A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”
 
For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.
 
The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

This volume stands as a key general resource for archaeologists working in the region extending from Louisiana through Mississippi north to Missouri and Kentucky, and it represents an opportunity to influence for decades a large part of the archaeological work to take place in the Southeast.

 

The book responds to a need for a comprehensive archaeological overview of the Lower Mississippi Valley that forms a portion of an interstate corridor spanning nine states that will run from southern Michigan to the Texas-Mexico border. The culturally sensitive Mississippi Delta is one of the richest archaeological areas in North America, and it is crucial that research designs be comprehensive, coordinated, and meet current preservation and future research needs. The authors are well-respected researchers from both within and outside the region with expertise in the full range of topics that comprise American archaeology. They examine matters of method and theory, the application of materials science, geophysics, and other high-tech tools in archaeology that provide for optimum data-recovery.

To Come to the Land makes available in English a vast body of research,
previously available only in Hebrew, on the early history of the land now
known as Israel.

Abraham David here focuses on the Spanish and Portuguese Jews who fled
the Iberian Peninsula during the 16th century, tracing the beginnings of
Sephardic influence in the land of Israel.

After the Ottoman Turks conquered Syria, Palestine, and Egypt in 1516,
the Ottoman regime, unlike their Mamluk predecessors, encouraged economic
development and settlement throughout the region. This openness to immigration
offered a solution to the crisis Iberian Jews were undergoing as a result
of their expulsion from Spain and the forced conversions in Portugal. Within
a few years of the Ottoman conquest, Jews of Spanish extraction, many of
them clustered in urban areas, dominated the Jewish communities of Eretz-Israel.

In this carefully researched study, David examines the lasting impression
made by these enterprising Jewish settlers on the commercial, social, and
intellectual life of the area under early Ottoman rule. Of particular interest
is his examination of the cities of Jerusalem and Safed and David's succinct
biographies of leading Jewish personalities throughout the region.

This first English translation of a ground-breaking Hebrew work provides
a comprehensive overview of a significant chapter in the history of Israel
and explores some of the factors that brought to it the best minds of the
age. Essential for scholars of late Medieval Jewish history, To Come to
the Land will also be an important resource for scholars of intellectual
history, as it provides background crucial to an understanding of the intellectual
flourishing of the period.

 

To Command the Sky is a scholarly record of the fight for domination of the skies over western Europe during World War II. It also explains the technical details of the tactics used to defeat the Luftwaffe. This book is important for serious students of World War II or military aviation.

"A welcome contribution to the history of science in the South during the period since the Civil War. . . . By considering the academies in the larger context of scientific professionalism, South and North, Midgette has produced a surprisingly wide-ranging and informative study. This is overall a judicious and carefully researched work. The writing is straightforward and admirably clear, while the topic is effectively organized and presented. The book is a commendably original addition to local and regional history as well as history of American Science."
—Journal of American History

"Midgette’s study is thorough and well organized and should be consulted by anyone interested in American science and American higher education."
—Florida Historical Quarterly

"A very useful survey."
—Choice

A personal account of Commodore Perry’s landmark expedition to Japan and life in the antebellum navy
 
George B. Gideon Jr. served as second assistant engineer aboard the  USS Powhatan from 1852 to 1856. From his position on the steam  frigate, Gideon traveled to Singapore, Labuan, Borneo, Hong Kong, and many other Asian lands. During his time at sea, Gideon penned dozens of letters to his wife, Lide, back home in Philadelphia. Recently  discovered in the attic of his great-great-grandniece, were fifty-one letters penned by Gideon providing thorough and insightful commentary  throughout the voyage.

Through these correspondences, Gideon laboriously documents the details of his daily life on board, from the food they ate to the technical aspects of his work, as well as observations concerning the historical events unfolding around him, such as Chinese piracy, the Taiping Rebellion, the Crimean War, and the devastation of Shimoda.  To My Dearest Wife, Lide: Letters from George B. Gideon Jr. during  Commodore Perry’s Expedition to Japan, 1853–1855 is a rare first-person account of the landmark American naval expedition to Japan to establish commercial relations between the two countries. Gideon’s letters have been meticulously transcribed and annotated by the editors and are an invaluable primary historical source.

Gideon’s letters are candid and revealing, delving into the rampant dysfunction in the navy of the 1850s—sickness and disease, alcohol abuse, and poor leadership, among other challenges. Gideon also unabashedly shares his own cynical views of the navy’s role in supporting American economic interests in Japan. This firsthand account of the political mission of the Perry expedition is a unique contribution to naval and military history and gives readers a better view of life aboard a navy ship.

An important historical account of Tuskegee University’s significant advances in health care, which affected millions of lives worldwide.

Alabama’s celebrated, historically black Tuskegee University is most commonly associated with its founding president, Booker T. Washington, the scientific innovator George Washington Carver, or the renowned Tuskegee Airmen. Although the university’s accomplishments and devotion to social issues are well known, its work in medical research and health care has received little acknowledgment. Tuskegee has been fulfilling Washington’s vision of “healthy minds and bodies” since its inception in 1881. In To Raise Up the Man Farthest Down, Dana R. Chandler and Edith Powell document Tuskegee University’s medical and public health history with rich archival data and never-before-published photographs. Chandler and Powell especially highlight the important but largely unsung role that Tuskegee University researchers played in the eradication of polio, and they add new dimension and context to the fascinating story of the HeLa cell line that has been brought to the public’s attention by popular media.

Tuskegee University was on the forefront in providing local farmers the benefits of agrarian research. The university helped create the massive Agricultural Extension System managed today by land grant universities throughout the United States. Tuskegee established the first baccalaureate nursing program in the state and was also home to Alabama’s first hospital for African Americans. Washington hired Alabama’s first female licensed physician as a resident physician at Tuskegee. Most notably, Tuskegee was the site of a remarkable development in American biochemistry history: its microbiology laboratory was the only one relied upon by the National Foundation for Infantile Paralysis (the organization known today as the March of Dimes) to produce the HeLa cell cultures employed in the national field trials for the Salk and Sabin polio vaccines. Chandler and Powell are also interested in correcting a long-held but false historical perception that Tuskegee University was the location for the shameful and infamous US Public Health Service study of untreated syphilis.

Meticulously researched, this book is filled with previously undocumented information taken directly from the vast Tuskegee University archives. Readers will gain a new appreciation for how Tuskegee’s people and institutions have influenced community health, food science, and national medical life throughout the twentieth century.

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.
 
After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.
 
The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.
 
Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.

A neat and lavish, if constricting, childhood in the lush landscapes of North Carolina. Summers at a calm, remote beach house. A proper and religiously influenced prep school in Washington. Years at Bryn Mawr, an impulsive study trip to Paris, further education at Yale, married life, and divorced life. These are the settings for Mary Ann Caws’s passionate memoir, in which she recounts the highs and lows of her journey through life. Marked by complicated relationships and a passion for learning, Caws’s story is one that resonates not only with writers like herself, but with all who have struggled with determining their path within the surrounding world.

Caws writes of her formal, stylish parents, her rebellious and deeply admired sister, and her artistic grandmother, whom she respected and idolized more than anyone else. She describes her marriage and subsequent divorce, her bouts with therapy, her children, and her growth as a student and writer. Throughout the memoir is evidence of her love for writing, teaching, art, and poetry as well as her deep respect for the people in her life that ultimately guided her into her career.

Mary Ann Caws describes Southern society and her own life with fondness, nostalgia, and a tinge of honest criticism. The carefully selected details and delicate balance of sentiment and fact bring readers into the fascinating, complicated, and all-too-real world of Caws’s—and our own—past.

Tohopeka contains a variety of perspectives and uses a wide array of evidence and approaches, from scrutiny of cultural and religious practices to literary and linguistic analysis, to illuminate this troubled period.

 

Almost two hundred years ago, the territory that would become Alabama was both ancient homeland and new frontier where a complex network of allegiances and agendas was playing out. The fabric of that network stretched and frayed as the Creek Civil War of 1813-14 pitted a faction of the Creek nation known as Red Sticks against those Creeks who supported the Creek National Council.  The war began in July 1813, when Red Stick rebels were attacked near Burnt Corn Creek by Mississippi militia and settlers from the Tensaw area in a vain attempt to keep the Red Sticks’ ammunition from reaching the main body of disaffected warriors. A retaliatory strike against a fortified settlement owned by Samuel Mims, now called Fort Mims, was a Red Stick victory.  The brutality of the assault, in which 250 people were killed, outraged the American public and “Remember Fort Mims” became a national rallying cry.

 

During the American-British War of 1812, Americans quickly joined the war against the Red Sticks, turning the civil war into a military campaign designed to destroy Creek power. The battles of the Red Sticks have become part of Alabama and American legend and include the famous Canoe Fight, the Battle of Holy Ground, and most significantly, the Battle of Tohopeka (also known as Horseshoe Bend)—the final great battle of the war. There, an American army crushed Creek resistance and made a national hero of Andrew Jackson.

New attention to material culture and documentary and archaeological records fills in details, adds new information, and helps disabuse the reader of outdated interpretations.

 

Contributors
Susan M. Abram / Kathryn E. Holland Braund/Robert P. Collins / Gregory Evans Dowd /

John E. Grenier / David S. Heidler / Jeanne T. Heidler / Ted Isham / Ove Jensen / Jay Lamar /

Tom Kanon / Marianne Mills / James W. Parker / Craig T. Sheldon Jr. / Robert G. Thrower / Gregory A. Waselkov

A novel in three parts, linked by a single narrative of disaster, loss, and longing.

TOKYO is an incisive, shape-shifting tour de force, a genre-bending mix of lyric prose, science fiction, horror, and visual collage exploring the erotic undercurrents of American perceptions of Japanese culture and identity.

By turns noir, surreal, and clinical in its language and style, TOKYO employs metaphors of consumption, disease, theater, gender fluidity, monstrousness, and ecological disaster in intertwined accounts touching on matters of cultural appropriation, fiction's powerful capacity to produce immersive realities, and the culturally corrupting late capitalist excesses that entangle both the United States and Japan.

The novel opens with a fantastic, slyly comic report written by a Japanese executive, describing the anomalous bluefin tuna his company purchased at Tokyo’s iconic fish market, as well as the dissolution of the executive’s marriage to his Japanese-American, or Sansei, wife. But when an American writer—whose own Sansei wife was previously married to a Japanese executive—begins investigating the report’s author and his claims, assisted by a mysterious Japanese correspondent the American suspects may once have been his wife’s lover, identities begin to scramble until it’s uncertain who is imagining who, and who is and isn’t Japanese. Meanwhile, a secret plot to establish pure Japaneseness through the global distribution of genetically engineered bluefin tuna seems to be rushing toward its conclusion like a great wave.

Representing the synthesis of approximately ten years of archaeological research along the central Tombigbee River, this book offers new theoretical and interpretive contributions to the study of human activity in the Tombigbee River Valley from 1000 B.C. to A.D. 1450. The authors have devised a new taxonomic approach that allows them to portray cultures as they gathered momentum and peaked in their potential as social, economic, and political structures. The data acquired for this study are from the massive cultural resource management program that accompanied the construction of the Tennessee-Tombigbee Waterway.

These beautifully crafted stories depict the changing relationships between black and white southerners, the impact of the civil rights movement, and the emergence of the New South.

Mary Ward Brown is a storyteller in the tradition of such powerful 20th-century writers as William Faulkner, Harper Lee, Flannery O'Connor, and Eudora Welty-writers who have explored and dramatized the tension between the inherited social structure of the South and its contemporary dissolution. With Tongues of Flame, her first collection of short stories, Brown bares the awkward, sometimes hopeful, and often tragic suffering of people caught in changing times within a timeless setting.

Here we meet such memorable characters as a dying black woman who seeks the advice of a now-alcoholic white doctor whom she knew in better years; a young woman, jilted at the altar, driven crazy by an illuminated cross erected by the church opposite her house; and a 95-year-old woman buying a tombstone for her long-deceased husband only to discover that he had been adulterous throughout their marriage. Brown constructs her characters in a disarmingly plain style while breathing life into them with compassion and honesty as they confront the large moments of their lives.

First published by E. P. Dutton in 1986 to immediate critical acclaim, Tongues of Flame won the 1987 PEN/Ernest Hemingway Foundation Award. The judges commended Brown for "seeing life whole, without prejudice, without sentimentality, without histrionics. Her voice may be quiet-sometimes she speaks in a whisper-but her words are, nevertheless, always forceful, clear, and ultimately lasting." With this new publication of Tongues of Flame and its inclusion in the University of Alabama Press's Deep South Books series, a whole new generation of readers may once more discover Mary Ward Brown's profound stories of pain, loss, and hope.

“You recall the expression ‘toting the lead row’, don’t you? In chopping cotton or corn there is always a leader, one who can chop the fastest of them all. When he finishes his row, he goes back and helps the other choppers finish theirs. The one who totes the lead row takes the lead place in the next row.”—Ruby Pickens Tartt

A Dan Josselyn Memorial Publication

Specialists from archaeology, ethnohistory, physical anthropology, and cultural anthropology bring their varied points of view to this subject in an attempt to answer basic questions about the nature and extent of social change within the time period. The scholars' overriding concerns include presentation of a scientifically accurate depiction of the native cultures in the Central Mississippi Valley prior and immediately subsequent to European contact and the need to document the ensuing social and biological changes that eventually led to the widespread depopulation and cultural reorientation. Their findings lead to three basic hypotheses that will focus the scholarly research for decades to come.

Contributors include:

George J. Armelagos, Ian W. Brown, Chester B. DePratter, George F. Fielder, Jr., James B. Griffin, M. Cassandra Hill, Michael P. Hoffman, Charles Hudson, R. Barry Lewis, Dan F. Morse, Phyllis A. Morse, Mary Lucas Powell, Cynthia R. Price, James F. Price, Gerald P. Smith, Marvin T. Smith, and Stephen Williams

 

Tourism is at once both a beloved pastime and a denigrated form of popular culture. Romanticized for its promise of pleasure, tourism is also potentially toxic, enabling the deadly exploitation of the cultures and environments visited. For many decades, the environmental justice movement has offered “toxic tours,” non-commercial trips intended to highlight people and locales polluted by poisonous chemicals. Out of these efforts and their popular reception, a new understanding of democratic participation in environmental decision-making has begun to arise. Phaedra C. Pezzullo examines these tours as a tactic of resistance and for their potential in reducing the cultural and physical distance between hosts and visitors.

 

Pezzullo begins by establishing the ambiguous roles tourism and the toxic have played in the U.S. cultural imagination since the mid-20th century in a range of spheres, including Hollywood films, women’s magazines, comic books, and scholarly writings. Next, drawing on participant observation, interviews, documentaries, and secondary accounts in popular media, she identifies and examines a range of tourist performances enabled by toxic tours. Extended illustrations of the racial, class, and gender politics involved include Louisiana’s “Cancer Alley,” California’s San Francisco Bay Area, and the Mexican border town of Matamoros. Weaving together social critiques of tourism and community responses to toxic chemicals, this critical, rhetorical, and cultural analysis brings into focus the tragedy of ongoing patterns of toxification and our assumptions about travel, democracy, and pollution.

Although long famous for its antiquities—notably intricate goldwork, elaborate pottery, and earthen mounds—the Santiago-Cayapas region of coastal Ecuador has been relatively neglected from the standpoint of scientific archaeology. Until recently, no sound chronology was available, and even the approximate age of the region's most impressive monument, the large and much-looted site of La Tolita, remained in doubt.

Building on evidence obtained during the last decade, this book documents an eventful prehistory for Santiago-Cayapas that spans three millennia. A highlight of this prehistory was the reign of La Tolita as a regional center from 200 B.C. to A.D. 350. Archaeological data from
La Tolita's hinterland indicate a complex and changing social landscape in which La Tolita's hegemony was never absolute nor uncontested.

Abundantly illustrated and written in a crisp, witty, and occasionally irreverent style, Traces Behind the Esmeraldas Shore will stimulate debate and rankle interpretive conventions about those social formations that archaeologists gloss as 'chiefdoms.'

Artfully demonstrates the linkage of American literary realism to the texts, myths, and resources of the American West

From Gold Rush romances to cowboy Westerns, from hard-boiled detective thrillers to nature writing, the American West has long been known mainly through hackneyed representations in popular genres. But a close look at the literary history of the West reveals a number of writers who claim that their works represent the “real” West. As Nicolas Witschi shows, writers as varied as Bret Harte, John Muir, Frank Norris, Mary Austin, and Raymond Chandler have used claims of textual realism to engage, replicate, or challenge commonly held assumptions about the West, while historically acknowledged realists like William Dean Howells and Mark Twain have often relied on genre-derived impressions about the region.

The familiar association of the West with nature and the “great outdoors” implies that life in the West affords an unambiguous relationship with an unalloyed, non-human, real nature. But through a combination of textual scholarship, genre criticism, and materialist cultural studies, Witschi complicates this notion of wide-open spaces and unfettered opportunity. The West has been the primary source of raw materials for American industrial and economic expansion, especially between the California Gold Rush and World War II, and Witschi argues that the writers he examines exist within the intersections of cultural and material modes of production. Realistic depictions of Western nature, he concludes, must rely on the representation of the extraction of material resources like minerals, water, and oil.

With its forays into ecocriticism and cultural studies, Traces of Gold will appeal to students and scholars of American literature, American studies, and western history.


 

Explores how both black and white southern writers such as Joel Chandler Harris, Charles Chesnutt, Zora Neale Hurston, William Faulkner, Eudora Welty, Ralph Ellison, Ellen Douglas, and Ernest Gaines have employed oral storytelling in literature

Tracing Southern Storytelling in Black and White is a study of the historical use of oral storytelling by southern writers in written works. In each chapter, Sarah Gilbreath Ford pairs a white and an African American writer to highlight points of confluence in black and white southern oral traditions. She argues that the connections between white and African American southern writers run deeper than critics have yet explored, and she uses textual comparisons to examine the racial mixing of oral culture.

On porches, in kitchens, and on the pages of their work, black and white southerners exchanged not just stories but strategies for telling stories. As a boy, Joel Chandler Harris listened to the stories of African American slaves, and he devised a framework to turn the oral stories into written ones. Harris’s use of the frame structure influenced how Charles Chesnutt recorded oral stories, but it led Alice Walker to complain that her heritage had been stolen. Mark Twain listened to African American storytellers as a child. His use of oral dialects then impacts how Ralph Ellison and William Faulkner employ oral storytelling and how Toni Morrison later writes in response to Faulkner. The interactions are not linear, not a chain of influence, but a network of interactions, borrowings, and revisions.

Ford’s pairings lead to new readings that reveal how the writers employ similar strategies in their narratives, due in part to shared historical context. While Zora Neale Hurston and William Faulkner, for example, use oral storytelling in the 1930s to examine the fear of racial mixing, Ellen Douglas and Ernest Gaines use it in the 1970s to build bridges between the races. Exploring the cultural crossing that occurs in the use of oral storytelling, Ford offers a different view of this common strategy in southern narrative and a new perspective on how culture is shared.

This work is a narrative of Zachary Taylor’s Mexican War campaign, from the formation of his army in 1844 to his last battle at Buena Vista in 1847, with emphasis on the 163 men in his “Army of Occupation” who became Confederate or Union generals in the Civil War. It clarifies what being a Mexican War veteran meant in their cases, how they interacted with one another, how they performed their various duties, and how they reacted under fire. Referring to developments in Washington, D.C., and other theaters of the war, this book provides a comprehensive picture of the early years of the conflict based on army records and the letters and diaries of the participants.

Examines the impact of the Scottish legacy on North American cultures and heritage
 

Provides a new understanding of the recurrent rhetorical need to employ conservative rhetoric in support of a radical cause

The Women’s Social and Political Union, the militant branch of the English women’s suffrage movement, turned to arson, bombing, and widespread property destruction as a strategy to achieve suffrage for women. Because of its comparative rarity, terrorist violence by reform (as opposed to revolutionary) movements is underexplored, as is the discursive rhetoric that accompanies this violence. Largely because of the moral stance that drives such movements, the need to justify violence is greater for the reformist than for the revolutionary terrorist. The burden of rhetorical justification falls even more heavily on women utilizing violence, an option generally perceived as open only to men.

The militant suffragettes justified their turn to limited terrorism by arguing that their violence was part of a “just war.” Appropriating the rhetoric of a just war in defense of reformist violence allowed the suffragettes to exercise a traditional rhetorical vision for the sake of radical action. The concept of a just war allowed a spinning out of a fantasy of heroes, of a gallant band fighting against the odds. It challenged the imagination of the public to extend to women a heroic vision usually reserved for men and to accept the new expectations inherent in that vision. By incorporating the concept of a just war into their rhetoric, the WSPU leaders took the most conventional justification that Western tradition provides for the use of violence and adapted it to meet their unique circumstance as women using violence for political reform.

This study challenges the common view that the suffragettes’ use of military metaphors, their vilification of the government, and their violent attacks on property were signs of hysteria and self-destruction. Instead, what emerges is a picture of a deliberate, if controversial, strategy of violence supported by a rhetorical defense of unusual power and consistency.
 

The Transformation of the Christian Right chronicles and analyzes the remarkable changes that have occurred in the Christian Right from its emergence in the late 1970s to the present. It documents the rapid turnover of Christian-Right organizations and explains the forces driving that kaleidoscopic change. Moen also traces the strategic shift of the movement’s leaders, away from lobbying the Congress and toward mobilizing conservative activists in the grass roots; he demonstrates the substitution of liberal language (with its emphasis on “equality, rights, and freedom”) for moralistic language (with its focus on “right and wrong”). Much has been written about the Christian Right’s impact on politics but little about how years of political activism have shaped and influenced the Christian Right. Moen addresses that neglected side of the issue.

Together the essays in this volume investigate the transformation of US law during moments of political change and explore what we can learn about law by examining its role and its use in times of transition. Whether by an abrupt shift in regime or an orderly progression from one government to the next, political change often calls into question the stability and versatility of the law, making it appear temporarily absent or in suspension.  What challenges to the law arise at these times? To what extent do transitional periods foster ingenuity and resourcefulness, and how might they precipitate crises in legal authority? What do moments of legal change mean for law itself and how legal institutions bring about and respond to times of transition in legal arrangements? Transitions begins the scholarly exploration of these questions that have largely been neglected.

 

Contributors
Akhil Reed Amar / William L. Andreen /
Jack M. Beermann / Heather Elliott / Joshua
Alexander Geltzer / David Gray / Paul
Horwitz / Daniel H. Joyner / Nina
Mendelson / Meredith Render / Austin
Sarat / Ruti Teitel / Lindsey Ohlsson Worth

A prominent avant-garde poet charts both her personal artistic development and the difficulties faced by women writers pursuing innovative paths.

An accomplished and influential poet, Kathleen Fraser has been instrumental in drawing attention to other women poets working
outside the mainstream. Translating the Unspeakable gathers eighteen of her essays written over nearly twenty years, combining autobiography and criticism to examine what it means for any artist to innovate instead of following an already traveled path.

In autobiographical passages Fraser tells how her generation was influenced by revolutions in art and philosophy during the early 1960s and how she spent years pursuing idiosyncratic means of rediscovering the poem's terms. By the 1970s her evolving poetics were challenged by questions of gender, until immersion in feminist/modernist scholarship led her to initiate greater dialogue among experimentalist poets.

Other essays examine modernist women writers, their contemporary successors, and the visual poetics they have practiced. By exploring the work of such poets as H. D., Mina Loy, Lorine Niedecker, and Barbara Guest, Fraser conveys their struggle to establish a presence within accepted poetic conventions and describes the role experimentation plays in helping women overcome self-imposed silence.

All of Fraser's writings explore how the search to find one's own way of speaking into a very private yet historic space—of translating the unspeakable—drives poetic experimentation for women and men alike. This provocative book provides a glimpse into the thought processes of
the poetic mind, enhancing our understanding of innovative writing.

Original essays exploring important developments in radio and television broadcasting
 

The essays included in this collection represent some of the best cultural and historical research on broadcasting in the U. S. today. Each one concentrates on a particular event in broadcast history—beginning with Marconi’s introduction of wireless technology in 1899.

Michael Brown examines newspaper reporting in America of Marconi's belief in Martians, stories that effectively rendered Marconi inconsequential to the further development of radio. The widespread installation of radios in automobiles in the 1950s, Matthew Killmeier argues, paralleled the development of television and ubiquitous middle-class suburbia in America. Heather Hundley analyzes depictions of male and female promiscuity as presented in the sitcom Cheers at a time concurrent with media coverage of the AIDS crisis. Fritz Messere examines the Federal Radio Act of 1927 and the clash of competing ideas about what role radio should play in American life. Chad Dell recounts the high-brow programming strategy NBC adopted in 1945 to distinguish itself from other networks. And George Plasketes studies the critical reactions to Cop Rock, an ill-fated combination of police drama and musical, as an example of society's resistance to genre-mixing or departures from formulaic programming.

The result is a collection that represents some of the most recent and innovative scholarship, cultural and historical, on the intersections of broadcasting and American cultural, political, and economic life.
 

The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire.
 
In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’”
 
Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself.
 
The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.

Samuel Romanelli was a free spirit, a son of the Enlightenment, who spend most of his life travelling in search of adventure, knowledge, and patrons for his literary endeavors. By the early 1780s, Romanelli had travelled from his homeland to England and established himself among the Maskilim, or Jews of the Enlightenment, and patrons of Hebrew culture. Fluent in ten languages, he was a poet and translator of classical and contemporary literature into Hebrew, and apparently he earned a good living.
 
During a return voyage to Italy in 1786, he became stranded in Gibraltar for an extended time which depleted his funds, and his economic circumstances forced him to join a merchant travelling to Morocco. Through misadventure in Morocco, he lost his passport and was retained in that country for four years, the story of which forms Travail in an Arab Land, first published in 1792 in Berlin. The book is a firsthand account of the author’s adventures during the four years he was stranded in Sharifan Morocco between 1787 and 1790.

The matter-of-fact descriptive title of this interesting little volume on railroading in the pre–Civil War South does not do justice to Alvarez’s coverage of the subject. Along with his full account of trains and train accommodations, he manages to encompass a number of social, political, and even ideological subjects.

In Traveling the Beaten Trail: Charles Tait’s Charges to Federal Grand Juries 1822–1825, a concise and essential addition to the Occasional Publications of the Bounds Law Library, authors Paul M. Pruitt Jr., David I. Durham, and Sally E. Hadden capture the life, achievements, and legacy of federal judge Charles Tait. Throughout his colorful career, Tait left an unmistakable impression on Alabama politics. He had a major influence over the federal bar and its practice, and he also made it his personal responsibility to educate the public. Traveling the Beaten Trail offers a brief biographical account of Charles Tait’s life, highlighting various noteworthy events, such as the array of professions he undertook—from professor, to planter, to lawyer, to senator. The remainder of the text focuses on in-depth analyses of Tait's grand jury charges for 1822, 1824, and 1825.
 
About Occasional Publications of the Bounds Law Library
This collection offers a series of edited documents that contribute to an understanding of the development of legal history, culture, or doctrine. Series editors Paul M. Pruitt Jr. and David I. Durham have selected a variety of materials—a lecture, diaries, letters, speeches, a ledger, commonplace books, a code of ethics, court reports—to illustrate unique examples of legal life and thought.

Laurent Joubert (b. 1529) was an important figure in the medical world of the French Renaissance. His monumental Treatise on Laughter provides categories and examples of the laughable. The work describes laughter, its causes and effects, its types and differences. His subdivisions and categories, along with their examples, furnish today's critic and reader with a Renaissance vision of comic commonplaces. It is this vision that may prove to be of great value in analyzing comic literature of the Renaissance.

A new paradigm for the interpretation of southeastern Native American and Spanish colonial history and a new way to view the development of the United States

In her compelling and controversial arguments, Wickman rejects the myths that erase Native Americans from Florida through the agency of Spaniards and diseases and make the area an empty frontier awaiting American expansion. Through research on both sides of the Atlantic and extensive oral history interviews among the Seminoles of Florida and Oklahoma, Wickman shatters current theories about the origins of the people encountered by the Spaniards and presents, for the first time ever, the Native American perspective. She describes the genesis of the groups known today as Creek, Seminole, and Miccosukee—the Maskoki peoples—and traces their common Mississippian heritage, affirming their claims to continuous habitation of the Southeast and Florida. Her work exposes the rhetoric of conquest and replaces it with the rhetoric of survival.

An important cross-disciplinary work, The Tree That Bends reveals the flexibility of the Maskoki people and the sociocultural mechanisms that allowed them to survive the pressures introduced at contact. Their world was capable of incorporating the New without destroying the Old, and their descendants not only survive today but also succeed as a discrete culture as a result.


 

  The Collected Short Stories of William March

A collection of wide-ranging critical essays that examine how the judicial system is represented on screen
 
Historically, the emergence of the trial film genre coincided with the development of motion pictures. In fact, one of the very first feature-length films, Falsely Accused!, released in 1908, was a courtroom drama. Since then, this niche genre has produced such critically acclaimed films as Twelve Angry Men, To Kill a Mockingbird, and Anatomy of a Murder. The popularity and success of these films can be attributed to the fundamental similarities of filmic narratives and trial proceedings. Both seek to construct a “reality” through storytelling and representation and in so doing persuade the audience or jury to believe what they see.
 
Trial Films on Trial: Law, Justice, and Popular Culture is the first book to focus exclusively on the special significance of trial films for both film and legal studies. The contributors to this volume offer a contemporary approach to the trial film genre. Despite the fact that the medium of film is one of the most pervasive means by which many citizens receive come to know the justice system, these trial films are rarely analyzed and critiqued. The chapters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways mid-to-late-twentieth-century trial films offered insights into the events of that period.

Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work

This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement.

1990 Winner of the Mildren P. Nilon Award for Minority Fiction

In Trigger Dance, her first collection of stories, Diane Glancy takes us to uneasy places where both the environment and the characters are at risk, where even the animals grieve. Sometimes the author's voice, sometimes the voices of the characters, tell us about their migrations, symbolic or literal. Diane Glancy's characters walk in two worlds and try to build a middle ground between white and native cultures. They are the offspring of those who survived the Trail of Tears. Some of the young men dance at powwows in tune with the dead. Filo and Parnetta buy a fridge at the Hardware Store on Muskogee Street, in Tahleqah, Oklahoma. Farther west, near Chickasha, Keyo can't read, while Joseph Sink, an Indian hermit, learns a word a day. Anna America remembers her shortcomings as a mother and her hard life as she waits in the Northeastern Cherokee County Shelter for her wings to unfold so she can leave this earth. In the title story, Roan mourns the fact that human beings have the power to destroy the earth. He's astonished that creation and cremation could be so closely linked. Even his father, when he feels death approach, demands to be cremated because "it's autumn in outer space." Roan's final vision in the sweat lodge is of the air red as leaves. He admonishes his people to be strong and responsible, to acknowledge that life is a sizeable endeavor. it.

A deeply informed Afrocentric view of language and cultural retention under slavery.

Maureen Warner-Lewis offers a comprehensive description of the West African language of Yoruba as it has been used on the island of Trinidad in the southern Caribbean. The study breaks new ground in addressing the experience of Africans in one locale of the Africa Diaspora and examines the nature of their social and linguistic heritage as it was successively retained, modified, and discarded in a European-dominated island community.

An investigation into the relationship between history, art, architecture, memory, and diplomacy.
 
Between 1948 and 1956, the United States government planned an enormous project to build fourteen permanent overseas military cemeteries in Europe. These park-like burial grounds eventually would hold the graves of approximately 80,000 American soldiers and nurses who died during or immediately after World War II. Five of these cemeteries are located in France, more than any other nation: two in Normandy; one in Provence; and two in Lorraine.
 
In Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France, Kate Clarke Lemay explores the relationship between art, architecture, war memory, and Franco-American relations. She addresses the many functions, both original and more recent, that the American war cemeteries have performed, such as: war memorials, diplomatic gestures, Cold War political statements, prompts for debate about Franco-American relations, and the nature of French identity itself. Located on or near former battlefields, the American war cemeteries are at once history lessons, sites of memory, and commemorative monuments. As places of mourning, war cemeteries are considerably different than civic cemeteries in their rituals, designs, and influences on collective memory. As transatlantic sites, the cemeteries both construct and sustain an American memory of World War II for a Francophile and European audience.
 
The book features ten color photographs, fifty black and white photographs, and four maps. Scholars as well as enthusiasts of World War II history, mid-century art and architecture, and cultural diplomacy will be interested in reading this richly researched book, the first in-depth history of some of the most important sites of American World War II remembrance.

Trouble the Water moves among finely woven layers of time and place as it takes on a new and controversial theme in contemporary black writing, the search for family reconciliation. Twenty years after running away from home in Pee Dee, North Carolina, Jordan Henry believed he had found success, as a young college professor of history, a married man, and a resident of New England, whose colonial past he knew so well. When Jordan finds his career stymied by local prejudices, his world crumbles. Word of his grandmother's death reaches him, and he returns home to claim the ambiguous legacy of her farmland and face the consequences of his long absence.

Jordan's estranged father also returns to Pee Dee on a quest of his own restoring his good name in a community which blames him for Chloe Henry's death in childbirth. Chloe was Jordan's mother and his grandmother's only child. Unresolved hostility in the family and in the community breaks out, making Jordan the unsuspecting pawn in a plot of revenge against his father. Jordan may be the only one who can free his family from the past and the equally troubled present.

Trouble the Water gains resonance from its unflinching confrontation with dualities common in the Afro-American experience: reality and myth, folklore and sophistication, North and South, rural and cosmopolitan. While sacrificing none of its complexities for the sake of simplicity, it has the relentless movement of a fairy tale that reaches deep into the unconscious roots of behavior. It is intensely lyrical and dense in realism. Trouble the Water is magical in the way it reveals the Afro-American psyche and symbolizes fundamental truths about American life.

Novel, memoir, and anti-memoir, The Trouble with Being Born depicts the lives of Frances and Joe, husband and wife. Told in their own alternating voices, they recall their lives, separately and together, and the divergent trajectories of their origins and aspirations.

 

Frances's story moves in reverse: beginning with her dementia in old age, her narrative moves backwards into lucidity, through a cruel and loveless marriage, the birth of her son Jeffrey, and into a childhood that she recalls fondly as a time of innocence and belonging.

  

Joe's memories begin in childhood, a bewildered boy struggling with poverty, racism, and isolation, and we watch him grow into a manhood fraught with wrong turns, rage, betrayals, and disappointment, caring in the end for the woman he has long mistreated.

 

The Trouble with Being Born is a stark meditation on memory and the struggle–both necessary and impossible–to remember.

 

Celebrates Marianne M. Moates’s insightful and detailed account of Truman Capote’s early childhood in Alabama as recounted by his cousin Jennings Faulk Carter

Readers are well acquainted with Truman Capote’s meteoric rise to fame and his metamorphosis from literary enfant terrible to literary genius, celebrity author, and dispenser of venomously comic witticisms. It is also well-known that he spent his formative years in the south Alabama hamlet of Monroeville, and that he was abandoned there by his mother to be cared for and then to care for elderly relatives. Yet details of those years have remained sketchy and vague.
 
In Monroeville young Capote formed significant bonds and played childhood games with his cousin, Jennings Faulk Carter, and next door neighbor, Nelle Harper Lee, author of "To Kill a Mockingbird" and "Go Set a Watchman." Through the tales told by Carter and spun into a fascinating and revealing narrative by Marianne M. Moates readers discover in Truman Capote's Southern Years the lively imagination and the early tragedies of a brilliant child.
 
A new foreword by Ralph F. Voss underscores the enduring relevance of Truman Capote’s work and the influence his Alabama childhood had on his work.

Although much is known about the mature Truman Capote--his literary genius and flamboyant life-style--details of his childhood years spent in Monroeville, Alabama, have remained a mystery. Truman Capote's Southern Years explores Capote's formative years, the abandonment by his mother, and his early life in the care of elderly relatives. In Monroeville young Capote formed significant bonds and played childhood games with his cousin, Jennings Faulk Carter, and next door neighbor, Nelle Harper Lee. Through the tales told here by Carter, readers discover the lively imagination and the early tragedies of a brilliant child.

The first scholarly treatment of the strategies employed by the New Christian Right in litigating cases regarding religion

Trumping Religion provides a detailed analysis of the five major public-interest law firms that have litigated religion cases in the federal courts between 1980 and 2000. Allied with several highly vocal, evangelical ministries, such as those of Jerry Falwell and Pat Robinson, these legal organizations argue that religious expression is a form of protected speech and thereby gain a greater latitude of interpretation in the courts. The long-term agenda of the New Christian Right as illuminated by this study is to shape church-state jurisprudence in a way that permits free course for the Christian gospel.

Steven P. Brown presents his research and conclusions from a balanced viewpoint. In filling a distinct void in the literature, this book will be of considerable interest to political scientists, legal scholars, law schools and seminaries, and anyone concerned with the intersection of religion and judicial politics.

 "An outstanding and innovative study on hunting, gardening, and love magic among the Aguaruna. . . . [It is] both highly useful ethnographically and an important contribution to the understanding of how a primitive culture conceptualizes its transactions with nature. The book touches on cosmology and religion as well as the ethnoecology of hunting and agriculture--with an interlude on sex."

--American Ethnologist

Turning the Tide is an institutional and cultural history of a dramatic decade of change at the University of Alabama set against the backdrop of desegregation, the continuing civil rights struggle, and the growing antiwar movement.

This book documents the period when a handful of University of Alabama student activists formed an alliance with President Frank A. Rose, his staff, and a small group of progressive-minded professors in order to transform the university during a time of social and political turmoil. Together they engaged in a struggle against Governor George Wallace and a state legislature that reflected the worst aspects of racism in a state where the passage of civil rights legislation in 1964 and 1965 did little to reduce segregation and much to inflame the fears and passions of many white Alabamians.

Earl H. Tilford details the origins of the student movement from within the Student Government Association, whose leaders included Ralph Knowles and future governor Don Siegelman, among others; the participation of key members of “The Machine,” the political faction made up of the powerful fraternities and sororities on campus; and the efforts of more radical non-Greek students like Jack Drake, Ed Still, and Sondra Nesmith. Tilford also details the political maneuverings that drove the cause of social change through multiple administrations at the university. Turning the Tide highlights the contributions of university presidents Frank A. Rose and David Mathews, as well as administrators like the dean of men John L. Blackburn, who supported the student leaders but also encouraged them to work within the system rather than against it.

Based on archival research, interviews with many of the principal participants, and the author’s personal experiences, Tilford’s Turning the Tide is a compelling portrait of a university in transition during the turbulence surrounding the civil rights and anti-war movements of the 1960s.

For nearly 200 million years, Earth has been occupied by reptiles—a lineage of terrestrial vertebrates that includes some, like birds, that have invaded the aerial environment, and others, like turtles, that have invaded aquatic environments. With thirty-nine known species, Alabama harbors more turtle species than any other state in the nation, and its Mobile River basin is the center of the world's greatest biodiversity in turtles, surpassing all other river systems around the globe, including the Amazon and the Nile. Turtles of Alabama documents that extraordinary wealth and presents each species in full, describing its physical appearance, habitat and range, behavior, conservation and management, and taxonomy.
 
In addition to providing sixty-five full-color photographs of juveniles and adults along with forty-two colorfully detailed distribution maps, this volume features an introductory section explaining the physiography, climate, and habitats of the state, and offers illustrated taxonomic keys for all the species considered, including the oceanic behemoths that lay their eggs on Alabama's gulf beaches and the lumbering gopher tortoise that provides safe haven for countless other animals and arthropods in its underground burrows of the Coastal Plain. With fine line drawings to highlight various distinguishing attributes of the animals, this volume is the definitive guide to the state’s fascinating and diverse turtle populations—freshwater, marine, and terrestrial.
 
Although they are notoriously slow-moving, turtles still survive on Earth because of their remarkable adaptations—an exterior shell for body protection, long lives, high reproductive output, stamina, and a capacity for doing without. Turtles are cold-blooded reptiles that were here long before mammals, and they're still around, continuing to adapt to many different habitats and ecological niches, still interbreeding, evolving, and speciating. Turtles of Alabama is a fitting celebration of that phenomenal variety and strength.

Winner of Alabama Historical Association's 2020 Clinton Jackson Coley Book Award!

A lavishly illustrated history of this distinctive city’s origins as a settlement on the banks of the Black Warrior River to its development into a thriving nexus of higher education, sports, and culture

In both its subject and its approach, Tuscaloosa: 200 Years in the Making is an account unlike any other of a city unlike any other—storied, inimitable, and thriving. G. Ward Hubbs has written a lively and enlightening bicentennial history of Tuscaloosa that is by turns enthralling, dramatic, disturbing, and uplifting. Far from a traditional chronicle listing one event after another, the narrative focuses instead on six key turning points that dramatically altered the fabric of the city over the past two centuries.
 
The selection of this frontier village as the state capital gave rise to a building boom, some extraordinary architecture, and the founding of The University of Alabama. The state’s secession in 1861 brought on a devastating war and the burning of the university by Union cavalry; decades of social adjustments followed, ultimately leading to legalized racial segregation. Meanwhile, town boosters set out to lure various industries, but with varying success.
 
The decision to adopt new inventions, ranging from electricity to telephones to automobiles, revolutionized the daily lives of Tuscaloosans in only a few short decades. Beginning with radio, and followed by the Second World War and television, the formerly isolated townspeople discovered an entirely different world that would culminate in Mercedes-Benz building its first overseas production plant nearby. At the same time, the world would watch as Tuscaloosa became the center of some pivotal moments in the civil rights movement—and great moments in college football as well.
 
An impressive amount of research is collected in this accessibly written history of the city and its evolution. Tuscaloosa is a versatile history that will be of interest to a general readership, for scholars to use as a starting point for further research, and for city and county school students to better understand their home locale.

Born in Snow Hill, in 1869, William J. Edwards graduated in 1893 from Tuskegee Institute, then under the direction of Booker T. Washington, and set out to find a way to use in his own life the values he had learned at Tuskeegee. He did not have to look far. Edwards toured Wilcox, Monroe, Butler, and Dallas counties and found a large black population in need of both liberal and practical education. Following the model set by Tuskegee, Edwards founded Snow Hill Institute in 1893 and was its principal and guiding hand for 31 years.

Twenty-Five Years in the Black Belt is a memoir written by Edwards in 1918, when the school was 25 years old. It not only provided a fascinating portrait of the conditions of black people and the state of race relations in Alabama at the time, but also tells of one person's determination to uplift his race, particularly through eductation, in the years following Reconstruction.

“Described by José Garcia Villa as America’s ‘greatest short story writer,’ by Alistair Cooke as the ‘the unrecognized genius of our time,’ and by his biographer as ‘one of the most remarkable, talented, and shamefully neglected writers that America has pro- duced,’ William March (1893–1954) is remembered, if at all, for The Bad Seed, which March ironically regarded as his worst work. The emphasis in The Two Worlds of William March is on the literary career, and we get a fairly full picture of a hardworking, oversensitive, compassionate bachelor, who suffered a tragic breakdown late in life . . . [and] whose best long works, Company K and The Looking-Glass, as well as March himself are almost forgotten. . . . Simmonds’s comprehensive, scholarly, and sympathetic study may redress this unwarranted neglect.” —CHOICE

Confederate proclamation of nationhood was backed by an energetic and reasonably well equipped land defense.  Not so for its coastal and sea defenses; much of its hope of tipping the balance in its contention with the Union rested on international support, trade, and naval defense.  In search of a naval arm to counter Northern superiority on the seas, the South turned to foreign sources for a seaborne arm.  Confederate agents in England cagily used scarce gold, promises of cotton, and British sympathy to obtain the devastating naval weapons of speedy and deadly raiders.  Foremost among these was the Alabama, a screw steamer with full sail power, launched in May 1862.  In only twenty-two months of action, this ship engaged nearly 300 vessels and destroyed 55 Northern merchant ships worth millions of dollars.

A challenge to the long-held view that the only important and influential politicians in post-Reconstruction Deep South states were Democrats.

In this insightful and exhaustively researched volume, Samuel L. Webb presents new evidence that, contrary to popular belief, voters in at least one Deep South state did not flee en masse from the Republican party after Reconstruction. As Webb demonstrates conclusively, the party gained strength among white voters in Upcountry areas of northern Alabama between 1896 and 1920. Not only did GOP presidential candidates win more than a dozen area counties but Republican congressional candidates made progress in Democratic strongholds, and local GOP officials gained control of several county courthouses.

Nor were these new Republicans simply the descendants of anti-Confederate families, as some historians have claimed. Rather, they were former independents, Greenbackers, and Populists, who, in keeping with the 1890s Populist movement, were reacting against what they perceived as the control of the Democratic party by "moneyed elites" and planter landlords. Webb also breaks with previous historical opinion by showing that ex-Populists in the Hill Country, who had been radical reformers during the 1890s, remained reform minded after 1900.

Webb's ground-breaking reassessment of Alabama state politics from Reconstruction to the 1920s describes a people whose political culture had strong roots in the democratic and egalitarian Jacksonian ideology that dominated north Alabama in the antebellum period. These people carried forward elements of Jacksonianism into the late 19th century, with its tenets continuing to influence them well into the early 20th century.