A Very Serious Thing was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
"It is a very serious thing to be a funny woman." –Frances Miriam Berry Whitcher
A Very Serious Thing is the first book-length study of a part of American literature that has been consistently neglected by scholars and underrepresented in anthologies—American women's humorous writing. Nancy Walker proposes that the American humorous tradition to be redefined to include women's humor as well as men's, because, contrary to popular opinion, women do have a sense of humor.
Her book draws on history, sociology, anthropology, literature, and psychology to posit that the reasons for neglect of women's humorous expression are rooted in a male-dominated culture that has officially denied women the freedom and self-confidence essential to the humorist. Rather than a study of individual writers, the book is an exploration of relationships between cultural realities—including expectations of "true womanhood"—and women's humorous response to those realities.
Humorous expression, Walker maintains, is at odds with the culturally sanctioned ideal of the "lady," and much of women's humor seems to accept, while actually denying, this ideal. In fact, most of American women's humorous writing has been a feminist critique of American culture and its attitudes toward women, according to the author.
This unique anthology gathers work by eighty poets inspired by Emily Dickinson. Beginning with Hart Crane's 1927 poem “To Emily Dickinson” and moving forward through the century to such luminary figures as Archibald MacLeish, John Berryman, Yvor Winters, Adrienne Rich, Richard Eberhart, Richard Wilbur, Maxine Kumin, Amy Clampitt, William Stafford, and Galway Kinnell, Visiting Emily offers both a celebration of and an homage to one of the world's great poets.
If there was ever any doubt about Dickinson's influence on modern and contemporary poets, this remarkable collection surely puts it to rest. Gathered here are poems reflecting a wide range of voices, styles, and forms—poems written in traditional and experimental forms; poems whose tones are meditative, reflective, reverent and irreverent, satirical, whimsical, improvisational, and serious. Many of the poets draw from Dickinson's biography, while others imagine events from her life. Some poets borrow lines from Dickinson's poems or letters as triggers for their inspiration. Though most of the poems connect directly to Dickinson's life or work, for others the connection is more oblique.
At the heart of human existence lie fundamental questions that are pondered by philosophers, theologians, poets and thoughtful people from all walks of life. What is the meaning of life? Who or what is a divine being? How can a benevolent deity justify human suffering? Such questions are especially relevant to our lives in the current climate of American society. In Vespers: American Poems of Religion and Spirituality, editors Virgil Suárez and Ryan G. Van Cleave offer the reading world a timely anthology of powerful and passionate poems that cut to the heart of our contemporary theological and spiritual underpinnings.
Featuring fifty of today's most respected American poets, including Pulitzer Prize winners Stephen Dunn and Carolyn Kizer, Vespers allows us to witness and understand the challenging ideas and philosophies surrounding religion and spirituality. Through these poems, we can come to a better understanding of who, what, and why we are.
From deathbed spirituals to initiation songs, transformative ballads to transcendent sonnets, poets of myriad backgrounds—Native American, African American, Asian American, Latino, Protestant, Buddhist, Catholic, Jewish—echo the thoughts, concerns, and fears that linger in our souls. Their poems help us realize that we are not alone, that we're never truly alone, that even in the face of darkness the world is vibrant, beautiful, joyous.
More than a creative exploration of theological concerns—Vespers is a roadmap of where we've been, where we are, and where we are heading in terms of our spiritual and religious existence. It will keep you company, good company, whatever your religious or spiritual background.
The selections in this anthology represent the full range and vitality of contemporary American poetry--from minimalism to epic, from free verse to traditional form, from plain conversation to richly embroidered tapestry, form passionate political utterance to intense personal drama, from light verse to tough lyricism. Since 1950 university presses have published more than 900 volumes of original poetry , opening the canon to a wide range of rich and exciting voices. Nearly 200 of the those volumes are represented here.
Vital Signs features poems by such well established poets as John Ashbery, Marge Piercy, Adrienne Rich, and James Wright. Because the presses have also played a role in discovering and promoting the work of new poets, the reader will find here poems by many younger writers as well.
The subject of Victorian Domesticity is family life in America. The life and works of Louisa May Alcott served as the vehicle for exploring and analyzing this subject. Although Alcott was deeply influenced by popular currents of sentimentality, her own experience exposed her to the confusions and contradictions generated when sentiment confronted the reality of life in 19th-century America.
In the first chapter Strickland outlines the ways in which sentimentality colored the perception of 19th-century Americans about such issues as courtship, marriage, the relationship between the sexes, generational relationships, and the relationship between the nuclear family and the community outside the family. Chapters two and three trace Alcott’s childhood and adolescent experiences, exploring the tensions that developed between Louisa and her father, and detailing the ways in which she carried the double burden of being both poor and female as she sought her identity as a writer.
The following six chapters treat the varieties of family life that appear in Alcott’s stories, the impact of feminism on her life, and her emphasis on the importance of child nurture. In the final two chapters the author treats the relationships that Alcott perceived between the family and the world around it and assesses the legacy of the Victorian family idea.
Engrossing and enlightening, Vardis Fisher illuminates the acclaimed author's impact on Mormon culture, American letters, and the literary tradition of the American West.
Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.
Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.
In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.
Through careful analysis of Jack Kerouac’s On the Road, Omar Swartz argues that Kerouac’s influence on American society is largely rhetorical. Kerouac’s significance as a cultural icon can be best understood, Swartz asserts, in terms of traditional rhetorical practices and principles.
To Swartz, Kerouac is a rhetor who symbolically reconstructs his world and offers arguments and encouragements for others to follow. Swartz proposes that On the Road constitutes a “rhetorical vision,” a reality-defining discourse suggesting alternative possibilities for growth and change. Swartz asserts that the reader of Kerouac’s On theRoadbecomes capable of responding to the larger, confusing culture in a strategic manner. Kerouac's rhetorical vision of an alternative social and cultural reality contributes to the identity of localized cultures within the United States.
This book shows how ethics and aesthetics interact in the works of one of the most celebrated literary stylists of the twentieth century: the Russian American novelist Vladimir Nabokov. Dana Dragunoiu reads Nabokov’s fictional worlds as battlegrounds between an autonomous will and heteronomous passions, demonstrating Nabokov’s insistence that genuinely moral acts occur when the will triumphs over the passions by answering the call of duty.
Dragunoiu puts Nabokov’s novels into dialogue with the work of writers such as Alexander Pushkin, William Shakespeare, Leo Tolstoy, and Marcel Proust; with Kantian moral philosophy; with the institution of the modern duel of honor; and with the European traditions of chivalric literature that Nabokov studied as an undergraduate at Cambridge University. This configuration of literary influences and philosophical contexts allows Dragunoiu to advance an original and provocative argument about the formation, career, and legacies of an author who viewed moral activity as an art, and for whom artistic and moral acts served as testaments to the freedom of the will.
This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.
A Bank Street College of Education Best Children’s Book of 2018 (Outstanding Merit selection) • Finalist, 2018 Ohioana Book Award
Long before she wrote The House of Dies Drear, M. C. Higgins, the Great, and many other children’s classics, Virginia Hamilton grew up among her extended family near Yellow Springs, Ohio, where her grandfather had been brought as a baby through the Underground Railroad. The family stories she heard as a child fueled her imagination, and the freedom to roam the farms and woods nearby trained her to be a great observer. In all, Hamilton wrote forty-one books, each driven by a focus on “the known, the remembered, and the imagined”—particularly within the lives of African Americans.
Over her thirty-five-year career, Hamilton received every major award for children’s literature. This new biography gives us the whole story of Virginia’s creative genius, her passion for nurturing young readers, and her clever way of crafting stories they’d love.
A young playwright, Thomas, has written an adaptation of the 1870 novel Venus in Fur by Leopold von Sacher-Masoch (after whom the term “masochism” was coined); the novel is the story of an obsessive adulterous relationship between a man and the mistress to whom he becomes enslaved. At the end of a long day in which the actresses Thomas auditions fail to impress him, in walks Vanda, very late and seemingly clueless, but she convinces him to give her a chance. As they perform scenes from Thomas’s play, and Vanda the actor and Vanda the character gradually take control of the audition, the lines between writer, actor, director, and character begin to blur. Vanda is acting . . . or perhaps she sees in Thomas a masochist, one who desires fantasy in “real life” while writing fantasies for a living.
An exploration of gender roles and sexuality, in which desire twists and turns in on itself, Venus in Fur is also a witty, unsettling look at the art of acting—onstage and off.
This fifth collection of poetry from West Virginia's poet laureate and author of Six O'Clock Mine Report is an extraordinary set of poems which reflects the complexity, the magnanimity, and the resilience of the human spirit. McKinney writes with candor, precision, and compassion; most importantly, though, her poems are accessible to all types of readers.
Spanning a quarter of a century, this collection of plays demonstrates author Jeffrey Sweet’s eye for the drama of human relationships. Sweet works with sensitivity and irony to confront both personal politics and the impact of historical change. These nine works, taken together, present a playwright who extends the struggles of his small circles of characters to his audience and humanity in general.
The title work, first mounted in 1982, is a comedy-drama about the aftermath of the blacklist whose continued relevance makes it a frequently produced play today. The family drama Porch suggests larger social changes through the interaction of a small-town shopkeeper and his defiant daughter. The lauded American Enterprise, set in the Chicago of the robber barons, is a song-filled true story about a millionaire whose stubborn idealism leads to disaster. Stay Till Morning is a rueful comedy about sex and accommodation in the Florida Keys. The three plays that grew out of his fascination with the effects of World War II—Berlin ’45, Court-Martial at Fort Devens, and The Action Against Sol Schumann—dramatize the ways in which that conflict transformed private fates. Each script is accompanied by an extended introduction from the playwright as well as complete performance notes.
Acclaimed short story writer Steve Yarbrough, whose works have been included in the Pushcart Prize anthology and The Best American Mystery Stories 1998, once again demonstrates his gift for vividly rendered characters and evocative themes in his latest collection of fiction.
Veneer presents a variety of characters from cultural backgrounds and settings that range from California to Mississippi to Eastern Europe. Yarbrough's sensitive portrayals of loss and longing are individual and unsettling; a disaffected college football coach, a movie star with a "substance problem," and a small-town girl coming to grips with the murder of her mother are just a few examples of the turbulent lives he portrays. In every instance, each character is "constantly searching for some way to bridge the gap, so small and yet so vast, between a right move and a wrong one."
A poignant theme running through this collection is the conflict between appearance and reality. Yarbrough presents the reader with deep narrative layers, juxtaposing the gritty present with nostalgic recollections of an idealized past or hopeful projections into a rosy future. "Veneer," the title piece, beautifully reveals the depth of this conflict. On the surface, the narrator, a married man whose family is away on vacation, enjoys a dinner with a woman who has been a longtime friend. Beneath that "veneer," however, lies a more complex, perhaps troubling, relationship between the two friends, a relationship only partially obscured by the comic recounting of a childhood Independence Day.
Yarbrough is at his best when he offers us brief glimpses into his characters' minds and imaginations, brilliantly exposing subtle vulnerabilities as cracks in the veneer. "Bohemia" follows the travels of two young lovers as they explore Europe. The woman fears that her lover will abandon her, and when she wakes to find him gone one evening, she believes her fear is confirmed. Yet his return does not alleviate her insecurity. The reality of her lover's presence and her continued anxiety emphasize the many layers that constitute the woman's world.
Diverse in locale, character, and content, the stories in Veneer present rare views into the rifts between husband and wife, parent and child, one sibling and another. Crafting these compelling, deceptively simple stories is a writer whose "true subject is the human heart."
After spending three years in The National Theatre of the Deaf performing plays by hearing authors featuring hearing characters, Willy Conley realized that he wanted to write plays with deaf, hard-of- hearing, and hearing characters created from the Deaf perspective. Vignettes of the Deaf Character and Other Plays presents the result of his desire in twelve masterful plays.
“I write for the eye, always searching for live, mobile, provocative images that would fill and illuminate the entire stage space with the complexities, the pathos, and the humor involved when deaf and hearing cultures merge or collide,” writes Conley in his introduction. His plays depict a wide range of Deaf characters, including two brothers locked in a tragic rivalry familiar to families of all backgrounds; the broadly comedic Deaf Guide and hearing Techie interspersing laughs with cultural lessons in their Museum of Signs for People with Communication Disorders; Everyone searching for her Good Deeds as she faces imminent Death in an updating of the classic morality play, plus many others. These works explore a broad palette of circumstances with and without hearing characters, allowing Deaf characters to interact minus the direct influence that the dominant culture might exert. Vignettes of the Deaf Character and Other Plays presents the drama and passion of a master playwright who, through his perceptions, reveals facets of the Deaf character in all of us.
“This is a brilliant novel, written with language that crackles. The relationships are treated with force and poignancy. The power of the story is its authenticity and the character’s compelling conversion. He begins as a boy who refuses to accept responsibility, becomes the husband who longs for freedom, and at last the man who feels God’s grace in spite of himself and the self-destructive path that has beckoned to him with a siren’s allure. This brings a voice to Mormon literature that is clearly worth honoring.” —Marilyn Brown, author of The Wine Dark Sea of Grass
In this debut collection, Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.
Deftly moving between the comic and the tragic, the sacred and the profane, this collection of short stories is populated by modern children, ancient poets, dying men, and your basic, mundane Greek gods. Windsor turns familiar stories from the Bible and from myth inside out, exploring the feelings of minor characters and looking at events from imaginative perspectives. His prose is rich with detail and emotion and he touches on themes of art and artifice, success and failure, family and its sacrifices, and expectations met or missed.
In “The Last Israelite in the Red Sea,” a follower of Moses who dallies during their Exodus finds it more difficult to walk across the bottom of the temporarily displaced Red Sea without shoes. “Four of the Times My Sister Cried” follows a young narrator as his family rehearses for his mother’s death and then, as they must, lives without her. The wry “The Art of War” has characters from Homer to a courtesan talking shop about the battle of Troy from their perspectives. Set as a series of short pieces, “The Fleshly School of Poetry” tells of lessons learned and lessons taught. With its explorations of expectations, “Meet the Author” gives readers intimate portraits of various plans or coping mechanisms people put up when death draws close. “The End of the World” approaches the Rapture with a humorously practical spin: wouldn’t the angels need a plan to ensure that it goes smoothly? “In Parting” explores some of the troubles with family, especially when a sister’s child turns out to be a marionette. The geographically explicit “Three Mediums in San Francisco” touches on frustrated and imagined eroticism. The collection ends with “The Hilton Epiphany,” a fitting closer in which divinity comes to an unlikely person in an unlikely place.
The Villagers is a story of the ruthless exploitation and extermination of an Indian village of Ecuador by its greedy landlord. First published in 1934, itis here available for the first time in an authorized English translation.
A realistic tale in the best tradition of the novels of social protest of Zola, Dostoevsky, José Eustasio Rivera, and the Mexican novels of the Revolution, The Villagers (Huasipungo) shocked and horrified its readers, and brought its author mingled censure and acclaim, when itwas first published in 1934.
Deeply moving in the dramatic intensity of its relentless evolution and stark human suffering, Icaza’s novel has been translated into eleven foreign languages, including Russian and Chinese, and has gone through numerous editions in Spanish, including a revised and enlarged edition in 1953,on which this translation is based, but ithas never before been authorized for translation into English. His first novel, but not his first published work, The Villagers is still considered by most critics as Icaza’s best, and itis widely acclaimed as one of the most significant works in contemporary Latin American literature.
Thirty years after its original publication in Ecuador, The Villagers still carries a powerful message for the contemporary world and an urgent warning. The conditions here portrayed prevail in these areas, even today. The Villagers is an indictment of the latifundista system and a caustic picture of the native worker who, with little expectation from life, finds himself a victim of an antiquated feudal system aided and abetted by a grasping clergy and an indifferent government.
Why have scientists shied away from politics, or defended their work as value free? How has the ideal of neutrality come to dominate the world of science? These are some of the central questions that Robert Proctor addresses in his study of the politics of modern science.
Value-Free Science? emphasizes the importance of understanding the political origins and impact of scientific ideas. Proctor lucidly demonstrates how value-neutrality is a reaction to larger political developments, including the use of science by government and industry, the specialization of professional disciplines, and the efforts to stifle intellectual freedoms or to politicize the world of the academy.
The first part of the book traces the origins of value-neutrality prior to the eighteenth century. Plato and Aristotle saw contemplative thought as superior to practical action, and this separation of theory and practice is still invoked today in defense of "neutral science." In the seventeenth century the Baconian search for useful knowledge allowed a new and closer tie between theory and practice, but it also isolated moral knowledge from natural philosophy. Another version of neutrality was introduced by the mechanical conception of the universe, in which the idea of a benevolent, human-centered cosmos was replaced with a "devalorized" view of nature.
The central part of the book explores the exclusion of politics and morals with the emergence of the social sciences. Proctor highlights the case of Germany, where the ideal of value-neutrality was first articulated in modern form by social scientists seeking to attack or defend Marxism, feminism, and other social movements. He traces the rise and fall of positivist ethical and economic theory, showing that arguments for value-free science often mask concrete political maneuvers. Finally, he reviews critiques of science that have been voiced in recent debates over critical issues in agricultural science, military research, health and medicine, and biological determinism.
This provocative book will interest anyone seeking ways to reconcile the ideals of scientific freedom and social responsibility.
Never has the power of scientific research to solve existing problems and uncover new ones been more evident than it is today. Yet there exists widespread ignorance about the larger contexts within which scientific research is carried out. For example, the point of view some scientists adopt in their work or in their social commitments may become clearer if considered in light of the opposing views held by other scientists.
This is a theme Gerald Holton addresses in his new collection. Whether considering conflicts between Heisenberg and Einstein, Bohr and Einstein, or P. W. Bridgman and B. F. Skinner; tracing I. I. Rabi's shift of attention from superb science to education and scientific statesmanship; or examining the emergence, in the last few decades, of the need to connect scientific research to societal needs--in each case, Holton demonstrates a masterly understanding of modern science and how it influences our world.
The author shows why, at any given time--even in the mature phase of science--there exists no single "paradigm," but rather a spectrum of competing perspectives; and why so much good science has been based, from antiquity to today, on a relatively small number of presuppositions.
For many in the nineteenth century, the spoken word had a vivacity and power that exceeded other modes of communication. This conviction helped to sustain a diverse and dynamic lecture culture that provided a crucial vehicle for shaping and contesting cultural norms and beliefs. As science increasingly became part of public culture and debate, its spokespersons recognized the need to harness the presumed power of public speech to recommend the moral relevance of scientific ideas and attitudes. With this wider context in mind, The Voice of Science explores the efforts of five celebrity British scientists—John Tyndall, Thomas Henry Huxley, Richard Proctor, Alfred Russel Wallace, and Henry Drummond—to articulate and embody a moral vision of the scientific life on American lecture platforms. These evangelists for science negotiated the fraught but intimate relationship between platform and newsprint culture and faced the demands of audiences searching for meaningful and memorable lecture performances. As Diarmid Finnegan reveals, all five attracted unrivaled attention, provoking responses in the press, from church pulpits, and on other platforms. Their lectures became potent cultural catalysts, provoking far-reaching debate on the consequences and relevance of scientific thought for reconstructing cultural meaning and moral purpose.
A Physics Today Best Book of the Year
The first biography of a pioneering scientist who made significant contributions to our understanding of dark matter and championed the advancement of women in science.
One of the great lingering mysteries of the universe is dark matter. Scientists are not sure what it is, but most believe it’s out there, and in abundance. The astronomer who finally convinced many of them was Vera Rubin. When Rubin died in 2016, she was regarded as one of the most influential astronomers of her era. Her research on the rotation of spiral galaxies was groundbreaking, and her observations contributed significantly to the confirmation of dark matter, a most notable achievement.
In Vera Rubin: A Life, prolific science writers Jacqueline Mitton and Simon Mitton provide a detailed, accessible overview of Rubin’s work, showing how she leveraged immense curiosity, profound intelligence, and novel technologies to help transform our understanding of the cosmos. But Rubin’s impact was not limited to her contributions to scientific knowledge. She also helped to transform scientific practice by promoting the careers of women researchers. Not content to be an inspiration, Rubin was a mentor and a champion. She advocated for hiring women faculty, inviting women speakers to major conferences, and honoring women with awards that were historically the exclusive province of men.
Rubin’s papers and correspondence yield vivid insights into her life and work, as she faced down gender discrimination and met the demands of family and research throughout a long and influential career. Deftly written, with both scientific experts and general readers in mind, Vera Rubin is a portrait of a woman with insatiable curiosity about the universe who never stopped asking questions and encouraging other women to do the same.
Einstein's Special Theory of Relativity, first published in 1905, radically changed our understanding of the world. Familiar notions of space and time and energy were turned on their head, and our struggle with Einstein's counterintuitive explanation of these concepts was under way. The task is no easier today than it was a hundred years ago, but in this book Sander Bais has found an original and uniquely effective way to convey the fundamental ideas of Einstein's Special Theory.
Bais's previous book, The Equations, was widely read and roundly praised for its clear and commonsense explanation of the math in physics. Very Special Relativity brings the same accessible approach to Einstein's theory. Using a series of easy-to-follow diagrams and employing only elementary high school geometry, Bais conducts readers through the quirks and quandaries of such fundamental concepts as simultaneity, causality, and time dilation. The diagrams also illustrate the difference between the Newtonian view, in which time was universal, and the Einsteinian, in which the speed of light is universal.
Following Bais's straightforward sequence of simple, commonsense arguments, readers can tinker with the theory and its great paradoxes and, finally, arrive at a truly deep understanding of Einstein's interpretation of space and time. An intellectual journey into the heart of the Special Theory, the book offers an intimate look at the terms and ideas that define our reality.
Climate change is viewed as a primarily scientific, economic, or political issue. While acknowledging the legitimacy of these perspectives, Kevin J. O’Brien argues that we should respond to climate change first and foremost as a case of systematic and structural violence. Global warming is largely caused by the carbon emissions of the affluent, emissions that harm the poor first and worst. Climate change is violence because it divides human beings from one another and from the earth.
O’Brien offers a constructive and creative response to this violence through practical examples of activism and nonviolent peacemaking, providing brief biographies of five Christians in the United States—John Woolman, Jane Addams, Dorothy Day, Martin Luther King Jr., and Cesar Chavez. These activists’ idealism, social commitment, and political savvy offer lessons of resistance applicable to the struggle against climate change and for social justice.
Volcanoes around the world have their own legends, and many have wrought terrible devastation, but none has caught the imagination like Vesuvius. We now know that immense eruptions destroyed Bronze Age settlements around Vesuvius, but the Romans knew nothing of those disasters and were lulled into complacency—much as we are today—by its long period of inactivity. None of the nearly thirty eruptions since AD 79 has matched the infamous cataclysm that destroyed Pompeii and Herculaneum within hours. Nearly two thousand years later, the allure of the volcano remains—as evidenced by its popularity as a tourist attraction, from Shelley and the Romantics to modern-day visitors.
Vesuvius has loomed large throughout history, both feared and celebrated. Gillian Darley unveils the human responses to Vesuvius from a cast of characters as far-flung as Pliny the Younger and Andy Warhol, revealing shifts over time. This cultural and scientific meditation on a powerful natural wonder touches on pagan religious beliefs, vulcanology, and travel writing. Sifting through the ashes of Vesuvius, Darley exposes how changes in our relationship to the volcano mirror changes in our understanding of our cultural and natural environments.
In her writings, Terry Tempest Williams repeatedly invites us as readers into engagement and conversation with both her and her subject matter, whether it is nature or society, environment or art. From her evocation, in Desert Quartet: An Erotic Landscape, of an eroticism of place that defines erotic as "in relation," to the spiritual connectivity and familial bonds she explores in Refuge: An Unnatural History of Family and Place and the political engagement she urges in The Open Space of Democracy, much of her work is about relationship, connection, and community. Like much good writing, her books invite readers into thoughtful dialogue with the text. Frequently in demand for workshops, lectures, and other speaking venues and well known as an environmental activist, Williams has a public persona and voice almost indistinguishable from her written ones.
Thus, the interviews she has often granted--in print, on the radio, on the Web--seamlessly elaborate the ideas and extend the explorations of her written texts. They also tell us much about the genesis, context, and intent of her books. With her distinctive, impassioned voice and familiar felicity of language, she talks about wilderness and wildlife, place and eroticism, art and literature, democracy and politics, family and heritage, Mormonism and religion, writing and creativity, and other subjects that engage her agile mind. The set of interviews gathered and introduced by Michael Austin in A Voice in the Wilderness represent the span of Terry Tempest Williams's career as a naturalist, author, and activist.
Winner of the 2022 Edward M. Bruner Book Award
Voluntourism and Multispecies Collaboration is a lively ethnographic exploration of the world of conservation voluntourism and its engagement with marine and terrestrial biodiversity on the Honduran Bay Island of Utila, located in the ecologically critical Mesoamerican Barrier Reef.
In this highly readable text, anthropologist Keri Vacanti Brondo provides a pioneering theoretical framework that conceptualizes conservation voluntourism as a green industry. Brondo argues that the volunteer tourism industry is the product of coloniality and capitalism that works to produce and sustain an economy of affect while generating inequalities and dispossession. Employing a decolonizing methodology based on landscape assemblage theory, Brondo offers “thinking-like-a-mangrove” to attend to alternative worldings in Utila beyond the hegemonic tourist spectacle–dominated world attached to the volunteer tourism industry. Readers journey through the mangroves and waters alongside voluntourists, iguanas, whale sharks, turtles, lionfish, and islanders to build valuable research experience in environmental management while engaging in affective labor and multispecies relations of care.
Conservation organizations benefit from the financial capital and labor associated with conservation tourism, an industry boosted by social media. This critical work asks us to consider the impacts of this new alternative tourism market, one that relies on the exchange of “affect” with other species. How are human socialities made through interactions with other species? What lives and dies in Utila’s affect economy? Why are some species killable? Who gets to decide?
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press