front cover of The Darkened Room
The Darkened Room
Women, Power, and Spiritualism in Late Victorian England
Alex Owen
University of Chicago Press, 2004
A highly original study that examines the central role played by women as mediums, healers, and believers during the golden age of spiritualism in the late Victorian era, The Darkened Room is more than a meditation on women mediums—it's an exploration of the era's gender relations.

The hugely popular spiritualist movement, which maintained that women were uniquely qualified to commune with spirits of the dead, offered female mediums a new independence, authority, and potential to undermine conventional class and gender relations in the home and in society.

Using previously unexamined sources and an innovative approach, Alex Owen invokes the Victorian world of darkened séance rooms, theatrical apparitions, and moving episodes of happiness lost and regained. She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.
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Daughter in Retrograde
A Memoir
Courtney Kersten
University of Wisconsin Press, 2021
When she isn't eavesdropping on family gossip or gazing at taxidermy squirrels in smoky dives, Courtney Kersten charts the uncertainty of her midwestern homeland by looking to the stars and planets. As a teen she had plunged deep into the worlds of signs, symbols, and prophecy. But as her mother—her traveling companion into these spheres—lies dying, Kersten must learn to navigate without the person who always lit the way. Their last journey together, to swim in a Wisconsin lake, is a bittersweet, darkly comic, poignant climax to this transformative memoir.
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Demon Lovers
Witchcraft, Sex, and the Crisis of Belief
Walter Stephens
University of Chicago Press, 2002
On September 20, 1587, Walpurga Hausmännin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of maleficia (deeds of harmful magic), including killing forty—one infants and two mothers in labor, her evil career allegedly began with just one heinous act—sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night."

As Walter Stephens demonstrates in Demon Lovers, it was not Hausmännin or other so-called witches who were obsessive about sex with demons—instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous Malleus Maleficarum (Hammer of Witches).

Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons—for instance, through evidence of their intercourse with mortal witches—would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief—a crisis that continues to be expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.
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THE DESIGN OF EXISTENCE
EMANATION FROM SOURCE TO CREATION
WILSON VAN DUSEN
Swedenborg Foundation Publishers, 2001

In The Design of Existence, Wilson Van Dusen offers spiritual explorers a guidebook for mystical experience, describing the inner landscape in detail. Though considering himself a scientist, Van Dusen approaches reality as a mystic, using the writings of 18th-century visionary Emanuel Swedenborg as a lens. For Swedenborg and Van Dusen, our interior realm reflects the external cosmos, which makes a mystical sense of oneness possible: "We are in a massive order, far greater than we can see. Yet we are not alien to this order. We are created out of it."

For Van Dusen's mysticism, Swedenborg is the exemplar of universality. A scientist who mastered fields as varied as chemistry, physiology, optics, and metallurgy, Swedenborg turned inward to investigate the psychological and the spiritual. He affirmed the value of other religious cultures and even wrote in gender-inclusive Latin. He had startlingly contemporary insights: he saw that the spiritual must inform everyday experience, that feelings must aid the intellect in seeking the spiritual, that the quest for the soul leads to understanding the cosmos and vice versa.

Van Dusen uses Swedenborg's ideas as the basis for a true universal mysticism. In The Design of Existence, he invites each of us to confront mystical experience as proof that we and the cosmos share a spiritual design, which orders our lives as surely as it orders the universe itself.

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Discovering the Laws of Life
Sir John Templeton
Templeton Press, 2009
“Truly a legend in our time, John Templeton understands that the real measure of a person's success in life is not a financial accomplishment but moral integrity and inner character.” —Billy Graham
“This book belongs to the list of seminal publications of the twentieth century. How grateful the world will be that John Templeton has shared his secret openly, forthrightly, packed with integrity and healing powers.” —Robert Schuller
 
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front cover of Distilling Hope
Distilling Hope
12 Stories to Distill the 12 Steps
Beth Ohlsson
Parkhurst Brothers, Inc., 2017
 
“Old stories are universal and want to be told.  To bring those stories out into the world as a vehicle for navigating sobriety and recovery is a glorious thing.
I was hired to be an addictions counselor for the therapeutic community at the Frederick County Adult Detention Center. Susan Gordon encouraged me to tell them stories. I thought she was crazy, but I trusted her judgment and told them stories. The impact those stories had on those men changed my life. I worked in addictions for 15 years, taking those stories with me to very agency in which I worked.  The women at the Center 4 Clean Start in Salisbury, MD were every bit as receptive to story as the men who were in jail.”
            --Beth Ohlsson
 
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front cover of Do Nothing
Do Nothing
Peace for Everyday Living: Reflections on Chuang Tzu's Philosophy
Siroj Sorajjakool
Templeton Press, 2009

"Words," writes Chuang Tzu, "are for catching ideas; once you've caught the idea, you can forget the words." In Do Nothing, author Siroj Sorajjakool lends us some of his insightful words to help us all "catch" the provocative ideas of one of China's most important literary and philosophical giants—one who emerged at a time when China had several such giants philosophizing on Tao or "the Way."

Though his thinking dates back to the fourth century, Chuang Tzu's Tao has profound implications for our modern lives. He welcomes an existence that is radically removed from the image of normalcy that society often projects, wherein the individual must always strive for more, always seek greater productivity, and always try to better him or herself and his or her place in life. Chuang Tzu would posit that the definitions of normalcy, success, and happiness are arbitrarily assigned and that our rigid and unquestioning adherence to these so-called "norms" leads to existential restlessness and unease. Instead of striving, he would say, be still. Instead of acquiring, embrace nothingness. Instead of seeking to understand the limitlessness of the universe during your brief and extremely limited existence, enjoy the wonder of it.

Siroj Sorajjakool suggests that when we can embrace nothingness, we undergo a spiritual transformation that liberates us to see more clearly and truly find ourselves. He offers a very personal exploration of Chuang Tzu's Tao, first in its historical and literary context, and then in the context of our twenty-first century existence. What emerges is a liberating and highly readable meditation on the many lessons we can "catch" from Chuang Tzu on how we view our aspirations, our joys and sorrows, our successes and failures, and what it means to be a worthwhile person.

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front cover of The Duke and the Stars
The Duke and the Stars
Astrology and Politics in Renaissance Milan
Monica Azzolini
Harvard University Press, 2012

This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises.

The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.

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