In this introduction to the philosophical problems underlying the modern study of mind and behavior, Ned Block has collected the most important papers by the major figures in the field. He provides the only central reference work now available for scholars and students in this growing area of inquiry.
Volume I covers general approaches to the study of the mind: behaviorism, reductionism, and functionalism. Volume II addresses the central topics in modern cognitive science: mental representation, imagery, grammar and innate ideas.
This is a book about politics and politicians; about elections, lawmaking, governing, and how they work. It is also about power, its increasing concentration in American society, and its implications at home and abroad especially for those who exercise it. It is a book about the Republican Party during the period in which it developed the forces and frictions which still characterize it today. Finally, it is a book about a remarkably successful and vibrant man who contained within himself much of the best and the worst of his environment, who contributed generously to American life, who knew in his time disappointment, temptation, and pain, but also glory; a man remembered most by his intimates for the “fun of him.”
The author is in an enviable position to assess these matters. During five years as Associate Editor of The Letters of Theodore Roosevelt, he read and studied all TR's letters as well as all his published works, and delved deeply into the relevant literature of the period, including the vast material in the Congressional Record. From this rich store, John Morton Blum has drawn a new interpretation of Roosevelt the conservative, Roosevelt the professional Republican politician and Roosevelt the leader of men. He presents new material on Roosevelt's work as the manager of the Republican Party and as manager of Congress. He relates Roosevelt's roles in these situations to his conduct of foreign policy—a foreign policy so anticipatory of that of contemporary America—and to his Progressiveness—a doctrine of government with strong affinities to both the New Deal and the New Crusade.
The Renaissance in the 19th Century examines the Italian Renaissance revival as a Pan-European critique: a commentary on and reshaping of a nineteenth-century present that is perceived as deeply problematic. The revival, located between historical nostalgia and critique of the contemporary world, swept the humanistic disciplines—history, literature, music, art, architecture, collecting.
The Italian Renaissance revival marked the oeuvre of a group of figures as diverse as J.-D. Ingres and E. M. Forster, Heinrich Geymüller and Adolf von Hildebrand, Jules Michelet and Jacob Burckhardt, H. H. Richardson and R. M. Rilke, Giosuè Carducci and De Sanctis. Though some perceived the Italian Renaissance as a Golden Age, a model for the present, others cast it as a negative example, contrasting the resurgence of the arts with the decadence of society and the loss of an ethical and political conscience. The triumphalist model had its detractors, and the reaction to the Renaissance was more complex than it may at first have appeared.
Through a series of essays by a group of international scholars, volume editors Lina Bolzoni and Alina Payne recover the multidimensionality of the reaction to, transformation of, and commentary on the connections between the Italian Renaissance and nineteenth-century modernity. The essays look from within (by Italians) and from without (by foreigners, expatriates, travelers, and scholars), comparing different visions and interpretations.
Richard Wright - American Writers 74 was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Rome was the law-giver for much of the modern world. She was also the greatest military power of antiquity, operating her military organization with remarkable efficiency and effectiveness throughout most of the then-known world. In view of the importance of both the legal and military aspects of the Roman Empire, an account of their combination in a system of disciplinary control for the Roman armies is of considerable significance to historians in both fields—and, in fact, to scholars in general. In Roman Military Law, C. E. Brand describes this system of control.
Since a characterization of such a system can be made most meaningful only against a background of Roman constitutional government and in the light of ideologies current at the time, Brand follows his initial “Note on Sources” with a sketch of the contemporary Roman scene. This first section includes a discussion of the Roman constitution and an examination of Roman criminal law.
The history of Rome, as a republic, principate, and empire, extended over a period of a thousand years, so any attempt to represent a generalized picture must be essentially a matter of extraction and condensation from the voluminous literature of the whole era. Nevertheless, from the fantastic evolution that is the history of Rome, Brand has been able to construct a more or less static historical mosaic that may be considered typically “Roman.” This comes into sharpest focus during the period of the Punic Wars, when the city and its people were most intensely Roman. The picture of the Roman armies is set into this basic framework, in chapters dealing with military organization, disciplinary organization, religion and discipline, and offenses and punishments.
The final section of the book considers briefly the vast changes in Roman institutions that came about under the armies of the Empire, and then concludes with the Latin text and an English translation of the only known code of Roman military justice, promulgated sometime during the later Empire, preserved in Byzantine literature, and handed down to medieval times in Latin translations of Byzantine Greek law, which it has heretofore been confused.
The manuscript for Rivall Friendship was first acquired by the Newberry Library in 1937. At the time of the acquisition, the author of this seventeenth-century romance was anonymous. Scholar Jean R. Brink now suggests, based on dating of the manuscript and her analysis of its feminist themes, that the author was a woman. Specifically, Brink attributes the text to Bridget Manningham, who was the older sister of Thomas Manningham, a Jacobean and Caroline bishop, and the granddaughter of John Manningham, a diarist who recorded performances of Shakespeare’s plays.
Rivall Friendship is a post–English Civil War romance that examines proto-feminist issues, such as patriarchal dominance in the family and marriage. Manningham is scrupulous about maintaining verisimilitude, and unlike more fantastical romances of the period that feature monsters, giants, and magic, this text aspires to a level of probability in its historical and geographical details. The text of Rivall Friendship is accessible to most modern readers, particularly to students and scholars accustomed to working with seventeenth-century texts.
From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies.
In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
It includes Heather Dubrow, answering New Historicist accounts of country house ideology, J. Paul Hunter reclaiming attention to eighteenth-century couplet structures, and Garrett Stewart arguing for the comprehensive import of the local syntactic forms in syllepsis in Dickens. Ronald Levao recovers the ethical urgency behind stylistic individuation in Milton; Frances Ferguson reveals the ideology of character within Austen’s free indirect discourse; Franco Moretti traces the history of the clue as formal device in detective fiction; and Robert Kaufman shows how formal dynamics derived from Kant and Adorno animate some of the most disruptive contemporary poetry. The history of formalism is the topic of Catherine Gallagher’s meditation on the dialogue of form and time since Percy Shelley and of Virgil Nemoianu’s account of the political vicissitudes of form in the twentieth century. These wide-ranging critical interventions are introduced by Susan Wolfson’s reflections on form today and by Ellen Rooney’s polemical appeal to cultural theorists not to defeat their purposes by neglecting form.
Contributors. Heather Dubrow, Frances Ferguson, Catherine Gallagher, J. Paul Hunter, Robert Kaufman, Ronald Levao, Franco Moretti, Virgil Nemoianu, Ellen Rooney, Garrett Stewart
This book was the first serious scholarly attempt in nearly a century to put in narrative form the exciting and important history of the Mexican Indians who founded Tenochtitlan and who created from it what is known as the Aztec empire. Although many native sources, often in translations with scholarly annotations. became available in the twentieth century, the corpus of this material was scattered and uncoordinated. Burr Cartwright Brundage has utilized these sources to produce a consecutive narrative that portrays direction and purpose in the evolution of the Aztec empire.
A Rain of Darts is the first one-volume history of the Mexica, historically the most important of the Aztec peoples. The focus of the narrative is on the political state produced by the Mexica during their stormy history. The eleven Mexica reigns that preceded the Spanish Conquest are investigated, their triumphs and errors explained, and the lives of their great leaders illuminated where the sources allow.
The narrative opens with the first appearance of the Mexica out of the arid north; it details their aimless wandering, the founding of the city of Mexico in the waters of Lake Tezcoco, their desperate struggle for independence (successfully achieved in 1428), and the flourishing of the new state and its curiously structured empire. This history concludes with an analysis of the character of Moteuczoma II, and investigates the final sickness of the Mexican state. Cortez and his small army of Spaniards are seen here for the first time in historical literature through the eyes of the people they conquered. The Mexica Aztecs remain at the center of the narrative.
The Mexica were unable to build a tightly knit empire because of the elitist, international warrior class and its peculiar cult of war and sacrifice. To the Mexica, warfare and bloodshed were sacraments; the teuctli or knightly warrior was the priest of this cult. to which he was as loyal as to the state. In this lay the uniqueness of the Mexican state and the seeds of its tragic end in 1521.
Risen Indeed? Resurrection and Doubt in the Gospel of Mark traces the literary dynamics and explores the theological dimensions of the Gospel of Mark’s thematization of skepticism regarding resurrection. In every place where it seems to depict resurrection—Jesus's and others'—Mark evades the issue of whether resurrection actually occurs. Austin Busch argues that, despite Mark's abbreviated and ambiguous conclusion, this gospel does not downplay resurrection but rather foregrounds it, imagining Jesus’s death and restoration to life as a divine plot to overcome Satan through cunning deception. Risen Indeed? constitutes a careful literary reading of Mark's Gospel, as well as an assessment of Mark's impact on the traditions of Christian literature and theology that emerged in its wake.
A daring assertion of Black people’s humanity, Reading Pleasures reveals how four Black writers experienced positive feelings and analyzes the ways these emotions served creative, political, and racialized ends.
At the center of the debate over complementary and alternative medicine—from acupuncture and chiropractic treatments to homeopathy and nutritional supplements—is how to scientifically measure the effectiveness of a particular treatment. Fourteen scholars from the fields of medicine, philosophy, sociology, and cultural and folklore studies examine that debate, and the clash between growing public support and the often hostile stance of clinicians and medical researchers.
Proponents and critics have different methodologies and standards of evidence—raising the question of how much pluralism is acceptable in a medical context—particularly in light of differing worldviews and the struggle to define medicine in the modern world. The contributors address both the methodological problems of assessment and the conflicting cultural perspectives at work in a patient's choice of treatment. Sympathetic to CAM, the contributors nonetheless offer careful critiques of its claims, and suggest a variety of ways it can be taken seriously, yet subject to careful scrutiny.
Recent American Poetry - American Writers 16 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the twentieth century, the media gave whistleblowers a voice, spearheaded the downfall of powerful politicians, and exposed widespread corporate corruption. How will the twenty-first-century media cope with its storied legacy as the watchdog of democratic society? Reclaiming the Media examines the sometimes tenuous, often fraught relationship between media organizations and civil rights in Europe. In sections devoted to citizenship, participation, contemporary journalism, and activist communication strategies, a panel of European media experts makes the case for deepening the media’s role in democracy.
Economic development has been an challenge facing the countries of Latin America. Because the United States, from the very nature of its geographic and economic relationship with its southern neighbors, must inevitably exercise a strong influence on the course which that development takes, it is important that North Americans understand conditions in Latin America and the attitudes of its peoples. Roberto de Oliveira Campos, former Brazilian Minister of Economic Planning, is in a unique position to evaluate both past accomplishments and future problems.
In this group of essays, Campos gives a comprehensive analysis of many aspects of Latin American development in the mid-twentieth century. He examines relations between the United States and Latin America from a variety of angles, and he outlines the basic problems of economic development, of governmental policy, and of public and private administration. He gives particular attention in several essays to the relationship of foreign trade and foreign aid to economic development, and he presents a long discussion of the Alliance for Progress—its history, its purposes, its accomplishments, and its failures.
Campos’s philosophy regarding the role of the state in economic development and other questions emerges clearly from these pithy essays. “The valid distinction I see on the basis of my analysis of men and things is between pragmatic or functional nationalists and romantic or temperamental nationalists,” he writes. “The latter confuse intention with results. They start with enthusiasm and end in fanaticism, this being, according to Santayana, ‘the art of redoubling efforts after losing sight of objectives.’ . . . Many [romantic nationalists], though they do not confess it, favor the dangerous purgery of revolution.
“The pragmatic nationalist seeks to operate within the frame of democratic institutions and prefers reform to revolution. As to myself, I shall continue considering myself a pragmatic nationalist. I renounce the temptation of mobilizing resentment in order to gain the authority to plan development. I would rather strengthen the national entrepreneur than merely antagonize the foreigner. I would want the state not to do what it cannot do in order to do what it should do. I prefer to love my own country rather than to hate the others’.”
An ice-cold glass of root beer and a warm welcome greeted thousands of weary paddlers who stopped at the Isle of Pines to meet Dorothy Molter, the courageous, independent woman who became a North Woods legend. Bob Cary, Dorothy’s longtime friend, captures her life and spirit in Root Beer Lady.
You are here, a map declares, but of course you are not, any more than you truly occupy the vantage point into which a landscape painting puts you. How maps and paintings figure and reconfigure space—as well as our place in it—is the subject of Edward S. Casey’s ambitious study, an exploration of how we portray the world and its many places.
Casey’s discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language—a reconnection that calls for the embodiment and implacement of the human subject.
Representing Place is the third volume in Casey’s influential epic project of reinterpreting evolving conceptions of space in world thought. He combines history with philosophy, and cartography with art, to create a new understanding of how representation requires and thrives on space, ultimately renewing our appreciation of the power of place as it is set forth in paintings and maps.
Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work.
In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern presents the first comprehensive study of Castellanos' work as a sign or signifying system. This approach through contemporary semiotic theory unites literary criticism and translation as an integral semiotic process. Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico. Describing this process in The Eternal Feminine, Castellanos observes, "...it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own. It isn't even enough to discover who we are. We have to invent ourselves."
This is an auto-narrated audiobook edition of this book.
In 1863 a group of Victorian Oxbridge graduates, frustrated by the confusing riot of competing rules that characterized the game of British football, began meeting at the Freemason’s Tavern in Lincoln’s Inn Fields, London, to codify the rules of the game. They quickly drew up the standard set of rules, creating the First Rule Book of the Football Association, reprinted here in its entirety alongside illustrations and drawings of the game.
Spurious composition.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
In a study combining tee disciplines of anthropology, sociology, folklore, and history, David Cohen found that the old stories about these people were legends, not history.
He found no reliable evidence that their ancestors were Tuscarora Indians, Hessian deserters from the British army, escaped slaves, and British and West Indian prostitutes imported by a sea captain named Jackson for the pleasure of British soldiers occupying Manhattan during the War for Independence.
David Cohen lived among the Ramapo Mountain People for a year, conducting genealogical research into church records, deeds, wills, and inventories in county courthouses and libraries. He established that their ancestors included free black landowners in New York City and mulattoes with some Dutch ancestry who were among the first pioneers to settle in the Hackensack River Valley of New Jersey.
In describing his findings and his experiences, Professor Cohen shows how their racially mixed ancestry, their special family and kinship system, and their intergroup attitudes and folkways distinguish and socially isolate these people as a separate racial group today, despite modern communications and transportation and their proximity to New York City.
The Right to Difference examines novels that depict human rights violations in order to explore causes of intergroup violence within diverse societies, using Germany as a test case. In these texts, the book shows that an exaggeration of difference between minority and majority groups leads to violence. Germany has become increasingly diverse over the past decades due to skilled labor migration and refugee movements. In light of this diversity, this book’s approach transcends a divide between migrant and post-migrant German literature on the one hand and a national literature on the other hand. Addressing competing definitions of national identity as well as the contest between cultural homogeneity and diversity, the author redefines the term “intercultural literature.” It becomes not a synonym for authors who do not belong to a national literature, such as migrant writers, but a way of reading literature with an intercultural lens.
This book builds a theory of intercultural literature that focuses on the multifaceted nature of identity, in which ethnicity represents only one of many characteristics defining individuals. To develop intercultural competence, one needs to adopt a complex image of individuals that allows for commonalities and differences by complicating the notion of sharp contrasts between groups. Revealing the affective allegiances formed around other characteristics (gender, profession, personal motivations, relationships, and more) allows for similarities that grouping into large, homogeneous, and seemingly exclusive entities conceals. Eight novels analyzed in this book remember and reveal human rights violations, such as genocide, internment and torture, violent expulsion, the reasons for fleeing a country, dangerous flight routes and the difficulty of settling in a new country. Some of these novels allow for affective identification with diverse characters and cast the protagonists as individuals with plural perspectives and identities rather than monolithic members of one large national or ethnic group, whereas others emphasize the commonalities of all people.
Ultimately, the author makes the case for German Studies to contribute to an antiracist approach to diversity by redefining what it means to be German and establishing difference as a fundamental human right.
The Reconstruction of Georgia was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this study of the reconstruction period in Georgia following the Civil War, a British historian provides a dispassionate account of a highly controversial subject. A revisionist reappraisal, Dr. Conway's study is the first substantial history of the period to be published in fifty years. The sources include considerable material that has become available since the publication of the last major work on the subject in 1915.
The author gives close attention to the last days of the Civil War and its aftermath in Georgia, the early attempts at political reconstruction in 1865, the work of the Freedmen's Bureau, the economic problems involved in reshaping the state's economy, the development of the state-cropping and crop-lien systems, the imposition of Congressional reconstruction on Georgia under military supervision, the political maneuverings and economic ventures of such prominent figures as Joseph E. Brown, Benjamin Hill, and Hannibal I. Kimball, the efforts of the Ku-Klux Klan to nullify Negro voting rights and re-establish "white supremacy" concepts, and, finally, the investigations by the Democratic party of Republication misgovernment during the administration of Governor Rufus B. Bullock.
Dr. Conway, who did the research for the book in Georgia, has made considerable use of primary manuscripts, travelers' accounts, state and federal reports, and contemporary newspaper material to arrive at an account which judiciously assesses the claims and counter-claims of violently opposed groups which were vitally concerned with the place of the Negro in Southern society after emancipation and with the return of Georgia to the Union.
This is an auto-narrated audiobook edition of this book.
As the news shows us every day, contemporary American culture and politics are rife with people who demonize their enemies by projecting their own failings and flaws onto them. But this is no recent development. Rather, as John Corrigan argues here, it’s an expression of a trauma endemic to America’s history, particularly involving our long domestic record of religious conflict and violence.
Religious Intolerance, America, and the World spans from Christian colonists’ intolerance of Native Americans and the role of religion in the new republic’s foreign-policy crises to Cold War witch hunts and the persecution complexes that entangle Christians and Muslims today. Corrigan reveals how US churches and institutions have continuously campaigned against intolerance overseas even as they’ve abetted or performed it at home. This selective condemnation of intolerance, he shows, created a legacy of foreign policy interventions promoting religious freedom and human rights that was not reflected within America’s own borders. This timely, captivating book forces America to confront its claims of exceptionalism based on religious liberty—and perhaps begin to break the grotesque cycle of projection and oppression.
Since the collected poems of eleventh- and twelfth-century Persian philosopher Omar Khayyám were first translated into English in 1859 by Patrick Fitzgerald, the Rubáiyát has become one of the most popular books of verse in the world. In addition to English, it has been translated into Arabic, Chinese, Dutch, French, German, Hebrew, Hindi, Russian, Urdu, and many other languages. It has been published in numerous editions: precious volumes with bejeweled bindings, artist’s books, scholarly and critical editions, forgeries and fake editions, making it a perfect object for both book collectors and lovers of poetry. This comprehensive volume is the first bibliography of Khayyám’s classic work since the first Rubáiyát bibliography by A. G. Potter, which was published in 1929
This important reissue, enhanced with free downloadable MP3 files to supplement the first chapter of the text (sounds), is another addition to Georgetown's world-renowned Arabic language-learning materials and is considered to be one of the most outstanding descriptions of any Arabic dialect written for the English-speaking world. It is comprehensive in its coverage—ranging from phonology (how sounds are organized and used) to morphology (sound, syllable, and word structure), with an analysis that is insightful and original. It contains hints on how to master nuances in dialectical pronunciation, as well as the differences of meaning in their various forms.
Based on the dialect of Damascus, the language covered here is part of what has variously been called "Syrian Arabic," "Eastern Arabic," and "Levantine Arabic," encompassing the dialects of Beirut, Amman, and Jerusalem—as well as Damascus—with references made to regional variants. In a world drawn ever closer to events in the Middle East, this comprehensive grammar reference is yet another extraordinary addition to the growing library of Arabic language-learning materials published by Georgetown University Press.
Accompanying MP3 files are available for download from the book’s webpage at press.georgetown.edu.
The world is at a critical moment, when humans must grapple with thinking about the planet’s oceans from ecological, physical, social, and legal perspectives. Warming ocean temperatures, changing currents, cultural displacement, Indigenous resilience, melting polar ice, habitat loss, are but a few of the global issues reflected in the planetary ocean as a front line in the unfolding drama of climate change. Re-envisioning the Anthropocene Ocean brings together leading scientists, lawyers, humanists, and Indigenous voices to tell of the ocean’s precarious position in the twenty-first century. The contributors affirm that the planetary ocean is crucial to our well-being and overdue for a positive change in public action to enhance the world’s resilience to climate change, ocean acidification, and other stressors. These essays engage that important work of positively re-imagining the ocean in the Anthropocene.
This volume brings diverse perspectives to the planet’s ocean future. New essays are contextualized with narratives woven by earlier ocean writers, showing readers how past perceptions of the ocean have led us to where we are today in terms of both problems and potential new visions. In this one volume, readers experience both the history of humanity’s multi- and interdisciplinary interactions with the ocean, find new perspectives on that history, and discover ideas for looking forward.
In a long and extraordinary career as captain, courier, privateer, real-estate agent, author, and informer, Barnaby Rich's principal achievement was the present volume—a collection of Elizabethan short stories despite its military title.
Unquestionably best sellers in Rich's own time, these tales continue to delight scholars, critics, and even casual readers today. One twentieth-century critic pronounces the Farewell "a landmark in Elizabethan short-story writing" and cites Rich's "romantic charm, gaiety and lightness of touch, good vivid dialogue, directness and ease." According to Henry Seidel Canby, Rich's "humor is of the gayest. . . . There is a suggestion of Chaucer about him, and not a little of the poet's merry humor." Yet the "stories themselves are diverse."
Certainly their charm and humor fetched Rich's contemporaries, who read out of existence all but one copy of the first edition and all but five of the subsequent three editions. Eight dramatists—including Shakespeare, Middleton, Shirley, and Marmion—immortalized several of the stories, however, by turning them into plays.
The present edition affords an opportunity to read Rich's tales in the form in which Elizabethans knew them. The text reproduced is that of the unique copy of the first edition, which appeared in 1581. The editor's scholarly, illuminating introduction and commentary display much of the liveliness, charm, and humor for which his subject was praised and in addition tell a great deal about the life and literature of that most fascinating of periods, the Age of Elizabeth I. Scholars will be especially interested in Cranfill's revelations of how an Elizabethan story maker operated, in the complex, checkered bibliographical history of the Farewell, and above all in the considerable use Shakespeare seems to have made of Rich's tales.
A hundred forty years ago, the Western Shoshone occupied a vast area of present-day Nevada—from Idaho in the north to Death Valley in the south. Today, the Newe hold a fraction of their former territory, still practicing native lifeways while accepting many aspect of American culture. Their story deserves telling.
The Road on Which We Came is the first comprehensive history of the Great Basin Shoshone. Written by historian Steven Crum, an enrolled tribal member, this book presents the Shoshone as an active force in their own history, effectively adapting to harsh physical environment, defending their territory in the nineteenth century, and working to modify or reject assimilationists policy in the present.
Noting that Native American history did not end with Wounded Knee, Crum gives substantial attention to twentieth-century events up to 1990 and emphasizes that in every period tribal actions can be characterized by a plurality of voices and opinions.
In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, The Americans, represents a seminal moment in both photography and in America's understanding of itself. To mark the book’s fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a thoughtful and revealing critical commentary. Though the importance of The Americans has been widely acknowledged, it still retains much of its mystery. This comprehensive analysis places it thoroughly in the context of contemporary photography, literature, music, and advertising from its own period through the present.
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