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Anglophilia
Deference, Devotion, and Antebellum America
Elisa Tamarkin
University of Chicago Press, 2008
Anglophilia charts the phenomenon of the love of Britain that emerged after the Revolution and remains in the character of U.S. society and class, the style of academic life, and the idea of American intellectualism. But as Tamarkin shows, this Anglophilia was more than just an elite nostalgia; it was popular devotion that made reverence for British tradition instrumental to the psychological innovations of democracy. Anglophilia spoke to fantasies of cultural belonging, polite sociability, and, finally, deference itself as an affective practice within egalitarian politics.
 
Tamarkin traces the wide-ranging effects of anglophilia on American literature, art and intellectual life in the early nineteenth century, as well as its influence in arguments against slavery, in the politics of Union, and in the dialectics of liberty and loyalty before the civil war. By working beyond narratives of British influence, Tamarkin highlights a more intricate culture of American response, one that included Whig elites, college students, radical democrats, urban immigrants, and African Americans. Ultimately, Anglophila argues that that the love of Britain was not simply a fetish or form of shame-a release from the burdens of American culture-but an anachronistic structure of attachement in which U.S. Identity was lived in other languages of national expression.
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Animals in Religion
Devotion, Symbol and Ritual
Barbara Allen
Reaktion Books, 2016
Animals in Religion explores the role of animals within a wide range of religious traditions. Exploring countless stories and myths passed down orally and in many religious texts, Barbara Allen—herself a practicing minister—offers a fascinating history of the ways animals have figured in our spiritual lives, whether they have been Christian, Jewish, Muslim, or any number of lesser-known religions.
           
Some of the figures here will be familiar, such as St. Francis of Assisi, famous for his accord with animals, or that beloved remover of obstacles, Ganesha, the popular elephant god in the Hindu pantheon. Delving deeper, Allen highlights the numerous ways that our religious practices have honored and relied upon our animal brethren. She examines the principle of ahimsa, or nonviolence, which has Jains sweeping the pathways before them so as not to kill any insects, as well as the similar principle in Judaism of ts’ar ba’alei chayim and the notion in some sects of Islam that all living creatures are Muslim. From ancient Egypt to the Druids to the indigenous cultures of North America and Australia, Allen tells story after story that emphasizes the same message: all species are spiritually connected. 
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Devotion
Three Inquiries in Religion, Literature, and Political Imagination
Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood
University of Chicago Press, 2021
Three scholars of religion explore literature and the literary as sites of critical transformation.

We are living in a time of radical uncertainty, faced with serious political, ecological, economic, epidemiological, and social problems. Scholars of religion Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood come together in this volume with a shared conviction that what and how we read opens new ways of imagining our political futures and our lives.

Each essay in this book suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible—and the impossible—transport the reader, enabling new forms of thought, habits of mind, and ways of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion and their critical and creative import but also a powerful enactment of devotion itself.
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Devotion to the Adopted Country
U.S. Immigrant Volunteers in the Mexican War
Tyler V. Johnson
University of Missouri Press, 2012
In Devotion to the Adopted Country, Tyler V. Johnson looks at the efforts of America’s Democratic Party and Catholic leadership to use the service of immigrant volunteers in the U.S.–Mexican War as a weapon against nativism and anti-Catholicism. Each chapter focuses on one of the five major events or issues that arose during the war, finishing with how the Catholic and immigrant community remembered the war during the nativist resurgence of the 1850s and in the outbreak of the Civil War. Johnson’s book uncovers a new social aspect to military history by connecting the war to the larger social, political, and religious threads of antebellum history.
Having grown used to the repeated attacks of nativists upon the fidelity and competency of the German and Irish immigrants flooding into the United States, Democratic and Catholic newspapers vigorously defended the adopted citizens they valued as constituents and congregants. These efforts frequently consisted of arguments extolling the American virtues of the recent arrivals, pointing to their hard work, love of liberty, and willingness to sacrifice for their adopted country.
However, immigrants sometimes undermined this portrayal by prioritizing their ethnic and/or religious identities over their identities as new U.S. citizens. Even opportunities seemingly tailor-made for the defenders of Catholicism and the nation’s adopted citizens could go awry. When the supposedly well-disciplined Irish volunteers from Savannah brawled with soldiers from another Georgia company on a Rio Grande steamboat, the fight threatened to confirm the worst stereotypes of the nation’s new Irish citizens. In addition, although the Jesuits John McElroy and Anthony Rey gained admirers in the army and in the rest of the country for their untiring care for wounded and sick soldiers in northern Mexico, anti-Catholic activists denounced them for taking advantage of vulnerable young men to win converts for the Church.         
Using the letters and personal papers of soldiers, the diaries and correspondence of Fathers McElroy and Rey, Catholic and Democratic newspapers, and military records, Johnson illuminates the lives and actions of Catholic and immigrant volunteers and the debates over their participation in the war. Shedding light on this understudied and misunderstood facet of the war with Mexico, Devotion to the Adopted Country adds to the scholarship on immigration and religion in antebellum America, illustrating the contentious and controversial process by which immigrants and their supporters tried to carve out a place in U.S. society.
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Hasidism
Writings on Devotion, Community, and Life in the Modern World
Edited by Ariel Evan Mayse Editor and Sam Berrin Shonkoff
Brandeis University Press, 2020
Hasidism has attracted, repelled, and bewildered philosophers, historians, and theologians since its inception in the eighteenth century. In Hasidism: Writings on Devotion, Community, and Life in the Modern World, Ariel Evan Mayse and Sam Berrin Shonkoff present students and scholars with a vibrant and polyphonic set of Hasidic confrontations with the modern world. In this collection, they show that the modern Hasid marks not only another example of a Jewish pietist, but someone who is committed to an ethos of seeking wisdom, joy, and intimacy with the divine.

While this volume focuses on Hasidism, it wrestles with a core set of questions that permeate modern Jewish thought and religious thought more generally: What is the relationship between God and the world? What is the relationship between God and the human being? But Hasidic thought is cast with mystical, psychological, and even magical accents, and offers radically different answers to core issues of modern concern. The editors draw selections from an  array of genres including women’s supplications; sermons and homilies; personal diaries and memoirs; correspondence; stories; polemics; legal codes; and rabbinic response. These selections consciously move between everyday lived experience and the most ineffable mystical secrets, reflecting the multidimensional nature of this unusual religious and social movement. The editors include canonical texts from the first generation of Hasidic leaders up through present-day ultra-orthodox, as well as neo-Hasidic voices and, in so doing, demonstrate the unfolding of a rich and complex phenomenon that continues to evolve today.
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The Hungry God
Hindu Tales of Filicide and Devotion
David Shulman
University of Chicago Press, 1993
India's folklore and classical literature abound with stories of parents who sacrifice their children. In The Hungry God, David Shulman examines one set of such tales—Hindu texts that bear similarities to the biblical aqedah, the account of Abraham's near-sacrifice of Isaac. In all the stories that Shulman explores, the sacrifice proceeds from a divine command and has no utilitarian explanation or rationale.
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Icon and Devotion
Sacred Spaces in Imperial Russia
Oleg Tarasov
Reaktion Books, 2002
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world.

By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
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Misconceiving Merit
Paradoxes of Excellence and Devotion in Academic Science and Engineering
Mary Blair-Loy and Erin A. Cech
University of Chicago Press, 2022
An incisive study showing how cultural ideas of merit in academic science produce unfair and unequal outcomes.
 
In Misconceiving Merit, sociologists Mary Blair-Loy and Erin A. Cech uncover the cultural foundations of a paradox. On one hand, academic science, engineering, and math revere meritocracy, a system that recognizes and rewards those with the greatest talent and dedication. At the same time, women and some racial and sexual minorities remain underrepresented and often feel unwelcome and devalued in STEM. How can academic science, which so highly values meritocracy and objectivity, produce these unequal outcomes?
 
Blair-Loy and Cech studied more than five hundred STEM professors at a top research university to reveal how unequal and unfair outcomes can emerge alongside commitments to objectivity and excellence. The authors find that academic STEM harbors dominant cultural beliefs that not only perpetuate the mistreatment of scientists from underrepresented groups but hinder innovation. Underrepresented groups are often seen as less fully embodying merit compared to equally productive white and Asian heterosexual men, and the negative consequences of this misjudgment persist regardless of professors’ actual academic productivity. Misconceiving Merit is filled with insights for higher education administrators working toward greater equity as well as for scientists and engineers striving to change entrenched patterns of inequality in STEM.
 
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Reading in the Wilderness
Private Devotion and Public Performance in Late Medieval England
Jessica Brantley
University of Chicago Press, 2007
Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England.

Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
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The Sacred Heart of Jesus
The Visual Evolution of a Devotion
David Morgan
Amsterdam University Press, 2008

From its origins in the mid-seventeenth century visions of the French nun Margaret Mary Alacoque (1647–90) to its continuing employment in worship today, the Devotion to the Sacred Heart of Jesus has been controversial. Vigorously promoted by Jesuit spiritual directors, embroiled in the controversies of Jansenist writers, closely associated with Royalist political causes in France, and taken around the world by Sister Sophie Barat in the nineteenth century, the Devotion’s practices took on the shape of its evolving visual culture and iconography. This volume traces the unfolding visual biography of the sacred heart and shows how imagery documents the Devotion’s remarkable evolution.

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The Theater of Devotion
East Anglian Drama and Society in the Late Middle Ages
Gail McMurray Gibson
University of Chicago Press, 1989
In this interdisciplinary study of drama, arts, and spirituality, Gail Gibson provides a provocative reappraisal of fifteenth-century English theater through a detailed portrait of the flourishing cultures of Suffolk and Norfolk. By emphasizing the importance of the Incarnation of Christ as a model and justification for late medieval drama and art, Gibson challenges currently held views of the secularization of late medieval culture.
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