front cover of The Barthes Effect
The Barthes Effect
The Essay as Reflective Text
Réda BensmaïaTranslated by Pat FedkiewForeword by Michèle H. Richman
University of Minnesota Press, 1987

The Barthes Effect was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The author acknowledges the essay as an eccentric phenomenon in literary history, one that has long resisted entry into the taxonomy of genres, as it concentrates on four works by Roland Barthes: The Pleasure of the Text, A Lover's Discourse, Roland Barthes by Roland Barthes, and Camera Lucida. Maintains that with Barthes the essay achieves a status of its own, as reflective text.

". . . a study rigorously conscious of the critical maneuvers it executes and, more importantly, questions as critical practice . . . " Bensmaïa's strategy produces a successful investigation of the interstices and slippages of meaning which Barthes addressed in his work." SubStance

Reda Bensmaia is associate professor in the departments of French and comparative literature at the University of Minnesota, and translator Pat Fedkiew, a graduate student in French at Minnesota. Michele Richman is associate professor of French at the University of Pennsylvania and author of Reading Georges Bataille: Beyond the Gift.

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front cover of Montaigne in Motion
Montaigne in Motion
Jean Starobinski
University of Chicago Press, 1985

Educated in the humanities and trained in psychiatry, Jean Starobinski is a central figure in the Geneva School of criticism. His classic work, Montaigne in Motion, is a subtly conceived and elegantly written study of the Essais of Montaigne, whose deceptively plainspoken meditations have entranced readers and stimulated philosophers since their first publication in 1580 and 1595.

Here Starobinski offers a decidedly postmodern reading of Montaigne. In chapters dealing with the themes of public and private life, friendship, death, the body, and love, Starobinski reveals much that will remind us that Montaigne’s thought is as apropos to our time as it was to his own.

“The most important contribution to Montaigne studies since Friedrich’s work . . . . [It] will be the critical framework in which scholars will discuss Montaigne in the years to come.”—Choice

 

“Starobinski brings Montaigne to life by treating him as our contemporary and asking him modern questions.”—Hudson Review

 

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