Perhaps no other group of plants attracts more interest among both professional and amateur botanists than ferns. As early as 1846, when one of the first lists of Illinois plants was published, sixteen species of ferns were already known in the state. The longtime interest of a great many people makes the distribution of ferns better known than that of any other group of plants in Illinois.
This detailed account of ferns and fern-allies was first published in 1967 as the first volume in the series The Illustrated Flora of Illinois. Eminent botanist Robert H. Mohlenbrock has now revised Ferns to include twenty-five additional taxa of ferns that have since been discovered in Illinois. In addition, numerous nomenclatural changes have occurred for plants already known in the state.
The introductory information of Ferns includes discussions of the morphology and life history of the ferns and fern-allies, the taxonomic history of the group in Illinois, and the habitats where they can be found.
The semitechnical keys and descriptions, familiar to the professional botanist, have been simplified for the novice and are accompanied by a glossary and a profuse use of illustrations. A new key has been included for the additional ferns. Two general keys enable the reader to identify the order and the genus of the fern or fern-ally in question. One of these is designed for use with specimens that have sporangia; the other is for use with sterile specimens. The keys are composed of a hierarchy of characteristics for determining the order, family, and genus of any given specimen. Once a genus is ascertained, the reader can apply its key to more than one species of the same genus.
Each species has its own description, statement of habitat and range, Illinois distribution, map, discussion, synonymy, and full-page line illustration showing its diagnostic characteristics.
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature.
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now.
In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
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