A witty take on what’s wrong--and right--with cynicism today, now in paperback!

We are now living in the midst of the most cynical era in American history. Disaffection from government institutions is at an all-time high. Ordinary citizens perceive political leaders to be more manipulative and jaded than ever. Skepticism pervades our cultural and social attitudes and interactions, and is prominently featured in the films we see, the books we read, and the media we experience. In this biting and controversial analysis, William Chaloupka scrutinizes the cynicism that is our common condition, examining both its uses in the politics of backlash and resentment and its surprisingly positive aspects.

Everybody Knows traces cynicism from its classical origins but emphasizes its recent emergence in American culture and politics, following a trajectory from H. L. Mencken to Richard Nixon to Bill Clinton to Fargo. Cutting neatly across ideological divisions, Chaloupka discusses the ways in which cynicism is rooted in all democratic politics and analyzes the role of the media-in particular, television news, political ads and speeches, and books such as E. J. Dionne’s Why Americans Hate Politics and William Bennett’s The Book of Virtues-in dissecting and encouraging cynicism.Chaloupka describes mass cynicism, which permeates popular culture; outsider cynicism, capable of cranky, even violent disruption; and the cynicism of those in power. He argues that those who issue broad pleas for civility or a renewal of community spirit usually misunderstand the cynicism they wish to treat. He also discusses the value of a cheeky, subversive “kynicism” to evoke the lively democratic practice American society must foster.Early reviews call Everybody Knows “original and compelling,” “pithy, engaging, and funny,” and “the best book on American politics in quite a while.” Sure to be widely read and debated, this entertaining book will inspire readers to take a new look at the cynicism prevalent in contemporary American society.

Informed by recent developments in literary criticism and social theory, In the Nature of Things addresses the presumption that nature exists independent of culture and, in particular, of language. The theoretical approaches of the contributors represent both modernist and postmodernist positions, including feminist theory, critical theory, Marxism, science fiction, theology, and botany. They demonstrate how the concept of nature is invoked and constituted in a wide range of cultural projects—from the Bible to science fiction movies, from hunting to green consumerism. Ultimately, it weeks to link the work of theorists concerned with nature and the environment to nontheorists who share similar concerns.

Contributors include R. McGreggor Cawley, Romand Coles, William E. Connolly, Jan E. Dizard, Valerie Hartouni, Cheri Lucas Jennings, Bruce H. Jennings, Timothy W. Luke, Shane Phelan, John Rodman, Michael J. Shapiro, and Wade Sikorski.

Countering critics who charge that postmodern positions on language, authority, and power cannot inform effective political responses, this compelling analysis employs these same methods to examine antinuclear politics. Star Wars (the movie and the antimissile system), the Freeze movement, Reaganism, and “lifestyle” politics all receive new treatments.