This book presents not just the Romantic Wordsworth, but Wordsworth as part of a large historical movement in poetry, beginning in the eighteenth century and continuing to the present day. It concentrates on the difficult, much discussed, but little analyzed problem of "sincerity" in poetry, which it treats both critically and historically, as a demand relatively new in Wordsworth's time and still with us. It contains an extended criticism of Wordsworth's later poems, and explores the vexing question of why the mode of his poetry changed as he grew older.
The author shows that the ideal of sincerity has influenced poets, critics, and common readers from Wordsworth to now, and describes the problems raised for poets by this new challenge. The first problem is the adequacy of language--does the very structure and fact of language stand as an obstacle to a complete sincerity? Perkins says: "One can hardly explain the history of poetic style or, indeed, of literature since Wordsworth, unless one keeps in mind that there has been a continuing mistrust of language. By words, it is feared, we chop realities into categories. The categories are arbitrary, or, even if they are not, their generality strips our experience of its unique aspects."
Another problem raised by the challenge of sincerity is the distrust of poetic form. How can you write with a personal sincerity when you have to use meters and stanzas? Or, more fundamentally, how can you be honest to the complexity and uncertainty of your own experience, when a poem must always be more limited than the consciousness from which it arises? Still another problem is the distrust of poetic conventions and traditions. The author says, "The wish to be sincere is challenged and baffled by the fact that poetry is a learned performance, that all poetic expression depends on traditions and conventions peculiar to the art and inherited from the past...Yet if you imitate the great achievements of the past, how can your poem be thought a sincere personal utterance? The question of imitation is only the most obvious result of this anxiety. For a fanatic sincerity may suppose that merely to be influenced by other writers--in fact, to be influenced by anything at all--somehow clouds the purity of self-expression."
This book centers on the revolutionary French symbolist movement of the last part of the 19th century, translated by Emmett Parker. Peyre gets to the heart of the subject, through provocative lines.
To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to own portraits of themselves. Each of the books in the series contains two hundred images chosen from a visually rich vein of social history. Their covers also feature thematically linked paintings, specially created for each title, from Phillips’s signature work, A Humument.
Women & Hats explores the remarkable range found in the world of millinery, from outrageous Edwardian creations to the inventive austerities of World War II. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.
The Wall and the Garden was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The election day sermon in colonial New England was an annual, formal address by a minister of the gospel to the newly assembled legislature of the colony. The tradition began in the Massachusetts Bay colony in 1634, and it continued, in Boston, for 250 years. In this volume, Professor Plumstead presents a collection of nine of the Massachusetts election sermons, chosen from among the surviving Massachusetts sermons which were printed between 1661 and 1775. They are not chosen as representative but, rather, as the best, judged on a basis of literary excellence and ideas and points of style relevant to later developments in American literature and history. There are changes in style and theme in the 105 years between the first and the last selection, and, in his brief introduction to each of the sermons, the editor discusses these changes and the sermon's relationship to the tradition as a whole.
In a general introduction, Professor Plumstead provides background information about the history and significance of the election sermons. As he makes clear, the election sermon tradition offers a vantage point for seeing both continuity and change in colonial intellectual history. The sermons in this collection will complement colonial studies by bringing the reader close to the spirit of the times.
The title of the volume, The Wall and the Garden, derives from the frequent use by colonial preachers of the metaphors of the garden and the wall to describe the colonies and their spiritual enemies.
A favorite work of Czech humor, We Were a Handful depicts the adventures of five boys from a small Czech town through the diary of Petr Bajza, the grocer’s son. Written by Karel Poláček at the height of World War II before his deportation to Auschwitz in 1944, this book draws on the happier years of Poláček’s own childhood as inspiration. As we look upon the world through Petr’s eyes, we, too, marvel at the incomprehensible world of grownups; join in fights between gangs of neighborhood kids; and laugh at the charming language of boys, a major source of the book’s humor. This translation at last offers English-language readers the opportunity to share in Petr’s (and Poláček’s) childhood and reminds us that joy and laughter are possible even in the darkest times.
A favorite work of Czech humor, We Were a Handful depicts the adventures of five boys from a small Czech town through the diary of Petr Bajza, the grocer’s son. Written by Karel Poláček at the height of World War II before his deportation to Auschwitz in 1944, this book draws on the happier years of Poláček’s own childhood as inspiration. As we look upon the world through Petr’s eyes, we, too, marvel at the incomprehensible world of grownups; join in fights between gangs of neighborhood kids; and laugh at the charming language of boys, a major source of the book’s humor. This translation at last offers English-language readers the opportunity to share in Petr’s (and Poláček’s) childhood and reminds us that joy and laughter are possible even in the darkest times.
This expanded edition of The Ways of Paradox includes papers that are among Professor W. V. Quine’s most important and influential, such as “Truth by Convention,” “Carnap and Logical Truth,” “On Carnap’s Views on Ontology,” “The Scope and Language of Science,” and “Posits and Reality.” Many of these essays deal with unresolved issues of central interest to philosophers today. About half of them are addressed to “a wider public than philosophers.” The remainder are somewhat more professional and technical. This new edition of The Ways of Paradox contains eight essays that appeared after publication of the first edition, and it retains the seminal essays that must be read by anyone who seeks to master Quine’s philosophy.
Quine has been characterized, in The New York Review of Books, as “the most distinguished American recruit to logical empiricism, probably the contemporary American philosopher most admired in the profession, and an original philosophical thinker of the first rank.” His “philosophical innovations add up to a coherent theory of knowledge which he has for the most part constructed single-handed.” In The Ways of Paradox new generations of readers will gain access to this philosophy.
An idealized version of women appears everywhere in the art of ancient Egypt, but the true nature of these women’s lives has long remained hidden. Gay Robins’s book, gracefully written and copiously illustrated, cuts through the obscurity of the ages to show us what the archaeological riches of Egypt really say about how these women lived, both in the public eye and within the family.
The art and written records of the time present a fascinating puzzle. But how often has the evidence been interpreted, consciously or otherwise, from a male viewpoint? Robins conducts us through these sources with an archaeologist’s relish, stripping away layer after interpretive layer to expose the reality beneath. Here we see the everyday lives of women in the economic, legal, or domestic sphere, from the Early Dynastic Period almost 5,000 years ago to the conquest of Alexander in 332 BC. Within this kingdom ruled and run by men, women could still wield influence indirectly—and in some cases directly, when a woman took the position of king. The exceptional few who assumed real power appear here in colorful detail, alongside their more traditional counterparts. Robins examines the queens’ reputed divinity and takes a frank look at the practice of incest within Egypt’s dynasties. She shows us the special role of women in religious rites and offices, and assesses their depiction in Egyptian art as it portrays their position in society.
By drawing women back into the picture we have of ancient Egypt, this book opens a whole new perspective on one of world history’s most exotic and familiar cultures.
Volume 5 consists of 25 units that present basewords with definitions, usage examples, and exercises. Each unit focuses on a specific topic, carefully selected for its relevance to students' lives, so that students can practice new words in meaningful contexts. The exercises are flexible and easy to use, taking students from simple, fairly controlled practice to a final phase of communicative exercise. A list of words covered in previous volumes in included.
SKILL LEVEL: High-Intermediate
Word Space, Multiplicities, Openings, Andings will change your understanding of digital writing. The book offers the first comprehensive collection of Jim Rosenberg’s essays, gathering what may be the most significant and overarching single exploration of hypertext. It includes historically significant texts such as “The Interactive Diagram Sentence” as well as Rosenberg’s most recent essays. This book is required reading for digital humanists, electronic writers, and new media scholars.
Washington Irving's Contributions to the Corrector was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume makes available, for the first time in collected form, a series of sketches by Washington Irving which were published anonymously in a political newspaper, The Corrector, in 1804. The Corrector, a short-lived political sheet, was published in New York City by Washington Irving's brother Peter Irving. While it has been assumed that Washington Irving contributed to the periodical, the present collection represents the first attempt to identify his contributions.
The collection contains forty-five pieces by Washington Irving. In addition, Professor Roth provides a literary and historical background in a lengthy introduction, as well as annotations for each selection, giving the documentary evidence on which the attribution of authorship is based.
Washington Irving's sketches for The Corrector were written as campaign literature for Aaron Burr in the New York gubernatorial election of 1804. As Professor Roth points out, they are filled with low and indecent abuse, and they contradict accepted notions of Irving's literary character. The view of Irving from the nineteenth century onward has been that of a gentle, genial, and dignified personality, and his excursions in low invective or slapstick have generally been dismissed as accidents or exceptions to his read nature. The editor places this body of Irving's work in the perspective of traditional invective and traces its relationship to other comic and satiric writing of the eighteenth century.
This series of letters written between 1859 and 1868 by John Ruskin to Miss Bell and the girls of her school in Cheshire and discovered in a Brighton house in 1952 reveal for the first time the extent of the friendship between Miss Bell and Ruskin. She was a sympathetic listener, with whom he could discuss the spiritual crisis that marked his life during his important middle years, when he was completing Modern Painters and his earlier books on political economy. Van Akin Burd studies the letters as an expression of this struggle. He also develops a portrait of the unorthodox schoolmistress, and suggests her reasons for turning to the art critic.
Besides the charming pictures of Ruskin with the children, the correspondence provides new sources for his ideas on art, education, and religion, as well as additional insight into his tragic love for Rose La Touche. Most of Ruskin's letters to Winnington have been collected by the Pierpont Morgan Library. Of the 542 letters in this volume, 497 have not been published before.
Sallust, Gaius Sallustius Crispus (86-35 BCE) of Amiternum, after a wild youth became a supporter of Julius Caesar. He was tribune in 53; expelled from the Senate in 50; was quaestor in 49, praetor in 46. He saw Caesar triumph in Africa and became governor of Numidia, which he oppressed. Later in Rome he laid out famous gardens, retired from public life, and wrote a monograph on Catiline's conspiracy and one on the war with Jugurtha (both extant), and a history of Rome 78-67 BCE (little survives).
Though biased, Sallust's extant work is valuable. It shows lively characterisation (in speeches after Thucydides's manner) and attempts to explain the meaning of events. The work on Catiline has been called a study in social pathology. Sallust's style anticipates that of the early Empire.
Western Stock Ranching was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Successful management of a stock ranch today requires a thorough, specialized knowledge of the land, the livestock, and the financial methods involved. This facts and figures study by an expert with long experience as a range economist deals with the working problems of sheep and cattle ranching and provides authoritative information on how to operate a ranch profitably.
The business of ranching is analyzed in terms of markets, prices and incomes, management standards and guides for production, financial planning and reports, production cost analysis, ranch appraisal, rangeland management, and procedures in the use of government lands. The various natural regions of the West are surveyed and the types of ranches found in each section are described.
In addition to considering in detail everyday ranch problems, the author realistically discusses the long-range problems confronting western stock ranchers as a group. Photographs, tables, sample accounting forms, and actual case illustrations add greatly to the usefulness of the book.
Owners and operators of stock ranches, persons planning to enter the business, professional agriculturalists specializing in credit, marketing, or management, and teachers of courses in ranch management and economy will find this an invaluable reference or text.
In the 1930s, Milman Parry and Albert B. Lord, two pioneering scholars of oral poetry, conducted adventurous fieldwork in the Kingdom of Yugoslavia and northern Albania, collecting singularly important examples of Albanian epic song. Wild Songs, Sweet Songs presents these materials, which have not previously been published, for the first time.
Nicola Scaldaferri and his collaborators provide a complete catalogue of the Albanian texts and recordings collected by Parry and Lord; a selection of twelve of the most significant texts, including the longest Albanian epic ever collected, in Albanian with accompanying English translations; four essays contextualizing the materials and outlining their significance; and an assortment of related photographs and documents. The book is an authoritative guide to one of the most significant collections of Balkan folk epic in existence.
The Wind stirred up a fury among Texas readers when it was first published in 1925.
This is the story of Letty, a delicate girl who is forced to move from lush Virginia to desolate West Texas. The numbing blizzards, the howling sand storms, and the loneliness of the prairie all combine to undo her nerves. But it is the wind itself, a demon personified, that eventually drives her over the brink of madness.
While the West Texas Chamber of Commerce rose up in anger over this slander of their state, Dorothy Scarborough's depiction of the cattle country around Sweetwater during the drought of the late 1880s is essentially accurate. Her blend of realistic description, authentic folklore, and a tragic heroine, bound together by a supernatural theme, is unique in Southwestern literature. As a story by and about a woman, The Wind is a rarity in the early chronicles of the cattle industry. It is also one of the first novels to deal realistically with the more negative aspects of the West.
Sylvia Ann Grider's foreword reports on the life and work of Dorothy Scarborough, a native Texan and a well-respected scholar.
In this first publication of six plays by the flamboyantly uninhibited author, poet, and playwright Mercedes de Acosta (1893–1968), theater historian Robert A. Schanke rescues these lost theatrical writings from the dusty margins of obscurity. Often autobiographical, always rife with gender struggle, and still decidedly stageworthy, Women in Turmoil: Six Plays by Mercedes de Acosta constitutes a significant find for the canon of gay and lesbian drama.
In her 1960 autobiography Here Lies the Heart, de Acosta notes that as she was contemplating marriage to a man in 1920, she was "in a strange turmoil about world affairs, my own writing, suffrage, sex, and my inner spiritual development." The voice in these plays is that of a lesbian in turmoil, marginalized and ignored. Her same-sex desires and struggles for acceptance fueled her writings, and nowhere is that more evident than in the plays contained herein. The women characters struggle with unfulfilling marriages, divorce, unrequited sexual desire, suppressed identity, and a longing for recognition.
Of the six plays, only the first two were ever produced. Jehanne d’Arc (1922) premiered in Paris with de Acosta’s lover at the time, Eva Le Gallienne, starring and Norman Bel Geddes designing the set and lights. In 1934, de Acosta adapted it into a screenplay for Greta Garbo, then her lover, but it was never filmed. Portraying rampant anti-Semitism in a small New England town, Jacob Slovak (1923) was performed both on Broadway and in London, with the London production starring John Gielgud and Ralph Richardson.
The Mother of Christ (1924) is a long one-act play written for the internationally known actress Eleonora Duse. After Duse’s death, several other actresses including Eva Bartok, Jeanne Eagels, and Lillian Gish explored productions of the play. Igor Stravinsky wrote a score, Norman Bel Geddes designed a set, and Gladys Calthrop designed costumes. However, the play was never produced.
Her most autobiographical play, World Without End (1925), and her most sensational play, The Dark Light (1926), both unfold through plots of sibling rivalry, incest, and suicide. With overtones of Ibsen, Illusion (1928) continues the themes of de Acosta’s previous plays with her rough and seedy cast of characters, but here the playwright’s drama grows to incorporate a yearning for belonging as well as strong elements of class conflict.
What notoriety remains associated with de Acosta has less to do with her writing than with her infamous romances with the likes of Greta Garbo, Marlene Dietrich, Isadora Duncan, Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson. Through this collection of six powerfully poignant dramas, editor Robert A. Schanke strives to correct myths about Mercedes de Acosta and to restore both her name and her literary achievements to their proper place in history.
Robert A. Schanke has authored the original biography, “That Furious Lesbian:” The Story of Mercedes de Acosta, also available from Southern Illinois University Press.
Nobel Prize winning economist and former World Bank Chief Economist, Joseph Stiglitz, has repeatedly discussed the importance of transparency in policymaking at the World Bank and International Monetary Fund. He believes a lack of transparency in the two institutions has lead to bad decisions. Bad decisions at IMF and the World Bank mean real pain for the world’s poor.
There is a perception that “the suits” close the World Bank’s doors to deliberate the fate of earth’s poorest populations and only when the doors are unlocked do people living in poverty learn what has been decided about their future. Meanwhile donations are down. The bank’s critical International Development Association’s funding has dropped dramatically. Managers are discouraged by studies examining the World Bank’s effectiveness. How, they wonder, could such large beneficences have so little impact on poor populations?
Events of the past two years have only increased the stakes. First, rising fuel prices caused a worldwide rise in the price of basic foods. Then the deepest economic downturn since the Great Depression sapped donor nation’s coffers. By the end of the Bush administration in 2009, giving by the USA lagged more than any other wealthy nation.
In 1999, two Bank researchers understood the situation was already on a precipice. World Bank loans had ceased to make significant impact on poverty in many client nations. Certain governments and multi-national corporations were destroying environments and desecrating indigenous cultures, all to achieve short-term gains for a fortunate few.
Demonstrable successes were few, and every World Bank conference became a melee of demonstrators and police. The two researchers asked themselves whether it was possible to open up the institution by increased transparency, improve its accountability, and mute criticism. They decided to launch an internet-based broadcast to disseminate unedited videos of internal discussions and debates. The bank’s culture and bureaucracy, hardened over a half-century, presented them with a formidable foe. Some powerful officials feared the transparency initiative; others withheld public support while standing on the sidelines. The World Bank Unveiled documents this epic struggle. It is the story of a revolution to transform the World Bank and a case study of the power of the Bank to transform people’s lives.
Whoop-up Country was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the frontier days before the railroads penetrated the western plains, the Whoop-Up Trail was a high road of adventure and commerce. It led Indians, traders, and cattlemen into a great interior market stretching northward from the Missouri River in Montana to the Bow River valley in the Canadian province of Alberta. From Fort Benton on the Great Muddy to Fort Macleod on the Oldman, the trail with the rowdy name wrote its history in whisky, guns, furs, and pioneer enterprise.
But, as the Whoop-Up Trail faded away with the passing of the western frontier, people forgot about its existence and its part in the building of the West. Historians have largely overlooked this colorful chapter in the story of westward migration.
Now Paul Sharp tells about the Whoop-Up country in vivid detail. By first describing the region geographically, he demonstrates an important point—that there was no natural boundary in this area between Canada and the United States. He then relates the economic, social, and political events that ultimately divided the territory between the two nations in fact as well as in name.
The volume contains an excellent account of the beginnings of the Northwest Mounted Police. It provides a fresh viewpoint on the Indian problem by considering it impartially and as a whole, without the restricting and artificial limitations of national boundaries. Told by a perceptive and forceful writer, this is the story of the creation of two societies—Canadian and American—formed under similar circumstances yet developing very different political and cultural identities.
Drawing up alternate ways to “make a living” beyond capitalism
To live in this world is to be conditioned by capital. Once paired with Western democracy, unfettered capitalism has led to a shrinking economic system that squeezes out billions of people—creating a planet of surplus populations. Wageless Life is a manifesto for building a future beyond the toxic failures of late-stage capitalism. Daring to imagine new social relations, new modes of economic existence, and new collective worlds, the authors provide skills and tools for perceiving—and living in— a post-capitalist future.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
For generations, aspiring women scientists have looked to Marie Curie, the famed Nobel Prize–winning chemist, for inspiration. But what lesson, exactly, are they to draw from her example? Marie Curie was exceptional, but she was ordinary as well. She faced all the trials and tribulations shared by women of her time; furthermore, she had to contend with the barriers against women’s wider participation in educational institutions, in scientific practice, and professional attainments and rewards. Indeed, her struggles and failures tell us more about the fate of women in the sciences, historically, than her achievements ever will.
From Maria Winkelman’s discovery of the comet of 1702 to the Nobel Prize–winning work of twentieth-century scientist Barbara McClintock, women have played a central role in modern science. Their successes have not come easily, nor have they been consistently recognized. This important book examines the challenges and barriers women scientists have faced and chronicles their achievements as they struggled to attain recognition for their work in the male-dominated world of modern science. As the only comprehensive textbook to examine women’s participation in, and portrayal by, Western science from the scientific revolution to the present, Women and Science is an essential teaching and reference tool for students in both the history of science and women’s studies.
This is an auto-narrated audiobook version of this book.
An urgent reality check for America’s blinkered fixation on STEM education.
We live in an era of STEM obsession. Not only do tech companies dominate American enterprise and economic growth while complaining of STEM shortages, but we also need scientific solutions to impending crises. As a society, we have poured enormous resources—including billions of dollars—into cultivating young minds for well-paid STEM careers. Yet despite it all, we are facing a worker exodus, with as many as 70% of STEM graduates opting out of STEM work. Sociologist John D. Skrentny investigates why, and the answer, he shows, is simple: the failure of STEM jobs.
Wasted Education reveals how STEM work drives away bright graduates as a result of “burn and churn” management practices, lack of job security, constant training for a neverending stream of new—and often socially harmful—technologies, and the exclusion of women, people of color, and older workers. Wasted Education shows that if we have any hope of improving the return on our STEM education investments, we have to change the way we’re treating the workers on whom our future depends.
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