sources and the private papers of Presidents Alvaro Obregón and Plutarco Elías Calles, as well as U.S. government and private sources.
Since the North American Free Trade Agreement has expanded United States business ties to Mexico, this study of a crucial moment in U.S.-Mexican business relations will be of interest to a wide audience in business, diplomatic, and political history.
The United States–Mexico border zone is one of the busiest and most dangerous in the world. NAFTA and rapid industrialization on the Mexican side have brought trade, travel, migration, and consequently, organized crime and corruption to the region on an unprecedented scale. Until recently, crime at the border was viewed as a local law enforcement problem with drug trafficking—a matter of “beefing” up police and “hardening” the border. At the turn of the century, that limited perception has changed.
The range of criminal activity at the border now extends beyond drugs to include smuggling of arms, people, vehicles, financial instruments, environmentally dangerous substances, endangered species, and archeological objects. Such widespread trafficking involves complex, high-level criminal-political alliances that local lawenforcement alone can’t address. Researchers of the region, as well as officials from both capitals, now see the border as a set of systemic problems that threaten the economic, political, and social health of their countries as a whole.
Organized Crime and Democratic Governability brings together scholars and specialists, including current and former government officials, from both sides of the border to trace the history and define the reality of this situation. Their diverse perspectives place the issue of organized crime in historical, political, economic, and cultural contexts unattainable by single-author studies. Contributors examine broad issues related to the political systems of both countries, as well as the specific actors—crime gangs, government officials, prosecutors, police, and the military—involved in the ongoing drama of the border. Editors Bailey and Godson provide an interpretive frame, a “continuum of governability,” that will guide researchers and policymakers toward defining goals and solutions to the complex problem that, along with a border, the United States and Mexico now share.
In the spring of 1846 James K. Polk announced that the Mexican Army had invaded United States territory and had “shed American blood upon the American soil.” This political rhetoric, as Glenn W. Price establishes in Origins of the War with Mexico: The Polk-Stockton Intrigue, is part of the myth of American innocence. It represents the “internal contradiction between professed values and patterns of action,” perpetuated by American historical writing that emphasizes national consequences of the acquisition of foreign territory and minimizes both its international significance and the importance of the diplomatic and military methods used.
A conflict with Mexico, leading to territorial expansion of the United States, was not unwanted. California was Polk’s prime objective from the beginning of his administration, and this Mexican province was to be acquired by conquest in a war initiated on the Texas-Mexican border. To this end Polk sent several agents to Texas, but the man at the center of the war intrigue was Commodore Robert F. Stockton, independently wealthy, prominent in politics, and the head of great business enterprises.
Sufficient evidence exists to substantiate in every important particular the steps in Polk’s path of intrigue: his attempts to bribe Mexican officials; his efforts to encourage revolutionary forces in the Mexican provinces; his use of the threat of force to frighten Mexico into selling California; his attempt to initiate a war by proxy through the government of Texas and Anson Jones.
If Polk was unwilling to assume responsibility for aggressive war, Stockton was not; he arrived in Galveston with a squadron of naval vessels in May of 1845, prepared to finance an army of three thousand men from his personal funds to avoid the overt involvement of the government of the United States. But, says Price, for all the internationally dangerous implications of such a maneuver, the two men who played the chief roles in the war intrigue of 1845 are representative in their written and spoken expression of faith in American righteousness of action and in the American tradition of the divine mission.
Based on extensive research into the written and spoken words of the people who were involved, directly and indirectly, in the events, this analysis (which will be considered revisionist) of the origins of the War with Mexico is the result of the kind of objective approach to national history for which the author makes a plea in his preface and conclusion and in his interpretive comments throughout the work. The historian, Price believes, “has the extraordinary advantage of being able to examine mankind from that distance and elevation and detachment which so often reveals, as it is designed to reveal, the gulf between pretension and performance.”
The ñuu - the kingdoms of the famous Mixtec codices - are traced back through the Postclassic and Classic periods to their beginnings in the first states of the Terminal Formative, revealing their origin, evolution, and persistence through two cycles of growth and collapse. Challenging assumptions that the Mixtec were peripheral to better-known peoples such as the Aztecs or Maya, the book asserts that the ñuu were a major demographic and economic power in their own right.
Older explanations of multiregional or macroregional systems often portrayed civilizations as rising in a cradle or hearth and spreading outward. New macroregional studies show that civilizations are products of more complex interactions between regions, in which peripheries are not simply shaped by cores but by their interactions with multiple societies at varying distances from major centers. Origins of the Ñuu is a significant contribution to this emerging area of archaeological research.
A growing number of Americans, many of them retirees, are migrating to Mexico's beach resorts, border towns, and picturesque heartland. While considerable attention has been paid to Mexicans who immigrate to the U.S., the reverse scenario receives little scrutiny. Shifting the traditional lens of North American migration, The Other Side of the Fence takes a fascinating look at a demographic trend that presents significant implications for the United States and Mexico.
The first in-depth account of this trend, Sheila Croucher's study describes the cultural, economic, and political lives of these migrants of privilege. Focusing primarily on two towns, San Miguel de Allende in the mountains and Ajijic along the shores of Lake Chapala, Croucher depicts the surprising similarities between immigrant populations on both sides of the border. Few Americans living in Mexico are fluent in the language of their new land, and most continue to practice the culture and celebrate the national holidays of their homeland, maintaining close political, economic, and social ties to the United States while making political demands on Mexico, where they reside.
Accessible, timely, and brimming with eye-opening, often ironic, findings, The Other Side of the Fence brings an important perspective to borderlands debates.
From reviews of the Spanish edition:
"...among the best works that Mexican fiction has produced."
—Héctor Gally, Sábado
"With homely features, but with a body so shapely and exciting that it sets men (priests included) aflame throughout the novel, with an incandescent voluptuousness and delightful amorality (surely explosive in the conservative Mexican society of her time and place) ...Otilia Rauda could be the protagonist of a Greek tragedy or of a soap opera made of improbable happenings and as many turns of fate as there are chapters used to tell the story of her life."
—Jorge Ruffinelli, Punto y Aparte
Winner of Mexico's prestigious Xavier Villaurrutia prize in 1986, Otilia Rauda is here translated into English for the first time as Otilia's Body. Widely considered Sergio Galindo's best work, the novel dramatizes a sexually liberated woman's obsession with an outlaw lover, played against the backdrop of Mexican history from 1910 to 1940. A fine example of "intimist" fiction, Otilia's Body is noteworthy for its penetratingly described characters who transcend time and place to become universally recognizable.
Taking a cue from influential French philosopher Jacques Rancière, who in The Emancipated Spectator rejects the idea of the passive, ignorant, duped spectators in need of instruction to become active, Stuart A. Day’s goal in Outside Theater is to highlight written words and performances that exemplify effective strategies, past and present, to reveal and promote civic engagement, to provoke disruptions, or to highlight fissures—and opportunities—in oppressive social structures.
Through the study of one or two primary models per chapter, as well as multiple examples in the introduction and conclusion, Day presents Mexican plays from 1905 to 2015, including the 2010 Mexico City performance of Zoot Suit by Chicano playwright Luis Valdez. Using these plays, Day explores the concept of “outside theater,” where people or groups translate the tools of the theatrical trade to a different stage, outside the walls of the theater, and play the part of fictional or real life Celestinas—matchmakers who unite seemingly disparate entities to promote social awareness and social action by working the borders between life and art.
Each work in this innovative analysis reveals productive social connections that, with the help of crucial artistic alliances, contradict the perception that art is somehow secondary to or disconnected from the public sphere of influence and the struggles of everyday life. With this book, Day shows that Mexican theater can and does bolster civil society and thus the country’s fragile democracy.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press