front cover of Around the World with LBJ
Around the World with LBJ
My Wild Ride as Air Force One Pilot, White House Aide, and Personal Confidant
By Brigadier General James U. Cross, USAF (retired), with Denise Gamino and Gary Rice
University of Texas Press, 2008

When Lyndon Baines Johnson wanted to go somewhere, there was no stopping him. This dynamic president called for Air Force One as others summon a taxi—at a moment's notice, whatever the hour or the weather. And the man who made sure that LBJ got his ride was General James U. Cross, the president's hand-picked pilot, top military assistant, and personal confidante. One of the few Air Force One pilots to have a position, simultaneously, in the White House, General Cross is also the only member of LBJ's inner circle who has not publicly offered his recollections of the president. In this book, he goes on the record, creating a fascinating, behind-the-scenes portrait of America's complex, often contradictory, always larger-than-life thirty-sixth president.

General Cross tells an engrossing story. In addition to piloting Air Force One around the globe, he served President Johnson in multiple capacities, including directing the Military Office in the White House; managing a secret two-million-dollar presidential emergency fund; supervising the presidential retreat at Camp David, the president's entire transportation fleet, and the presidential bomb shelters; running the White House Mess; hiring White House social aides, including the president's future son-in-law, Charles Robb; and writing condolence letters to the families of soldiers killed in Vietnam. This wide-ranging, around-the-clock access to President Johnson allowed Cross to witness events and share moments that add color and depth to our understanding of America's arguably most demanding and unpredictable president.

[more]

front cover of The Art of Poetry
The Art of Poetry
Kenneth Koch
University of Michigan Press, 1996
A charter member of the legendary New York School of poets that includes John Ashbery, Frank O'Hara, and James Schuyler, Kenneth Koch has become one of America's best known and best loved poets. His apt parodies and zany poetic conceits have earned him the distinction of being the funniest poet in America, and his extravagant imagination and knack for high hilarity have pleased generations of readers.
Here, in The Art of Poetry, Koch offers amusing and thought-provoking essays on the nature of the
poetic moment, from its heartfelt emergence in an elementary school classroom to its raucous display in a set of satirical cartoons drawn by the author. Also included are interviews with Allen Ginsberg and Jordan Davis in which Koch discusses a range of diverse topics, including literary criticism, French poetry, and Santa Claus. The Art of Poetry provides Koch's audience with not only the musings and mischievous thoughts of the poetic mind, but also the reflections of the most respected poetry teacher in America.
Kenneth Koch's other books include On the Great Atlantic Rainway: Selected Poems 1950-1988; Seasons on Earth, Days and Nights, The Art of Love, One Thousand Avant-Garde Plays, and One Train, for which he won the Bollingen Prize in American Poetry. He is Professor of English and Comparative Literature at Columbia University.
[more]

front cover of Chiaroscuro
Chiaroscuro
Essays on Identity: Revised Edition
Helen Barolini
University of Wisconsin Press, 1999

“A lively, lucid, and often extremely moving collection of essays.”—Sandra Gilbert, author of Wrongful Death: A Memoir

“Barolini’s essays moved me. Their commitment, their passion, their intelligence struck me very powerfully and made them among the most incisive essays on Italian-Americana, ethnicity, and diversity in literature that I have ever read.”—Fred Misurella, author of Understanding Milan Kundera: Public Events, Private Affairs and Short Time

Part memoir, part social commentary, and part literary criticism, Chiaroscuro is not only profoundly original but also of crucial importance in establishing the contours of an Italian-American tradition. Spanning a quarter century of work, the essays in Helen Barolini’s essays explore her personal search; literature as a formative influence; and the turning of the personal into the political. Included in Chiaroscuro is an updated re-introduction to Barolini’s American Book Award-winning collection, The Dream Book: An Anthology of Writings by Italian-American Women.

[more]

logo for University of Chicago Press
Encounters with Rauschenberg
(A Lavishly Illustrated Lecture)
Leo Steinberg
University of Chicago Press, 2000
In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg.

With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work.

From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art.

Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic.
[more]

front cover of The Exchange and Other Stories
The Exchange and Other Stories
Yuri Trifonov
Northwestern University Press, 2002
Yury Trifonov took a turn toward the controversial, and a leap toward greatness, with the publication of the two novellas included in this collection. "The Exchange" and "The Long Goodbye" depict the complex dilemmas and compromises of Russian life after World War II. These works, along with the short stories "Games at Dusk" and "A Short Stay in the Torture Chamber," detail the moral and spiritual decline in Russia that resulted from the growing distance between the theoretical idealism of the Soviet state and the actual materialism and careerism that increasingly marked society.
[more]

front cover of A Farewell to Heroes
A Farewell to Heroes
Frank Graham Jr. Foreword by W.C. Heinz
Southern Illinois University Press, 2003

Originally published in 1981 and long out of print, this dual autobiography covers five unforgettable decades of the New York sporting life from 1915 to 1965. Told initially from the point of view of Frank Graham, premier sportswriter for TheNew York Sun, A Farewell to Heroes also includes the chronicles of Frank, Jr., who picks up the narrative as he becomes a sports journalist in his own right.  

Frank Graham, Sr., was a self-taught writer known for his uncanny ability to capture the high drama of a game-winning play or the color of a fight mob’s conversation in spare, straightforward prose. As a reporter, he covered the rough-and-tumble Giants of John McGraw’s day and continued through boxing’s greatest era, spanning the reigns of Jack Dempsey and Joe Louis.

As the younger Frank tells more of the story, we watch Lou Gehrig take Babe Ruth’s place as the Yankees’ star and then trace his glorious career to its tragic conclusion. We see firsthand the legendary Branch Rickey and Jackie Robinson and boxing’s brief but golden age on television in the 1950s.

Aided by sixteen photographs and preserving the most masterful of his father’s writing while adding to it the best of his own, Frank Graham, Jr., has given the sports fan A Farewell to Heroes, perhaps the ultimate sports reminiscence of a time when the romance of sport gave life a golden hue, when heroes still roamed the earth.

“In what he calls this ‘kind of dual autobiography,’ he is his father’s son, having learned to look and listen as his father did and still go his own way,” says W. C. Heinz, longtime sportswriter for The New York Sun, in his new foreword to this paperback edition.

[more]

front cover of The Fictional World of William Hoffman
The Fictional World of William Hoffman
Edited by William L. Frank
University of Missouri Press, 2000

Over the past forty-five years, William Hoffman has written eleven novels, including the critically acclaimed Tidewater Blood, winner of the Dashiell Hammett award, and four short-fiction collections, the most recent being Doors—all of which have enjoyed a loyal and appreciative readership. His work has received numerous honors, including the Andrew Nelson Lytle Prize for the best short story published in the Sewanee Review; the Jeanne C. Goodheart Prize for fiction, awarded by Shenandoah; and the Hillsdale Prize for fiction, awarded by the Fellowship of Southern Writers. Yet a critical evaluation of his acclaimed fiction has not previously appeared.

The Fictional World of William Hoffman provides readers with the first vital and informative assessment of Hoffman's work. Including penetrating commentary and analysis from fellow writers—Fred Chappell, George Core, George Garrett, Dabney Stuart—as well as from established and emerging critics—Ron Buchanan, Martha Cook, Jeanne Nostrandt, Gordon Van Ness-this collection of essays aims to deepen the appreciation of those already familiar with Hoffman and to introduce new readers to one of the South's most influential voices.

George Core's opening essay provides an overview of Hoffman's novels to date, with sufficient examples to suggest his range, scope, imagery, and principal themes, including honor, courage, love, self-sacrifice, and the role of religion. The other essays in the collection focus in detail on his most admired work, especially the war novels, the short stories, and the philosophical novels of recent years. All eleven novels are covered briefly throughout the collection, six are treated extensively, and three essays focus on his short fiction.

There is no doubt that William Hoffman is a major contemporary writer. His considerable talent and influence have been felt by generations of readers. The Fictional World of William Hoffman helps to secure this influence for years to come. "As with all gifted and talented writers," Frank concludes, "the themes of Hoffman's fiction are what will endure."

[more]

front cover of Finish Forty and Home
Finish Forty and Home
The Untold World War II Story of B-24s in the Pacific
Phil Scearce
University of North Texas Press, 2011

logo for University of North Texas Press
Flying with the Fifteenth Air Force
A B-24 Pilot's Missions from Italy during World War II
Tom Faulkner
University of North Texas Press, 2018

front cover of Going Home
Going Home
Black Representatives and Their Constituents
Richard F. Fenno
University of Chicago Press, 2003
Thirty years ago there were nine African Americans in the U.S. House of Representatives. Today there are four times that number. In Going Home, the dean of congressional studies, Richard F. Fenno, explores what representation has meant—and means today—to black voters and to the politicians they have elected to office.

Fenno follows the careers of four black representatives—Louis Stokes, Barbara Jordan, Chaka Fattah, and Stephanie Tubbs Jones—from their home districts to the halls of the Capitol. He finds that while these politicians had different visions of how they should represent their districts (in part based on their individual preferences, and in part based on the history of black politics in America), they shared crucial organizational and symbolic connections to their constituents. These connections, which draw on a sense of "linked fates," are ones that only black representatives can provide to black constituents.

His detailed portraits and incisive analyses will be important for anyone interested in the workings of Congress or in black politics.
[more]

front cover of How to Be an Intellectual in the Age of TV
How to Be an Intellectual in the Age of TV
The Lessons of Gore Vidal
Marcie Frank
Duke University Press, 2005
Novelist, television personality, political candidate, and maverick social commentator, Gore Vidal is one of the most innovative, influential, and enduring American intellectuals of the past fifty years. In How to Be an Intellectual in the Age of TV, Marcie Frank provides a concise introduction to Vidal’s life and work as she argues that the twentieth-century shift from print to electronic media, particularly TV and film, has not only loomed large in Vidal’s thought but also structured his career. Looking at Vidal’s prolific literary output, Frank shows how he has reflected explicitly on this subject at every turn: in essays on politics, his book on Hollywood and history, his reviews and interviews, and topical excursions within the novels. At the same time, she traces how he has repeatedly crossed the line supposedly separating print and electronic culture, perhaps with more success than any other American intellectual. He has written television serials and screenplays, appeared in movies, and regularly appeared on television, most famously in heated arguments with Norman Mailer on The Dick Cavett Show and with William F. Buckley during ABC’s coverage of the 1968 Democratic National Convention.

Frank highlights the connections between Vidal’s attitudes toward TV, sex, and American politics as they have informed his literary and political writings and screen appearances. She deftly situates his public persona in relation to those of Andy Warhol, Jacqueline Susann, Mary McCarthy, Susan Sontag, and others. By describing Vidal’s shrewd maneuvering between different media, Frank suggests that his career offers a model to aspiring public intellectuals and a refutation to those who argue that electronic media have eviscerated public discourse.

[more]

front cover of If It Takes All Summer
If It Takes All Summer
Martin Luther King, the KKK, and States' Rights in St. Augustine, 1964
Dan R. Warren, with foreword by Morris Dees
University of Alabama Press, 2008
This memoir recounts the struggle against segregation in St. Augustine, Florida, in the early and mid-1960s. In the summer of 1964 the nation’s oldest city became the center of the civil rights movement as Martin Luther King Jr., encouraged by President Johnson, a southerner, who made the civil rights bill the center piece of his domestic policy, chose this tourism-driven community as an ideal location to demonstrate the injustice of discrimination and the complicity of southern leaders in its enforcement.
 
St. Augustine was planning an elaborate celebration of its founding, and expected generous federal and state support. But when the kick-off dinner was announced only whites were invited, and local black leaders protested. The affair alerted the national civil rights leadership to the St. Augustine situation as well as fueling local black resentment.
 
Ferment in the city grew, convincing King to bring his influence to the leadership of the local struggle. As King and his allies fought for the right to demonstrate, a locally powerful Ku Klux Klan counter-demonstrated. Conflict ensued between civil rights activists, local and from out-of-town, and segregationists, also home-grown and imported. The escalating violence of the Klan led Florida’s Governor to appoint State Attorney Dan Warren as his personal representative in St. Augustine. Warren’s crack down on the Klan and his innovative use of the Grand Jury to appoint a bi-racial committee against the intransigence of the Mayor and other officials, is a fascinating story of moral courage. This is an insider view of a sympathetic middleman in the difficult position of attempting to bring reason and dialog into a volatile situation.
[more]

front cover of My War against the Nazis
My War against the Nazis
A Jewish Soldier with the Red Army
Adam Broner, with a foreword by Antony Polonsky
University of Alabama Press, 2007

A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.

In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war. 


 Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.

In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.

 

[more]

logo for Southern Illinois University Press
Normandy to the Bulge
An American GI in Europe During World War II
Richard Courtney
Southern Illinois University Press, 1997

Basing this compelling war memoir on his original World War II diary, Pfc. Richard D. Courtney tells what it was like to be a combat infantryman in the greatest and most destructive war in history.

 

[more]

front cover of Politics, Desire, and the Hollywood Novel
Politics, Desire, and the Hollywood Novel
Chip Rhodes
University of Iowa Press, 2008
The story of what happens when a serious writer goes to Hollywood has become a cliché: the writer is paid well but underappreciated, treated like a factory worker, and forced to write bad, formulaic movies. Most fail, become cynical, drink to excess, and at some point write a bitter novel that attacks the film industry in the name of high art. Like many too familiar stories, this one neither holds up to the facts nor helps us understand Hollywood novels. Instead, Chip Rhodes argues, these novels tell us a great deal about the ways that Hollywood has shaped both the American political landscape and American definitions of romance and desire.

Rhodes considers how novels about the film industry changed between the studio era of the 1930s and 1940s and the era of deregulated film making that has existed since the 1960s. He asserts that Americans are now driven by cultural, rather than class, differences and that our mainstream notion of love has gone from repressed desire to “abnormal desire” to, finally, strictly business.

Politics, Desire, and the Hollywood Novel pays close attention to six authors—Nathanael West, Raymond Chandler, Budd Schulberg, Joan Didion, Bruce Wagner, and Elmore Leonard—who have toiled in the film industry and written to tell about it. More specifically, Rhodes considers both screenplays and novels with an eye toward the different formulations of sexuality, art, and ultimately political action that exist in these two kinds of storytelling.
[more]

front cover of A Promise at Sobibór
A Promise at Sobibór
A Jewish Boy’s Story of Revolt and Survival in Nazi-Occupied Poland
Philip “Fiszel” Bialowitz, with Joseph Bialowitz; Foreword by Wladyslaw Bartoszewski
University of Wisconsin Press, 2012

A Promise at Sobibór is the story of Fiszel Bialowitz, a teenaged Polish Jew who escaped the Nazi gas chambers. Between April 1942 and October 1943, about 250,000 Jews from European countries and the Soviet Union were sent to the Nazi death camp at Sobibór in occupied Poland. Sobibór was not a transit camp or work camp: its sole purpose was efficient mass murder. On October 14, 1943, approximately half of the 650 or so prisoners still alive at Sobibór undertook a daring and precisely planned revolt, killing SS officers and fleeing through minefields and machine-gun fire into the surrounding forests, farms, and towns. Only about forty-two of them, including Fiszel, are known to have survived to the end of the war.
    Philip (Fiszel) Bialowitz, now an American citizen, tells his eyewitness story here in the real-time perspective of his own boyhood, from his childhood before the war and his internment in the brutal Izbica ghetto to his harrowing six months at Sobibór—including his involvement in the revolt and desperate mass escape—and his rescue by courageous Polish farmers. He also recounts the challenges of life following the war as a teenaged displaced person, and his eventual efforts as a witness to the truth of the Holocaust.
    In 1943 the heroic leaders of the revolt at Sobibór, Sasha Perchersky and Leon Feldhendler, implored fellow prisoners to promise that anyone who survived would tell the story of Sobibór: not just of the horrific atrocities committed there, but of the courage and humanity of those who fought back. Bialowitz has kept that promise.


Best Books for General Audiences, selected by the American Association for School Libraries


Best Books for High Schools, selected by the American Association for School Libraries


Best Books for Special Interests, selected by the Public Library Association

[more]

front cover of Robert Altman’s Subliminal Reality
Robert Altman’s Subliminal Reality
Robert T. Self
University of Minnesota Press, 2002

The most complete and compelling analysis available of Altman’s films

With his complex and unconventional films, Robert Altman often draws an impassioned response from critics but bafflement and indifference from the general public. Some audiences have dismissed his movies as insignificant, unsatisfying, and unreadable. Ironically, Altman might agree: he makes films in order to challenge filmgoers’s expectations of straightforward narratives and easily understood endings.

In Robert Altman’s Subliminal Reality, Robert T. Self sheds light on Altman’s work and provides the most comprehensive analysis of his films to date. With close readings of classics like MASH, McCabe and Mrs. Miller, and Nashville, as well as more recent films like The Player, Short Cuts, and Cookie’s Fortune, Self asserts the value of Altman’s work not only to film theory and the entertainment industry but to American culture itself. In his analysis, Self identifies Altman’s films particularly as they address issues of form, identity, and industry. He explains how Altman critiques moviemaking forms by using an open, fragmented mode of storytelling and by turning conventional Hollywood genres inside out. He examines Altman’s characterization of social and individual identity as fragile and fragmentary and his depiction of antiheroic characters debilitated by their socially constructed gender roles. Finally, Self shows how Altman challenges the entertainment industry itself, questioning its methods and motives and critiquing its role in our cultural alienation. Self frames his study of Altman’s work with a discussion of the director’s efforts to create a "subliminal reality" in his narratives—to touch audiences on an unconscious level and to recognize the unspoken, and unspeakable, dimensions in human interactions. According to Self, this striving for "subliminal reality" makes Altman’s films not only exemplary of the potential of art cinema narration but instrumental in keeping such narrative alive.
[more]

logo for Northwestern University Press
The Roots of Things
Essays
Maxine Kumin
Northwestern University Press, 2010

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career.

Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

[more]

front cover of Seed of Sarah
Seed of Sarah
Memoirs of a Survivor
Judith Magyar Isaacson
University of Illinois Press, 1990
This gripping and highly acclaimed account of a young woman's experience in concentration camps now includes a final chapter, "A Time to Forgive?" detailing the author's trips back to her former forced labor camp in Germany.
[more]

front cover of To Make a Prairie
To Make a Prairie
Essays on Poets, Poetry, and Country Living
Maxine Kumin
University of Michigan Press, 1980
Kumin reflects on the process of writing poetry and on life in the country
[more]

front cover of Uncertainty and Plenitude
Uncertainty and Plenitude
Five Contemporary Poets
Peter Stitt
University of Iowa Press, 1997
From the extraordinary diversity of contemporary poetry, Peter Stitt, the distinguished critic and editor of the Gettysburg Review, has chosen in this book to write about five poets only, all premier practitioners—John Ashbery, Stephen Dobyns, Charles Simic, Gerald Stern, and Charles Wright, with a special look at Stanley Kunitz in relation to Wright. Stitt's confident and inventive assessments of these fine poets' work help us gain some focus on the “uncertainty and plenitude” of the current poetry scene, demonstrating that concentrated and knowledgeable criticism can show us ways to begin measuring the accomplishments of our poetic age.

Stitt's interest in these five poets is intellectual and aesthetic. As he states, “I chose these particular writers because their work continues to interest me deeply, both intellectually and formally, even after years of familiarity.” He uses his understanding of the philosophical implications inherent in modern physics, as they apply to both content and form, as the basis for his close analysis.

Stitt attends to the poets' writerly strategies so that we may discover in their poetry where “surface form” intersects and complements meaning and thus becomes, in John Berryman's terms, “deep form.” He explains what these poets say and how they say it and what relationships lie between. He also shows how humor plays a part in some of their work.
[more]

front cover of What's Fair on the Air?
What's Fair on the Air?
Cold War Right-Wing Broadcasting and the Public Interest
Heather Hendershot
University of Chicago Press, 2011
The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster.
 
A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
[more]


Send via email Share on Facebook Share on Twitter