Slovak nationalist sentiment has been a constant presence in the history of Czechoslovakia, coming to head in the torrent of nationalism that resulted in the dissolution of the Republic on January 1, 1993. James Felak examines a parallel episode in the 1930s with Slovak nationalists achieved autonomy for Slovakia-but “at the price” of the loss of East Central Europe's only parliamentary democracy and the strengthening of Nazi power.
The tensions between Czechs and Slovaks date back to the creation of Czechoslovakia in 1918. Slovaks, who differed sharply in political tradition, social and economic development, and culture, and resented being governed by a centralized administration run from the Czech capital of Prague, formed the Slovak People's Party, led by Roman Catholic priest Ankrej Hlinka. Drawing heavily on Czech and Slovak archives, Felak provides a balanced history of the party, offering unprecedented insight into intraparty factionalism and behind-the-scenes maneuvering surrounding SSP's policy decisions.
At the Table of Power is both a cookbook and a culinary history that intertwines social issues, personal stories, and political commentary. Renowned culinary historian Diane M. Spivey offers a unique insight into the historical experience and cultural values of African America and America in general by way of the kitchen. From the rural country kitchen and steamboat floating palaces to marketplace street vendors and restaurants in urban hubs of business and finance, Africans in America cooked their way to positions of distinct superiority, and thereby indispensability. Despite their many culinary accomplishments, most Black culinary artists have been made invisible—until now. Within these pages, Spivey tells a powerful story beckoning and daring the reader to witness this culinary, cultural, and political journey taken hand in hand with the fight of Africans in America during the foundation years, from colonial slavery through the Reconstruction era. These narratives, together with the recipes from the nineteenth and twentieth centuries, expose the politics of the day and offer insight on the politics of today. African American culinary artists, Spivey concludes, have more than earned a rightful place at the table of culinary contribution and power.
The publication of Murdock’s Ethnographic Atlas in 1967 marked the first time that descriptive information on the peoples of the world—primitive, historical, and contemporary—had been systematically organized for the purposes of comparative research. In this volume, Murdock has completely revised this work, selecting 563 societies that are most fully and accurately described in ethnographic literature. The identification of each society gives its geographical coordinates and date, its identifying number in the Ethnographic Atlas, and an indication of whether it is included in the Human Relations Area Files or the Standard Cross-Cultural Sample. In addition, bibliographical references are offered for each society.
The information and suggested research techniques will be of value to comparativists in anthropology, history, political science, psychology and sociology. Most importantly, it offers a simple method fro choosing a valid sample of the world’s known societies for cross-cultural research.
Finalist, 2023 Turku Book Award
In 1972, the US Navy installed a base for nuclear submarines in the Archipelago of La Maddalena off the northeastern shore of Sardinia, Italy. In response, Italy established a radiation surveillance program to monitor the impact of the base on the environment and public health. In the first systematic study of nuclear expertise in Italy, Davide Orsini focuses on the ensuing technopolitical disputes concerning the role and safety of US nuclear submarines in the Mediterranean Sea from the Cold War period to the closure of the naval base in 2008. His book follows the struggles of different groups—including local residents of the archipelago, US Navy personnel, local administrators, Italian experts, and politicians—to define nuclear submarines as either imperceptible threats, much like radiocontamination, or efficient machines at the service of liberty and freedom.
Unlike inland nuclear power plants, vividly present and visible with their tall cooling towers and reactor containers, the mobility and invisibility of submarines contributed to an ambivalence about their nature, perpetuating the idea of nuclear exceptionalism. In Italy, they symbolized objects in constant motion, easily removable at the first sign of potential harm. Orsini demonstrates how these mobile sources of hazard posed special challenges for both expert assessments and public understandings of risk, and in contexts outside the Anglo-Saxon world, where unique social power dynamics held sway over the outcome of technopolitical controversies.
Winner of the AWP 2017 Donald Hall Prize for Poetry
In ancient fertility carvings, artists would drill holes into the woman’s body to signify penetrability, which is the basis of Autobiography of a Wound: allowing those wounds and puncture marks to speak through the fertility figures. The wounds are chronicled through letters and poems addressed to F (F stands for the fertility carvings themselves, which are being addressed as one unified deity), and A (Aphrodite, who is being referenced as a general deity of womanhood, a figurine that reappears throughout the poems, and a symbol that is referenced or portrayed in almost every fertility figurine or carving). Autobiography of a Wound reconstructs the narrative surrounding female pathos and the idea of the hysteric girl.
The Avant-Garde and Geopolitics in Latin America examines the canonical Latin American avant-garde texts of the 1920s and 1930s in novels, travel writing, journalism, and poetry, and presents them in a new light as formulators of modern Western culture and precursors of global culture. Particular focus is placed on the work of Roberto Arlt and Mário de Andrade as exemplars of the movement.
Fernando J. Rosenberg provides a theoretical historiography of Latin American literature and the role that modernity and avant-gardism played in it. He finds significant parallels between the cultural battles of the interwar years in Latin America and current debates over the role of the peripheral nation-state within the culture of globalization. Rosenberg establishes that the Latin American avant-garde evolved on its own terms, in polemic dialogue with the European movements, critiquing modernity itself and developing a global geopolitical awareness. In the process these writers created a bridge between postcolonial and postmodern culture, forming a distinct movement that continues its influence today.
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