A SCHOLARLY BOOK REPOSITORY
In Ancient Mesopotamia at the Dawn of Civilization, Guillermo Algaze draws on the work of modern economic geographers to explore how the unique river-based ecology and geography of the Tigris-Euphrates alluvium affected the development of urban civilization in southern Mesopotamia. He argues that these natural conditions granted southern polities significant competitive advantages over their landlocked rivals elsewhere in Southwest Asia, most importantly the ability to easily transport commodities. In due course, this resulted in increased trade and economic activity and higher population densities in the south than were possible elsewhere. As southern polities grew in scale and complexity throughout the fourth millennium, revolutionary new forms of labor organization and record keeping were created, and it is these socially created innovations, Algaze argues, that ultimately account for why fully developed city-states emerged earlier in southern Mesopotamia than elsewhere in Southwest Asia or the world.
Becky Taylor follows the Gypsies, Roma, and Travelers from their roots in the Indian subcontinent to their travels across the Byzantine and Ottoman Empires to Western Europe and the Americas, exploring their persecution and enslavement at the hands of others. Rather than seeing these peoples as separate from society and untouched by history, she sets their experiences in the context of broader historical changes. Their history, she reveals, is ultimately linked to the founding of empires; the Reformation and Counter-Reformation; numerous wars; the expansion of law, order, and nation-states; the Enlightenment; nationalism; modernity; and the Holocaust. Taylor also shows how the lives of the Romani today reflect the increasing regulation of modern society. Ultimately, she demonstrates that history is not always about progress: the place of Gypsies remains as contested and uncertain today as it was upon their first arrival in Western Europe in the fifteenth century.
As much a history of Europe as of the Romani, Another Darkness, Another Dawn paints a revealing portrait of a people who still struggle to be understood.
This book breaks new ground in the history of anthropology, opening up an explicit examination of anthropology in the Cold War era. With historical distance, Cold War anthropology has begun to emerge as a distinct field within the discipline. This book brings a number of different approaches to bear on the questions raised by anthropology's Cold War history.
The contributors show how anthropologists became both tools and victims of the Cold War state during the rise of the United States in the post-War period. Examining the intersection between science and power, this book is a compelling read for anthropologists, historians, sociologists, and anyone interested in the way in which colonial and neo-colonial knowledge is produced and constructed.
An unflinching examination of the moral and professional dilemmas faced by physicians who took part in the Manhattan Project.
After his father died, James L. Nolan, Jr., took possession of a box of private family materials. To his surprise, the small secret archive contained a treasure trove of information about his grandfather’s role as a doctor in the Manhattan Project. Dr. Nolan, it turned out, had been a significant figure. A talented ob-gyn radiologist, he cared for the scientists on the project, organized safety and evacuation plans for the Trinity test at Alamogordo, escorted the “Little Boy” bomb from Los Alamos to the Pacific Islands, and was one of the first Americans to enter the irradiated ruins of Hiroshima and Nagasaki.
Participation on the project challenged Dr. Nolan’s instincts as a healer. He and his medical colleagues were often conflicted, torn between their duty and desire to win the war and their oaths to protect life. Atomic Doctors follows these physicians as they sought to maximize the health and safety of those exposed to nuclear radiation, all the while serving leaders determined to minimize delays and maintain secrecy. Called upon both to guard against the harmful effects of radiation and to downplay its hazards, doctors struggled with the ethics of ending the deadliest of all wars using the most lethal of all weapons. Their work became a very human drama of ideals, co-optation, and complicity.
A vital and vivid account of a largely unknown chapter in atomic history, Atomic Doctors is a profound meditation on the moral dilemmas that ordinary people face in extraordinary times.
Franz Fühmann’s subversive retellings of four Greek legends were first published in East Germany in 1980. In them, Fühmann plumbs the ancient tales’ depths and makes them his own. Attuned to conflict and paradox, he sheds light on the complexities of sex and love, art and beauty, politics and power. In the title story, the love of the goddess Eos for the mortal Tithonos reveals the blessing and curse of transience, while “Hera and Zeus” probes the divine couple’s tumultuous relationship and its devastating consequences for a world embroiled in war. Fühmann’s unflinching account of Marsyas’ flaying by Apollo has been widely read as a dissident political statement that has lost none of its incisive force. At times charged with sensuality, and at others honed to a keen analytical edge, Fühmann’s shimmering prose is matched by Sunandini Banerjee’s exquisite collages.
In 1760, no one could imagine the American colonies revolting against Great Britain. The colonists were not hungry peasants groaning under the whip of a brute. They lived well. Land was cheap, wages were good, opportunities abounded. While many colonists had been in the New World for generations, they identified with Britain, and England was still “home.” Yet in the space of just fifteen years these sturdy bonds snapped. Boston—a town of just 16,000—lit the fire for American Independence. Brian Deming explains how and why in his lucid, lively, and deeply researched Boston and the Dawn of American Independence.
To dodge British taxes, Boston merchants for as long as anyone could remember had routinely smuggled in molasses from French and Spanish possessions in the Caribbean. Boston distillers transformed this sweet cargo into rum, the liquid gold traded around the world. But British authorities cracked down on smuggling and imposed the Sugar Act to help pay for the debts incurred during their wars against France. Then came the hated Stamp Act, a tax on documents, newspapers, and printed materials of all kinds. In courtrooms, in the press, and in the streets, Bostonians rallied in protest against taxation without representation. As anger swept America, Boston was at the center of the storm, which burst forth with the infamous massacre and the Boston Tea Party. By 1775, open warfare erupted at Lexington, Concord, and Bunker Hill. Boston and the Dawn of American Independence ties these scenes together with the people of the time, including John and Sam Adams, John Hancock, and Paul Revere, as well as Thomas Hutchinson, the beleaguered Massachusetts royal governor, and James Otis, the bombastic, unstable early patriot. Readers hear their voices, but also those of many amazing, colorful, and memorable personalities— feisty mob leaders, defiant Tories, terrified townspeople. Deming illuminates this epic story with views of everyday life inside taverns, outside newspaper offices, and along the wharves, and the political dramas in London and Philadelphia that shaped the destiny of an empire and gave rise to the world’s first modern democracy.
In this revised translation of De Jéricho à Mexico, Paul Bairoch seeks the answers to these questions and provides a comprehensive study of the evolution of the city and its relation to economic life. Bairoch examines the development of cities from the dawn of urbanization (Jericho) to the explosive growth of the contemporary Third World city. In particular, he defines the roles of agriculture and industrialization in the rise of cities.
"A hefty history, from the Neolithic onward. It's ambitious in scope and rich in subject, detailing urbanization and, of course, the links between cities and economies. Scholarly, accessible, and significant."—Newsday
"This book offers a path-breaking synthesis of the vast literature on the history of urbanization."—John C. Brown, Journal of Economic Literature
"One leaves this volume with the feeling of positions intelligently argued and related to the existing state of theory and knowledge. One also has the pleasure of reading a book unusually well-written. It will long both be a standard and stimulate new thought on the central issue of urban and economic growth."—Thomas A. Reiner, Annals of the American Academy of Political and Social Science
As the nomadic hunters and gatherers of the ancient Near East turned to agriculture for their livelihood and settled into villages, religious ceremonies involving dancing became their primary means for bonding individuals into communities and households into villages. So important was dance that scenes of dancing are among the oldest and most persistent themes in Near Eastern prehistoric art, and these depictions of dance accompanied the spread of agriculture into surrounding regions of Europe and Africa.
In this pathfinding book, Yosef Garfinkel analyzes depictions of dancing found on archaeological objects from the Near East, southeastern Europe, and Egypt to offer the first comprehensive look at the role of dance in these Neolithic (7000-4000 BC) societies. In the first part of the book, Garfinkel examines the structure of dance, its functional roles in the community (with comparisons to dance in modern pre-state societies), and its cognitive, or symbolic, aspects. This analysis leads him to assert that scenes of dancing depict real community rituals linked to the agricultural cycle and that dance was essential for maintaining these calendrical rituals and passing them on to succeeding generations. In the concluding section of the book, Garfinkel presents and discusses the extensive archaeological data—some 400 depictions of dance—on which his study is based.
In 1913 a young ethnologist from New Zealand boarded a ship for the Arctic, beginning a personal journey that was to make Diamond Jenness one of the twentieth century's foremost authorities on Alaskan Eskimos. Jenness had been asked to join the Stefansson expedition, and his official duties were to collect ethnographic details on the Eskimos—their culture, technology, religion, and social organization. His account of the expedition was published as People of the Twilight in 1928, but Jenness also kept a diary of his three years among the Eskimos. He was eventually persuaded to publish it as Dawn in Arctic Alaska.
Predating the genre of personal ethnographies that has become so popular and important today, Jenness's tales blend his keen observations of the Arctic and its people with his own reflections and sensory experiences. He expresses great adimiration for the customs and character of the Eskimos and great regret and disappointment over the destruction of their lifeway through contact with white men.
Based on the premises that all members of Homo sapiens sapiens share basically similar psychological processes and capabilities and that human culture is patterned, the author uses ethnographic analogy, inference from material patterns, and formal analysis to find in prehistoric imagery clues to the cosmology that lay behind them. The resulting book is an intriguing speculation on the nature of paleolithic religion, offering scholars a valuable synthesis of anthropological, archaeological, and sociological research, and general readers an accessible account of how our forebears may have regarded the unknown.
Ordinary people of antiquity interacted with the supernatural through a mosaic of beliefs and rituals. Exploring everyday life from 200 BCE to the end of the first century CE, Robert Knapp shows that Jews and polytheists lived with the gods in very similar ways. Traditional interactions provided stability even in times of crisis, while changing a relationship risked catastrophe for the individual, his family, and his community. However, people in both traditions did at times leave behind their long-honored rites to try something new. The Dawn of Christianity reveals why some people in Judea and then in the Roman and Greek worlds embraced a new approach to the forces and powers in their daily lives.
Knapp traces the emergence of Christianity from its stirrings in the eastern Mediterranean, where Jewish monotheism coexisted with polytheism and prayer mixed with magic. In a time receptive to prophetic messages and supernatural interventions, Jesus of Nazareth convinced people to change their beliefs by showing, through miracles, his direct connection to god-like power. The miracle of the Resurrection solidified Jesus’s supernatural credentials. After his death, followers continued to use miracles and magic to spread Jesus’s message of reward for the righteous in this life and immortality in the next.
Many Jews and polytheists strongly opposed the budding movement but despite major setbacks Christianity proved resilient and adaptable. It survived long enough to be saved by a second miracle, the conversion of Emperor Constantine. Hand in hand with empire, Christianity began its long march through history.
Durrenberger tells the story that Corey aimed to record and preserve of the industrialization of Iowa’s agriculture and the death of its family farms. He analyzes Corey’s regionalist focus on Iowa farming and regionalism’s contemporaneous association in Europe with rising fascism. He explores Corey’s adoption of naturalism, evident in his resistance to heroes and villains, to plot structure and resolution, and to moral judgment, as well as his ethnographic tendency to focus on groups rather than individuals.
An unusual and wide-ranging study, The Dawn of Industrial Agriculture in Iowa offers important insight into the relationships among fiction, individual lives, and anthropological practice, as well as into a pivotal period in American history.
In this beautifully illustrated book—the first thorough biography of Donatello in twenty-five years—A. Victor Coonin describes the full extent of Donatello’s revolutionary contributions, revealing how his work heralded the emergence of modern art.
Thoreau asserted that the leaves of the earth's strata were not page upon page to be studied by geologists and antiquaries chiefly, "but living poetry like the leaves of a tree." The continuing vitality of Walden shows that it, too, is not a fossil but a living book, still putting out green leaves of insight.
Each decade since Walden was published in 1854 has seen the world grow more crowded and less "simple." What, in our consumerist, speed-of-light, hypermediated world would Thoreau have found worth pursuing? How would he structure his life so as to shut out the phones ringing, the cars honking, the litter trashing his beloved haunts? Readers still seek answers to such questions by picking up their dog-eared copy of Walden and immersing themselves yet again in its pages. Students convince us that this book still holds the power to change lives. These essays are written with the expectation that Thoreau in the new century can help us realize that there are more lives to live and more day to dawn—that "the sun is but a morning star."
Contributors include Nina Baym, Robert Cummings, Robert Oscar López, Lance Newman, H. Daniel Peck, Dana Phillips, Larry J. Reynolds, David M. Robinson, William Rossi, Robert Sattelmeyer, Sarah Ann Wider, and Michael G. Ziser.
Spreading democracy abroad or taking care of business at home is a tension as current as the war in Afghanistan and as old as America itself. Tracing the history of isolationist and internationalist ideas from the 1890s through the 1930s, Nichols reveals unexpected connections among individuals and groups from across the political spectrum who developed new visions for America’s place in the world.
From Henry Cabot Lodge and William James to W. E. B. Du Bois and Jane Addams to Randolph Bourne, William Borah, and Emily Balch, Nichols shows how reformers, thinkers, and politicians confronted the challenges of modern society—and then grappled with urgent pressures to balance domestic priorities and foreign commitments. Each articulated a distinct strain of thought, and each was part of a sprawling national debate over America’s global role. Through these individuals, Nichols conducts us into the larger community as it strove to reconcile America’s founding ideals and ideas about isolation with the realities of the nation’s burgeoning affluence, rising global commerce, and new opportunities for worldwide cultural exchange. The resulting interrelated set of isolationist and internationalist principles provided the basis not just for many foreign policy arguments of the era but also for the vibrant as well as negative connotations that isolationism still possesses.
Nichols offers a bold way of understanding the isolationist and internationalist impulses that shaped the heated debates of the early twentieth century and that continue to influence thinking about America in the world today.
Can you keep a secret?
Maybe you can, but the United States government cannot. Since the birth of the country, nations large and small, from Russia and China to Ghana and Ecuador, have stolen the most precious secrets of the United States.
Written by Michael Sulick, former director of CIA’s clandestine service, Spying in America presents a history of more than thirty espionage cases inside the United States. These cases include Americans who spied against their country, spies from both the Union and Confederacy during the Civil War, and foreign agents who ran operations on American soil. Some of the stories are familiar, such as those of Benedict Arnold and Julius Rosenberg, while others, though less well known, are equally fascinating.
From the American Revolution, through the Civil War and two World Wars, to the atomic age of the Manhattan Project, Sulick details the lives of those who have betrayed America’s secrets. In each case he focuses on the motivations that drove these individuals to spy, their access and the secrets they betrayed, their tradecraft or techniques for concealing their espionage, their exposure and punishment, and the damage they ultimately inflicted on America’s national security.
Spying in America serves as the perfect introduction to the early history of espionage in America. Sulick’s unique experience as a senior intelligence officer is evident as he skillfully guides the reader through these cases of intrigue, deftly illustrating the evolution of American awareness about espionage and the fitful development of American counterespionage leading up to the Cold War.
Tinker to Evers to Chance examines this pivotal moment in American history, when baseball became the game we know today. Each man came from a different corner of the country and brought a distinctive local culture with him: Evers from the Irish-American hothouse of Troy, New York; Tinker from the urban parklands of Kansas City, Missouri; Chance from the verdant fields of California’s Central Valley. The stories of these early baseball stars shed unexpected light not only on the evolution of baseball and on the enthusiasm of its players and fans all across America, but also on the broader convulsions transforming the US into a confident new industrial society. With them emerged a truly national culture.
This iconic trio helped baseball reinvent itself, but their legend has largely been relegated to myths and barroom trivia. David Rapp’s engaging history resets the story and brings these men to life again, enabling us to marvel anew at their feats on the diamond. It’s a rare look at one of baseball’s first dynasties in action.
Building from Irwin’s use of rhythm and structure, the poems in this collection are constructed with an architectural framework. Rhythmic procedures inversely link the first and last words of the first and last lines of each poem and tie the number of lines to the number of syllables in the first line. These structures form a pattern, a thoughtful consistency through which we are invited to move and meditate with each variation of light.
In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.
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