front cover of Zooplankton of the Great Lakes
Zooplankton of the Great Lakes
A Guide to the Identification and Ecology of the Common Crustacean Species
Mary D. Balcer, Nancy L. Korda, and Stanely I. Dodson
University of Wisconsin Press, 1984

Researchers, instructors, and students will appreciate this compilation of detailed information on the crustacean zooplankton of the Great Lakes. The authors have gathered data from more than three hundred sources and organized into a useful laboratory manual. The taxonomic keys are easy to use, suitable for both classroom and laboratory identifications. Detailed line drawings are provided to help confirm the identification of the major species. Zoologists, limnologists, hydrobiologists, fish ecologists, and those who study or monitor water quality will welcome this dependable new identification tool.
    A concise summary of pertinent information on the ecology of these zooplankton is provided in the main body of the text. A check-list of all species reported from each of the Great Lakes and notes on the distribution and abundance of more than a hundred species were compiled from an extensive search of existing literature. In addition, the authors collected samples from several locations on Lake Superior, in order to provide information on the abundance and life histories of the major crustacean species.

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front cover of Zebra Stripes
Zebra Stripes
Tim Caro
University of Chicago Press, 2016
From eminent biologists like Alfred Russel Wallace and Charles Darwin to famous authors such as Rudyard Kipling in his Just So Stories, many people have asked, “Why do zebras have stripes?” There are many explanations, but until now hardly any have been seriously addressed or even tested. In Zebra Stripes, Tim Caro takes readers through a decade of painstaking fieldwork examining the significance of black-and-white striping and, after systematically dismissing every hypothesis for these markings with new data, he arrives at a surprising conclusion: zebra markings are nature’s defense against biting fly annoyance.

Popular explanations for stripes range from camouflage to confusion of predators, social facilitation, and even temperature regulation. It is a serious challenge to test these proposals on large animals living in the wild, but using a combination of careful observations, simple field experiments, comparative information, and logic, Caro is able to weigh up the pros and cons of each idea. Eventually—driven by experiments showing that biting flies avoid landing on striped surfaces, observations that striping is most intense where biting flies are abundant, and knowledge of zebras’ susceptibility to biting flies and vulnerability to the diseases that flies carry—Caro concludes that black-and-white stripes are an adaptation to thwart biting fly attack. Not just a tale of one scientist’s quest to solve a classic mystery of biology, Zebra Stripes is also a testament to the tremendous value of longitudinal research in behavioral ecology, demonstrating how observation, experiment, and comparative research can together reshape our understanding of the natural world.
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Zworykin, Pioneer of Television
Albert Abramson. Foreword by Erik Barnouw
University of Illinois Press, 1995
Using patents, published and unpublished documents, and interviews with television pioneers including Zworykin himself, Abramson reconstructs the inventor's life from his early years in Russia, through his stay as RCA's technical guru under David Sarnoff, to his death in 1982. More than fifty photographs show highlights of Zworykin's work. Abramson notes the contributions of other scientists--particularly Zworykin's biggest rival, Philo T. Farnsworth--to the advancement of television. However, he argues, it was Zworykin's inventions that made modern, all-electronic television possible, causing many to award him the title "father of television".

"His achievements rank him with Thomas Edison and Alexander Graham Bell," states Albert Abramson in this discerning, often dramatic biography of Vladimir Kosma Zworykin, the Russian-born scientist who "did more to create our present system of cathode-ray television than any other person."
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front cover of Zig-Zag-and-Swirl
Zig-Zag-and-Swirl
Alfred W. Lawson's Quest for Greatness
Lyell D. Henry
University of Iowa Press, 1991

Alfred W. Lawson (1869–1954) was a professional baseball player, inventor of the airliner, leader of a movement in the 1930s calling for the abolition of banks and interest, and founder of a utopian community, the so-called Des Moines University of Lawsonomy. This unusual institution, constantly embroiled in controversy in the 1940s and early 1950s, was dedicated not only to teaching Lawson’s novel religious and scientific ideas but also to initiating a reform of human nature.

Throughout this multifaceted and colorful biography Henry gives special attention to Lawson’s development as a utopian thinker and reformer, providing a thorough treatment of the poignant saga of the controversial and doomed community in Des Moines. Every phase of Lawson’s incredible career is linked to main currents of American life and culture, resulting in an entertaining and sympathetic account that reveals how the self-styled Magic Man of Baseball, Columbus of the Air, Wizard of Reason, and First Knowledgian, for all his claimed and actual uniqueness, was nonetheless a product clearly “Made in America.”

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front cover of The Zoom
The Zoom
Drama at the Touch of a Lever
Hall, Nick
Rutgers University Press, 2018
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television.  
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