Bringing together fifteen original and path-breaking essays by world-class authorities on Abstract Expressionism as well as by younger scholars, this anthology looks beyond the canonical painters to explore the broader connections among abstract artists of the post–World War II era. Moving from the margins to the center, the essays recognize the contributions of artists working far beyond New York City. Topics include Jackson Pollock’s contact with Mexican muralists and the legacy of Abstract Expressionism for leftist artists in Latin America, the relevance of Jean-Paul Sartre and Samuel Beckett as sources of philosophical thought, the significance of northern European CoBrA painters such as Asger Jorn, the impact of Japanese Gutai artists, and connections with the revolutionary art of Italy, Belgium, and France. Abstract Expressionism is also described as a model for contemporaneous developments in the former Soviet Union.
As the first book to consider the movement in relation to post–World War II abstraction on four continents, this book brings a fresh perspective to this widely studied school of painting. Scholars and students alike will find this anthology essential reading in creating a more complete and nuanced understanding of Abstract Expressionism.
William Seitz was a creative witness to one of the most exciting artistic upheavals of our time. His analysis of American Abstract Expressionism is the unique testament of one who was there at the Cedar Bar and at The Club in the early 1950s, sharing the milieu of the painters about whom he writes-Gorky, de Kooning, Hofmann, Motherwell, Rothko, and Tobey. Seitz was finely tuned to their idiosyncratic development, able to document at first hand the influences entering their discourse, whether Suzuki or Empson, Klee or the French existentialists. Beyond this, the uncertainty and verbal confusion of the time, Seitz takes the reader directly to the works of art, probing not what the artists were saying, but what they were painting.
A painter himself, he could explore the passions and methods of Abstract Expressionism with the insight and technical precision of one who had labored in the studio. Seitz maintains a profound respect for the mysterious power of the individual talent, for the artist as an intellectual, and for painting as a form of knowledge. His work, confined to the "underground" of microfilm after it was completed in 1955, stands alone in conveying the anxiety, exhilaration, and richness of a movement racing ahead while its criteria were still being formed. Lavishly illustrated with over 300 paintings, many in full color, Abstract Expressionist Painting in America is a book that Motherwell describes in his foreword as "unsurpassed...in the literature of Abstract Expressionism, but also sui generis in the scholarship of Modernism."
The term Neo-Dada surfaced in New York in the late 1950s and was used to characterize young artists like Robert Rauschenberg and Jasper Johns whose art appeared at odds with the serious emotional and painterly interests of the then-dominant movement, Abstract Expressionism. Neo-Dada quickly became the word of choice in the early 1960s to designate experimental art, including assemblage, performance, Pop art, and nascent forms of minimal and conceptual art.
A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.
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