A SCHOLARLY BOOK REPOSITORY
Volume 29, "Dramas of Hybridity: Performance and the Body," includes essays that focus on historically specific early modern bodies, analyzing staged representations of bodies as they spectacularly unfold, determine, negotiate, and erode various social categories. Topics include pathologies of value and transnationality in Troilus and Cressida, masculinity on the early modern stage, citizen comedy, Italian actresses and female performance, and race and romance in The Merchant of Venice.
Physical graffiti.
This edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BC.
Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies.
Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer’s Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed.
Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450.
Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.
The Loeb edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BCE.
Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies.
Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer's Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed.
Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450.
Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.
The Loeb edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BCE.
Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies.
Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer's Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed.
Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450.
Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.
A miscellany of satire and law.
This edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BC.
Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies.
Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer’s Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed.
Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450.
Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.
This is the first full biography of Fortune, and it uses substantial un-studied materials, detailing his travels, collections, and more, and featuring the first maps ever produced that track his collecting itineraries in China. Alistair Watt, a plant hunter himself, brings Fortune to life, showing us how he traveled in disguise in China, and clearing up some misconceptions about his role as a scout for a possible tea industry in the United States. The result is a rounded portrait of an extraordinary man, his times, and his lasting contribution to horticultural knowledge.
Regulation in the White House is an examination of regulatory policy and its development in the Johnson administration and the first comprehensive study of any presidency and regulation. Based upon a thorough analysis of presidential papers in the Lyndon B. Johnson Library, the book investigates the working relationships linking the presidency, regulatory commissions, and executive agencies with regulatory responsibilities in both the economic and social spheres.
David Welborn finds that the president's business included regulation as a major component. Johnson's concerns in regulation were varied and complex. He and his aides worked assiduously and successfully to establish effective, cooperative relationships with regulators and to avoid the exercise of undue influence on particular regulatory determinations. In Welborn's view, Johnson traversed the treacherous ground of regulatory politics with adeptness and achieved his major purposes in regulation.
This book describes and contrasts various psychiatric teaching programs in medical schools. After an examination of the differing and frequently unsatisfactory states of these programs, it also proposes a comprehensive plan for the future.
In preparing this study the author visited numerous medical schools, observing a wide range of teaching methods, goals, and facilities. His aim here is fourfold: to describe and compare existing medical school psychiatry programs in detail; to illustrate by example and anecdote the relation of teachers and students to these programs; to construct a synthesis of existing psychiatry programs that will offer optimum training and to outline a new program based on this synthesis and some additional proposals; and finally to show how methodology is a crucial but as yet unappreciated part of many psychiatry programs.
Dr. Werkman attempts to be a reporter in depth to his psychiatric colleagues about new and important developments in modern psychiatric teaching. The great scope and variety which the field of psychiatry has acquired since the Second World War has often meant that psychiatrists know little in detail of what their colleagues are doing. The author finds as well that there is often a lack of communication both within a single department and between departments in different medical schools, and that the attitude of many non-psychiatrists on the faculties ranges from ignorance to hostility--an attitude often reflected by the students.
“Recent arguments in African American History have emphasized the theme of continuity. . . . Race and Law in South Carolina recovers the theme of change over time by showing just how things have changed, and it does so through patient, thick description.” —H. Robert Baker, Georgia State University
“This book and its concomitant student project is an exciting endeavor. . . . The cases are captivating and accessibly written, making this a possible college classroom read.” —Vanessa Blanck, Rowan University
Robert Penn Warren - American Writers 44 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore the traditional canon of drama, the significance of performance, broadly construed, to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
Volume 38 includes essays that explore topics in early modern drama ranging from Shakespeare’s Jewish questions in The Merchant of Venice and the gender of rhetoric in Shakespeare’s sonnets and Jonson’s plays to improvisation in the commedia dell’arte and the rebirth of tragedy in 1940 Germany.
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced.
"Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
This is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City.
Literary historians and critics who have written on the influence of Racine in England during the neoclassical period apparently have assumed that the English translators and adapters of Racine’s plays in general succeeded in presenting the real Racine to the English public.
Katherine Wheatley here reveals the wide discrepancy between avowed intentions and actual results. Among the English plays she compares with their French originals are Otway’s Titus and Berenice, Congreve’s The Mourning Bride, and Philips’s The Distrest Mother. These comparisons, fully supported by quoted passages, reveal that those among the English public and contemporary critics who could not themselves read French had no chance whatever to know the real Racine: “The adapters and translators, so-called, had eliminated Racine from his tragedies before presenting them to the public.” Unacknowledged excisions and additions, shifts in plot, changes in dénouement, and frequent mistranslation turned Racine’s plays into “wretched travesties.” Two translations of Britannicus, intended for reading rather than for acting, are especially revealing in that they show which Racinian qualities eluded the British translators even when they were not trying to please an English theatergoing audience.
Why it is, asks the author, that no English dramatist could or would present Racine as he is to the English public of the neoclassical period? To answer this question she traces the development of Aristotelian formalism in England, showing the relation of the English theory of tragedy to French classical doctrine and the relation of the English adaptations of Racine to the English neoclassical theory of tragedy. She concludes that “deliberate alterations made by the English, far from violating classical tenets, bring Racine’s tragedies closer to the English neoclassical ideal than they were to begin with, and this despite the fact that some tenets of English doctrine came from parallel tenets widely accepted in France.” She finds that “in the last analysis, French classical doctrine was itself a barrier to the understanding of Racinian tragedy in England and an incentive to the sort of change English translators and adapters made in Racine.” This paradox she explains by the fact that Racine himself had broken with the classical tradition as represented by Corneille.
In the decades following World War II, a movement of clergy and laity sought to restore liberal Protestantism to the center of American urban life. Chastened by their failure to avert war and the Holocaust, and troubled by missionaries’ complicity with colonial regimes, they redirected their energies back home.
Renewal explores the rise and fall of this movement, which began as an effort to restore the church’s standing but wound up as nothing less than an openhearted crusade to remake our nation’s cities. These campaigns reached beyond church walls to build or lend a hand to scores of organizations fighting for welfare, social justice, and community empowerment among the increasingly nonwhite urban working class. Church leaders extended their efforts far beyond traditional evangelicalism, often dovetailing with many of the contemporaneous social currents coursing through the nation, including black freedom movements and the War on Poverty.
Renewal illuminates the overlooked story of how religious institutions both shaped and were shaped by postwar urban America.
This is the first collective scholarly effort at situating René Girard in relation to the Western philosophical tradition. Volume 1 features chapters on Plato, Augustine of Hippo, Niccolò Machiavelli, Thomas Hobbes, Blaise Pascal, Baruch Spinoza, Jean-Jacques Rousseau, Adam Smith, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling, Alexis de Tocqueville, Søren Kierkegaard, and René Girard.
Concerned with the connection between the built environment and the passage of time, Reframing Berlin uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by politicians, developers, and other powerful figures to shape the nature and future of buildings, streets, and districts. Organizing these strategies from demolition to memorialization, the authors study the ways these actions forget or recall aspects of place. Using cinematic representations of Berlin as an audiovisual archive, the study details how the city has adjusted to its traumatic twentieth-century history through architectural transformations. Two dissimilar case studies frame each strategy, indicating that an approach that works for one building may not be sufficient for another.
The robin is a small bird with a distinctive ruddy breast, at once a British national treasure and a bird with a global reputation. In this superbly illustrated account, Helen F. Wilson looks at many aspects of the cherished robin, from its status as a harbinger of seasonal change and, in the United Kingdom, an icon of Christmas, to its place in fairy tales, environmental campaigns, and scientific discovery. In moving between cultural and natural histories, Robin asks wide-ranging questions, such as how did the robin’s name travel the world? Why is the robin so melancholy? Who was Cock Robin? And how has the history of the color red shaped the robin’s ambivalent associations and unusual origin stories?
As Harry Austryn Wolfson deftly isolates and analyzes some of the most vital and often the most enigmatic ideas developed by the religious philosophers of the West, a cumulative and thoughtful continuity emerges from his interpretations. Philo, for example, appears as a dominant force throughout the sixteen centuries that preceded Spinoza's critique of his basic principles.
The ten essays which constitute the critical sequence of this penetrating book are derived from lectures, and from separate publications many of which are not readily available now. They include discussions of Immortality and Resurrection in the Philosophy of the Church Fathers; St. Augustine and the Pelagian Controversy; Causality and Freedom in Descartes, Leibniz and Hume. Wolfson concludes with a perceptive distillation of his personal wisdom in an essay contrasting the professed atheist with the “verbal theist.”
Rainer Maria Rilke was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The German poet Rainer Maria Rilke died in 1926, and interest in his poetry has been mounting ever since. The winds of fashion, taste, or personal bias have shifted several times to affect his audience of readers. There have been, according to previous Rilke criticism, not one but many Rilkes. Thus the critics have pointed to the "early Rilke" and the "late Rilke," to the Prague poet, the Paris poet, and the Muzot poet.
Now, in a fresh approach yet one which takes full cognizance of the varying viewpoints and conflicting purposes of earlier criticism, Professor Wood carefully examines Rilke's entire poetic output. The major concern here is with the poetry itself rather than with the biographical, psychological, or philosophical questions which have dominated most previous criticism.
Through a close textual analysis of the poems, Professor Wood demonstrates that the whole body of Rilke's writing, from beginning to end, is thoroughly interrelated and interdependent. As he points out, many more published materials, both posthumous verse and correspondence, are available now than in the earlier periods of Rilke's fame, a situation which adds significance to this new evaluation.
In addition to analyzing Rilke's own poetry, Professor Wood shows the links between Rilke and such contemporary poets and writers as Gide, Proust, T.S. Eliot, and Yeats.
The excerpts quoted from Rilke's poetry are given both in the original German text and in standard English translation.
For nearly twenty-five years, poet Baron Wormser and his family lived in a house in Maine with no electricity or running water. They grew much of their own food, carried water by hand, and read by the light of kerosene lamps. They considered themselves part of the “back to the land” movement, but their choice to live off the grid was neither a statement nor a protest: they simply had built their house too far from the road and could not afford to bring in power lines. Over the years, they settled into a life that centered on what Thoreau would have called “the essential facts.” In this graceful meditation, Wormser similarly spurns ideology in favor of observation, exploration, and reflection. “When we look for one thread of motive,” he writes, “we are, in all likelihood, deceiving ourselves.” His refusal to be satisfied with the obvious explanation, the single thread of motive, makes him a keen and sympathetic observer of his neighbors and community, a perceptive reader of poetry and literature, and an honest and unselfconscious analyst of his own responses to the natural world. The result is a series of candid personal essays on community and isolation, nature, civilization, and poetry. Lovely and rich, The Road Washes Out in Spring is an immersive read. A new preface by the author rounds out this new edition.
Henry Marten—soldier, member of parliament, organizer of the trial of Charles I, and signatory of the King’s death warrant—is today a neglected figure of the seventeenth century. Yet his life was both extraordinary and emblematic: he was at the fulcrum of English history during the turbulent years of the civil war, the protectorate, and the restoration. Imprisoned in the Tower of London and tried at the Old Bailey, Marten was found guilty of high treason, only to be held captive for years on the equivalent of death row. While he was in prison, his letters to his mistress Mary Ward were stolen and published in an attempt to destroy his reputation. Witty, clever, loving, sardonic, and never despairing, the letters offer a rare and extraordinary insight into the everyday life of a man in the Tower awaiting a sentence of death. The attempt to expose him as immoral revealed him instead as a tender and brave man. In John Worthen’s revelatory biography, Marten emerges from the shadows as a brilliantly clever, lively-minded man, free of the fundamentalist zeal so common in many of his republican contemporaries. Marten never abandoned his beliefs in equality, in a representative parliament under a constitution (which he had helped to write) without a monarch or a House of Lords, and in that way can be seen as a very modern man.
This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama.
Over twenty-four hours, Paul Yamazaki leads us through the stacks of storied City Lights Booksellers in San Francisco; the care and prowess of his approach to book buying; his upbringing in a Japanese American family in Southern California and moving to San Francisco at the height of revolutionary foment; working with legendary figures in the book publishing industry like Lawrence Ferlinghetti, Sonny Mehta, and others; and his vision for the future of bookselling. Navigating building trust with readers and nurturing relationships across the literary industry, Yamazaki testifies to the value of generosity, sharing knowledge, and dialogue in a life devoted to books.
The best current research on Philo's allegorical exegesis of Scripture
The strong element of Greek philosophy in Philo's thought has been recognized since antiquity, but his relation to the Pythagorean-Platonic tenet of reincarnation has been a neglected, even avoided, topic in research. This book confirms the view common in the seventeenth to nineteenth centuries that Philo accepted the doctrine of reincarnation even though he preferred not to speak openly about it. The book shows how allegorization enabled Philo to give a reincarnational interpretation to very different scriptural passages.
Features:
- Highlights the importance of reading Philonic parallel passages together for fuller understanding of Philo s message
- Discusses the difference between protological and universal allegory in Philo's exegesis of the first chapters of Genesis
- Introduces new concepts to Philonic research such as the corporealization of the mind (the result of transgression and a driving force for reincarnation) and monadization (the human soul's transformation into pure mind upon salvation)
Young interweaves a periodical-studies approach to modernism with book history and critical race theory, resituating Toomer’s uneasy place within Black modernism by asking how original readers would have encountered his work. The different contexts in which those audiences were engaging with Toomer’s portraits of racialized identity in the Jim Crow United States, yield often surprising results.
Reformation of Islamic Thought explores the writings of intellectuals from Egypt to Iran to Indonesia, probing their efforts to expand Islam beyond traditional and legalistic interpretations. Zayd reveals that many Muslim thinkers advocate culturally enlightened Islam with an emphasis on individual faith. He then investigates the extent of these Muslim reformers’ success in generating an authentic renewal of Islamic ideology, asking if such thinkers have escaped the traditionalist trap of presenting a negative image to the West.
A fascinating and highly relevant study for our times, Reformation of Islamic Thought is an essential analysis of Islam’s present and future.
African religions, as this study concludes from its close examination of a number of specific African universes, are religions devoted to the sanctification and constant renewal of life. They are dedicated to Becoming rather than to Being, and seek to sustain a flourishing divine order rather than save the isolated self from it. But these religions do not comfortably express themselves in metaphysical abstractions; instead, they use a ritual idiom more effective than any philosophical disquisition.
Ritual Cosmos analyzes the logic and inner meaning of such ritual structures as sacrifice and taboo, harvest festivals and rites of divine kingship, millenary movements, witchcraft, and much else. In the course of the discussion, many of the basic assumptions of the scientists and theologians who have concerned themselves with the role of religion in human society are reexamined; the distinctions often made between the sacred and the secular, or religion and magic, for example, are questioned.
New York Times bestselling author, humorist, and newspaper columnist Michael Perry returns with a new collection of bite-sized essays from his Sunday Wisconsin State Journal column, “Roughneck Grace.” Perry’s perspectives on everything from cleaning the chicken coop to sharing a New York City elevator with supermodels will have you snorting with laughter on one page, blinking back tears on the next, and--no matter your zip code--nodding in recognition throughout.
Rhetoric and the Digital Humanities is a timely, multidisciplinary collection that is the first to bridge scholarship in rhetorical studies and the digital humanities. It offers much-needed guidance on how the theories and methodologies of rhetorical studies can enhance all work in digital humanities, and vice versa. Twenty-three essays over three sections delve into connections, research methodology, and future directions in this field. Jim Ridolfo and William Hart-Davidson have assembled a broad group of more than thirty accomplished scholars. Read together, these essays represent the cutting edge of research, offering guidance that will energize and inspire future collaborations.
Bradbury begins by tracing the origins and evolution of the narrow views of intellectualism that are common in the United States today. Then, applying a more inclusive and egalitarian definition of intellectualism, she examines the literacy and learning practices of three nonelite sites of adult public education in the United States: the nineteenth-century lyceum, a twentieth-century labor college, and a twenty-first-century GED writing workshop. Bradbury argues that together these three case studies teach us much about literacy, learning, and intellectualism in the United States over time and place. She concludes the book with a reflection on her own efforts to aid students in recognizing and resisting the rhetoric of anti-intellectualism that surrounds them and that influences their attitudes and actions.
Drawing on case studies as well as Bradbury’s own experiences with students, Reimagining Popular Notions of American Intellectualism demonstrates that Americans have engaged and do engage in the process and exercise of intellectual inquiry, contrary to what many people believe. Addressing a topic often overlooked by rhetoric, composition, and literacy studies scholars, it offers methods for helping students reimagine what it means to be intellectual in the twenty-first century.
Analytic philosophers once pantomimed physics: they tried to understand the world by breaking it down into the smallest possible bits. Thinkers from the Darwinian sciences now pose alternatives to this simplistic reductionism.
In this intellectual tour--essays spanning thirty years--William Wimsatt argues that scientists seek to atomize phenomena only when necessary in the search to understand how entities, events, and processes articulate at different levels. Evolution forms the natural world not as Laplace's all-seeing demon but as a backwoods mechanic fixing and re-fashioning machines out of whatever is at hand. W. V. Quine's lost search for a "desert ontology" leads instead to Wimsatt's walk through a tropical rain forest.
This book offers a philosophy for error-prone humans trying to understand messy systems in the real world. Against eliminative reductionism, Wimsatt pits new perspectives to deal with emerging natural and social complexities. He argues that our philosophy should be rooted in heuristics and models that work in practice, not only in principle. He demonstrates how to do this with an analysis of the strengths, the limits, and a recalibration of our reductionistic and analytic methodologies. Our aims are changed and our philosophy is transfigured in the process.
Raymond Geuss is one of the most inventive and distinctive voices in contemporary political philosophy and a trenchant critic of the field’s dominant assumptions. In Reality and Its Dreams, he challenges the “normative turn” in political philosophy—the idea that the right approach to politics is to start from thinking abstractly about our own normative views and then, when they have been clarified and systematized, apply them to judging political structures, decisions, and events. Rather, the study of politics should be focused on the sphere of real politics, not least because normative judgments always arise from concrete historical configurations of power, including ideological power.
It is possible to do this without succumbing to a numbing or toxic form of relativism or abandoning utopianism, although utopianism needs to be reunderstood. The utopian impulse is not an attempt to describe a perfect society but an impulse to think the impossible in politics, to articulate deep-seated desires that cannot be realized under current conditions, and to imagine how conditions that seem invariant can be changed.
Geuss ranges widely across philosophy, literature, and art, exploring past and present ideas about such subjects as envy, love, satire, and evil and the work of figures as diverse as John Rawls, St. Augustine, Rabelais, and Russell Brand. His essays provide a bracing critique of ideas, too often unexamined, that shape and misshape our intellectual and political worlds.
Rational Animals: The Teleological Roots of Intentionality offers an original account of the intentionality of human mental states, such as beliefs and desires.
The account of intentionality in Rational Animals is broadly biological in its basis, emphasizing the continuity between human intentionality and the levels of intentionality that should be attributed to animal actions and states.
Establishing the goal-directed character of animal behavior, Mark Okrent argues that instrumentally rational action is a species of goal-directed behavior that is idiosyncratic to individual agents and is distinguished by its novelty and flexibility. He also argues that some nonlinguistic animals are capable of instrumental rationality and that in the first instance, the contents of beliefs and desires are individuated by the explanatory role of those states in rationxadally accounting for such instrumentally rational behavior.
The account of instrumental rationality offered in Rational Animals allows for understanding the practical rationality of linguistically competent human beings as a distinctive capacity of social animals capable of undertaking roles governed by socially sanctioned norms.
Rational Animals will be of interest to cognitive scientists, philosophers of mind, philosophers of biology, philosophers of action, ethologists, and those interested in the debates concerning animal intelligence.
To demonstrate his view, Kenneth A. Taylor offers original and provocative accounts of a wide variety of semantic, pragmatic, and psychological phenomena, such as empty names, propositional attitude contexts, the nature of concepts, and the ultimate source and nature of normativity.
Contributors
Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam
The Rhetoric of Morality and Philosophy, one of the most groundbreaking works of twentieth-century Platonic studies, is now back in print for a new generation of students and scholars to discover. In this volume, distinguished classicist Seth Benardete interprets and pairs two important Platonic dialogues, the Gorgias and the Phaedrus, illuminating Socrates’ notion of rhetoric and Plato’s conception of morality and eros in the human soul.
Following his discussion of the Gorgias as a dialogue about the rhetoric of morality, Benardete turns to the Phaedrus as a discourse about genuine rhetoric, namely the science of eros, or true philosophy. This novel interpretation addresses numerous issues in Plato studies: the relation between the structure of the Gorgias and the image of soul/city in the Republic, the relation between the structure of Phaedrus and the concept of eros, and Socrates’ notion of ignorance, among others.
A close and selective commentary on Aristotle’s Nicomachean Ethics, offering a novel interpretation of Aristotle’s teachings on the relation between reason and moral virtue.
What does it mean to live a good life or a happy life, and what part does reason play in the quest for fulfillment? Lorraine Smith Pangle shows how Aristotle’s arguments for virtue as the core of happiness and for reason as the guide to virtue emerge in response to Socrates’s paradoxical claim that virtue is knowledge and vice is ignorance.
Against Socrates, Aristotle does justice to the effectual truth of moral responsibility—that our characters do indeed depend on our own voluntary actions. But he also incorporates Socratic insights into the close interconnection of passion and judgment and the way passions and bad habits work not to overcome knowledge that remains intact but to corrupt the knowledge one thinks one has. Reason and Character presents fresh interpretations of Aristotle’s teaching on the character of moral judgment and moral choice, on the way reason finds the mean—especially in justice—and on the relation between practical and theoretical wisdom.
The Roman Stoics reexamines the philosophical basis that instructed social practice in friendship, marriage, parenting, and community. From this analysis emerge Stoics who were neither cold nor detached, as the stereotype has it, but all too aware of their human weaknesses. In a valuable contribution to current discussions in the humanities on identity, autonomy, and altruism, Reydams-Schils ultimately conveys the wisdom of Stoics to the citizens of modern society.
In his monumental Philosophy of the Kalam the late Harry Wolfson—truly the most accomplished historian of philosophy in our century—examined the early medieval system of Islamic philosophy. He studies its repercussions in Jewish thought in this companion book—an indispensable work for all students of Jewish and Islamic traditions.
Wolfson believed that ideas are contagious, but that for beliefs to catch on from one tradition to another the recipients must be predisposed, susceptible. Thus he is concerned here not so much with the influence of Islamic ideas as with Jewish elaboration, adaptation, qualification, and criticism of them. To this end he examines passages reflecting Kalam views by a wide variety of Jewish thinkers, including Isaac Israeli, Judah Halevi, Abraham ibn Ezra, and Maimonides. As always in Wolfson's work, two aspects are apparent: the special dimensions of Jewish thought as well as its relation to other traditions. And as always his prose is both graceful and precise.
In this first comprehensive study of the effect of Lucretius's De rerum natura on Florentine thought in the Renaissance, Alison Brown demonstrates how Lucretius was used by Florentine thinkers—earlier and more widely than has been supposed—to provide a radical critique of prevailing orthodoxies.
To answer the question of why ordinary Florentines were drawn to this recently discovered text, despite its threat to orthodox Christian belief, Brown tracks interest in it through three humanists—the most famous of whom was Machiavelli—all working not as philologists but as practical administrators and teachers in the Florentine chancery and university. Interpreting their direct use of Lucretius within the context of mercantile Florence, Brown highlights three dangerous themes that had particular appeal: Lucretius's attack on superstitious religion and an afterlife; his pre-Darwinian theory of evolution; and his atomism, with its theory of free will and the chance creation of the world.
The humanists' challenge to established beliefs encouraged the growth of a "Lucretian network" of younger, politically disaffected Florentines. Brown thus adds a missing dimension to our understanding of the "revolution" in sixteenth-century political thinking, as she enriches our definition of the Renaissance in a context of newly discovered worlds and new social networks.
Considered the most important work of Walter Ong's career, Ramus, Method, and the Decay of Dialogue is an elegant review of the history of Ramist scholarship and Ramus's quarrels with Aristotle. A key influence on Marshall McLuhan, with whom Ong enjoys the status of honorary guru among technophiles, this challenging study remains the most detailed account of Ramus's method ever published. Out of print for more than a decade, this book—with a new foreword by Adrian Johns—is a canonical text for enthusiasts of media, Renaissance literature, and intellectual history.
Since antiquity, philosophy and rhetoric have traditionally been cast as rivals, with the former often lauded as a search for logical truth and the latter usually disparaged as empty speech. But in this erudite intellectual history, Nancy S. Struever stakes out a claim for rhetoric as the more productive form of inquiry.
Struever views rhetoric through the lens of modality, arguing that rhetoric’s guiding interest in what is possible—as opposed to philosophy’s concern with what is necessary—makes it an ideal tool for understanding politics. Innovative readings of Hobbes and Vico allow her to reexamine rhetoric’s role in the history of modernity and to make fascinating connections between thinkers from the classical, early modern, and modern periods. From there she turns to Walter Benjamin, reclaiming him as an exemplar of modernist rhetoric and a central figure in the long history of the form. Persuasive and perceptive, Rhetoric, Modality, Modernity is a novel rewriting of the history of rhetoric and a heady examination of the motives, issues, and flaws of contemporary inquiry.
At the heart of existentialism, Noreen Khawaja argues, is a story about secular thought experimenting with the traditions of European Christianity. This book explores how a distinctly Protestant asceticism formed the basis for the chief existentialist ideal, personal authenticity, which is reflected in approaches ranging from Kierkegaard’s religious theory of the self to Heidegger’s phenomenology of everyday life to Sartre’s global mission of atheistic humanism. Through these three philosophers, she argues, we observe how ascetic norms have shaped one of the twentieth century’s most powerful ways of thinking about identity and difference—the idea that the “true” self is not simply given but something that each of us is responsible for producing.
Engaging with many central figures in modern European thought, this book will appeal to philosophers and historians of European philosophy, scholars of modern Christianity, and those working on problems at the intersection of religion and modernity.
The great American thinker Ralph Waldo Emerson and the influential German philosopher Friedrich Nietzsche, though writing in different eras and ultimately developing significantly different philosophies, both praised the individual’s wish to be transformed, to be fully created for the first time. Emerson and Nietzsche challenge us to undertake the task of identity on our own, in order to see (in Nietzsche’s phrase) “how one becomes what one is.”
David Mikics’s The Romance of Individualism in Emerson and Nietzsche examines the argument, as well as the affinity, between these two philosophers. Nietzsche was an enthusiastic reader of Emerson and inherited from him an interest in provocation as a means of instruction, an understanding of the permanent importance of moods and transitory moments in our lives, and a sense of the revolutionary character of impulse. Both were deliberately outrageous thinkers, striving to shake us out of our complacency.
Rather than choosing between Emerson and Nietzsche, Professor Mikics attends to Nietzsche’s struggle with Emerson’s example and influence. Elegant in its delivery, The Romance of Individualism in Emerson and Nietzsche offers a significant commentary on the visions of several contemporary theorists whose interests intersect with those of Emerson and Nietzsche, especially Stanley Cavell, Jacques Lacan, Slavoj Zizek, and Harold Bloom.
As the twenty-five intellectuals who take part in this discussion show, pragmatism has become a complex terrain on which a rich variety of contemporary debates have been played out. Contributors such as Richard Rorty, Stanley Cavell, Nancy Fraser, Robert Westbrook, Hilary Putnam, and Morris Dickstein trace pragmatism’s cultural and intellectual evolution, consider its connection to democracy, and discuss its complex relationship to the work of Emerson, Nietzsche, and Wittgenstein. They show the influence of pragmatism on black intellectuals such as W. E. B. Du Bois, explore its view of poetic language, and debate its effects on social science, history, and jurisprudence. Also including essays by critics of the revival such as Alan Wolfe and John Patrick Diggins, the volume concludes with a response to the whole collection from Stanley Fish.
Including an extensive bibliography, this interdisciplinary work provides an in-depth and broadly gauged introduction to pragmatism, one that will be crucial for understanding the shape of the transformations taking place in the American social and philosophical scene at the end of the twentieth century.
Contributors. Richard Bernstein, David Bromwich, Ray Carney, Stanley Cavell, Morris Dickstein, John Patrick Diggins, Stanley Fish, Nancy Fraser, Thomas C. Grey, Giles Gunn, Hans Joas, James T. Kloppenberg, David Luban, Louis Menand, Sidney Morgenbesser, Richard Poirier, Richard A. Posner, Ross Posnock, Hilary Putnam, Ruth Anna Putnam, Richard Rorty, Michel Rosenfeld, Richard H. Weisberg, Robert B. Westbrook, Alan Wolfe
Transcendentalism never came to an end in America. It just went underground for a stretch, but is back in full force in Robert Brandom’s new book. Brandom takes up Kant and Hegel and explores their contemporary significance as if little time had expired since intellectuals gathered around Emerson in Concord to discuss reason and idealism, selves, freedom, and community. Brandom’s discussion belongs to a venerable tradition that distinguishes us as rational animals, and philosophy by its concern to understand, articulate, and explain the notion of reason that is thereby cast in that crucial demarcating role.
An emphasis on our capacity to reason, rather than merely to represent, has been growing in philosophy over the last thirty years, and Robert Brandom has been at the center of this development. Reason in Philosophy is the first book that gives a succinct overview of his understanding of the role of reason as the structure at once of our minds and our meanings—what constitutes us as free, responsible agents. The job of philosophy is to introduce concepts and develop expressive tools for expanding our self-consciousness as sapients: explicit awareness of our discursive activity of thinking and acting, in the sciences, politics, and the arts. This is a paradigmatic work of contemporary philosophy.
After surveying Western ideas of reason from the ancient Greeks through Kant, Hegel, and Marx, Jay engages at length with the ways leading theorists of the Frankfurt School—Horkheimer, Marcuse, Adorno, and most extensively Habermas—sought to salvage a viable concept of reason after its apparent eclipse. They despaired, in particular, over the decay in the modern world of reason into mere instrumental rationality. When reason becomes a technical tool of calculation separated from the values and norms central to daily life, then choices become grounded not in careful thought but in emotion and will—a mode of thinking embraced by fascist movements in the twentieth century.
Is there a more robust idea of reason that can be defended as at once a philosophical concept, a ground of critique, and a norm for human emancipation? Jay explores at length the ommunicative rationality advocated by Habermas and considers the range of arguments, both pro and con, that have greeted his work.
The time has come to reform philosophy, says Hilary Putnam, one of America’s great philosophers. He calls upon philosophers to attend to the gap between the present condition of their subject and the human aspirations that philosophy should and once did claim to represent. Putnam’s goal is to embed philosophy in social life.
The first part of this book is dedicated to metaphysical questions. Putnam rejects the contemporary metaphysics that insists on describing both the mind and the world from a God’s-eye view. In its place he argues for pluralism, for a philosophy that is not a closed systematic method but a human practice connected to real life. Philosophy has a task, to be sure, but it is not to provide an inventory of the basic furniture of the universe or to separate reality in itself from our own projections. Putnam makes it clear that science is not in the business of describing a ready-made world, and philosophy should not be in that business either.
The author moves on to show that the larger human context in which science matters is a world of values animated by ethics and aesthetic judgments. No adequate philosophy should try to explain away ethical facts. The dimension of history is added in the third part of the book. Here Putnam takes up a set of American philosophers, some firmly within and others outside the canon of analytic philosophy, such as William James and C. S. Peirce, and he explores the pragmatist contribution to philosophy from James to Quine and Goodman.
This book connects issues in metaphysics with cultural and literary issues and argues that the collapse of philosophical realism does not entail a fall into the abyss of relativism and postmodern skepticism. It is aimed primarily at philosophers but should appeal to a wide range of humanists and social scientists.
Through detailed and trenchant criticism of standard interpretations of some of the key arguments in analytical philosophy over the last sixty years, this book arrives at a new conception of the proper starting point and task of the philosophy of language.
To understand central topics in the philosophy of language and mind, Gary Ebbs contends, we must investigate them from our perspective as participants in shared linguistic practices; but our efforts at adopting this participant perspective are limited by our lingering loyalties to metaphysical realism (the view that we can make objective assertions only if we can grasp metaphysically independent truth conditions) and scientific naturalism (the view that it is only within science that reality can be identified and described). In Rule-Following and Realism, Ebbs works to loosen the hold of these views by exposing their roots and developing a different way of looking at our linguistic practices.
Reexamining and extending influential arguments by Saul Kripke, W. V. Quine, Rudolf Carnap, Hilary Putnam, and Tyler Burge, Ebbs presents systematic redescriptions of our linguistic practices that transform our understanding of such central topics as rule-following, the analytic-synthetic distinction, realism, anti-individualism, the division of linguistic labor, self-knowledge, and skepticism.
Realism for the 21st Century is a collection of thirty essays from John Deely—a major figure in contemporary semiotics and an authority on scholastic realism and the works of Charles Sanders Peirce. The volume tracks Deely’s development as a pragmatic realist, featuring his early essays on our relation to the world after Darwinism; crucial articles on logic, semiotics, and objectivity; overviews of philosophy after modernity; and a new essay on “purely objective reality.”
Charles Sanders Peirce (1839–1914) was an American philosopher, physicist, mathematician, and the founder of pragmatism. Despite his importance in the history of philosophy, a unified statement of his thought has been unavailable. With this publication, readers at long last are offered the philosopher’s only known, complete, and coherent account of his own work. Originally delivered as the Cambridge Conferences Lectures of 1898, Reasoning and the Logic of Things is the most accessible and thorough introduction to Peirce’s mature thought to be found within the compass of a single book.
Beginning with an explanation of the nature of philosophy, Peirce proceeds to illustrate his claim that mathematics provides the foundation of our logic and metaphysics. We find here the clearest formulation of an idea present in Peirce’s thought since the 1860s, the distinction between three kinds of reasoning: induction, deduction, and retroduction. Then follows an introduction to Peirce’s chief logical doctrines, as well as his attempts to provide a classification of the sciences, a theory of categories, and a theory of science. In conclusion, turning from “reasoning” to the “logic of things,” Peirce called for an evolutionary cosmology to explain the reality of laws and described the kinds of reasoning he employed in developing this cosmology.
At the urging of his friend William James, Peirce made an uncharacteristic effort in these lectures to present his ideas in terms intelligible to a general audience—those without advanced training in logic and philosophy. The introductory materials by Kenneth Ketner and Hilary Putman add to the volume’s lucidity. Consequently, this book will be a valuable source for readers outside of the circle of Peirce specialists.
Polanyi’s method was not laid out in his published works, and his vocabulary tends to make his writings difficult to understand. By exposing the structure of his theory of tacit knowing, and by tracing the growth of his thinking, Jha shows how the various elements of his thought are integrated. Through examination of his philosophical roots in Kant and the complexity of his evolving thought, she counteracts the popular notion that Polanyi’s philosophy stands apart from the western philosophic tradition.
Jha’s deep analysis makes Polanyi’s shift of focus from science to philosophy more intelligible, his philosophy more approachable, and the causes he championed—such as the freedom of science and cultural freedom—more understandable. Applying his notion of tacit knowing in practical directions, Jha seeks to bring the study of Polanyi’s philosophy out of the specialists’ enclave and into such fields as ethics and clinical medicine.
The child of a pair of leftist writers who worried that their precocious son “wasn’t rebellious enough,” Rorty enrolled at the University of Chicago at the age of fifteen. There he came under the tutelage of polymath Richard McKeon, whose catholic approach to philosophical systems would profoundly influence Rorty’s own thought. Doctoral work at Yale led to Rorty’s landing a job at Princeton, where his colleagues were primarily analytic philosophers. With a series of publications in the 1960s, Rorty quickly established himself as a strong thinker in that tradition—but by the late 1970s Rorty had eschewed the idea of objective truth altogether, urging philosophers to take a “relaxed attitude” toward the question of logical rigor. Drawing on the pragmatism of John Dewey, he argued that philosophers should instead open themselves up to multiple methods of thought and sources of knowledge—an approach that would culminate in the publication of Philosophy and the Mirror of Nature, one of the most seminal and controversial philosophical works of our time.
In clear and compelling fashion, Gross sets that surprising shift in Rorty’s thought in the context of his life and social experiences, revealing the many disparate influences that contribute to the making of knowledge. As much a book about the growth of ideas as it is a biography of a philosopher, Richard Rorty will provide readers with a fresh understanding of both the man and the course of twentieth-century thought.
Mill—philosopher, political economist, and Parliamentarian—remains a canonical author of Anglo-American philosophy, while Whewell—Anglican cleric, scientist, and educator—is now often overlooked, though in his day he was renowned as an authority on science. Placing their teachings in their proper intellectual, cultural, and argumentative spheres, Laura Snyder revises the standard views of these two important Victorian figures, showing that both men’s concerns remain relevant today.
A philosophically and historically sensitive account of the engagement of the major protagonists of Victorian British philosophy, Reforming Philosophy is the first book-length examination of the dispute between Mill and Whewell in its entirety. A rich and nuanced understanding of the intellectual spirit of Victorian Britain, it will be welcomed by philosophers and historians of science, scholars of Victorian studies, and students of the history of philosophy and political economy.
In Rousseau’s Reader, John T. Scott looks at the different strategies Rousseau used to engage and persuade the readers of his major philosophical works, including the Social Contract, Discourse on Inequality, and Emile. Considering choice of genre; textual structure; frontispieces and illustrations; shifting authorial and narrative voice; addresses to readers that alternately invite and challenge; apostrophe, metaphor, and other literary devices; and, of course, paradox, Scott explores how the form of Rousseau’s writing relates to the content of his thought and vice versa. Through this skillful interplay of form and content, Rousseau engages in a profoundly transformative dialogue with his readers.
While most political philosophers have focused, understandably, on Rousseau’s ideas, Scott shows convincingly that the way he conveyed them is also of vital importance, especially given Rousseau’s enduring interest in education. Giving readers the key to Rousseau’s style, Scott offers fresh and original insights into the relationship between the substance of his thought and his literary and rhetorical techniques, which enhance our understanding of Rousseau’s project and the audiences he intended to reach.
In Rousseau, Nietzsche, and the Image of the Human, Paul Franco examines the relationship between Jean-Jacques Rousseau and Friedrich Nietzsche, arguably the two most influential shapers and explorers of the moral and cultural imagination of late modernity. Both thinkers leveled radical critiques of modern life, but those critiques differed in important respects. Whereas Rousseau focused on the growing inequality of modern society and the hypocrisy, self-division, and loss of civic virtue it spawned, Nietzsche decried the democratic equality he identified with Rousseau and the loss of individual and cultural greatness it entailed. Franco argues, however, that Rousseau and Nietzsche are more than mere critics; they both put forward powerful alternative visions of how we ought to live. Franco focuses specifically on their views of the self and its realization, their understandings of women and the relation between the sexes, and their speculative conceptions of politics. While there are many similarities in their positive visions, Franco argues that it is the differences between them from which we have most to learn.
John T. Scott offers a comprehensive interpretation of Rousseau’s theological and religious thought, both in its own right and in relation to Rousseau’s broader oeuvre. In chapters focused on different key writings, Scott reveals recurrent themes in Rousseau’s views on the subject and traces their evolution over time. He shows that two concepts—truth and utility—are integral to Rousseau’s writings on religion. Doing so helps to explain some of Rousseau’s disagreements with his contemporaries: their different views on religion and theology stem from different understandings of human nature and the proper role of science in human life. Rousseau emphasizes not just what is true, but also what is useful—psychologically, morally, and politically—for human beings. Comprehensive and nuanced, Rousseau’s God is vital to understanding key categories of Rousseau’s thought.
In this elegant new study Galen Johnson retrieves the concept of the beautiful through the framework of Merleau-Ponty’s aesthetics. Although Merleau-Ponty seldom spoke directly of beauty, his philosophy is essentially about the beautiful.
In Johnson’s formulation, the ontology of Flesh as element and the ontology of the Beautiful as elemental are folded together, for Desire, Love, and Beauty are part of the fabric of the world’s element, Flesh itself, the term at which Merleau-Ponty arrived to replace Substance, Matter, or Life as the name of Being.
Merleau-Ponty’s Eye and Mind is at the core of the book, so Johnson engages, as Merleau-Ponty did, the writings and visual work of Paul Cézanne, Auguste Rodin, and Paul Klee, as well as Rilke’s commentary on Cézanne and Rodin. From these widely varying aesthetics emerge the fundamental themes of the retrieval of the beautiful: desire, repetition, difference, rhythm, and the sublime. The third part of Johnson’s book takes each of these up in turn, bringing Merleau-Ponty’s aesthetic thinking into dialogue with classical philosophy as well as Sartre, Heidegger, Nietzsche, and Deleuze. Johnson concludes his final chapter with a direct dialogue with Kant and Merleau-Ponty, and also Lyotard, on the subject of the beautiful and the sublime. As we experience with Rodin’s Balzac, beauty and the sublime blend into one another when the beautiful grows powerful, majestic, mysterious, and transcendent.
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