The line between punishment and torture can be razor-thin—yet the entire world agreed that it was definitively crossed at Abu Ghraib. Or perhaps not. George W. Bush won a second term in office only months after the Abu Ghraib scandal was uncovered, and only the lowest-ranking U.S. soldiers involved in the scandal have been prosecuted. Where was the public outcry? Stephen Eisenman offers here an unsettling explanation that exposes our darkest inclinations in the face of all-too-human brutality.
Eisenman characterizes Americans’ willful dismissal of the images as “the Abu Ghraib effect,” rooted in the ways that the images of tortured Abu Ghraib prisoners tapped into a reactionary sentiment of imperialist self-justification and power. The complex elements in the images fit the “pathos formula,” he argues, an enduring artistic motif in which victims are depicted as taking pleasure in their own extreme pain. Meanwhile, the explicitly sexual nature of the Abu Ghraib tortures allowed Americans to rationalize the deeds away as voluntary pleasure acts by the prisoners—a delusional reaction, but, The Abu Ghraib Effect reveals, one with historical precedence. From Greek sculptures to Goya paintings, Eisenman deftly connects such works and their disturbing pathos motif to the Abu Ghraib images.
Skillfully weaving together visual theory, history, philosophy, and current events, Eisenman peels back the political obfuscation to probe the Abu Ghraib images themselves, contending that Americans can only begin to grapple with the ramifications of torture when the moral detachment of the “Abu Ghraib effect” breaks down and the familiar is revealed to be horribly unfamiliar.
Sex and religion are inevitably and intricately linked. There are few realms of human experience other than sex in which religion has greater reach and influence. The role of religion, of any faith, to prohibit, regulate, condemn, and reward, is unavoidably prominent in questions of sex—namely with whom, when, how, and why. In Sex and Religion, Dag Øistein Endsjø examines the myriad and complex religious attitudes towards sex in cultures throughout the world.
Endsjø reflects on some of the most significantly problematic areas in the relationship between sex and religion—from sex before or outside of marriage to homosexuality. Through many examples from world religions, he outlines what people mean by sex in a religious context, with whom it’s permissible to have sex, how sex can be a directly religious experience, and what consequences there are for deviance, for both the individual and society. As Endsjø explains, while Buddhist monks call attention to gay sex as a holy mystery, the Christian church questions a homosexual’s place in the church. Some religions may believe that promiscuity leads to hurricanes and nuclear war, and in others God condemns interracial marriage. Sex and Religion reveals there is nothing natural or self-evident about the ways in which various religions prescribe or proscribe and bless or condemn different types of sexuality. Whether sex becomes sacred or abhorrent depends entirely on how a religion defines it.
Sex and Religion is a fascinating investigation of mores, meanings, rituals, and rules in many faiths around the globe, and will be of interest to anyone curious about the intersection of these fundamental aspects of human history and experience.
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