A SCHOLARLY BOOK REPOSITORY
Henry Ward Beecher was pastor of Brooklyn's Plymouth Church and for many the "representative man" of mid-nineteenth century America. Elizabeth Tilton was the wife of Beecher's longtime intimate friend Theodore. His accusation of "criminal conversation" between Henry and Elizabeth confronted the American public with entirely new dilemmas about religion and intimacy, privacy and publicity, reputation and celebrity. The scandal spotlighted a series of comic and tragic loves and betrayals among these three figures, with a supporting cast that included Victoria Woodhull, Susan B. Anthony, and Elizabeth Cady Stanton.
To readers at the time, the Beecher-Tilton Scandal was an irresistible mystery. Richard Fox puts his readers into that same reverberating story, while offering it as a timeless tale of love, deception, faith, and the confounding indeterminacy of truth. Trials of Intimacy revises our conception of nineteenth-century morals and passions. And it is an American history richly resonant with present-day dramas.
Hildebrand explores the ideas and ideals of missionaries from several branches of Methodism—the African Methodist Episcopal Church, the Colored Methodist Episcopal Church, and the northern-based Methodist Episcopal Church—and the significant and highly charged battle waged between them over the challenge and meaning of freedom. He traces the various strategies and goals pursued by these competing visions and develops a typology of some of the ways in which emancipation was approached and understood.
Focusing on individual church leaders such as Lucius H. Holsey, Richard Harvey Cain, and Gilbert Haven, and with the benefit of extensive research in church archives and newspapers, Hildebrand tells the dramatic and sometimes moving story of how missionaries labored to organize their denominations in the black South, and of how they were overwhelmed at times by the struggles of freedom.
Like the Hebrew Bible and the Christian Bible, the Book of Mormon uses narratives to develop ideas and present instruction. Michael Austin reveals how the Book of Mormon connects itself to narratives in the Christian Bible with many of the same tools that the New Testament used to connect itself to the Hebrew Bible to create the Christian Bible. As Austin shows, the canonical context for interpreting the Book of Mormon includes the Christian Bible, the Book of Mormon itself, and other writings and revelations that hold scriptural status in most Restoration denominations. Austin pays particular attention to how the Book of Mormon connects itself to the Christian Bible both to form a new canon and to use the canonical relationship to reframe and reinterpret biblical narratives. This canonical context provides an important and fruitful method for interpreting the Book of Mormon.
Originally from New Hampshire, Amasa Mason Lyman converted to Mormonism over the objection of his family at age nineteen. Compelled to leave home with a total of eleven dollars in his pocket, he ventured some 700 miles east to Ohio, where Joseph Smith told him to return east and serve a mission despite his unfamiliarity with the church’s doctrines and procedures.
Ten years later Lyman temporarily replaced Orson Pratt in the Quorum of Twelve Apostles. This made him a kind of fifth wheel (thirteenth apostle) when Pratt was reinstated. Lyman would nevertheless regain his position in the quorum two years later and serve faithfully until his expulsion in 1867 for denying the divinity of Jesus. He then gravitated toward the anti-Brighamite spiritualist movement in Utah. Tracing the arc of this transformation from firm believer to prominent heretic, Lyman’s diaries are a window into the thinking of pioneer Mormons and the idealogical issues that sometimes divided them. This is the first in an anticipated multi-volume collection of historic diaries that will comprise the Signature Legacy Series.
Swedish scientist and visionary Emanuel Swedenborg (1688–1772) writes that the Ten Commandments are the most important part of the Bible. They encapsulate what we need to do to grow as spiritual people, with a meaning that penetrates far beyond the surface level of words and deeds.
One of the fundamentals of Swedenborg’s theology is the concept that underlying the literal text of the Bible is an inner spiritual meaning. Using this method of interpretation, Swedenborg peels back the layers of the Ten Commandments to reveal a cohesive set of teachings with both practical applications and far-reaching spiritual implications.
Although Swedenborg discusses the Ten Commandments in many places throughout his writings, he wrote four extended commentaries on the subject in four separate volumes: Secrets of Heaven (volume 7, published in 1754), True Christianity (1771), the short work Life (1763), and the posthumously published Revelation Explained (1758–1759). Those four commentaries are now being combined in a single volume for the first time, allowing the reader to compare and contrast Swedenborg’s approach across a seventeen-year span.
This book offers new insights for spiritual seekers and students of Swedenborg alike, illuminating what is at once a familiar set of biblical teachings and one of the cornerstones of Swedenborg’s system of personal growth.
George F. Dole, Harvard Ph.D., has translated and arranged by theme a selection of passages from Swedenborg's works on life, heaven and hell, and the nature of God. This book is an accessible introduction for the reader new to Swedenborg, as well as a concise reference for those familiar with his philosophy. [Swedenborg's] philosophy is about as practical as one could ask. Ascetism is not the way to God. ... A good person can be saved with any religion or with no religion.
"George F. Dole ... has done us a great service in bringing Emanuel Swedenborg back to the attention of our distracted age."
-from the foreword by Huston Smith
This collection of essays highlights the influence of Swedish visionary Emanuel Swedenborg (1688-1772) on art, spirituality, and culture. Opening with an essay by Spanish-language writer and metaphysician Jorge Luis Borges, from which the collection draws its name, the volume includes a description of Swedenborg's influence on Fyodor Dosteovsky by Czleslaw Mloscz; a look at Swedenborg from a mystical perspective from Wilson Van Dusen; the transcendentalist connection with Ralph Waldo Emerson in an essay by Eugene Taylor; and Buddhist scholar D. T. Suzuki's describes similarities between Swedenborg's philosophy and Buddhism. Essays by Kathleen Raine on Swedenborg's poetic influence and Colin Wilson on the psychological perspective on Swedenborg's visions round out the collection.
True Christianity presents a satisfying and sensible alternative to mainstream Christianity. The last book published by Swedish scientist-turned-seer Emanuel Swedenborg, it serves as both the keystone in the architecture of his theology and the summary of his far-reaching psychological insights. This volume, the first of two, provides unique answers to humankind’s perennial questions about the nature of God and about Jesus—not only what his purpose was and how he fulfilled it, but why his life and death are still relevant to us now.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the full text of the New Century Edition translation, but not the introduction, annotations, or other supplemental materials found in the deluxe edition.
True Christianity presents a satisfying and sensible alternative to mainstream Christianity. The last book published by Swedish scientist-turned-seer Emanuel Swedenborg, it serves as both the keystone in the architecture of his theology and the summary of his far-reaching psychological insights. This volume, the first of two, provides unique answers to humankind’s perennial questions about the nature of God and about Jesus—not only what his purpose was and how he fulfilled it, but why his life and death are still relevant to us now.
This volume features an introduction by R. Guy Erwin of California Lutheran University setting the work in its theological and historical context.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life. Introductions and annotations by eminent, international scholars place Swedenborg’s writings in their historical context and illuminate obscure references within the text, enabling readers to understand and trace Swedenborg’s influence as never before.
In the final years of his life, Emanuel Swedenborg wrote True Christianity, an opus that served both to contextualize his theology within contemporary Christianity and to serve as a road map for the new spiritual age that would follow. This second volume covers topics such as freedom of choice, repentance, the transformation of a person’s inner being during spiritual awakening, the rites of baptism and the Holy Supper (communion), and the second coming of the Lord.
This new translation is part of the New Century Edition of the Works of Emanuel Swedenborg, an ongoing project to render Swedenborg’s theological works in clear, contemporary language that reflects the simple and engaging style of the original Latin. The deluxe hardcover and paperback editions include extensive notes on historical aspects of the text and reference tables; they also have an index to both volumes.
From the experience of dying to awakening to tunnels, bright lights, unfamiliar realms, life reviews, and different levels of consciousness, Leon Rhodes takes the reader on a great adventure into the unknown. An officer in the International Association for Near-Death Studies (IANDS), Rhodes recounts the stories of near-death experiences (NDEs) that people have shared with him over the years. Chronicled as a source of inspiration are the profound changes that occurred in their lives after the discoveries they made.
In addition, the fascinating parallels between NDEs and the spiritual world described more than two hundred years ago by Emanuel Swedenborg provide many insights into the transition from this life to the next world. Rhodes’s unique Swedenborgian perspective broadens the discussion over the significance of the near-death phenomenon.
Pisgah grew and prospered, developing increasingly successful farming practices, landholding patterns, and trading strategies. But the Civil War took a heavy toll, taking workers away from farms, subjecting those left on the home front to deprivation and violence, and creating division in the community. By 1870, the people of Pisgah had dispersed into Arkansas’s larger developing society.
Absorbing to read and rich with colorful detail, They Sought a Land is an important story of the westward expansion of the United States and the settling of the American South during the nineteenth century.
Insightful, good-humored essays on the possibilities of alien life and the uses of space exploration, based on an astrobiologist’s everyday conversations with his fellow humans—taxi drivers, to be precise.
If you’ve ever sat in the back seat of a taxi, you know that cabbies like to talk. Sports or politics, your job or theirs, taxi drivers are fine conversationalists on just about any topic. And when the passenger is astrobiologist Charles Cockell, that topic is usually space and what, if anything, lives out there.
Inspired by conversations with drivers all over the world, Taxi from Another Planet tackles the questions that everyday people have about the cosmos and our place in it. Will we understand aliens? What if there isn’t life out in the universe? Is Mars our Plan B? And why is the government spending tax dollars on space programs anyway? Each essay in this genial collection takes questions like these as a starting point on the way to a range of insightful, even poignant, observations. Cockell delves into debates over the inevitability of life and looks to both human history and scientific knowledge to consider what first contact will be like and what we can expect from spacefaring societies. He also offers a forceful argument for the sympathies between space exploration and environmentalism.
A shrewd and entertaining foray into the most fundamental mysteries, Taxi from Another Planet brings together the wisdom of scientific experts and their fellow citizens of Earth, the better to understand how life might unfold elsewhere.
"A triumphantly successful exploration of certain key themes in cultural life. Rieff's incidental remarks are not only illuminating in themselves; they suggest whole new areas of inquiry."—Alasdair MacIntyre, Guardian
Teaching Race in the European Renaissance: A Classroom Guide provides both educators and students the tools they need to discuss race in the European Renaissance both in its unique historical contexts and as part of a broader continuum with racial thinking today. The volume gathers scholars of the English, French, Italian, and Iberian Renaissances to provide exercises, lesson plans, methodologies, readings, and other resources designed to bring discussions of race into a broad spectrum of classes on the early modern period, from literature to art history to the history of science. This book is designed to help educators create more diverse and inclusive syllabi and curricula that engage and address a diverse, twenty-first-century student body composed of students from a growing variety of cultural, national, ethnic, and racial backgrounds. By providing clear, concise, and diverse methodologies and analytical focuses, Teaching Race in the European Renaissance: A Classroom Guide will help educators in all areas of Renaissance Studies overcome the anxiety and fear that can come with stepping outside of their expertise to engage with the topic of race, while also providing expert scholars of race in the Renaissance with new techniques and pedagogies to enhance the classroom experience of their students.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
This critical examination of internal colonization—a form of contiguous continental expansion, imperialism, and colonialism that incorporated indigenous lands and peoples—draws a corollary between the westward-moving American pioneer and the eastward-moving Russian peasant. Sabol examines how and why perceptions of the Sioux and Kazakhs as ostensibly uncivilized peoples and the Northern Plains and the Kazakh Steppe as “uninhabited” regions that ought to be settled reinforced American and Russian government sedentarization policies and land allotment programs. In addition, he illustrates how both countries encountered problems and conflicts with local populations while pursuing their national missions of colonization, comparing the various forms of Sioux and Kazakh martial, political, social, and cultural resistance evident throughout the nineteenth century.
Presenting a nuanced, in-depth history and contextualizing US and Russian colonialism in a global framework, The Touch of Civilization will be of significant value to students and scholars of Russian history, American and Native American history, and the history of colonization.
Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery.
Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today.
“The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture
Ten Thousand Years of Inequality addresses these and other questions by presenting the first set of consistent quantitative measurements of ancient wealth inequality. The authors are archaeologists who have adapted the Gini index, a statistical measure of wealth distribution often used by economists to measure contemporary inequality, and applied it to house-size distributions over time and around the world. Clear descriptions of methods and assumptions serve as a model for other archaeologists and historians who want to document past patterns of wealth disparity.
The chapters cover a variety of ancient cases, including early hunter-gatherers, farmer villages, and agrarian states and empires. The final chapter synthesizes and compares the results. Among the new and notable outcomes, the authors report a systematic difference between higher levels of inequality in ancient Old World societies and lower levels in their New World counterparts.
For the first time, archaeology allows humanity’s deep past to provide an account of the early manifestations of wealth inequality around the world.
Contributors
Nicholas Ames
Alleen Betzenhauser
Amy Bogaard
Samuel Bowles
Meredith S. Chesson
Abhijit Dandekar
Timothy J. Dennehy
Robert D. Drennan
Laura J. Ellyson
Deniz Enverova
Ronald K. Faulseit
Gary M. Feinman
Mattia Fochesato
Thomas A. Foor
Vishwas D. Gogte
Timothy A. Kohler
Ian Kuijt
Chapurukha M. Kusimba
Mary-Margaret Murphy
Linda M. Nicholas
Rahul C. Oka
Matthew Pailes
Christian E. Peterson
Anna Marie Prentiss
Michael E. Smith
Elizabeth C. Stone
Amy Styring
Jade Whitlam
The point of departure for this volume lies in the post-tumultuous times of processual archaeology, in the 1970s and 1980s, when Geoff Bailey, Lewis Binford, David Clarke, Robert Dunnell, Robert Foley, and Michael Schiffer, among others, initiated a deconstruction of time as used in archaeology. Here, the authors further this deconstruction.
Time in Archaeology was originally convened as an electronic symposium held at the Society of American Archaeology meetings in 2003. The result is a tightly focused group of papers that provide both a historical background to the development of the ideas of time perspectivism as well as a range of case studies that illustrate where scholars have taken the ideas. This book demonstrates the importance of concepts of time with excellent discussions and perspectives from twelve scholars working in vastly different arenas. It is a rigorous examination of the assumptions we make and the impacts of those assumptions. After reading this you may never think about time in quite the same way.
Aimed at classicists, literary scholars, ancient historians, cultural historians, and archaeological theorists, the book combines three areas of research: time as a feature of narrative structure in literary theory; the concept of “the past itself” in the philosophy of history; and the ontological status of material objects in archaeological theory. Each of five central chapters explores how specific protoarchaeological narratives—from the fate of Zeus’ stone in Hesiod’s Theogony to the contest between words and objects in Aristophanes’ Frogs—both expose and attempt to bridge this gap. Throughout, the book serves as a response to Herodotus’ task in writing the Histories, namely, to ensure that “the past deeds of men do not fade with time.”
Dendrochronology, the science of assigning precise calendar dates to annual growth rings in trees, provided accurate dates at a time when North American archaeologists had no absolute dating techniques available to guide their analyses. Time, Trees, and Prehistory examines the growth, development, application, and interpretive implications of North American archaeological tree-ring dating from 1914 to 1950.
The development of dendrochronology forced archaeologists to radically revise their understanding of the prehistoric past, compressing by nearly fifty percent the time scale of the archaeological record. Basketmaker sites, for instance, were once thought to be four thousand years old; tree-ring application demonstrated that these sites dated well into the present millennium. Classic sites in Chaco Canyon and Mesa Verde were believed occupied for nearly a thousand years, but tree-ring dates demonstrated that such sites were often built, occupied, and abandoned in just over a century. Other similar changes in temporal scale forced archaeologists to reconsider their interpretations of the rate of prehistoric cultural change, population growth, and the degree of social and political complexity in the Southwest.
Time, Trees, and Prehistory examines archaeological practices of the 1920s, 30s, and 40s and demonstrates that tree-ring dating set the stage that enabled revolutionary developments in archaeological method and theory in succeeding decades.
In case studies highlighting the benefits of interdisciplinary collaboration, contributors argue that anthropologists and archaeologists are simply not “speaking the same language” and that the division between fields undermines the field of anthropology as a whole. Scholars must bridge this gap and find ways to engage in interdisciplinary collaboration to promote the health of the anthropological discipline. By sharing data, methods, and ideas, archaeology and cultural anthropology can not only engage in more productive debates but also make research accessible to those outside academia.
These “Thin Partitions” gets to the heart of a well-known problem in the field of anthropology and contributes to the ongoing debate by providing concrete examples of how interdisciplinary collaboration can enhance the outcomes of anthropological research.
Contributors: Fredrik Fahlander, Lilia Fernández Souza, Kent Fowler, Donna Goldstein, Joseph R. Hellweg, Derek Johnson, Ashley Kistler, Vincent M. LaMotta, John Monaghan, William A. Parkinson, Paul Shankman, David Small
I--Introduction
1. Through the Lens of Gender: Archaeology, Inequality, and Those "Of Little Note" / Elizabeth M. Scott
II--Native American and African American Communities
2. Cloth, Clothing, and Related Paraphernalia: A Key to Gender Visibility in the Archaeological Record of Russian America / Louise M. Jackson
3. "We Took Care of Each Other Like Families Were Meant To": Gender, Social Organization, and Wage Labor Among the Apache at Roosevelt / Everett Bassett
4. The House of the Black Burghardts: An Investigation of Race, Gender, and Class at the W. E. B. DuBois Boyhood Homesite / Nancy Ladd Muller
III--All Male and Predominantly Male Communities
5. "With Manly Courage": Reading the Construction of Gender in a 19th-Century Religious Community / Elizabeth Kryder-Reid
6. The Identification of Gender at Northern Military Sites of the Late 18th Century / David R. Starbuck
7. Class, Gender Strategies, and Material Culture in the Mining West / Donald L. Hardesty
IV--Working Women in Urban Communities
8. Mrs. Starr's Profession / Donna J. Seifert
9. Diversity and 19th-Century Domestic Reform: Relationships Among Classes and Ethnic Groups / Suzanne M. Spencer-Wood
Editors Ian Kuijt, Colin P. Quinn, and Gabriel Cooney’s volume examines cremation by documenting the material signatures of cremation events and processes, as well as its transformative impact on social relations and concepts of the body. Indeed, examining why and how people chose to cremate their dead serves as an important means of understanding how people in the past dealt with death, the body, and the social world.
The contributors develop new perspectives on cremation as important mortuary practices and social transformations. Varying attitudes and beliefs on cremation and other forms of burial within the same cultural paradigm help us understand what constitutes the body and what occurs during its fiery transformation. In addition, they explore issues and interpretive perspectives in the archaeological study of cremation within and between different cultural contexts.
The global and comparative perspectives on cremation render the book a unique contribution to the literature of anthropological and mortuary archaeology.
Disruptive pedagogies for archival research
In a cultural moment when institutional repositories carry valuable secrets to the present and past, this collection argues for the critical, intellectual, and social value of archival instruction. Graban and Hayden and 37 other contributors examine how undergraduate and graduate courses in rhetoric, history, community literacy, and professional writing can successfully engage students in archival research in its many forms, and successfully model mutually beneficial relationships between archivists, instructors, and community organizations.
Combining new and established voices from related fields, each of the book’s three sections includes a range of form-disrupting pedagogies. Section I focuses on how approaching the archive primarily as text fosters habits of mind essential for creating and using archives, for critiquing or inventing knowledge-making practices, and for being good stewards of private and public collections. Section II argues for conducting archival projects as collaboration through experiential learning and for developing a preservationist consciousness through disciplined research. Section III details praxis for revealing, critiquing, and intervening in historic racial omissions and gaps in the archives in which we all work.
Ultimately, contributors explore archives as sites of activism while also raising important questions that persist in rhetoric and composition scholarship, such as how to decolonize research methodologies, how to conduct teaching and research that promote social justice, and how to shift archival consciousness toward more engaged notions of democracy. This collection highlights innovative classroom and curricular course models for teaching with and through the archives in rhetoric and composition and beyond.
Placing herself in the avid reader’s chair, Linda Wagner-Martin writes about women’s biography from George Eliot and Virginia Woolf to Eleanor Roosevelt and Margaret Mead, and even to Cher and Elizabeth Taylor. Along the way, she looks at dozens of other life stories, probing at the differences between biographies of men and women, prevailing stereotypes about women’s lives and roles, questions about what is public and private, and the hazy margins between autobiography, biography, and other genres. In quick paced and wide-ranging discussions, she looks at issues of authorial stance (who controls the narrative? who chooses which story to tell?), voice (is this story told in the traditional objective tone? and if it is, what effect does that telling have on our reading?), and the politics of publishing (why aren’t more books about women’s lives published? and when they are, what happens to their advertising budgets?). She discusses the problems of writing biography of achieving women who were also wives (how does the biographer balance the two?), of daughters who attempt to write about their mothers, and of husbands trying to portray their wives.
Telling Women’s Lives is the first overview of the writing and the history of biographies about women. It is a significant contribution to the reassessment of the work of the hundreds of women writers who have made a difference in our conception of what women’s stories--and women’s lives--have been, and are becoming. The book is a must read for anyone who loves reading biographies, particularly biographies of women.
In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling.
Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.
The past and the truth are slippery things, and the art of nonfiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means.
Contributors: John D’Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer
The essays in Twenty Square Feet of Skin tell their stories through the body—encased as it is in “that greatest of organs, that membrane that protects the individual from the universe”—as Megan Baxter’s entrée to and home within the larger world that surrounds her. What does a tattoo mean? How can plastic surgery transform? What is the history of pedicures? Where does the mind wander on a long run? Through every example, Baxter writes toward a greater understanding of how self-knowledge is forged through physical experiences.
With the input of Prince, Walt Whitman, Don Johnson, Andrew Wyeth, Meriwether Lewis, and others, Baxter reflects on love, identity, and belonging by looking closely at her skin, toenails, and DNA. Playful, wandering, and deeply felt, Twenty Square Feet of Skin weaves a strange, rich tapestry of flesh and bones, art and body, skin and scar. In embracing the beauty and peril of physicality in crystalline detail, Baxter asks us all to ponder what makes us human within these frail, flawed, powerful, and wonderful bodies of ours.
One of the most eminent historians of our time offers here a perceptive guide to the study of history. Truth in History teaches how to read, how to analyze, how to discriminate. It is as helpful to the reader whose history is created daily in the news as it is to the professional historian whose field is in a crisis of disarray.
A Pulitzer Prize winner and mentor for more than a generation of American historians, Oscar Handlin instructs his readers in the fundamentals of his field. He tells us how to deal with evidence, how to discern patterns amid flux, how to situate ourselves in history, and how to recognize where fact shades subtly into opinion. He combines a historian’s knowledge with a historiographer’s breadth and a philosopher’s temperament. He is concerned with a historian’s limitations and with the ways one can operate honestly within those limitations. He brings a full appreciation of the past to his evaluation of what is modern. And while carefully examining recent developments in his discipline, he culls genuine achievements from the trends that confuse originality with true worth.
Handlin everywhere enlivens his discussion with brilliant details. As he pursues broad definitions of history and its uses, he also attends to specific subjects, showing how they bear directly on each other and on his concerns. He deals with Populism, capitalism, laissez-faire, the two-party system, the New History, ethnicity, and roots, treating all with the flair of an accomplished man of letters. Only a scholar of Handlin’s experience and expertise could have brought such a wealth of particular facts to an issue of such general importance: truth in history.
The heart of Krieger's narrative is an insightful analysis of theories of history from the classical period to the present, with a principal focus on the modern period. Krieger's exposition covers such figures as Ranke, Hegel, Comte, Marx, Acton, Troeltsch, Spengler, Braudel, and Foucault, among others, and his discussion involves him in subtle distinctions among terms such as historism, historicism, and historicity. He points to the impact on history of academic political radicalism and its results: the new social history. Krieger argues for the autonomy of historical principles and methods while tracing the importation in the modern period of external principles for historical coherence.
Time's Reasons is a profound attempt to rejuvenate and restore integrity to the discipline of history by one of the leading masters of nineteenth- and twentieth-century historiography. As such, it will be required reading for all historiographers and intellectual historians of the modern period.
A New Statesman Best Book of the Year
“Powerful and radically important.”
—Robert Gildea, Times Literary Supplement
“Bracingly describes the ways imperialist historiography has shaped visions of the future as much as the past.”
—Pankaj Mishra, New York Review of Books
“An account of how the discipline of history has itself enabled the process of colonization…A coruscating and important reworking of the relationship between history, historians, and empire.”
—Kenan Malik, The Guardian
For generations, the history of the British Empire was written by its victors, whose accounts of conquest guided the consolidation of imperial rule in India, the Middle East, Africa, and the Caribbean. British historians’ narratives of the development of imperial governance licensed the brutal suppression of colonial rebellion. Their reimagining of empire during the two world wars compromised decolonization. In this brilliant work, Priya Satia shows how these historians not only interpreted the major political events of their time but also shaped the future that followed.
From the imperial histories of John Stuart Mill and Winston Churchill to the works of anticolonial thinkers such as William Blake, Mahatma Gandhi, and E. P. Thompson, Satia captures two opposing approaches to the discipline of history and illuminates the ethical universe that came with them. Against the backdrop of enduring inequalities and a crisis in the humanities, hers is an urgent moral voice.
Designed for the classroom, Thinking About History is organized around big questions: Whose history do we write, and how does that affect what stories get told and how they are told? How did we come to view the nation as the inevitable context for history, and what happens when we move outside those boundaries? What is the relation among popular, academic, and public history, and how should we evaluate sources? What is the difference between description and interpretation, and how do we balance them? Maza provides choice examples in place of definitive answers, and the result is a book that will spark classroom discussion and offer students a view of history as a vibrant, ever-changing field of inquiry that is thoroughly relevant to our daily lives.
Historians have seen their field transformed by the digital age. Research agendas, teaching and learning, scholarly communication, the nature of the archive—all have undergone a sea change that in and of itself constitutes a fascinating digital history. Yet technology's role in the field's development remains a glaring blind spot among digital scholars.
Adam Crymble mines private and web archives, social media, and oral histories to show how technology and historians have come together. Using case studies, Crymble merges histories and philosophies of the field, separating issues relevant to historians from activities in the broader digital humanities movement. Key themes include the origin myths of digital historical research; a history of mass digitization of sources; how technology influenced changes in the curriculum; a portrait of the self-learning system that trains historians and the problems with that system; how blogs became a part of outreach and academic writing; and a roadmap for the continuing study of history in the digital era.
Teaching History in the Digital Age serves as a guide for practitioners on how to fruitfully employ the transformative changes of digital media in the research, writing, and teaching of history. T. Mills Kelly synthesizes more than two decades of research in digital history, offering practical advice on how to make best use of the results of this synthesis in the classroom and new ways of thinking about pedagogy in the digital humanities.
Instructors will improve their own conceptual understandings of teaching and learning issues, as well as receive guidance on designing courses and implementing pedagogies consistent with what research tells us about how students learn. The book offers practical illustrations of assignments, goals, questions, grading rubrics, unit plans, and formats for peer observation that are adaptable for courses on any subject and of any size. Transforming History is a critical guide for higher and secondary education faculty—neophytes and longtime professionals alike—working to improve student learning.
The contributors to Thinking Like a Historian are experienced historians and educators from elementary through university levels. This philosophical and pedagogical guide to history as a discipline uses published standards of the American Historical Association, the Organization of American Historians, the National Council for History Education, the National History Standards and state standards for Wisconsin and California.
Pursuing this objective, Alex Callinicos critically confronts a number of leading attempts to reconceptualize the meaning of history, including Francis Fukuyama’s rehabilitation of Hegel’s philosophy of history and the postmodernist efforts of Hayden White and others to deny the existence of a past independent of our representations of it. In these cases philosophical arguments are pursued in tandem with discussions of historical interpretations or, respectively, Stalinism and the Holocaust. Leading theories of history—Marx’s and Weber’s—are then examined in the context of recent work by writers such as Michael Mann, W. G. Runciman, and Robert Brenner
Finally, the politics of historical theory is explored in a discussion of Marxism’s claims to be a universal theory of human progress. Contradicting current fashion, Callinicos rebuts the claims made by many postmodernists that Marxism is inherently Eurocentric in both its conceptual structures and its political practice. Marx’s project of human emancipation, he concludes, still define our political horizons.
Theories and Narratives will interest all readers for whom the role of history in the understanding of contemporary civilizations is an essential issue.
Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.
When, in our turbulent day, we hear of a “clash of civilizations,” it’s easy to imagine an unbridgeable chasm between the Islamic world and Christendom stretching back through time. But such assumptions crumble before the drama that unfolds in this book. Two Faiths, One Banner shows how in Europe, the heart of the West, Muslims and Christians were often comrades-in-arms, repeatedly forming alliances to wage war against their own faiths and peoples.
Here we read of savage battles, deadly sieges, and acts of individual heroism; of Arab troops rallying by the thousands to the banner of a Christian emperor outside the walls of Verona; of Spanish Muslims standing shoulder to shoulder with their Christian Catalan neighbors in opposition to Castilians; of Greeks and Turks forming a steadfast bulwark against Serbs and Bulgarians, their mutual enemy; of tens of thousands of Hungarian Protestants assisting the Ottomans in their implacable and terrifying march on Christian Vienna; and finally of Englishman and Turk falling side by side in the killing fields of the Crimea.
This bold book reveals how the idea of a “Christian Europe” long opposed by a “Muslim non-Europe” grossly misrepresents the facts of a rich, complex, and—above all—shared history. The motivations for these interfaith alliances were dictated by shifting diplomacies, pragmatic self-interest, realpolitik, and even genuine mutual affection, not by jihad or religious war. This insight has profound ramifications for our understanding of global politics and current affairs, as well as of religious history and the future shape of Europe.
As he explores the causes of the East-West conflict from its most remote antecedents, Herodotus includes conflicting traditions about different historical periods as well as apparently tangential descriptions of the customs of faraway peoples. What was his aim in combining such diverse material? Rosaria Vignolo Munson argues that Herodotus' aim was two-fold: to use historical narrative to illuminate the present and to describe barbarian customs so that the Greeks might understand themselves.
Herodotus assumes the role of advisor to his audience, acting as a master of metaphor and oracular speech and as an intellectual fully aware of new philosophical and political trends. By comparing, interpreting, and evaluating facts through time and space or simply by pointing them out as objects of "wonder," he teaches that correct political action is linked to an appropriate approach to foreigners and additional "others." Munson relies on traditional scholarship and modern studies in narratology and related critical fields to distinguish between narrative and metanarrative, providing a framework for analyzing the construction of Herodotus' discourse and his presentation of himself through it.
Munson's work will be useful to classicists and ancient historians and will also engage anthropologists interested in cultural interaction and notions of ethnicity and literary critics interested in narrative constructions.
Torpey’s argument advances the idea that there are in fact three “Axial Ages,” instead of one original Axial Age and several subsequent, smaller developments. Each of the three ages contributed decisively to how humanity lives, and the difficulties it faces. The earliest, or original, Axial Age was a moral one; the second was material, and revolved around the creation and use of physical objects; and the third is chiefly mental, and focused on the technological. While there are profound risks and challenges, Torpey shows how a worldview that combines the strengths of all three ages has the potential to usher in a period of exceptional human freedom and possibility.
A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world.
When defiant Bohemians tossed the Habsburg emperor’s envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals—the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict.
By war’s end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country’s greatest disaster.
An understanding of the Thirty Years War is essential to comprehending modern European history. Wilson’s masterful book will stand as the definitive account of this epic conflict.
For a map of Central Europe in 1618, referenced on page XVI, please visit this book’s page on the Harvard University Press website.
“On the day that Archduke Franz Ferdinand, heir to the Austrian throne, was assassinated, Tennesseans worried about the weather,” Carole Bucy writes. Indeed, the war that began in Europe in 1914 was unimaginably remote from Tennessee—until it wasn’t.
Drawing on a depth of research into a wide array of topics, this vanguard collection of essays aims to conceptualize World War I through the lens of Tennessee. The book begins by situating life in Tennessee within the greater context of the war in Europe, recounting America’s growing involvement in the Great War. As the volume unfolds, editor Michael E. Birdwell and the contributors weave together soldier narratives, politics and agribusiness, African American history, and present-day recollections to paint a picture of Tennessee’s Great War experience that is both informative and gripping.
An essential addition to the broader historiography of the American experience during World War I, this collection of essays presents Tennessee stories that are close to home in more than just geography and lineage. By relating international conflict through the eyes of Tennessee’s own, editor Michael E. Birdwell and the contributing authors provide new opportunities for academics and general readers alike to engage with the Great War from a unique and—until now—untold perspective.
With unsettling clarity, Aaron Hiltner reveals what American troops really did on the home front. While GIs are imagined to have spent much of the war in Europe or the Pacific, before the run-up to D-Day in the spring of 1944 as many as 75% of soldiers were stationed in US port cities, including more than three million who moved through New York City. In these cities, largely uncontrolled soldiers sought and found alcohol and sex, and the civilians living there—women in particular—were not safe from the violence fomented by these de facto occupying armies. Troops brought their pocketbooks and demand for “dangerous fun” to both red-light districts and city centers, creating a new geography of vice that challenged local police, politicians, and civilians. Military authorities, focused above all else on the war effort, invoked written and unwritten legal codes to grant troops near immunity to civil policing and prosecution.
The dangerous reality of life on the home front was well known at the time—even if it has subsequently been buried beneath nostalgia for the “greatest generation.” Drawing on previously unseen military archival records, Hiltner recovers a mostly forgotten chapter of World War II history, demonstrating that the war’s ill effects were felt all over—including by those supposedly safe back home.
When the world descended into war in 1939, few European countries remained neutral; but of those that did, none provoked more controversy than Ireland.
Despite Winston Churchill's best efforts to the contrary, the Irish premier Eamon de Valera stuck determinedly to Ireland's right to remain outside a conflict in which it had no enemies. Accusations of betrayal and hypocrisy poisoned the media; legends of Nazi spies roaming the country depicted Ireland as a haven for Hitler's friends. Where previous histories of Ireland in the war years have focused on high politics, That Neutral Island mines deeper layers of experience. Sean O'Faolain, Kate O'Brien, Elizabeth Bowen, Flann O'Brien and Louis MacNeice are a handful of writers whose stories, letters, and diaries illuminate this small country as it suffered rationing, censorship, the threat of invasion, and a strange detachment from the war.
Clair Wills brings to life the atmosphere of a country forced largely to do without modern technology. She describes the work of those who recovered the bodies of British sailors and airmen from the sea. She unearths the motivations of thousands who left to join the British forces. And she shows how ordinary people struggled to make sense of the Nazi threat through the lens of antagonism to Britain, the former colonial power. She acutely targets the sleight-of-hand that hovers around the Irish definition of "neutrality."
Italy, from the toe to the Alps, was the scene of the longest, bloodiest, most frustrating, and least understood series of battles fought by the Western Allies during World War II. Now, John S. D. Eisenhower offers a new look at the Italian campaign, emphasizing the Anzio offensive—an operation pushed by Winston Churchill that fell largely to American troops to carry out. It was visualized as an amphibious landing of two Allied divisions behind German lines that would force the Wehrmacht to evacuate all of Italy. But the Germans held on and, with the arrival of reinforcements, nearly wiped out the Allied troops pinned down at Anzio Beach.
By portraying that struggle from the perspectives of both commanders and foot soldiers, this prominent military historian focuses on the experiences of the individuals who fought in the Italian campaign to reveal what the battle at Anzio was all about. But more than the account of one operation, They Fought at Anzio covers the entire Italian campaign, from the landings at Salerno to the capture of Rome.
Eisenhower brings a trained eye to reconstructing the difficult terrain of battle, approaching the Anzio campaign as a contest between opposing commands striving to anticipate and counter the opponent’s moves—not as a field exercise but as a deadly struggle for survival. He analyzes the command decisions that brought about the Anzio stalemate, interspersing his account with personal experiences of the men in the trenches, the nurses of the 56th Evacuation Hospital, and the young officers witnessing the horrors of war for the first time.
As a study in command, Eisenhower’s narrative gives new credit to generals Lucian Truscott and Fred Walker and assesses both the strengths and weaknesses of General Mark Clark, allowing us to grasp the situation as it appeared to those in command. He also offers compelling portraits of German commanders Field Marshal Albert Kesselring and General Frido von Senger und Etterlin.
It has been said that Anzio was a soldier’s battle, remembered more for blood shed than for military objectives achieved. By focusing on the experiences of the soldiers who fought there and the decisions of commanders in perilous circumstances, They Fought at Anzio offers a new appreciation of the contributions of both and a new understanding of this unheralded theater of the war.
Germany’s 1941 seizure of Yugoslavia led to an insurgency as bloody as any in World War II. The Wehrmacht waged a brutal counter-insurgency campaign in response, and by 1943 German troops in Yugoslavia were engaged in operations that ranked among the largest of the entire European war. Their actions encompassed massive reprisal shootings, the destruction of entire villages, and huge mobile operations unleashed not just against insurgents but also against the civilian population believed to be aiding them. Terror in the Balkans explores the reasons behind the Wehrmacht’s extreme security measures in southern and eastern Europe.
Ben Shepherd focuses his study not on the high-ranking generals who oversaw the campaign but on lower-level units and their officers, a disproportionate number of whom were of Austrian origin. He uses Austro-Hungarian army records to consider how the personal experiences of many Austrian officers during the Great War played a role in brutalizing their behavior in Yugoslavia. A comparison of Wehrmacht counter-insurgency divisions allows Shepherd to analyze how a range of midlevel commanders and their units conducted themselves in different parts of Yugoslavia, and why. Shepherd concludes that the Wehrmacht campaign’s violence was driven not just by National Socialist ideology but also by experience of the fratricidal infighting of Yugoslavia’s ethnic groups, by conditions on the ground, and by doctrines that had shaped the military mindsets of both Germany and Austria since the late nineteenth century. He also considers why different Wehrmacht units exhibited different degrees of ruthlessness and restraint during the campaign.
Since John Hersey’s Hiroshima—the classic account, published in 1946, of the aftermath of the atomic bombing of that city—very few books have examined the meaning and impact of World War II through the eyes of Japanese men and women who survived that conflict. Tattered Kimonos in Japan does just that: It is an intimate journey into contemporary Japan from the perspective of the generation of Japanese soldiers and civilians who survived World War II, by a writer whose American father and Japanese father-in-law fought on opposite sides of the conflict.
The author, a former NPR senior editor, is Jewish, and he approaches the subject with the sensibilities of having grown up in a community of Holocaust survivors. Mindful of the power of victimhood, memory, and shared suffering, he travels across Japan, including Hiroshima and Nagasaki, meeting a compelling group of men and women whose lives, even now, are defined by the trauma of war, and by lingering questions of responsibility and repentance for Japan’s wartime aggression.
The image of a tattered kimono from Hiroshima is the thread that drives the narrative arc of this emotional story about a writer’s encounter with history, inside the Japan of his father’s generation, on the other side of his father’s war. This is a book about history with elements of family memoir. It offers a fresh and truly unique perspective for readers interested in World War II, Japan, or Judaica; readers seeking cross-cultural journeys; and readers intrigued by Japanese culture, particularly the kimono.
The United States dropped atomic bombs on Japan in 1945 to end World War II as quickly and with as few casualties as possible. That is the compelling and elegantly simple argument Newman puts forward in his new study of World War II's end, Truman and the Hiroshima Cult. According to Newman: (1) The U.S. Strategic Bombing Survey conclusions that Japan was ready to surrender without "the Bomb" are fraudulent; (2) America’s "unconditional surrender" doctrine did not significantly prolong the war; and (3) President Harry S. Truman’s decision to use atomic weapons on Japanese cities was not a "racist act," nor was it a calculated political maneuver to threaten Joseph Stalin’s Eastern hegemony. Simply stated, Newman argues that Truman made a sensible military decision. As commander in chief, he was concerned with ending a devastating and costly war as quickly as possible and with saving millions of lives.
Yet, Newman goes further in his discussion, seeking the reasons why so much hostility has been generated by what happened in the skies over Hiroshima and Nagasaki in early August, 1945. The source of discontent, he concludes, is a "cult" that has grown up in the United States since the 1960s. It was weaned on the disillusionment spawned by concerns about a military industrial complex, American duplicity and failure in the Vietnam War, and a mistrust of government following Watergate. The cult has a shrine, a holy day, a distinctive rhetoric of victimization, various items of scripture, and, in Japan, support from a powerful Marxist constituency. "As with other cults, it is ahistorical," Newman declares. "Its devotees elevate fugitive and unrepresentative events to cosmic status. And most of all, they believe." Newman’s analysis goes to the heart of the process by which scholars interpret historical events and raises disturbing issues about the way historians select and distort evidence about the past to suit special political agendas.
Crafted from George Hoshida’s diary and memoir, as well as letters faithfully exchanged with his wife Tamae, Taken from the Paradise Isle is an intimate account of the anger, resignation, philosophy, optimism, and love with which the Hoshida family endured their separation and incarceration during World War II.
George and Tamae Hoshida and their children were a Japanese American family who lived in Hawai‘i. In 1942, George was arrested as a “potentially dangerous alien” and interned in a series of camps over the next two years. Meanwhile, forced to leave her handicapped eldest daughter behind in a nursing home in Hawai‘i, Tamae and three daughters, including a newborn, were incarcerated at the Jerome Relocation Center in Arkansas. George and Tamae regularly exchanged letters during this time, and George maintained a diary including personal thoughts, watercolors, and sketches. In Taken from the Paradise Isle these sources are bolstered by extensive archival documents and editor Heidi Kim’s historical contextualization, providing a new and important perspective on the tragedy of the incarceration as it affected Japanese American families in Hawai‘i.
This personal narrative of the Japanese American experience adds to the growing testimony of memoirs and oral histories that illuminate the emotional, psychological, physical, and economic toll suffered by Nikkei as the result of the violation of their civil rights during World War II.
The war in the Aleutians was fought in some of the worst climatic conditions on earth for men, ships, and airplanes. The sea was rough, the islands craggy and unwelcoming, and enemy number one was always the weather--the savage wind, fog, and rain of the Aleutian chain. The fog seemed to reach even into the minds of the military commanders on both sides, as they directed men into situations that so often had tragic results. Frustrating, befuddling, and still the subject of debate, the Aleutian campaign nevertheless marked an important turn of the war in favor of the United States.
Now, half a century after the war ended, more of the fog has been lifted. In the updated University of Alaska Press edition, Garfield supplements his original account, which was drawn from statistics, personal interviews, letters, and diaries, with more recently declassified photographs and many more illustrations.
Under the leadership of her fearless skipper, Captain Gene Fluckey, the Barb sank the greatest tonnage of any American sub in World War II. At the same time, the Barb did far more than merely sink ships-she changed forever the way submarines stalk and kill their prey.
This is a gripping adventure chock-full of "you-are-there" moments. Fluckey has drawn on logs, reports, letters, interviews, and a recently discovered illegal diary kept by one of his torpedomen. And in a fascinating twist, he uses archival documents from the Japanese Navy to give its version of events.
The unique story of the Barb begins with its men, who had the confidence to become unbeatable. Each team helped develop innovative ideas, new tactics, and new strategies. All strove for personal excellence, and success became contagious. Instead of lying in wait under the waves, the USS Barb pursued enemy ships on the surface, attacking in the swift and precise style of torpedo boats. She was the first sub to use rocket missiles and to creep up on enemy convoys at night, joining the flank escort line from astern, darting in and out as she sank ships up the column.
Surface-cruising, diving only to escape, "Luckey Fluckey" relentlessly patrolled the Pacific, driving his boat and crew to their limits. There can be no greater contrast to modern warfare's long-distance, videogame style of battle than the exploits of the captain and crew of the USS Barb, where they sub, out of ammunition, actually rammed an enemy ship until it sank.
Thunder Below! is a first-rate, true-life, inspirational story of the courage and heroism of ordinary men under fire.
A Main Selection of the Military Book Club. Winner of the Rear Admiral Samuel Eliot Morison Award for Naval Literature given by the Naval Order of the United States, New York Commandery.
The "definitive one-volume study of Nuremberg," The Trial of the Germans is now available in paperback. An astute observer of the Nuremberg trial, Eugene Davidson has struggled with the issues it raised: Was it a necessary response to the heinous crimes of the Third Reich? How were Germany and the Germans capable of such extraordinary evil? Was the trial just, given the claims that the defendants were simply serving their country, doing as they had been told to do? And if not just, was it nonetheless necessary as a warning to prevent future crimes against humanity? Davidson's approach to these and other large questions of justice is made through examination of each of the defendants in the trial. His reluctant, but firm, conclusion is: "In a world of mixed human affairs where a rough justice is done that is better than lynching or being shot out of hand, Nuremberg may be defended as a political event if not as a court." Some sentences may have seemed too severe, but none was harsher than the punishments meted out to innocent people by the regime these men served. "In a certain sense," says Davidson, "the trial succeeded in doing what judicial proceedings are supposed to do: it convinced even the guilty that the verdict against them was just."
Faulty as the trial was from the legal point of view, a catharsis of the pent-up emotions of millions of people had to be provided and a record of what had taken place duly preserved for whatever use later generations would make of it.
Analyzes the impact of historical trauma on contemporary culture.
How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler’s List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg’s book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust.
Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history.
How does a young German who has been a member of the Hitler Youth and has competed in Nazi-organized athletic competitions become, over the span of two years, an eighty-pound, tuberculosis-stricken concentration camp escapee?
In this larger-than-life memoir, Walter Meyer leads readers from one harrowing moment to the next as he recounts his experiences during and after Hitler's reign. As a teenager, Meyer refused to conform to institutional rules. While serving in the Hitler Youth, he rebelled by joining a subversive group that focused its efforts on pranks against the youth organization. During World War II, Meyer was arrested, interrogated, and beaten for stealing shoes, but he received a sentence of one to four years, as opposed to the standard penalty for looting—death.
The sixteen-year-old Meyer's refusal to conform to prison regulations and his foiled escape attempts resulted in solitary confinement on several occasions. His fiery spirit eventually landed him in a Nazi work camp. Unbeknownst to his family, Meyer became a concentration camp prisoner. Transported to Ravensbrueck, he was forced to work under grueling conditions in a quarry. He struggled to reach his daily work quota so he could dine on watery broth and bits of bread. In these subhuman conditions, Meyer developed tuberculosis. Knowing he would soon die in the camp, he again plotted his escape. This time he succeeded.
Upon returning home to Duesseldorf, Meyer despaired at the destruction of his hometown. He lamented the pallor that had spread throughout the town and the country itself. After recovering his health, he regained his youthful lust for adventure. His postwar travels began with his infiltration of the Russian-occupied zone of Germany to retrieve his family's possessions. Meyer then began a whirlwind odyssey, ducking into train cars and stowing away on ships, occasionally landing in jail for traveling without a passport—from France to Spain, Belgium to Holland, and finally to South America--in pursuit of something other than the aftermath of war.
Meyer's memoir gives insight into the climate in Germany during World War II and in the defeated nation after the war. His experience as a non-Jewish survivor of the Nazi concentration camps provides an enlightening and varied perspective to the Holocaust dialogue.
The life story of this World War II Navajo Code Talker introduces middle-grade readers to an unforgettable person and offers a close perspective on aspects of Navajo (or Diné) history and culture.
Thomas H. Begay was one of the young Navajo men who, during World War II, invented and used a secret, unbreakable communications code based on their native Diné language to help win the war in the Pacific. Although the book includes anecdotes from other code talkers, its central narrative revolves around Begay. It tells his story, from his birth near the Navajo reservation, his childhood spent herding sheep, his adolescence in federally mandated boarding schools, and ultimately, his decision to enlist in the US Marine Corps.
Alysa Landry relies heavily on interviews with Begay, who, as of this writing, is in his late nineties and one of only three surviving code talkers. Begay’s own voice and sense of humor make this book particularly significant in that it is the only Code Talker biography for young readers told from a soldier’s perspective. Begay was involved with the book every step of the way, granting Landry unlimited access to his military documents, personal photos, and oral history. Additionally, Begay’s family contributed by reading and fact-checking the manuscript. This truly is a unique collaborative project.
Between 1948 and 1956, the United States government planned an enormous project to build fourteen permanent overseas military cemeteries in Europe. These park-like burial grounds eventually would hold the graves of approximately 80,000 American soldiers and nurses who died during or immediately after World War II. Five of these cemeteries are located in France, more than any other nation: two in Normandy; one in Provence; and two in Lorraine.
In Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France, Kate Clarke Lemay explores the relationship between art, architecture, war memory, and Franco-American relations. She addresses the many functions, both original and more recent, that the American war cemeteries have performed, such as: war memorials, diplomatic gestures, Cold War political statements, prompts for debate about Franco-American relations, and the nature of French identity itself. Located on or near former battlefields, the American war cemeteries are at once history lessons, sites of memory, and commemorative monuments. As places of mourning, war cemeteries are considerably different than civic cemeteries in their rituals, designs, and influences on collective memory. As transatlantic sites, the cemeteries both construct and sustain an American memory of World War II for a Francophile and European audience.
The book features ten color photographs, fifty black and white photographs, and four maps. Scholars as well as enthusiasts of World War II history, mid-century art and architecture, and cultural diplomacy will be interested in reading this richly researched book, the first in-depth history of some of the most important sites of American World War II remembrance.
Alone Against Germany, Britain Gave America Its Most Astonishing Secrets
In August 1940, a German invasion of Britain looked inevitable. Luftwaffe bombers were pounding British cities, France had surrendered, and the Low Countries were under German control. Although sympathetic to Britain’s plight, the United States remained staunchly neutral. Unknown to the rest of the world, Britain’s brightest scientific and military minds had been working on futuristic technology for a decade, including radar and jet propulsion. While the great value of radar to locate and identify objects at long distance and at night or in bad weather was appreciated, at the time it was thought that practical radar required a room-sized device for generating an effective signal. Now, suddenly, British scientists had something extraordinary—the cavity magnetron, a generator hundreds of times more powerful than any other in use and small enough to be held in the hand. With the British economy and industry reeling from the war, Winston Churchill gambled on an unorthodox plan: a team of scientists and engineers would travel under cover to the United States and give the still-neutral Americans the best of Britain’s military secrets. It was hoped that in exchange the United States would provide financial and manufacturing support—which might even lead to their official entry into the war.
The Tizard Mission, named for its leader Sir Henry Tizard, steamed across the Atlantic carrying a suitcase-sized metal deed box. Designed to sink in the event the ship was torpedoed by a U-boat, the box contained details of the Whittle jet engine, research for an atomic bomb, and a precious cavity magnetron. The Americans proved to be astonished, receptive, and efficient: Bell Telephone produced the first thirty magnetrons in October 1940, and over a million by the end of the war. With this device, both warships and aircraft could carry war-winning radar. But Britain did not only give America military secrets, these same technologies would produce a fortune for postwar commercial industries, with the magnetron being the key component to the microwave oven. In The Tizard Mission: The Top-Secret Operation That Changed the Course of World War II, Stephen Phelps reveals how the Tizard Mission was the turning point in the technological war, giving Britain the weapons it desperately needed and laying the groundwork for both the Special Relationship and much of the United States’s postwar economic boom, an effect that still resonates today.
Martin Blumenson refers to this book as a “sensitive, beautifully written personal memoir,” and calls it a contribution to understanding, “particularly to Americans who know little of how World War II and its immediate aftermath disrupted the lives of those who survived the defeat of Germany.”
Vividly, humanly, Shelton tells her story from the point of view of a teen-age German girl, one who witnessed her country’s surge to power and who felt the ignominy of both Germany and Germans after the fall. She reaches a point during the war when “Sometimes the way we now live seems unreal, as if we were marionettes, with orders and permits and schedules attached to us instead of strings.”
But after the defeat of Germany life gets considerably worse. The victorious Russians evict the natives from their homes. They sneer and leer at the women who must venture forth for food. In this defeated land “the nights become unbearably long; without any physical activity by day, sleep refuses to come. I yearn for sleep, be it temporary or eternal. Death is becoming a friend; the enemy has a new name now: Rape.”
Then comes the dreaded order to evacuate all Germans from Lower Silesia: “How can a whole people be uprooted, disowned, tossed aside like useless flotsam—how? With the stroke of a pen, with a new line drawn on a map, we are sentenced to homelessness.” Not knowing where they will be sent, they plod out into darkness and cold with the other Germans, their worldly goods reduced to what they can carry. Embittered, they are herded into vermin-infested freight cars, still unaware of their destination.
In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources—diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film—Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification.
These tales reveal writers, visual artists, and filmmakers as well as common people struggling to express the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making “After Dachau” a new epoch in Western history.
The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people—sorrow and anger, guilt and pride, despondency and resilience—as well as the ambiguities and paradoxes of Allied victory and occupation.
Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit
"Gilroy demonstrates effectively that cultural traditions are not static, but develop, grow and indeed mutate, as they influence and are influenced by the other changing traditions around them."—David Edgar, Listener Review of Books.
"A fascinating analysis of the discourses that have accompanied black settlement in Britain. . . . An important addition to the stock of critical works on race and culture."—David Okuefuna, Chicago Tribune
In 1767, two “princes” of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors—and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes’ correspondence and has managed to reconstruct their adventures from it. They were transported from the coast of Africa to Dominica, where they were sold to a French physician. By employing their considerable language and interpersonal skills, they cleverly negotiated several escapes that took them from the Caribbean to Virginia, and to England, but always ended in their being enslaved again. Finally, in England, they sued for, and remarkably won, their freedom. Eventually, they found their way back to Old Calabar and, evidence suggests, resumed their business of slave trading.
The Two Princes of Calabar offers a rare glimpse into the eighteenth-century Atlantic World and slave trade from an African perspective. It brings us into the trading communities along the coast of Africa and follows the regular movement of goods, people, and ideas across and around the Atlantic. It is an extraordinary tale of slaves’ relentless quest for freedom and their important role in the creation of the modern Atlantic World.
Born in the early 1620s, Anne, Lady Halkett (née Murray) grew up on the fringes of the English court during a period of increasing political tension. From 1644 to 1699, Halkett recorded her personal and political experiences in both England and Scotland in a series of manuscript meditations and an autobiographical narrative called A True Account of My Life. Royalism, romance, and contemporary religious debates are central to Halkett’s vivid portrayal of her life as a single woman, wife, mother, and widow. Collectively, the materials edited here offer the opportunity to explore how Halkett’s meditational practice informed her life writing in the only version of her writings to date available in a fully modernized edition. The forty-four meditations in this volume redefine the importance of Halkett’s contribution to seventeenth-century life writing.
Picturesque but poor, abject yet sublime in its Gothic melancholy, the Ireland perceived by British visitors during the eighteenth and nineteenth centuries did not fit their ideas of progress, propriety, and Protestantism. The rituals of Irish Catholicism, the lamentations of funeral wakes, the Irish language they could not comprehend, even the landscapes were all strange to tourists from England, Wales, and Scotland. Overlooking the acute despair in England’s own industrial cities, these travelers opined in their writings that the poverty, bog lands, and ill-thatched houses of rural Ireland indicated moral failures of the Irish character.
Tangible Belonging presents a compelling historical and ethnographic study of the German speakers in Hungary, from the late nineteenth to the late twentieth century. Through this tumultuous period in European history, the Hungarian-German leadership tried to organize German-speaking villagers, Hungary tried to integrate (and later expel) them, and Germany courted them. The German speakers themselves, however, kept negotiating and renegotiating their own idiosyncratic sense of what it meant to be German. John C. Swanson’s work looks deeply into the enduring sense of tangible belonging that characterized Germanness from the perspective of rural dwellers, as well as the broader phenomenon of “minority making” in twentieth-century Europe.
The chapters reveal the experiences of Hungarian Germans through the First World War and the subsequent dissolution of Austria-Hungary; the treatment of the German minority in the newly independent Hungarian Kingdom; the rise of the racial Volksdeutsche movement and Nazi influence before and during the Second World War; the immediate aftermath of the war and the expulsions; the suppression of German identity in Hungary during the Cold War; and the fall of Communism and reinstatement of minority rights in 1993.
Throughout, Swanson offers colorful oral histories from residents of the rural Swabian villages to supplement his extensive archival research. As he shows, the definition of being a German in Hungary varies over time and according to individual interpretation, and does not delineate a single national identity. What it meant to be German was continually in flux. In Swanson’s broader perspective, defining German identity is ultimately a complex act of cognition reinforced by the tangible environment of objects, activities, and beings. As such, it endures in individual and collective mentalities despite the vicissitudes of time, history, language, and politics.
Travels through France and Italy is a landmark work in travel literature. Full of prejudice, grousing, sharp observation, and caustic satire, it is the first travel book in modern literature to go beyond the simple conveyance of information to reflect the writer's state of mind.
Like the Bouthilliers, the Colberts, the Fouquets, and the Letelliers, the Arnauld family rose to prominence at the end of the sixteenth century by attaching themselves to the king. Their power and influence depended upon absolute loyalty and obedience to the sovereign whose own power they sought to enhance. Dictates of conscience, however, brought all that to an end and put them in conflict with both king and pope. As a result of the religious conversion of Angélique Arnauld early in the seventeenth century, the family eventually adopted a set of religious principles that appeared Calvinist to some ecclesiastical authorities. These "Jansenist" principles were condemned by the papacy and Louis XIV.
The travails of conscience experienced by the Arnauld family, and the resulting religious schism that separated different branches, divided husbands from wives and parents from children. However, neither the historic achievements of individual family members nor the differences of opinion between them could obscure the sense of family solidarity.
The dramatic appeal of this book is underscored by a tumultuous period in French history which coincides with and punctuates the Arnauld family's struggle with the world. We see how this extraordinary family reacted to momentous political and religious developments, as well as the ways in which individual members, by means of their own convictions, helped shape the history of their time.
Through French Windows is a journey into contemporary French culture and society. By describing the country's education, religion, politics, finances, technology and telecommunications, and social and ethical issues, Corbett draws a portrait of present-day France.
The author provides background information necessary for understanding the changes that continue to evolve. Corbett conscientiously avoids the traditional and simplistic means of portraying France that emphasizes the cultural heritage of the country. Instead he provides an insider's view of France, separating that mythic image from the current reality. Further, he presents an accurate portrayal of the diversity of France by moving beyond the typical dichotomy between Paris and the rest of the country or the oversimplification of dividing the country into north and south.
A revelatory intellectual biography of Tocqueville, told through his wide-ranging travels—most of them, aside from his journey to America, barely known.
It might be the most famous journey in the history of political thought: in 1831, Alexis de Tocqueville sailed from France to the United States, spent nine months touring and observing the political culture of the fledgling republic, and produced the classic Democracy in America.
But the United States was just one of the many places documented by the inveterate traveler. Jeremy Jennings follows Tocqueville’s voyages—by sailing ship, stagecoach, horseback, train, and foot—across Europe, North Africa, and of course North America. Along the way, Jennings reveals underappreciated aspects of Tocqueville’s character and sheds new light on the depth and range of his political and cultural commentary.
Despite recurrent ill health and ever-growing political responsibilities, Tocqueville never stopped moving or learning. He wanted to understand what made political communities tick, what elite and popular mores they rested on, and how they were adjusting to rapid social and economic change—the rise of democracy and the Industrial Revolution, to be sure, but also the expansion of empire and the emergence of socialism. He lauded the orderly, Catholic-dominated society of Quebec; presciently diagnosed the boisterous but dangerously chauvinistic politics of Germany; considered England the freest and most unequal place on Earth; deplored the poverty he saw in Ireland; and championed French colonial settlement in Algeria.
Drawing on correspondence, published writings, speeches, and the recollections of contemporaries, Travels with Tocqueville Beyond America is a panoramic combination of biography, history, and political theory that fully reflects the complex, restless mind at its center.
Drawing on his unprecedented access to Tocqueville's papers—access made possible by the late French historian Francois Furet—Robert T. Gannett Jr. reveals the ingenuity of Tocqueville's analyses of issues such as landownership, administrative centralization, and public opinion in prerevolutionary France. He also sheds light on the benefits Tocqueville reaped from unexpected intellectual encounters with such authors as Burke, Constant, and Dareste de la Chavanne. A literary detective at work, Gannett tracks Tocqueville as the author himself tracked the French Revolution—and brings him to life as a meticulous historian and an ardent defender of liberty.
An ideal companion to The Old Regime and the Revolution, Volumes 1 and 2, both published by the University of Chicago Press, Tocqueville Unveiled will be a valuable resource for revolutionary historians and Tocqueville enthusiasts alike.
Natural right—the idea that there is a collection of laws and rights based not on custom or belief but that are “natural” in origin—is typically associated with liberal politics and freedom. In The Terror of Natural Right, Dan Edelstein argues that the revolutionaries used the natural right concept of the “enemy of the human race”—an individual who has transgressed the laws of nature and must be executed without judicial formalities—to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls “natural republicanism,” which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis’s trial until the fall of Robespierre.
A highly original work of historical analysis, political theory, literary criticism, and intellectual history, The Terror of Natural Right challenges prevailing assumptions of the Terror to offer a new perspective on the Revolutionary period.
A timely exploration of the political uses of language and rhetoric
Camille Desmoulins, a journalist writing under the Montagnard regime of 1793-94, remarked that France’s government had replaced “the language of democracy” with “the cold poison of fear, which paralyzed thought in the bottom of people’s souls, and prevented it from pouring forth at the tribunal, or in writing.” How this happened, how the Reign of Terror reached even into the realms of thought and language, is the subject of Caroline Weber’s book, a revealing look into the paradoxical embargo on free expression that underpinned the Robespierrists’s self-proclaimed “despotism of liberty” during the French Revolution.
Weber examines Jean-Jacques Rousseau’s and the Robespierrists’s articulation of a series of initiatives designed to curtail and control the dissemination of alternative political and philosophical messages in the republic. Here Weber underscores the internal contradictions and limitations of an enterprise that promised universal freedom while oppressing particularism, and that railed against the very language that it was compelled to adopt as a principal political tool. The book then focuses on two eloquent contemporary critics of this phenomenon, Desmoulins and the Marquis de Sade, the infamous libertine author. Weber demonstrates how Desmoulins reconfigured the Montagnard regime’s rhetoric to conjure up a political system based on tolerance, not terror, and how Sade deftly parodied the Robespierrists’s brutality and hypocrisy, proposing a republic based on the ruthless elimination of dissident voices and on the unabashed celebration of despotism and bloodshed.A balanced account of how the “discourse of totality” actually restricted particular freedoms in the wake of the French Revolution, this book provides a highly original—and timely—exposition of the political uses of rhetoric and of the links between language and power.
“[A] stimulating and excellently documented book…Individual personalities are particularly well handled. Foch and Pétain, Poincaré and Blum—all emerge with veritable life in them. The trends of French interwar history are deftly carried through onto these pages with an unobtrusive lucidity and persuasiveness.”—Michael Hurst, American Historical Review
“Admirable…Instead of working backward from 1940, seeking causes and culprits of collapse in the 1930s, Ms. Hughes has wisely chosen to begin in 1918 and to focus upon the 1920s. This chronology has given her a fresher perspective and a wider scope for sympathy than other commentators of the period. It is the great merit of this book that it passes judgments with compassion and restraint. Indeed, Professor Hughes insists upon viewing French military policy in the broadest possible context of international developments, domestic politics, economic problems, and intellectual moods; from these elements, she weaves a dilemma of tragic dimensions in which the confusions and mistakes of individuals are reviewed with kindness and realism.”—Charles C. Bright, Political Science Quarterly
The decision to fortify northeastern France has usually been considered a tragic mistake, an example of bad planning and missed opportunities. Not so, says Judith M. Hughes, who provides a convincing view of how France’s military and political leaders tried to safeguard their nation—and why they failed.
In A Taste for Provence, historian Helen Lefkowitz Horowitz digs into this question and spins a wonderfully appealing tale of how Provence became Provence. The region had previously been regarded as a backwater and known only for its Roman ruins, but in the postwar era authors, chefs, food writers, visual artists, purveyors of goods, and travel magazines crafted a new, alluring image for Provence. Soon, the travel industry learned that there were many ways to roam—and some even involved sitting still. The promise of longer stays where one cooked fresh food from storied outdoor markets became desirable as American travelers sought new tastes and unadulterated ingredients.
Even as she revels in its atmospheric, cultural, and culinary attractions, Horowitz demystifies Provence and the perpetuation of its image today. Guiding readers through books, magazines, and cookbooks, she takes us on a tour of Provence pitched as a new Eden, and she dives into the records of a wide range of visual media—paintings, photographs, television, and film—demonstrating what fueled American enthusiasm for the region. Beginning in the 1970s, Provence—for a summer, a month, or even just a week or two—became a dream for many Americans. Even today as a road well traveled, Provence continues to enchant travelers, armchair and actual alike.
"A wonderfully evocative memoir. . . . Agee evoked for me the atmosphere of postwar Berlin more vividly than the actual experience of it—and I was there." —Christopher Lehmann-Haupt, New York Times
"One of those rare personal memoirs that brings to life a whole country and an epoch." —Christopher Isherwood
"Twelve Years consists of a series of finely honed anecdotes written in a precise, supple prose rich with sensual detail." —David Ghitelman, Newsday
"By turns poetic and picturesque, Agee energetically catalogues his expatriate passage to manhood with a pinpoint eye and a healthy American distaste for pretension. . . . Huckleberry Finn would have . . . welcomed [him] as a soulmate on the raft." —J. D. Reed, Time
"A triumph. . . . Unfettered by petty analysis or quick explanations, a story that is timeless and ageless and vital." —Robert Michael Green, Baltimore Sun
Turning Points in Modern Times focuses on events after 1917: the rise of Nazism on the Right and authoritarianism on the Left. Bracher provides an incisive framework for understanding the great ideological confrontation of this century--democracy versus totalitarianism in the forms of fascism, Nazism, and communism. His analysis of the outcomes underscores the significance and power of democratic values and governments.
The doyen of German political history, Karl Dietrich Bracher extends the argument against dictatorship that runs through his life's work, offers a blueprint for dealing with the recent past of the communist East German State (DDR), looks at the true facts of the Stasi collaboration, and challenges misperceptions of Hitler, Stalin, and others. He demonstrates the kinship between fascism and communism, considers Weimar and liberalism, assesses the legacy of Nazism, and outlines the ethos of democracy. In all this Bracher exposes the twentieth-century threats to the democratic state so that they can never again subvert representative government.
A founder of the new history of Germany, which considers the larger context for Hitler and illuminates events through the theories of social science and the values of liberalism and democracy, Bracher writes in the tradition of Acton, Burckhardt, Croce, and Dahrendorf. This is a vital history lesson for our turbulent times, when once more democracy is on the march after a twilight century.
“Even now,” wrote Christopher Isherwood in his Berlin Diary of 1933, “I can’t altogether believe that any of this has really happened.” Three years later, W. E. B. DuBois described Germany as “silent, nervous, suppressed; it speaks in whispers.” In contrast, a young John F. Kennedy, in the journal he kept on a German tour in 1937, wrote, “The Germans really are too good—it makes people gang against them for protection.”
Drawing on such published and unpublished accounts from writers and public figures visiting Germany, Travels in the Reich creates a chilling composite portrait of the reality of life under Hitler. Written in the moment by writers such as Virginia Woolf, Isak Dinesen, Samuel Beckett, Jean-Paul Sartre, William Shirer, Georges Simenon, and Albert Camus, the essays, letters, and articles gathered here offer fascinating insight into the range of responses to Nazi Germany. While some accounts betray a distressing naivete, overall what is striking is just how clearly many of the travelers understood the true situation—and the terrors to come.
Through the eyes of these visitors, Travels in the Reich offers a new perspective on the quotidian—yet so often horrifying—details of German life under Nazism, in accounts as gripping and well-written as a novel, but bearing all the weight of historical witness.
“What happened here was the gradual habituation of the people, little by little, to being governed by surprise; to receiving decisions deliberated in secret; to believing that the situation was so complicated that the government had to act on information which the people could not understand, or so dangerous that, even if the people could not understand it, it could not be released because of national security. And their sense of identification with Hitler, their trust in him, made it easier to widen this gap and reassured those who would otherwise have worried about it.”--from Chapter 13, “But Then It Was Too Late”
That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.
They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.
A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.
Franz Göll was a thoroughly typical Berliner. He worked as a clerk, sometimes as a postal employee, night watchman, or publisher's assistant. He enjoyed the movies, ate spice cake, wore a fedora, tamed sparrows, and drank beer or schnapps. He lived his entire life in a two-room apartment in Rote Insel, Berlin's famous working-class district. What makes Franz Göll different is that he left behind one of the most comprehensive diaries available from the maelstrom of twentieth-century German life. Deftly weaving in Göll’s voice from his diary entries, Fritzsche narrates the quest of an ordinary citizen to make sense of a violent and bewildering century.
Peter Fritzsche paints a deeply affecting portrait of a self-educated man seized by an untamable impulse to record, who stayed put for nearly seventy years as history thundered around him. Determined to compose a “symphony” from the music of everyday life, Göll wrote of hungry winters during World War I, the bombing of Berlin, the rape of his neighbors by Russian soldiers in World War II, and the flexing of U.S. superpower during the Reagan years. In his early entries, Göll grappled with the intellectual shockwaves cast by Darwin, Freud, and Einstein, and later he struggled to engage with the strange lifestyles that marked Germany's transition to a fluid, dynamic, unmistakably modern society.
With expert analysis, Fritzsche shows how one man's thoughts and desires can give poignant shape to the collective experience of twentieth-century life, registering its manifold shocks and rendering them legible.
In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.
Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin's city novel Berlin Alexanderplatz (1929) and Walter Ruttmann's city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study---in English or German---to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin.
Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema and Popular Cinema of the Third Reich.
Cover art: Construction of the Karstadt Department Store at Hermannplatz, Berlin-Neukölln. Courtesy Bildarchiv Preeussischer Kulturbesitz / Art Resource, NY
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