A timely, politically savvy examination of how impossible disasters shape the very real possibilities of our world
Why would the normally buttoned-down national security state imagine lurid future scenarios like a zombie apocalypse? In Training for Catastrophe, author Lindsay Thomas shows how our security regime reimagines plausibility to focus on unlikely and even unreal events rather than probable ones. With an in-depth focus on preparedness (a pivotal, emergent national security paradigm since 9/11) she explores how fiction shapes national security.
Thomas finds fiction at work in unexpected settings, from policy documents and workplace training manuals to comics and video games. Through these texts—as well as plenty of science fiction—she examines the philosophy of preparedness, interrogating the roots of why it asks us to treat explicitly fictional events as real. Thomas connects this philosophical underpinning to how preparedness plays out in contemporary politics, emphasizing how it uses aesthetic elements like realism, genre, character, and plot to train people both to regard some disasters as normal and to ignore others.
Training for Catastrophe makes an important case for how these documents elicit consent and compliance. Thomas draws from a huge archive of texts—including a Centers for Disease Control comic about a zombie apocalypse, the work of Audre Lorde, and the political thrillers of former national security advisor Richard Clarke—to ask difficult questions about the uses and values of fiction. A major statement on how national security intrudes into questions of art and life, Training for Catastrophe is a timely intervention into how we confront disasters.
A radical and necessary rethinking of trans care
What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion?
Trans Care is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Explores the construction of the Americas by and through European eyes
Transatlantic Topographies was first published in 2004. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Transatlantic Topographies studies the representation of American space during the initial confrontation between Europeans and Amerindians and during the eighteenth, nineteenth, and twentieth centuries. Starting from topographical descriptions of land, islands, highlands, and jungles, Ileana Rodríguez shows how existing systems of knowledge broke down with the discovery of the Americas and had to be reinvented through the interpretation of signs, the accumulation of evidence, material exchange, and, finally, through the learning, teaching, and “kidnapping” of language. Proceeding from the period of exploration to the modern creation of a “twentieth-century frontier,” Rodríguez charts the path that led from island paradise to jungle chaos, from representations of natural beauty to the racialization of the islands. Drawing attention to cross-cultural miscommunication and the riddles of meaning and message it produces, Transatlantic Topographies develops a highly nuanced understanding of the evolving forces of imperialism as they gave way to postcolonialism and then to transnationalism—and newly re-inscribed notions of imperial economic practices.Through readings of some of the best-known texts in Algerian literature in French, Woodhull both challenges the separation between French and Francophone literatures and cultures in the academy and explores the ways in which "femininity" has been represented in the texts of North African and French writers since the mid-1950s.
Transhumanism posits that humanity is on the verge of rapid evolutionary change as a result of emerging technologies and increased global consciousness. However, this insight is dismissed as a naive and controversial reframing of posthumanist thought, having also been vilified as “the most dangerous idea in the world” by Francis Fukuyama. In this book, Andrew Pilsch counters these critiques, arguing instead that transhumanism’s utopian rhetoric actively imagines radical new futures for the species and its habitat.
Pilsch situates contemporary transhumanism within the longer history of a rhetorical mode he calls “evolutionary futurism” that unifies diverse texts, philosophies, and theories of science and technology that anticipate a radical explosion in humanity’s cognitive, physical, and cultural potentialities. By conceptualizing transhumanism as a rhetoric, as opposed to an obscure group of fringe figures, he explores the intersection of three major paradigms shaping contemporary Western intellectual life: cybernetics, evolutionary biology, and spiritualism. In analyzing this collision, his work traces the belief in a digital, evolutionary, and collective future through a broad range of texts written by theologians and mystics, biologists and computer scientists, political philosophers and economic thinkers, conceptual artists and Golden Age science fiction writers. Unearthing the long history of evolutionary futurism, Pilsch concludes, allows us to more clearly see the novel contributions that transhumanism offers for escaping our current geopolitical bind by inspiring radical utopian thought.
What might be gained from reading Native literatures from global rather than exclusively local perspectives of Indigenous struggle? In Trans-Indigenous, Chadwick Allen proposes methodologies for a global Native literary studies based on focused comparisons of diverse texts, contexts, and traditions in order to foreground the richness of Indigenous self-representation and the complexity of Indigenous agency.
Through demonstrations of distinct forms of juxtaposition—across historical periods and geographical borders, across tribes and nations, across the Indigenous–settler binary, across genre and media—Allen reclaims aspects of the Indigenous archive from North America, Hawaii, Aotearoa New Zealand, and Australia that have been largely left out of the scholarly conversation. He engages systems of Indigenous aesthetics—such as the pictographic discourse of Plains Indian winter counts, the semiotics of Navajo weaving, and Maori carving traditions, as well as Indigenous technologies like large-scale North American earthworks and Polynesian ocean-voyaging waka—for the interpretation of contemporary Indigenous texts. The result is a provocative reorienting of the call for Native intellectual, artistic, and literary sovereignty that fully prioritizes the global Indigenous.
In 1761 and again in 1768, European scientists raced around the world to observe the transit of Venus, a rare astronomical event in which the planet Venus passes in front of the sun. In The Transit of Empire, Jodi A. Byrd explores how indigeneity functions as transit, a trajectory of movement that serves as precedent within U.S. imperial history. Byrd argues that contemporary U.S. empire expands itself through a transferable “Indianness” that facilitates acquisitions of lands, territories, and resources.
Examining an array of literary texts, historical moments, and pending legislations—from the Cherokee Nation of Oklahoma’s vote in 2007 to expel Cherokee Freedmen to the Native Hawaiian Government Reorganization bill—Byrd demonstrates that inclusion into the multicultural cosmopole does not end colonialism as it is purported to do. Rather, that inclusion is the very site of the colonization that feeds U.S. empire.
Byrd contends that the colonization of American Indian and indigenous nations is the necessary ground from which to reimagine a future where the losses of indigenous peoples are not only visible and, in turn, grieveable, but where indigenous peoples have agency to transform life on their own lands and on their own terms.
How authors rendered Dakhóta philosophy by literary means to encode ethical and political connectedness and sovereign life within a settler surveillance state
Translated Nation examines literary works and oral histories by Dakhóta intellectuals from the aftermath of the 1862 U.S.–Dakota War to the present day, highlighting creative Dakhóta responses to violences of the settler colonial state. Christopher Pexa argues that the assimilation era of federal U.S. law and policy was far from an idle one for the Dakhóta people, but rather involved remaking the Oyáte (the Očéti Šakówiŋ Oyáte or People of the Seven Council Fires) through the encrypting of Dakhóta political and relational norms in plain view of settler audiences.
From Nicholas Black Elk to Charles Alexander Eastman to Ella Cara Deloria, Pexa analyzes well-known writers from a tribally centered perspective that highlights their contributions to Dakhóta/Lakhóta philosophy and politics. He explores how these authors, as well as oral histories from the Spirit Lake Dakhóta Nation, invoke thióšpaye (extended family or kinship) ethics to critique U.S. legal translations of Dakhóta relations and politics into liberal molds of heteronormativity, individualism, property, and citizenship. He examines how Dakhóta intellectuals remained part of their social frameworks even while negotiating the possibilities and violence of settler colonial framings, ideologies, and social forms.
Bringing together oral and written as well as past and present literatures, Translated Nation expands our sense of literary archives and political agency and demonstrates how Dakhóta peoplehood not only emerges over time but in everyday places, activities, and stories. It provides a distinctive view of the hidden vibrancy of a historical period that is often tied only to Indigenous survival.
The International Gay and Lesbian Human Rights Commission (IGLHRC) was founded in 1990 as the first NGO devoted to advancing LGBT human rights worldwide. How, this book asks, is that mission translated into practice? What do transnational LGBT human rights advocates do on a day-to-day basis and for whom? Understanding LGBT human rights claims is impossible, Ryan R. Thoreson contends, without knowing the answers to these questions.
In Transnational LGBT Activism, Thoreson argues that the idea of LGBT human rights is not predetermined but instead is defined by international activists who establish what and who qualifies for protection. He shows how IGLHRC formed and evolved, who is engaged in this work, how they conceptualize LGBT human rights, and how they have institutionalized their views at the United Nations and elsewhere. After a full year of in-depth research in New York City and Cape Town, South Africa, Thoreson is able to reconstruct IGLHRC’s early campaigns and highlight decisive shifts in the organization’s work from its founding to the present day.
Using a number of high-profile campaigns for illustration, he offers insight into why activists have framed particular demands in specific ways and how intergovernmental advocacy shapes the claims that activists ultimately make. The result is a uniquely balanced, empirical response to previous impressionistic and reductive critiques of Western human rights activists—and a clarifying perspective on the nature and practice of global human rights advocacy.
Why are some species admired or beloved while others are despised? An eagle or hawk circling overhead inspires awe while urban pigeons shuffling underfoot are kicked away in revulsion. Fly fishermen consider carp an unwelcome trash fish, even though the trout they hope to catch are often equally non-native. Wolves and coyotes are feared and hunted in numbers wildly disproportionate to the dangers they pose to humans and livestock.
In Trash Animals, a diverse group of environmental writers explores the natural history of wildlife species deemed filthy, unwanted, invasive, or worthless, highlighting the vexed relationship humans have with such creatures. Each essay focuses on a so-called trash species—gulls, coyotes, carp, cockroaches, magpies, prairie dogs, and lubber grasshoppers, among others—examining the biology and behavior of each in contrast to the assumptions widely held about them. Identifying such animals as trash tells us nothing about problematic wildlife but rather reveals more about human expectations of, and frustrations with, the natural world.
By establishing the unique place that maligned species occupy in the contemporary landscape and in our imagination, the contributors challenge us to look closely at these animals, to reimagine our ethics of engagement with such wildlife, and to question the violence with which we treat them. Perhaps our attitudes reveal more about humans than they do about the animals.
Contributors: Bruce Barcott; Charles Bergman, Pacific Lutheran U; James E. Bishop, Young Harris College; Andrew D. Blechman; Michael P. Branch, U of Nevada, Reno; Lisa Couturier; Carolyn Kraus, U of Michigan–Dearborn; Jeffrey A. Lockwood, U of Wyoming; Kyhl Lyndgaard, Marlboro College; Charles Mitchell, Elmira College; Kathleen D. Moore, Oregon State U; Catherine Puckett; Bernard Quetchenbach, Montana State U, Billings; Christina Robertson, U of Nevada, Reno; Gavan P. L. Watson, U of Guelph, Ontario, Canada.
Beyond an adrenaline ride or a chronicle of bravura heroics, this unflinching view of a Minneapolis firefighter reveals the significant toll of emergency response
In this remarkable memoir, Jeremy Norton marshals twenty-two years of professional experience to offer, with compassion and critique, an extraordinary portrayal of emergency responders. Trauma Sponges captures in arresting detail the personal and social toll the job exacts, as well as the unique perspective afforded by sustained direct encounters with the sick, the dying, and the dead.
From his first days as a rookie firefighter and emergency medical technician to his command of a company as a twenty-year veteran, Norton documents the life of an emergency responder in Minneapolis: the harrowing, heartbreaking calls, from helping the sick and hurt, to reassuring the scared and nervous, to attempting desperate measures and providing final words. In the midst of the uncertainty, fear, and loss caused by the Covid pandemic, Norton and his crew responded to the scene of George Floyd’s murder. The social unrest and racial injustice Norton had observed for years exploded on the streets of Minneapolis, and he and his fellow firefighters faced the fires, the injured, and the anguish in the days and months that followed.
Norton brings brutally honest insight and grave social conscience to his account, presenting a rare insider’s perspective on the insidious role of sexism and machismo in his profession, as well as an intimate observer’s view of individuals trapped in dire circumstances and a society ill equipped to confront trauma and death. His thought-provoking, behind-the-scenes depiction of the work of first response and last resort starkly reveals the realities of humanity at its finest and its worst.
Analyzes the impact of historical trauma on contemporary culture.
How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler’s List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg’s book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust.
Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history.Travelers, Immigrants, Inmates was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Identities are always mistaken; yet they are as necessary as air to sustain life in and among communities. Frances Bartkowski uses travel writings, U.S. immigrant autobiographies, and concentration camp memoirs to illustrate how tales of dislocation present readers with a picture of the complex issues surrounding mistaken identities. In turn, we learn much about the intimate relation between language and power.
Combining psychoanalytic and political modes of analysis, Bartkowski explores the intertwining of place and the construction of identities. The numerous writings she considers include André Gide's Voyage to the Congo, Eva Hoffman's Lost in Translation, Sandra Cisneros's House on Mango Street, Zora Neale Hurston's Dust Tracks on a Road and Tell My Horse, and Primo Levi's Survival in Auschwitz.
Elegantly written and incisive, Travelers, Immigrants, Inmates stands at the crossroads of contemporary discussions about ethnicity, race, gender, nationalism, and the politics and poetics of identity. It has much to offer readers interested in questions of identity and cultural differences.
Frances Bartkowski is associate professor of English and director of women's studies at Rutgers University in Newark. She is the author of Feminist Utopias (1989).
A stunning lyrical commentary on the constructions of race, gender, and class in the fraught nexus of a Black woman’s personal experience and cultural history
The Fair Housing Act passed in 1968, and more than fifty years later, yours seems to be the only Black family on your block in Minneapolis. You and your Black African husband, both college graduates, make less money than some White people with a felony record and no high school diploma. You’re the only Black student in your graduate program. You just aren’t working hard enough. You’re too sensitive. Sandra Bland? George Floyd? Don't take everything so personally. Amid the White smiles of Minnesota Nice and the Minnesota Paradox—the insidious racism of an ostensibly inclusive place to live—what do you do? If you’re Taiyon J. Coleman, you write.
In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the U.S. housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage. She explores what it means to write her story and that of her family—an act at once a responsibility and a privilege—bringing forth the inherent contradictions between American ideals and Black reality.
Using a powerful blend of perspectives that move between a first-person lens of lived experience and a wider-ranging critique of U.S. culture, policy, and academia, Coleman’s writing evinces how a Black woman in America is always on the run, always Harriet Tubman, traveling with her babies in tow, seeking safety, desperate to survive, thrive, and finally find freedom.
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Travels and Traditions of Waterfowl was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
With the combined talents of naturalist, writer, and artist, H. Albert Hochbaum captures the varying moods of earth and sky and spirit of flight. For many years as director of the Delta Waterfowl Research Station in Manitoba, Canada, he has observed the ways of the waterfowl. In this book he portrays and discusses the flights and habits of the birds he has watched in the vast marsh country—the wild ducks, geese, and swans of North America.
This book is the winner of a publication award of the Wildlife Society. It is recommended by the American Association for the Advancement of Science in its AAAS Science Book List for Young Artists.Creative expression inspired by disease has been criticized as a celebration of victimhood, unmediated personal experience, or just simply bad art. Despite debate, however, memoirs written about illness—particularly AIDS or cancer—have proliferated since the late twentieth century and occupy a highly influential place on the cultural landscape today.
In Treatments, Lisa Diedrich considers illness narratives, demonstrating that these texts not only recount and interpret symptoms but also describe illness as an event that reflects wider cultural contexts, including race, gender, class, and sexuality. Diedrich begins this theoretically rigorous analysis by offering examples of midcentury memoirs of tuberculosis. She then looks at Susan Sontag’s Illness As Metaphor, Audre Lorde’s The Cancer Journals, and Eve Kosofsky Sedgwick’s “White Glasses,” showing how these breast cancer survivors draw on feminist health practices of the 1970s and also anticipate the figure that would appear in the wake of the AIDS crisis in the 1980s—the “politicized patient.” She further reveals how narratives written by doctors Abraham Verghese and Rafael Campo about treating people with AIDS can disrupt the doctor–patient hierarchy, and she explores practices of witnessing that emerge in writing by Paul Monette and John Bayley.
Through these records of intensely personal yet universal experience, Diedrich demonstrates how language both captures and fails to capture these “scenes of loss” and how illness narratives affect the literary, medical, and cultural contexts from which they arise. Finally, by examining the ways in which the sick speak and are spoken for, she argues for an ethics of failure—the revaluation of loss as creating new possibilities for how we live and die.
Lisa Diedrich is assistant professor of women’s studies at Stony Brook University.
Just as mariners use triangulation, mapping an imaginary triangle between two known positions and an unknown location, so, David J. Vázquez contends, Latino authors in late twentieth-century America employ the coordinates of familiar ideas of self to find their way to new, complex identities. Through this metaphor, Vázquez reveals how Latino autobiographical texts, written after the rise of cultural nationalism in the 1960s, challenge mainstream notions of individual identity and national belonging in the United States.
In a traditional autobiographical work, the protagonist frequently opts out of his or her community. In the works that Vázquez analyzes in Triangulations, protagonists instead opt in to collective groups—often for the express political purpose of redefining that collective. Reading texts by authors such as Ernesto Galarza, Jesús Colón, Piri Thomas, Oscar “Zeta” Acosta, Judith Ortiz Cofer, John Rechy, Julia Alvarez, and Sandra Cisneros, Vázquez engages debates about the relationship between literature and social movements, the role of cultural nationalism in projects for social justice, the gender and sexual problematics of 1960s cultural nationalist groups, the possibilities for interethnic coalitions, and the interpretation of autobiography. In the process, Triangulations considers the potential for cultural nationalism as a productive force for aggrieved communities of color in their struggles for equality.
Wars over natural resources have been fiercely fought in the Humboldt Bay redwood region of Northern California, a situation made devastatingly urgent in recent decades of timber war that raised questions of economic sustainability and ecological preservation. In Trouble in the Forest, Richard Widick narrates the long and bloody history of this hostility and demonstrates how it exemplifies the key contemporary challenge facing the modern societies-the collision of capitalism, ecology, and social justice.
An innovative blend of social history, cultural theory, and ethnography, Trouble in the Forest traces the origins of the redwood conflict to the same engines of modernity that drove the region's colonial violence against American Indians and its labor struggles during the industrial revolution. Widick describes in vivid detail the infamous fight that ensued when Maxxam Inc. started clearing ancient forests in Humboldt after acquiring the Pacific Lumber Company in 1985, but he also reaches further back and investigates the local Indian clashes and labor troubles that set the conditions of the timber wars. Seizing on public flash points of each confrontation-including the massacre of Wiyot on Indian Island in 1860, the machine-gunning of redwood strikers by police and company thugs during the great lumber strike of 1935, and the car bombing of forest defenders in 1990-Widick maps how the landscape has registered the impact of this epochal struggle, and how the timber wars embody the forces of market capitalism, free speech, and liberal government.
Showing how events such as an Indian massacre and the death of a protester at the hands of a logger create the social memory and culture of timber production and environmental resistance now emblematic of Northern California's redwood region, Trouble in the Forest ultimately argues that the modern social imaginary produced a perpetual conflict over property that fueled the timber wars as it pushed toward the western frontier: first property in land, then in labor, and now in environment.
Troubling the Family argues that the emergence of multiracialism during the 1990s was determined by underlying and unacknowledged gender norms. Opening with a germinal moment for multiracialism—the seemingly massive and instantaneous popular appearance of Tiger Woods in 1997—Habiba Ibrahim examines how the shifting status of racial hero for both black and multiracial communities makes sense only by means of an account of masculinity.
Ibrahim looks across historical events and memoirs—beginning with the Loving v. Virginia case in 1967 when miscegenation laws were struck down—to reveal that gender was the starting point of an analytics that made categorical multiracialism, and multiracial politics, possible. Producing a genealogy of multiracialism’s gendered basis allows Ibrahim to focus on a range of stakeholders whose interests often ran against the grain of what the multiracial movement of the 1990s often privileged: the sanctity of the heteronormative family, the labor of child rearing, and more precise forms of racial tabulation—all of which, when taken together, could form the basis for creating so-called neutral personhood.
Ibrahim concludes with a consideration of Barack Obama as a representation of the resurrection of the assurance that multiracialism extended into the 2000s: a version of personhood with no memory of its own gendered legacy, and with no self-account of how it became so masculine that it can at once fill the position of political leader and the promise of the end of politics.
A selection of Norwegian folktales chosen by Sigrid Undset, True and Untrue and Other Norse Tales is based on the classic folklore collected by Pieter Christian Asbjørnsen and Jørgen Moe. These wonderful stories tell of worlds similar to our own, worlds with love and hate, sorrow and joy, humor and pathos. Beginning with brothers named True and Untrue, the book takes readers through tales of princes and princesses, giants and trolls, husbands and wives, and a castle that is “East o’ the Sun and West o’ the Moon.” Strikingly illustrated by Frederick T. Chapman while under fire in Italy during the Second World War and with a remarkable foreword by Undset, True and Untrue and Other Norse Tales has a story for everyone.
A traveler to the world’s remote corners muses on human relationships and the nature of travel
Trust is inherent in travel. We ask strangers for directions or for a ride. We live among people whose language, culture, and motivations we don’t understand. Trust binds us to one another with an intoxicating energy; it is brave, giddy, joyous, and lustful. A sudden attraction careens into sexual surrender, and trust becomes unconditional. Trust laughs at danger and leaps into the unknown.
The author of Abuses and Foreign Bodies, Alphonso Lingis has traveled the globe for many years, and in Trust he reflects on journeys from Latin America to Asia to Antarctica. Whether feeding chocolate sauce and tuna to the baboons who visit his campsite in Ethiopia, celebrating the millennial New Year in Mongolia, or indulging in a passionate love affair in Vietnam, Lingis evaluates what happens around him and how it affects him and others. From these experiences he gains new understandings about spirituality, masculinity, love, death, ecstasy, and change. In the tradition of such international travelers as Paul Theroux, Pico Iyer, and Ryszard Kapuscinski, and with insight reminiscent of John Berger and Joan Didion, Lingis shares both the private revelations and the universal connections he acquires on his exotic journeys. “Travel far enough,” he concludes, “and we find ourselves happily back in the infantile world”—where trust is ultimate.T.S. Eliot - American Writers 8 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Twenty-First Ballot was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This account of a bitter struggle with in the Democratic-Farmer-Labor (DFL) party in Minnesota is an interesting story in its own right, and, viewed from a wider perspective, is a valuable documentary on the American political process.
The author recounts the events leading up to and climaxing in the party's deep split over the nomination of a candidate for the 1966 gubernatorial election. The nomination was accomplished only after twenty ballots were taken at the party's convention. The twenty first ballot of the book's title derives from a campaign slogan which urged that the voters, not the party, would make the final decision.
The intraparty battle was waged between a faction which backed the nomination of the incumbent governor, Karl F. Rolvaag, for a second term and a group favoring the nomination of the incumbent lieutenant governor, A. M. "Sandy" Keith, as the gubernatorial candidate. Basic to the struggle was the conviction among supporters of Mr. Keith that a new "image' was needed to win the election of a party's obligation to an incumbent. Mr. Keith was nominated. However, Mr. Rolvaag challenged the nomination by entering the primary election. He defeated the party nominee and won a place on the general election ballot, only to be defeated, in the end, by his Republican opponent.
The book is illustrated with eight pages of news photographs of the principals and events of the story.
The details of this unusual sequence of events reveal much about the workings of party politics at the important state level. The book will, therefore, be of interest not only to the general readers but to students and teachers in political science courses.
The remarkable memoir of a Touretter’s journey of self-discovery—now back in print!
Lowell Handler has Tourette’s syndrome, a disorder characterized by exaggerated facial tics, sudden jerking movements of the body and limbs, and explosive public outbursts, usually in the form of expletives and racial epithets. Although he is a successful and acclaimed photojournalist, Handler has often seen himself as an outsider—a social outcast. With courage and candor, he recalls the difficulties he suffered growing up, the confusion he experienced when doctors misdiagnosed his bizarre behavior as a psychological aberration, and finally how, restless and despairing, he embarked on a quest for answers.The Two Faces of TASS was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
What is TASS and how does it operate? As the Soviet Union's international news agency does TASS serve other purposes besides the gathering and distribution of news? Does it engage in espionage? In propaganda? This account of the development of TASS and analysis of its present-day operations provides illuminating answers to such questions as these in a book that is significant not only to communications specialists but to anyone who wants to understand Soviet relations with the rest of the world.
Mr. Kruglak sketches the historical background of TASS and its antecedents and gives fascinating sidelights on the men who made TASS. He shows the evolution of the agency to its present status, explains its relationship to the news agencies of the various Soviet Republics and satellite countries, and recounts the relations of TASS and its predecessors with American news agencies.
Journalism educators will be especially interested in the chapter on the training of Soviet journalists and the discussion of the TASS concept of news. There is a comprehensive discussion of TASS operations in the United States and a detailed analysis of the TASS treatment of news of this country. The TASS handling of news from 33 other countries is examined and compared with the New York Times treatment of such news for the same period. Similarly, TASS reports of the news of the Soviet Union are analyzed. Finally, the questions of espionage and propaganda roles are discussed. In conclusion, the author points to the need for "news communication coexistence" between the U.S.S.R. and the rest of the world, and suggests that news media lead the way to an approach to international understanding.
Two Kinds of Rationality was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Beginning with a discussion of mind-body dualism in social anthropology, Evens presents a profound theory of human conduct that deploys notions of hierarchy and practice. He uses the case study of an Israeli kibbutz to address the central anthropological problem of rationality.
Of particular interest is Evens's interpretation of the Genesis myth, as well as his reading of Rousseau's revision of this myth, as paradigms of generational conflict and the kibbutz's logic of moral order. These interpretations are tied to Evens's detailed discussion of a controversial attempt to introduce secret balloting into a particular kibbutz's directly democratic process.
Two Kinds of Rationality distinguishes between instrumental and mythic rationality, picturing the latter as a value rationality. Projecting reality as basically ambiguous, Evens offers a critique of theoretical approaches to social action and a rethinking of contemporary notions of human agency. This revolutionary theoretical work will appeal to social and political theorists, anthropologists, and students of cultural studies, social movements, and Jewish studies.
T. M. S. Evens is professor of anthropology at the University of North Carolina, Chapel Hill. He is the author of numerous articles and coeditor of Transcendence in Society: Case Studies (1990), a comparative study of social movements.
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