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The Caliphate of Man
Popular Sovereignty in Modern Islamic Thought
Andrew F. March
Harvard University Press, 2019

A political theorist teases out the century-old ideological transformation at the heart of contemporary discourse in Muslim nations undergoing political change.

The Arab Spring precipitated a crisis in political Islam. In Egypt Islamists have been crushed. In Turkey they have descended into authoritarianism. In Tunisia they govern but without the label of “political Islam.” Andrew March explores how, before this crisis, Islamists developed a unique theory of popular sovereignty, one that promised to determine the future of democracy in the Middle East.

This began with the claim of divine sovereignty, the demand to restore the sharīʿa in modern societies. But prominent theorists of political Islam also advanced another principle, the Quranic notion that God’s authority on earth rests not with sultans or with scholars’ interpretation of written law but with the entirety of the Muslim people, the umma. Drawing on this argument, utopian theorists such as Abū’l-Aʿlā Mawdūdī and Sayyid Quṭb released into the intellectual bloodstream the doctrine of the caliphate of man: while God is sovereign, He has appointed the multitude of believers as His vicegerent. The Caliphate of Man argues that the doctrine of the universal human caliphate underpins a specific democratic theory, a kind of Islamic republic of virtue in which the people have authority over the government and religious leaders. But is this an ideal regime destined to survive only as theory?

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Chaucer and Becket’s Mother
"The Man of Law’s Tale," Conversion, and Race in the Middle Ages
Meriem Pagès
Arc Humanities Press, 2024
Less than a hundred years after Thomas Becket’s martyrdom at the hands of four of Henry II’s knights, his Anglo-Norman mother was transformed into a pagan princess who abandoned faith and kin for Becket’s father and Christianity. Pagès uses this wholly fictional legend about the saint to examine the place and function of conversion and mission in The Man of Law’s Tale, juxtaposing the tale with the legend about Becket’s mother to assess the power (or lack thereof) of baptism in late medieval English works. This new comparative study thus provides productive insights into the complexity of the emergence of the concept of race in medieval English culture and literature.
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Chernyshevskii
The Man and the Journalist
William F. Woehrlin
Harvard University Press, 1971

N. G. Chernyshevskii (1828-1889), a pivotal figure in the protest movement that developed in Russia after the Crimean War, was esteemed by both Marx and Lenin. Alienated from Russia's traditional values, institutions, and power structure, he nevertheless rejected the economic doctrines and political goals of the more advanced nations of his day, seeing in the operation of laissez-faire economics a form of exploitation as vicious as serfdom, and in political liberalism a hypocritical attempt to divorce the concept of legal rights from the more basic issue of material security, without which freedom is meaningless.

He adopted instead an admixture of liberal and socialist theory, which could be roughly characterized as utopian socialist, but which simultaneously was part of a larger populist tradition. His radicalism attached itself to no particular political form, but was sustained by a belief that the inadequacies of society could be corrected only by its complete overhaul, which in turn could be accomplished only by the destruction of traditional autocratic power. This blend of ideas ultimately provided the basis for those radicals seeking to take advantage of Russia's economic backwardness by eliminating the phase of capitalism and proceeding directly to a socialist form of organization.

By contributing to the radical orientation of the protest movement, Chernyshevskii encouraged a polarization of views in Russian public opinion, which led to the abandonment of moderate reforms, to governmental reaction, and to his own tragic imprisonment and exile to Siberia. But through his diverse writings he had succeeded as no other writer before him in popularizing the idea of revolution.

This first thorough treatment of Chernyshevskii in English constitutes both a biography and a presentation of his views on philosophy, aesthetics and literary criticism, economics and social relations, politics and revolution.

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The City and Man
Leo Strauss
University of Chicago Press, 1978
The City and Man consists of provocative essays by the late Leo Strauss on Aristotle's Politics, Plato's Republic, and Thucydides' Peloponnesian Wars. Together, the essays constitute a brilliant attempt to use classical political philosophy as a means of liberating modern political philosophy from the stranglehold of ideology. The essays are based on a long and intimate familiarity with the works, but the essay on Aristotle is especially important as one of Strauss's few writings on the philosopher who largely shaped Strauss's conception of antiquity. The essay on Plato is a full-scale discussion of Platonic political philosophy, wide in scope yet compact in execution. When discussing Thucydides, Strauss succeeds not only in presenting the historian as a moral thinker of high rank, but in drawing his thought into the orbit of philosophy, and thus indicating a relation of history and philosophy that does not presuppose the absorption of philosophy by history.
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Clothes Make the Man
Early Medieval Textiles from the Netherlands
Chrystel R. Brandenburgh
Leiden University Press, 2017
Textiles that have been uncovered in archaeological excavations include garments, household fabrics, and sails. But until now, systematic analyses of such discoveries had not yet been undertaken for Dutch artifacts. Closing this considerable gap, Clothes Make the Man focuses on textile remains dating from between 400 and 1000 CE that have been recovered from settlements and cemeteries in what is now the Netherlands. As Chrystel R. Brandenburgh shows, such fabrics enable valuable reconstructions of burial clothing and yield important data about their production processes and techniques.
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Comedy Is A Man In Trouble
Slapstick In American Movies
Alan Dale
University of Minnesota Press, 2002

An enthusiast’s look at the art of physical comedy—now in paperback!

Legendary screen comedian Jerry Lewis once said, "The premise of all comedy is a man in trouble." The films that endeared Lewis and others to us hinged on the physical assault of their hero, the pie in the face or slip on the banana peel that reduced the movie star to the level of the audience. Alan Dale presents a lively and accessible look at slapstick, a form of comedy with roots in the circus and vaudeville that has been refashioned by actors ranging from Buster Keaton to the Marx Brothers, from Katharine Hepburn to Jim Carrey.

Winner of the Theater Library Association’s Special Jury Prize for Distinguished Achievement
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