Bringing together a diverse group of contributors ranging from Roane Carey of the Nation to scholars in Arab, Jewish, and comparative literary studies, this special issue considers Palestinian gender and identity and their relationship to the conflict with Israel as represented in film, literature, and photography. Essays explore the failed peace process, misrepresentations of the Oslo meetings, the devastating effect of continued Israeli occupation of the Palestinian territories, and the growing controversy over the call for U.S. military divestment from Israel.
Contributors. Ammiel Alcalay, Amal Amireh, Mohammed Bamyeh, Roane Carey, Thomas W. Lockwood, Lisa Suhair Majaj, Saree Makdisi, Melani McAlister, Brinda J. Mehta, John Michael, Andrew N. Rubin, Kenneth Surin
Palestine and Jewish History was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This provocative and personal series of meditations on the Israeli-Palestinian conflict argues that it represents a struggle not as much about land and history as about space, time, and memory. Juxtaposing entries from Jonathan Boyarin's field diary with critical and theoretical articulations, Palestine and Jewish History shows not only the unfinished nature of anthropological endeavor, but also the author's personal stake in the ethical predicament of being a Jew at this point in history.
Boyarin comes to Israel as a specialist in modern Jewish studies, an individual who has kin, friends, and colleagues there, a scholar with a long history of peace activism. He interweaves fascinating descriptions of ordinary life-parties, walks, classes, visits to homes-with a selection of his related writings on cultural studies and anthropology. Some sections are polemical; others are witty analyses of bumper stickers, slogans, the ambiguities in conversations. Boyarin foregrounds the messiness and lack of closure inherent in this process, presenting "raw materials" (field notes) in some sections of the book that reappear in other sections as various kinds of "finished" products (conference papers, published articles).
In the process, we learn a good deal about the Middle East and its debates and connections to other places. Boyarin addresses two fundamental issues: the difficulty of linking different sorts of memories and memorializations, and the importance of moving beyond objectivity and multiculturalism into a situated, engaged, and nontotalizing framework for fieldwork and ethnography.
Palestine and Jewish History enacts rather than reports on Boyarin's process of error, pain, impatience, uncertainty, discovery, embarrassment, self-criticism, intellectual struggle, and dawning awareness, challenging and engaging us in the process of discovery. Ultimately, it gives the lie, as the Palestinian presence does in Israel, to any concept of a "finishedness" that successfully conceals its unruly and painful multiple processes.
Jonathan Boyarin is the Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought in the Department of Religious Studies at the University of North Carolina at Chapel Hill. He is the author of Storm from Paradise, co-author of Powers of Diaspora, and the co-editor of Remapping Memory and Jews and Other Differences, all available from Minnesota.
This special issue places the Palestine question in a transnational and comparative frame that strives to better depict its historical complexity. The issue also gives special consideration to the different modes of Palestinian resistance both within and outside the state of Israel and the occupied territories.
The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.
Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
Palestinian cinema arose during the political cinema movements of the late 1960s and early 1970s, yet it was unique as an institutionalized, though modest, film effort within the national liberation campaign of a stateless people. Filmmakers working within the Palestinian Liberation Organization (PLO) and through other channels filmed the revolution as it unfolded, including the Israeli bombings of Palestinian refugee camps, the Jordanian and Lebanese civil wars, and Palestinian life under Israeli occupation, attempting to create a cinematic language consonant with the revolution and its needs. They experimented with form both to make effective use of limited material and to process violent events and loss as a means of sustaining active engagement in the Palestinian political project.
Palestinian Cinema in the Days of Revolution presents an in-depth study of films made between 1968 and 1982, the filmmakers and their practices, the political and cultural contexts in which the films were created and seen, and their afterlives among Palestinian refugees and young filmmakers in the twenty-first century. Nadia Yaqub discusses how early Palestinian cinema operated within emerging public-sector cinema industries in the Arab world, as well as through coproductions and solidarity networks. Her findings aid in understanding the development of alternative cinema in the Arab world. Yaqub also demonstrates that Palestinian filmmaking, as a cinema movement created and sustained under conditions of extraordinary precarity, offers important lessons on the nature and possibilities of political filmmaking more generally.
Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.
He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience—stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.
As frequent intermediaries between Israeli military authorities and Palestinian citizens, Palestinian lawyers stand close to the fault line dividing Israeli and Palestinian societies. The conflicts and tensions they experience in their profession mirror the larger conflicts between the two societies. Thus, as George Bisharat reveals in Palestinian Lawyers and Israeli Rule, a careful study of the work and lives of Palestinian lawyers ultimately helps to illuminate the causes of the intifada, or uprising, that began in December 1987.
The study revolves around the central question of why the Palestinian legal profession declined during twenty years of Israeli occupation when, in other Third World countries, the legal profession has often reached its peak during a period of Western colonization. Bisharat answers this question with a wide-ranging inquiry into the historical origins of the legal profession and court system in Palestine, the tenuous grounding of these institutions in Palestinian society and culture, and the structure, style, and policies of the late-twentieth-century Israeli military government in the West Bank.
For general readers interested in the Palestinian-Israeli conflict, as well as specialists in such fields as legal anthropology, sociology of the professions, Third World law and development, and Middle Eastern studies, Palestinian Lawyers and Israeli Rule will be required reading.
Challenging the claim that Palestine’s peasant economy progressed during the 1920s and 1930s, Amos Nadan skillfully integrates a wide variety of sources to demonstrate that the period was actually one of deterioration on both the macro (per capita) and micro levels.
The economy would have most likely continued its downward spiral during the 1940s had it not been for the temporary prosperity that resulted from World War II. Nadan argues that this deterioration continued despite the British authorities’ channeling of funds from the Jewish sector and the wealthier Arab sectors into projects for the Arab rural economy. The British were hoping that Palestine’s peasants would not rebel if their economic conditions improved. These programs were, on the whole, defective because the British chose programs based on an assumption that the peasants were too ignorant to manage their farms wisely, instead of working with the peasants and their own institutions.
In a timely reminder of how the past informs the present, Baruch Kimmerling and Joel Migdal offer an authoritative account of the history of the Palestinian people from their modern origins to the Oslo peace process and beyond.
Palestinians struggled to create themselves as a people from the first revolt of the Arabs in Palestine in 1834 through the British Mandate to the impact of Zionism and the founding of Israel. Their relationship with the Jewish people and the State of Israel has been fundamental in shaping that identity, and today Palestinians find themselves again at a critical juncture. In the 1990s cornerstones for peace were laid for eventual Palestinian-Israeli coexistence, including mutual acceptance, the renunciation of violence as a permanent strategy, and the establishment for the first time of Palestinian self-government. But the dawn of the twenty-first century saw a reversion to unmitigated hatred and mutual demonization. By mid-2002 the brutal violence of the Intifada had crippled Palestine's fledgling political institutions and threatened the fragile social cohesion painstakingly constructed after 1967. Kimmerling and Migdal unravel what went right--and what went wrong--in the Oslo peace process, and what lessons we can draw about the forces that help to shape a people. The authors present a balanced, insightful, and sobering look at the realities of creating peace in the Middle East.
Members of Palestine’s Muslim community have long honored al-Nabi Musa, or the Prophet Moses. Since the thirteenth century, they have celebrated at a shrine near Jericho believed to be the location of Moses’s tomb; in the mid-nineteenth century, they organized a civic festival in Jerusalem to honor this prophet. Considered one of the most important occasions for Muslim pilgrims in Palestine, the Prophet Moses festival yearly attracted thousands of people who assembled to pray, conduct mystical forms of worship, and hold folk celebrations.
Palestinian Rituals of Identity takes an innovative approach to the study of Palestine’s modern history by focusing on the Prophet Moses festival from the late Ottoman period through the era of British rule. Halabi explores how the festival served as an arena of competing discourses, with various social groups attempting to control its symbols. Tackling questions about modernity, colonialism, gender relations, and identity, Halabi recounts how peasants, Bedouins, rural women, and Sufis sought to influence the festival even as Ottoman authorities, British colonists, Muslim clerics, and Palestinian national leaders did the same. Drawing on extensive research in Arabic newspapers and Islamic and colonial archives, Halabi reveals how the festival has encapsulated Palestinians’ responses to modernity, colonialism, and the nation’s growing national identity.
In the decade following the 1993 Oslo Peace Accords, some 100,000 diasporic Palestinians returned to the West Bank and Gaza. Among them were children and young adults who were born in exile and whose sense of Palestinian identity was shaped not by lived experience but rather through the transmission and re-creation of memories, images, and history. As a result, "returning" to the homeland that had never actually been their home presented challenges and disappointments for these young Palestinians, who found their lifeways and values sometimes at odds with those of their new neighbors in the West Bank and Gaza.
This original ethnography records the experiences of Palestinians born in exile who have emigrated to the Palestinian homeland. Juliane Hammer interviews young adults between the ages of 16 and 35 to learn how their Palestinian identity has been affected by living in various Arab countries or the United States and then moving to the West Bank and Gaza. Their responses underscore how much the experience of living outside of Palestine has become integral to the Palestinian national character, even as Palestinians maintain an overwhelming sense of belonging to one another as a people.
Passage to Dusk deals with the Lebanese civil war of the 1970s in a postmodern, poetic style. The narrative focuses on the deranged, destabilized, confused, and hyper-perceptive state of mind created by living on the scene through a lengthy war. The story is filled with details that transcend the willed narcissism of the main character, while giving clues to the culture of the time. It is excellent fiction, written in a surrealistic mode, but faithful to the characters of the people of Lebanon, their behavior during the war, and their contradictions. Issues of gender and identity are acutely portrayed against Lebanon's shifting national landscape.
The English-language reader has not been much exposed to Lebanese literature in translation, and Rashid al-Daif is one of Lebanon's leading writers. He has been translated into eight languages, including French, German, Italian, Polish, and Spanish. Translator Nirvana Tanoukhi manages to preserve Daif's unusual, moving, and at times humorous style in her English rendition.
This book tells the remarkable story of Birzeit University, Palestine’s oldest university in the Occupied Territories.
Founded against the backdrop of occupation, it is open to all students, irrespective of income. Putting the study of democracy and tolerance at the heart of its curriculum, Birzeit continues to produce idealistic young people who can work to bring about a peaceful future. Gabi Baramki explains how the University has survived against shocking odds, including direct attacks where Israeli soldiers have shot unarmed students. Baramki himself has been dragged from his home at night, beaten and arrested. Yet Birzeit continues to thrive, putting peace at the heart of its teaching, and offering Palestinians the opportunities that only education can bring.
Numbering between 25 and 35 million worldwide, the Kurds are among the largest culturally and ethnically distinct people to remain stateless. A People Without a State offers an in-depth survey of an identity that has often been ignored in mainstream historiographies of the Middle East and brings to life the historical, social, and political developments in Kurdistani society over the past millennium.
Michael Eppel begins with the myths and realities of the origins of the Kurds, describes the effect upon them of medieval Muslim states under Arab, Persian, and Turkish dominance, and recounts the emergence of tribal-feudal dynasties. He explores in detail the subsequent rise of Kurdish emirates, as well as this people’s literary and linguistic developments, particularly the flourishing of poetry. The turning tides of the nineteenth century, including Ottoman reforms and fluctuating Russian influence after the Crimean War, set in motion an early Kurdish nationalism that further expressed a distinct cultural identity. Stateless, but rooted in the region, the Kurds never achieved independence because of geopolitical conditions, tribal rivalries, and obstacles on the way to modernization. A People Without a State captures the developments that nonetheless forged a vast sociopolitical system.
From the Biblical period and Classical Antiquity to the rise of the Renaissance and the Enlightenment, aspects of Persian culture have been integral to European history. A diverse constellation of European artists, poets, and thinkers have looked to Persia for inspiration, finding there a rich cultural counterpoint and frame of reference. Interest in all things Persian was no passing fancy but an enduring fascination that has shaped not just Western views but the self-image of Iranians up to the present day. Persophilia maps the changing geography of connections between Persia and the West over the centuries and shows that traffic in ideas about Persia and Persians did not travel on a one-way street.
How did Iranians respond when they saw themselves reflected in Western mirrors? Expanding on Jürgen Habermas’s theory of the public sphere, and overcoming the limits of Edward Said, Hamid Dabashi answers this critical question by tracing the formation of a civic discursive space in Iran, seeing it as a prime example of a modern nation-state emerging from an ancient civilization in the context of European colonialism. The modern Iranian public sphere, Dabashi argues, cannot be understood apart from this dynamic interaction.
Persophilia takes into its purview works as varied as Xenophon’s Cyropaedia and Nietzsche’s Thus Spoke Zarathustra, Handel’s Xerxes and Puccini’s Turandot, and Gauguin and Matisse’s fascination with Persian art. The result is a provocative reading of world history that dismantles normative historiography and alters our understanding of postcolonial nations.
Iblīs, the character in the Qur’an who refuses God’s command to bow to Adam and is punished by eviction from heaven, is commonly depicted as a fiendish character no different from Satan. However, some Sufi stories describe Iblīs as the ultimate monotheist, a lover of God, but tragically rejected. This volume seeks the origins of this alternative Iblīs within the Qur’an itself, by looking at each of the seven Qur’anic versions of the Iblīs story as a unique rendering of the basic narrative. Whitney Bodman finds that the likely earliest version of the Iblīs story presents him as a tragic figure, an elder sibling of Adam unjustly displaced from God’s favor. Subsequent renderings present an Iblīs more hostile to humanity, and in the last two abbreviated versions Iblīs becomes an incidental figure in the extended story of Adam.
In modern Arab literature the character of Iblīs is deployed to reveal tragic dimensions of modern life. Although it is often said that there is no place for tragedy in Islam, Bodman’s careful examination of the Iblīs story shows that the tragic exists even in the Qur’an and forms part of the vision of medieval Sufi mystics and modern social critics alike.
K. Lawson Younger Jr. presents a political history of the Arameans from their earliest origins to the demise of their independent entities. The book investigates their tribal structures, the development of their polities, and their interactions with other groups in the ancient Near East. Younger utilizes all of the available sources to develop a comprehensive picture of this complex, yet highly important, people whose influence and presence spanned the Fertile Cresent.
Features:
A Portal in Space, set in Basra, Iraq, during the Iran-Iraq War (1980–1988), follows the lives of Anwar, a newly minted architect, and the other members of his affluent family as they attempt to maintain a sense of normality during the frequent bombing attacks from Iran. When Anwar joins the Iraqi army and then goes missing in action, his family struggles to cope with uncertainty over his fate. His mother falls into depression and secludes herself in the family home, while his father shifts his attention from his duties as a judge to the weekly pilgrimage to Baghdad seeking information on his son—and to Zahra, the young widow he meets there.
Emotionally engaging, A Portal in Space is a wry, wise tale of human beings striving to retain their humanity during a war that is anything but humane. Mahmoud Saeed succeeds brilliantly in bringing the sights and sounds of Iraq to life on the page—whether in a bunker on the front lines of the Iran-Iraq War or in the parlor of a fortune-teller in Baghdad. As Zahra says of the novel she is writing: “It is a normal novel that contains love, war, life, deceit, and death.”
Practicing Transnationalism explores the challenges of teaching American studies in the Middle East during a time of tension and conflict between the United States and the region.
In the first decade of the twenty-first century, American studies programs began to spread in the Middle East. During a time of rising anti-American sentiment, ten major programs were established in the region. What impulses propelled universities in the Middle East to establish these centers and programs? What motivated students to take courses and pursue degrees in American studies? In part, American studies programs developed as a way to “know the enemy,” to better understand America’s ubiquitous influence in foreign relations, technology, and culture; however, some programs grew because residents admired the ideals set forth as American, including democracy and free speech.
Practicing Transnationalism investigates these issues and others, using the experiences and research of the editors and contributors, who worked either directly in these programs or as adjunct to them. These scholars seek to understand what American power means to people in the Middle East. They examine the challenge of developing American studies programs in a transnational paradigm, striving to build programs that are separate from and critical of American imperialism without simply becoming anti-American. In the essays, the contributors provide context for how the field of American studies has grown and developed, and they offer views of cultural interactions and classroom situations, demonstrating the problems instructors faced and how they worked to address them.
From the late nineteenth century onward, men and women throughout the Middle East discussed, debated, and negotiated the roles of young girls and women in producing modern nations. In Palestine, girls' education was pivotal to discussions about motherhood. Their education was seen as having the potential to transform the family so that it could meet both modern and nationalist expectations.
Ela Greenberg offers the first study to examine the education of Muslim girls in Palestine from the end of the Ottoman administration through the British colonial rule. Relying upon extensive archival sources, official reports, the Palestinian Arabic press, and interviews, she describes the changes that took place in girls' education during this time. Greenberg describes how local Muslims, often portrayed as indifferent to girls' education, actually responded to the inadequacies of existing government education by sending their daughters to missionary schools despite religious tensions, or by creating their own private nationalist institutions.
Greenberg shows that members of all socioeconomic classes understood the triad of girls' education, modernity, and the nationalist struggle, as educated girls would become the "mothers of tomorrow" who would raise nationalist and modern children. While this was the aim of the various schools in Palestine, not all educated Muslim girls followed this path, as some used their education, even if it was elementary at best, to become teachers, nurses, and activists in women's organizations.
When this Pulitzer Prize–winning biography first appeared in 1976, it rescued T.E. Lawrence from the mythologizing that had seemed to be his fate. In it, John Mack humanely and objectively explores the relationship between Lawrence’s inner life and his historically significant actions.
Extensive interviews, far-flung correspondence, access to War Office dispatches and unpublished letters provide the basis for Mack’s sensitive investigation of the psychiatric dimensions of Lawrence’s personality. In addition, Mack examines the pertinent history, politics, and sociology of the time in order to weigh the real forces with which Lawrence contended and which impinged upon him.
This book presents three of the works of Abduʾl-Bahā, son of the founder of the Bahāʾi Faith, which deal with social and political issues.
In The Secret of Divine Civilization (1875) Abduʾl-Bahā supports the administrative and broader social reforms of Mirzā Hosayn Khān, but looks mainly for organic reform through the efforts of Iranian intellectuals to awaken and educate the masses. In this work, Abduʾl-Bahā gives virtuous and progressive Islamic clerics a leading role among these intellectuals—indeed most of his appeals are directed specifically to them. A Traveller’s Narrative (1889/90) is an authoritative statement of the overarching concepts of Bahā’i social and political thinking. The Art of Governance (1892/93) was written as Iran entered a prerevolutionary phase, and ideas that we recognize today as the precursors of political Islam were spreading. It sets out the principles underlying the ideal relationship between religion and politics and between the government and the people.
In addition to presenting the first parallel text translations of these works, the Persian texts incorporate notes on variants in the early published sources. An introduction outlines the intellectual and political landscape from which Abduʾl-Bahā wrote, and in which his readers lived.
In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the Geographia, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author “travels” the known world), is interleaved with lavishly engraved maps to accompany readers on this journey.
Sean Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the Geographia as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city’s renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.
A social history of alcohol, identity, secularism, and modernization from the late Ottoman and early Turkish republican eras to the present day.
Prohibition in Turkey investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates.
Historian Emine Ö. Evered’s account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation.
A new, expanded edition of a classic reference tool
This volume of more than 170 documents of prophecy from the ancient Near East brings together a representative sample of written documents from Mesopotamia, the Levant, and Egypt dating to the second and first millennia BCE. Nissinen's collection provides nonspecialist readers clear translations, transliterations, and discussions of oracles reports and collections, quotations of prophetic messages in letters and literature, and texts that reference persons with prophetic titles. This second edition includes thirty-four new texts.
Features:
Known for her far-reaching examinations of psychoanalysis, literature, and politics, Jacqueline Rose has in recent years turned her attention to the Israel-Palestine conflict, one of the most enduring and apparently intractable conflicts of our time. In Proust among the Nations, she takes the development of her thought on this crisis a stage further, revealing it as a distinctly Western problem.
Unveils the psychoanalytic undercurrents of contemporary Islam
Fethi Benslama is a psychoanalyst who, although a secular thinker, identifies himself as a person of Muslim culture who rejects ready-made explanations for Islamic fundamentalism. In that spirit, Benslama demythifies both Islam and Western ideas of the religion by addressing the psychoanalytic root causes of the Muslim world’s clash with modernity and subsequent turn to fundamentalism.
Tracing this ideological strain to its origins, Benslama shows that contemporary Islam consists of a fairly recent hybridization of Arab nationalism, theocracy, and an attempt (both naïve and deadly) to ground science in faith. Combining textual analysis and Lacanian and Freudian psychoanalysis, he examines Islam’s foundation, providing fresh readings of the book of Genesis, the Koran, The Arabian Nights, and the work of medieval Islamic philosophers.Refreshingly, Benslama writes without ideological bias and undoes the simplistic, Western view of Islam while refusing to romanticize terrorism or Muslim extremism. This is a penetrating work that reveals an alternate history of the Islamic religion and opens new possibilities for its future development.Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient world where Romans, Jews, and Christians intermixed amid a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles.
Ancient Roman society reveled in many such spectacles—dramatic performances, chariot races, athletic competitions, and gladiatorial combats—that required elaborate public venues, often maintained at great expense. Wishing to ingratiate himself with Rome, Herod the Great built theaters, amphitheaters, and hippodromes to bring these forms of entertainment to Palestine. Weiss explores how the indigenous Jewish and Christian populations responded, as both spectators and performers, to these cultural imports. Perhaps predictably, the reactions of rabbinic and clerical elites did not differ greatly. But their dire warnings to shun pagan entertainment did little to dampen the popularity of these events.
Herod’s ambitious building projects left a lasting imprint on the region. His dream of transforming Palestine into a Roman enclave succeeded far beyond his rule, with games and spectacles continuing into the fifth century CE. By then, however, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian’s reign in the sixth century.
The Puppet, a mythic tale of greed and political corruption, traces the rise, flourishing, and demise of a Saharan oasis community. Aghulli, a noble if obtuse man who has been chosen leader of the oasis, hankers after the traditional nomadic pastoralist life of the Tuareg. He sees commerce (understood as including trade in gold, marriage, agriculture, and even recreation) as the prime culprit in the loss of the nomadic ethos. Thus he is devastated to learn that his supporters are hoarding gold.
The novel's title notwithstanding, the author has stressed repeatedly that he is not a political author. He says that The Puppet portrays a good man who has been asked to lead a corrupt society. The subplot about star-crossed young lovers introduces a Sufi theme of the possibility of transforming carnal into mystical love. The Puppet, though, is first and foremost a gripping, expertly crafted tale of bloody betrayal and revenge inspired by gold lust and an ancient love affair.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press