What did the arrival of cinema do for photography? How did the moving image change our relation to the still image? Why have cinema and photography been so drawn to each other? Close-ups, freeze frames and the countless portrayals of photographers on screen are signs of cinema’s enduring attraction to the still image. Photo-stories, sequences and staged tableaux speak of the deep influence of cinema on photography.
Photography and Cinema a considers the importance of the still image for filmmakers such as the Lumière brothers, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Chris Marker, Mark Lewis, Agnès Varda, Peter Weir, Christopher Nolan and many others. In parallel it looks at the cinematic in the work of photographers and artists that include Germaine Krull, William Klein, John Baldessari, Jeff Wall, Victor Burgin and Cindy Sherman.
From film stills and flipbooks to slide shows and digital imaging, hybrid visual forms have established an ambiguous realm between motion and stillness. David Campany assembles a missing history in which photography and cinema have been each other’s muse and inspiration for over a century.
Once described as the “fastest, hairiest, most lascivious, and most melancholy” of mammals, the hare was also believed to never close its eyes, occasionally grow horns, and have the ability to change its sex. More than just a speedy, but lazy, character in popular children’s fables, the hare is remarkable for its actual behavior and the intriguing myths that have developed around it. Here, Simon Carnell examines how this animal has been described, symbolized, visually depicted, and sought for its fur, flesh, and exceptional speed.
Carnell tracks the hare from ancient Egypt, where a hieroglyph of a hare stood for the concept of existence itself, to Crucifixion scenes, Buddhist lore, and Algonquin creation myths, to the serial works of Joseph Beuys, and even to an art installation in a Dutch brothel. The hare shows up in both surprising and expected places—it was the principal subject of the first hunting treatise, it appears in the first signed and dated picture of a single animal, and it was credited in early medicine with the most curative properties of any animal.
Combining recent natural history with an extensive and richly illustrated focus on visual art, Hare is highly accessible and packed with details about a historically fascinating animal.
As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas—it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity.
Rather than studying the history of the nude in art or detailing the ways in which the naked body has been denigrated in the media, A Brief History of Nakedness reveals the ways in which religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin—or even simply the word “naked”—to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.
From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, A Brief History of Nakedness surveys the touching, sometimes tragic and often bizarre story of our relationships with our naked bodies.
Five years after 9/11, we question whether or not terrorist activity has actually decreased. Terrorist networks still span the globe and, some argue, they are more powerful than ever. Yet in this era of rigid security and U.S.-led wars on multiple continents, countries are at odds about how to deal with the looming threat—and chaotic aftermath—of terrorist acts. In Countering Terrorism, Rohan Gunaratna and Michael Chandler sift through political commentary, military maneuvering, and the tangled web of international diplomacy to put us on alert: The world has missed a prime opportunity to crush terrorism.
Chandler and Gunaratna are among the world’s foremost experts on international terrorism, having logged between them over forty years of firsthand experience in the field and planning rooms, analyzing and dealing with an unceasing succession of terrorist threats and conflicts. Chandler and Gunaratna employ their unparalleled expertise to probe the catastrophic attacks so indelibly seared into the history of the early twenty-first century, from 9/11 to the Madrid bombings to deadly strikes in Afghanistan, Iraq, Pakistan, Palestine, and elsewhere. They ask the hard questions we never hear on nightly newscasts: Why has the overall response to terrorism after 9/11 been “so abysmal, slow, piecemeal, and to a large extent far from effective?” Why have some countries, despite international criticism, disregarded universally accepted humanitarian norms when handling the prosecution of terrorist suspects?
By allowing politics to trump the need for trans-national cooperation, the authors contend, the international community—and particularly the United States—has squandered an opportunity to combat terrorism with a united and powerful force. Thus what should have been a watershed moment in international relations vanished as effective long-term policies were shunned in favor of short-term political expediency.
From arguing the Iraq War has been a “strategic defeat” to Afghanistan’s struggle against the Taliban to the rapidly growing geopolitical role of Iran, Countering Terrorism investigates the reality of the changes that followed the bombings and attacks and examines global terrorism from every angle, including the social and economic underpinnings of terror networks. Scholars, experts, and citizens have appealed for a re-evaluation of today’s increasingly ineffective “War on Terror” policies, and Chandler and Gunaratna answer this call with clear and concise proposals for future dealings with global terrorism.
The projected end results of the wars, terrorist attacks, and political upheavals tearing nations apart today are rarely anything but bleak. But Countering Terrorism challenges today’s chaotic status quo, offering penetrating analysis and a radically new perspective essential to grappling with the complexities of terrorist activity and counterintelligence today.
"A timely book that fills a lacuna in the counter-terrorism literature and has to be on the bookshelf of any decision-maker, scholar, student and anyone who is interested in understanding the current and the future trends of international terrorism and the strategies that has to be taken to combat this threat."--Dr. Boaz Ganor, author of The Counter-Terrorism Puzzle: A Guide for Decisionmakers
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults.
Restless, protean, fluid, evanescent—despite being a challenge to represent visually, water has gained a striking significance in the art of the twentieth century. This may be due to the fact that it allows for a range of metaphorical meanings, many of which are particularly appropriate to the modern age. Water is not merely a subject of contemporary art, but also a material increasingly used in art-making, giving it a distinct dual presence.
Water and Art probes the ways in which water has gained an unprecedented prominence in modern Western art and seeks to draw connections to its depiction in earlier art forms. David Clarke looks across cultures, finding parallels within contemporary Chinese art, which draws on a cultural tradition in which water has an essential presence and is used as both a subject and a medium. The book features a wealth of images by artists from East and West, including Fu Baoshi, Shi Tao, Wei Zixi, Fang Rending, Leonardo da Vinci, Bernini, Turner, Gericault, Klee, Matisse, Monet, Picasso, Mondrian, and Kandinsky.
Fast-paced, accessible, and comprehensive, Water and Art will appeal to the specialist and the general reader alike, offering fresh perspectives on familiar artists as well as an introduction to others who are less well-known.
Apple pie. Pumpkin pie. Shepherd’s pie. Chicken potpie. Sweet or savory, pies are beloved; everyone has a favorite. Yet despite its widespread appeal there has never been a book devoted to this humble dish—until now.
Janet Clarkson in Pie illustrates how what was once a purely pragmatic dish of thick layers of dough has grown into an esteemed creation of culinary art. There is as much debate about how to perfect the ideal, flaky pastry crust as there is about the very definition of a pie: Must it have a top and bottom crust? Is a pasty a pie? In flavorful detail, Clarkson celebrates the pie in all its variations. She touches pon the pie’s commercial applications, nutritional value, and cultural significance; and she examines its international variations, from Britain’s pork pie and Australia and New Zealand’s endless varieties of meat pie to the Russian kurnik and good old-fashioned American apple pie.
This delectable salute to the many pies enjoyed the world over will satisfy the appetites of all readers hungry for culinary history and curious about the many varieties of this delightful food, and it just might inspire them to don aprons and head for the stove.
From the restorative powers of chicken soup on a sick day to the warmth of a bowl of chowder on a wintry night, there is no food quite as comforting and emblematic of home as soup. Soup, as Janet Clarkson tells us, is the first true culinary creation of humanity, and it has made a long journey from the prehistoric cave to the kitchen table and the white linens of Michelin-starred restaurants.
Tracing its myriad reinventions through history and across the globe, Clarkson argues in Soup that it is the only truly universal dish—every culture in the world makes soup, and it is widely valued as a dish adaptable for any situation. From the swill of the poorhouse to the most delicately crafted consommé, Clarkson explores how soup got its name and describes the different roles of soup in Eastern and Western cuisine. Featuring the national soups of many countries and including an assortment of anecdotes and recipes taken from seven centuries of culinary history, Soup entertains as much as it informs, telling of how the history of the restaurant itself is intricately interwoven with the very concept of soup.
“With enthusiasm and detailed research, Clarkson’s entertaining history is a nutrient-rich meal for the mind, sure to be devoured as happily as its subject”—Publishers Weekly, on Clarkson’s Pie
French composer Claude Debussy (1862–1918) created music that was revolutionary, with a distinctly modern sound that highlighted the intersection of art and life. Here, in this unique biography, David J. Code explores the important moments in the development of Debussy’s literary interests that shaped his music—and in the process brings to life Debussy’s sardonic personality.
Claude Debussy presents an in-depth look at how Debussy’s love for poetry influenced his musical compositions. Code explores both Debussy’s earlier years, filled with student cantatas inspired by Verlaine and Baudelaire, as well as his later works, dominated by nationalistic pieces inspired by French Renaissance poets and composed in the lead-up to World War I. Along the way, Code looks at Debussy’s orchestral compositions and operas, inspired by Stéphane Mallarmé and Maurice Maeterlinck.
This book will give readers a fresh way of listening to Debussy’s classic music by offering the most up-to-date critical analysis of the intersection of Debussy’s literary interests and musical compositions and will appeal to any reader with a love of Debussy, as well as modern music, literature, and the arts.
Take a deep breath. Air—without it, life on Earth would cease to exist. Though not usually seen, its presence is relied upon. At once both ethereal and physical, air has been associated with flight and spirit, and yet it has progressively become a territory that can be claimed through communications, warfare, travel, and scientific exploration. At the same time, air is no longer a completely reliable part of our daily life: like water, it has become an environmental element that must be watched closely for quality and purity.
A Matter of Air investigates the meanings of air over the last three centuries, including our modern concern over emissions and climate change. Steven Connor looks at the human relationship with air, both positive and negative. His explorations include the dangers posed by radio atmospherics, poison gas, and haze as well as our continued fascination with effervescence and explosives. Drawing ideas from religion, science, art, literature, and philosophy, A Matter of Air creates a comprehensive history of the human perception of air. Thoroughly researched and written with wit and quirky enthusiasm, the book will appeal to a wide range of general readers interested in the environment, human history, and our most essential aspects of life.
A sleek hunter of the seas, the shark has struck fear into the hearts of men since the days of the first fishermen. Dean Crawford now explores here the long relationship between shark and man, revealing that behind the fearsome caricature is a complex animal that deserves a thoughtful reconsideration.
With a lineage stretching back over 100 million years, the shark has evolved into 350 different species, from the great white to the pike-bearing goblin to the tiny cookie-cutter. Crawford compiles here a fascinating narrative that analyzes how and why the animal looms large in our cultural psyche. While sharks have played a prominent part in religion and mythology, they are more commonly perceived as deadly predators—in such films as Jaws and Dr. No—or as symbols of natural violence, as in Hemingway’s Islands in the Stream. Shark ultimately argues, however, that our ill-informed emotional responses, spurred by such representations, have encouraged the wholesale slaughter of sharks—and our ignorance endangers the very existence of the shark today.
Both a celebration of their lethal beauty and plea for their conservation, Shark urges us to shed our fears and appreciate the magnificence of this majestic animal.
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