A SCHOLARLY BOOK REPOSITORY
Beautifully illustrated, Planting Paradise charts the evolution of thinking about the cultivation of gardens from the sixteenth to the nineteenth centuries. In this age of discovery, when the world was being explored as never before, gardening itself took on new dimensions. The Renaissance belief in direct observation of nature offered an alternative way of thinking and inspired the scientific approach of the Enlightenment, and soon gardens were no longer just places of beauty, but also laboratories for scientific investigation.
Planting Paradise reveals how the botanic gardens of early modern Europe were largely viewed as a means of supplying surgeons with medicines but by the seventeenth and eighteenth century the interest in gardens and cultivating exotic plants had spread to all levels of society. As global exploration took Europeans all over the world, gardens became a tapestry of many diverse botanical histories—some plants were native, some were introduced from foreign lands, and others were bred in the garden. Planting Paradise shows how the garden became a symbol of human interactions within the botanical world.
A lovely gift book for garden lovers, Planting Paradise showcases the superb collection of botanical illustrations in the Plant Sciences Department and Bodleian Library, University of Oxford, and presents a handsome and fascinating look at the history of the garden from the picturesque to the practical and back again.
Practicing Privacy Literacy in Academic Libraries: Theories, Methods, and Cases can help you teach privacy literacy, evolve the privacy practices at your institution, and re-center the individuals behind the data and the ethics behind library work. Divided into four sections:
- What is Privacy Literacy?
- Protecting Privacy
- Educating about Privacy
- Advocating for Privacy
Can film capture what our eyes can’t see? There are many examples—both historical and contemporary—of photographs of spirits or “ghosts.” These images alternately have been derided as hoaxes or, at the other extreme, held up as irrefutable proof of the otherworld. Photography and Spirit examines these mesmerizing images of phantoms, psychical emanations, and religious apparitions.
Drawing upon eighty images taken between 1860 and today, John Harvey explores spirit photography from the various perspectives of religion, science, and art. Some of the photographs he considers were taken by scientists, others by amateur and commercial photographers, and still others by robotic surveillance devices. The diverse origins of the spirit photographs have inspired a multiplicity of interpretations and engendered, in some cases, high levels of skepticism. Harvey’s analysis probes the connections between the images, human imagination, and larger cultural traditions. Photography and Spirit transforms what are often fringe objects of kitsch into revelatory artifacts of cultural history, drawing from them thought-provoking insights into the historical connections between the material and spiritual worlds, representations of grief, and human cultures’ enduring fascination with the supernatural.
Photo images of ethereal spirits render the border between what is real and what is fantastic indistinguishable. Photography and Spirit challenges our pre-conceived notions and offers an intriguing new perspective on the nature of photography.
Despite the understanding of scholars that masculinity, far from being a natural or stable concept, is in reality a social construction, the culture at large continues to privilege an idealized, coherent male point of view. The Privilege of Crisis draws on the work of authors such as H. Rider Haggard, Rudyard Kipling, and Joseph Conrad—as well as contemporary postcolonial writers such as J. M. Coetzee, Hanif Kureishi and Zadie Smith—to show how recurrent references to a "crisis" of masculinity or the decline of masculinity serve largely to demonstrate and support positions of male privilege.
Plato’s frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato’s hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought.
The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction—Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative.
The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.
The Patina of Place offers a multidisciplinary analysis of workers’ housing as an index to social change and cultural identity in New Bedford from 1848 to 1925. Heath discusses both the city’s company-owned mill housing and the subsequent transition to a speculative building market that established the three-decker rental flat as the city’s most common housing form for industrial workers.
Using the concept of “cultural weathering” to explore the cultural imprints left by inhabitants on their built environment, Heath considers whether the three-decker is a generic “type” that could be transferred elsewhere. He concludes that the ethnic, economic, and geographic conditions of a locale serve as filters that reshape the meaning, utility, and character of a building form, thereby making it an integral part of its particular community. Specifically, he shows how the three-decker was lived in, and used by, its original inhabitants and illustrates its transformation by later generations of residents following the collapse of the textile industry in the mid-1920s.
The Patina of Place focuses on the three-decker in New Bedford, but its overarching theme concerns the cultural, economic, and social complexities of place-making and the creation of regional identity. Heath offers a broad investigation of the forces that drive the production and consumption of architecture, at the same time providing an economic and cultural context for the emergence of a particular architectural form.
The Author: Kingston Heath is associate professor in the college of architecture at the University of North Carolina at Charlotte. His articles have appeared in The Encyclopedia of Architecture and Old-Time New England, among other publications.
Peter Gabriel offers nuanced and trenchant insight into this enigmatic, questing musician and his works, into an artist whose constant traveling—through identities, influences, and media—defines him as one of modern culture’s truly global citizens. At the heart of Paul Hegarty’s analysis is the idea of locatedness: what it means to be in a specific place at a given time, and to reflect on that time and the changes which inevitably occur. Gabriel’s work, Hegarty argues, can be understood as a series of reflections on the “where” of being—a facet of existence that spans everything from politics to psychology, philosophy, psychogeography, and inward reflection.
Focusing on four projects from one of Mexico’s most significant contemporary theatre companies, La Máquina de Teatro, directed by renowned artists Juliana Faesler and Clarissa Malheiros, this study documents the rigorous performances of layered, plural, and trans identities as collaborative, feminist, and queer re-visions of official histories and collective memories, using ideas of scenarios, archives, and remains. Illustrated with over 100 color photos, Performing Palimpsest Bodies will appeal to artists and scholars interested in contemporary theatre and performance studies, critical dance studies, and collective creation.
Originally a food for the poor in eighteenth-century Naples, the pizza is a source of national and regional pride as well as cultural identity in Italy, Helstosky reveals. In the twentieth century, the pizza followed Italian immigrants to America, where it became the nation’s most popular dish and fueled the rise of successful fast-food corporations such as Pizza Hut and Domino’s. Along the way, Helstosky explains, pizza has been adapted to local cuisines and has become a metaphor for cultural exchange. Pizza also features several recipes and a wealth of illustrations, including a photo of the world’s largest and most expensive pizza—sprinkled with edible 24-karat gold shavings and costing over $4000.
Policy Debates on Reprogenetics takes an in-depth look at recent public policy debates over stem cell research and therapeutic cloning in Great Britain and Germany in order to determine the effect of such debates on the progress of scientific knowledge. Svea Luise Herrmann argues that debates about government policy do not tend to lead to more societal and political control over scientific research; rather, the discussions, when framed as questions of ethics, allow societies to air anxieties without retarding or challenging scientific progress. As our understanding of genetics continues to grow, this volume will be a useful resource for scientists and policy makers alike.
Phenomenology’s Material Presence draws on recent work in phenomenology, embodiment, and cinema and extends the field by examining metaphysical presence in postcolonial cinema. Where other scholarship has assimilated insight from individual phenomenological thinkers, Phenomenology’s Material Presence utilizes the methods of these thinkers—Husserl, Heidegger, and Merleau-Ponty—to produce a richly textured and poetic essay that brings them into conversation. Through a meditation on three experimental videos by Trinidadian filmmaker Robert Yao Ramesar, this book makes the case that video performs an act of phenomenological inquiry. Phenomenology’s Material Presence extends our theorizing in both film studies and philosophy.
Populist Revolt was first published in 1931. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
When The Populist Revolt was originally published, the New York Times critic called it "far and away the best account of populism that we have—and one not likely to be replaced." That prophecy proved right; the book has not been replaced, and historians and critics agree that it is the definitive work on its subject. Now it is made available once more, after being out of print for some time.
This is a history of the Farmers' Alliance and the People's Party, under whose banners a great crusade for farm relief was waged in the 1880's and 1890's. As important as the chronicle of the political movement itself is the detailed picture which Professor Hicks gives of the conditions which set the stage for this agrarian revolt. He describes the inequities and malpractices which beset both the new settlers of the West and the poverty-ridden whites and Negroes of the South following the Civil War.
The story of Populism itself is a lively one, people with such picturesque leaders as "Pitchfork" Ben Tillman of South Carolina, "Sockless" Jerry Simpson and Mary Elizabeth Lease—the "Patrick Henry in petticoats"—of Kansas, "Bloody Bridles" Waite of Colorado, Thomas E. Watson of Georgia, Dr. C. W. Macune of Texas, James B. Weaver of Iowa, and Ignatius Donnelly of Minnesota.
In these pages, Professor Hicks has, as Frederic L. Paxson pointed out, "presented the case for Populism better than the Populists themselves could do it." Henry Steele Commanger calls the book a "thorough, scholarly, sympathetic and spirited history of the entire Populist movement."
After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. Playgrounds tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities—and above all—about the value of play.
This collection of essays examines Zambia’s efforts to promote economic reform during the 1990s. Following the restoration of democratic rule, the government of Zambia adopted an ambitious program designed to stabilize the economy and lay the foundation for sustained growth and development. These essays describe the adjustment program, highlighting the attempts to reform the budget, the tax system, the financial system, agriculture and mining, and to create the human capacity to sustain the reforms.
Major improvements in economic performance occurred from 1992 to 1995. After that, however, economic performance deteriorated as a result of the government’s selective abandonment of key elements of the reform program and the emergence of major governance problems. In response to international pressure, by 2001 the government completed the sale of the copper mines and qualified for large-scale debt relief. The long delays involved seriously undermined economic performance.
The volume concludes that for economic reform to succeed in Zambia, the government should scale back its development agenda to match its financial and human capacities, reduce dependence on foreign aid, adopt and maintain prudent macroeconomic policies, and support the expansion of both mining and agriculture.
Hippocrates, said to have been born in Cos in or before 460 BCE, learned medicine and philosophy; travelled widely as a medical doctor and teacher; was consulted by King Perdiccas of Macedon and Artaxerxes of Persia; and died perhaps at Larissa. Apparently he rejected superstition in favour of inductive reasoning and the study of real medicine as subject to natural laws, in general and in individual people as patients for treatment by medicines and surgery. Of the roughly 70 works in the 'Hippocratic Collection' many are not by Hippocrates; even the famous oath may not be his. But he was undeniably the 'Father of Medicine'.
The works available in the Loeb Classical Library edition of Hippocrates are the following. Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment. Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition. Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon. Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 13. Dreams. Volume V: Affections. Diseases 12. Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases. Volume VII: Epidemics 2 and 47. Volume VIII: Places in Man. Glands. Fleshes. Prorrhetic III. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas. Volume IV also contains the fragments of Heracleitus, On the Universe.
Pronouncing and Persevering focuses closely on the language used in disputes, particularly how men and women narrate their claims and how their speech shapes and is shaped by gender hierarchy in postcolonial Swahili society. Based on field research and court testimony, Hirsch's book debunks the conventional view that women are powerless under Islamic law and challenges the dichotomies through which Islam and gender relations are currently understood.
With stunning illustrations by award-winning artist Alan Marks, the legend of Saint Frideswide, patron saint of Oxford, is retold for young children as a tale of adventure, courage in the face of danger, friendship, and kindness, with a few surprises along the way.
The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times.
Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."
De-Yuan Hong’s three-volume monograph of the popular genus Paeonia—more popularly known as peonies—is a comprehensive taxonomic revision based on extensive field observations, population sampling, and a thorough multidisciplinary examination of more than 5,000 specimens. This third and final volume is a rich source of information on the phylogeny and evolution of peonies, illustrated with photographs, line drawings, and maps, making it an essential reference for trained botanists and amateur gardening hobbyists alike.
In sixteenth-century Northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel explored how people perceived human nature. Bruegel turned his critical eye and peerless paintbrush to mankind’s labors and pleasures, its foibles and rituals of daily life, portraying landscapes, peasant life, and biblical scenes in startling detail. Much like the great humanist scholar Erasmus of Rotterdam, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind’s ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride.
This superbly illustrated volume examines how Bruegel’s art and ideas enabled people to ponder what it meant to be human. Published to coincide with the four-hundred-fiftieth anniversary of Bruegel’s death, it will appeal to all those interested in art and philosophy, the Renaissance, and Flemish painting.
Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design. Each annual issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public.
Pairs 03 features conversations with Thomas Demand, Mindy Seu, Mira Henry and Matthew Au, Alfredo Thiermann, Ila Bêka and Louise Lemoine, Anne Lacaton, Edward Eigen, Katarina Burin, Marrikka Trotter, Christopher C. M. Lee, Keller Easterling, and others. Contributors include the editors and Elif Erez, Emily Hsee, Stephanie Lloyd, Andrea Sandell, Kenismael Santiago-Págan, Klelia Siska, and Julia Spackman.
Contemporaries regarded rich, strategic Essex County, located northeast of London, as the “first born of Parliament,” the area from which the rebellious Parliament drew its most decisive support in the Civil War of 1642. Any consideration of the English Civil War can profit from a long look at Essex, which encapsulated so many of the forces that lead to war. William Hunt's analysis of demographic and economic change in this region provides a comprehensive picture of day-to-day life, population growth, the commercialization of agriculture, and the class of men and women rendered socially marginal as a result.
To account for the radicalism of Essex, however, Hunt looks beyond the details of socioeconomic discontent and finds a cultural validation for rebellion in Puritanism. This broad cultural explanation of the factors leading to war provides a fresh interpretation of the Puritan Revolution. The Puritans' desire to impose a strict moral code upon society as a whole, accompanied by an aggressive, imperialistic concept of England's national destiny, eventually came into conflict with national policy and resulted in open rebellion against the Crown.
This book brings together a global range of authors to examine visual arts PhDs using diverse theoretical perspectives; innovative arts and hybrid methodologies; institutional relationships and scholarly practices; and voices from the field in the form of site-specific cases. A compendium of leading voices in arts education, Provoking the Field provides a diverse range of perspectives on arts enquiry, and a comprehensive study of the state of visual arts PhDs in education.
This book presents penetrating observations by six authorities on the personality development of children for the enlightenment of parents, teachers, and others who have a vital interest in children.
In the first paper, the late Harold E. Jones, a professor of psychology and the director of the Institute of Human Development at the University of California, examines the development of personality over a long period of time. He discusses the child-rearing practices used with a number of babies, then follows through with observations made several years later to see the effects of these practices.
In another paper, John E. Anderson, a professor of psychology at the University of Minnesota and the former director of the Institute of Child Development and Welfare there, supports the theory that valid predictions of future personality adjustment can be made through an assessment of the present status of an individual.
Anderson’s findings are based on the results of tests administered to children of Nobles County, Minnesota, during the period 1950–1957, and on teacher-community-pupil ratings of these children.
Still other papers offer a variety of ideas. Dr. Milton J. E. Senn, Sterling Professor of Pediatrics and Psychiatry and the director of the Child Study Center at Yale University, suggests that there be greater harmony and more exchange of thought among people working toward a proper understanding of human nature. To a degree this entire book follows his suggestion.
Among several noteworthy observations made by Stanford University Professor of Psychology Robert R. Sears is the point that the development of conscience depends largely upon whether a child is loved or rejected by his or her parents.
John W. M. Whiting, professor of education and director of the Laboratory for Human Development at Harvard University, discusses, among other problems, the question of why children like to play grown-up roles and what happens when they are not permitted to do so. Orville Brim, a sociologist at the Russell Sage Foundation of New York City, explains personality in terms of demands, holding that one’s personality changes from situation to situation and from person to person.
The Poetry of John Tyndall contains annotated transcriptions of all 76 of Tyndall’s extant poems, the majority of which have not been published before. The poems are complemented by an extended introduction, which explores what the poems can tell us about Tyndall’s self-fashioning, his values and beliefs, and the role of poetry for him and his circle. More broadly, this introduction addresses the relationship between the scientific and poetic imaginations, and wider questions of the purpose of poetry in relation to science and religion in the nineteenth century.
In this thought-provoking new work, historian Justin M. Jacobs challenges the widely accepted belief that much of Western museums’ treasures were acquired by imperialist plunder and theft. The account reexamines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artifacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian, and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative of hope and promise for a brighter, more equitable future—a compelling reassessment of one of the institutional pillars of the Enlightenment.
Since its establishment in 1949, the People's Republic of China has upheld a nationwide ban on pornography, imposing harsh punishments on those caught purchasing, producing, or distributing materials deemed a violation of public morality. A provocative contribution to Chinese media studies by a well-known international media researcher, People’s Pornography offers a wide-ranging overview of the political controversies surrounding the ban, as well as a fascinating glimpse into the many distinct media subcultures that have gained widespread popularity on the Chinese Internet as a result. Rounding out this exploration of the many new tendencies in digital citizenship, pornography, and activist media cultures in the greater China region are thought-provoking interviews with individuals involved.
The Phoenicians is a fascinating exploration of this much-mythologized people: their history, artistic heritage, and the scope of their maritime and colonizing activities in the Mediterranean. Two aspects of the book stand out from other studies of Phoenician history: the source-focused approach and the attention paid to the various ways that biases—ancient and modern—have contributed to widespread misconceptions about who the Phoenicians really were. The book describes and analyzes various artifacts (epigraphic, numismatic, and material remains) and considers how historians have derived information about a people with little surviving literature. This analysis includes a critical look at the primary texts (classical, Near Eastern, and biblical), the relationship between the Phoenician and Punic worlds; Phoenician interaction with the Greeks and others; and the repurposing of Phoenician heritage in modernity. Detailed and engrossing, The Phoenicians casts new light on this most enigmatic of civilizations.
This lyric portrait of life—and the little donkey, Platero—in a remote Andalusian village is the masterpiece of Juan Ramón Jiménez, the Spanish poet awarded the 1956 Nobel Prize for Literature.
Examining the past, present, and future of Trinidad and Tobago’s oil and gas industries, anthropologist Ryan Cecil Jobson traces how a model of governance fashioned during prior oil booms is imperiled by declining fossil fuel production and a loss of state control. Despite the twin-island nation’s increasingly volatile and vulnerable financial condition, however, government officials continue to promote it as a land of inexhaustible resources and potentially limitless profits.
The result is what Jobson calls a “masquerade of permanence” whereby Trinbagonian state actors represent the nation as an interminable reserve of hydrocarbons primed for multinational investment. In The Petro-State Masquerade, Jobson examines the gulf between this narrative crafted by the postcolonial state and the vexed realities of its dwindling petroleum-fueled aspirations. After more than a century of commercial oil production, Trinidad and Tobago instructs us to regard the petro-state less as a permanent form than a fragile relation between fossil fuels and sovereign authority. Foregrounding the concurrent masquerades of oil workers, activists, and Carnival revelers, Jobson argues that the promise of decolonization lies in the disarticulation of natural resources, capital, and political power by ordinary people in the Caribbean.
Masks can conceal, disguise, or protect. They can announce status, inspire delight, or spread fear. They can also betray trust through insincerity, deceit, and hypocrisy. In Paris Concealed, historian James H. Johnson offers a sweeping history of masks both visible and unseen from the time of Louis XIV to the late nineteenth century, exploring the complex roles that masking and unmasking have played in the fashioning of our social selves.
Drawing from memoirs, novels, plays, and paintings, Paris Concealed explores the many domains in which masks have been decisive. Beginning in the court of Versailles, Johnson charts the genesis of courtly politesse and its wide condemnation by Enlightenment philosophers and political thinkers. He narrates strategies in the French Revolution for unmasking traitors and later efforts to penetrate criminal disguises through telltale marks on the body. He portrays the disruptive power of masks in public balls and carnivals and, with the coming of modernity, evokes their unsettling presence within the unconscious.
Compellingly written and beautifully illustrated, Paris Concealed lays bare the mask’s transformations, from marking one’s position in a static society to embracing imagined identities in meritocracies to impeding the elusive search for one’s true self. To tell the history of masks, Johnson shows, is to tell the history of modern selfhood.
Philosophical Perspectives on Metaphor was first published in 1981. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
"We are," says Mark Johnson, "in the midst of metaphormania." The past few years have seen an explosion of interest in metaphor as a vehicle for exploring the relations between language and thought. While a number of recent books have dealt with metaphor from the standpoints of several disciplines, there is no collection that shows the best of the work that has been done in the field of philosophy. Mark Johnson has brought together essays that define the central issues of the discussion in this field.
His introductory essay offers a critical survey of historically influential treatments of figurative language (including those of Aristotle, Hobbes, Locke, Kant, and Nietzsche) and sets forth the nature of various issues that have been of interest to philosophers. Thus, it provides a context in which to understand the motivations, influences, and significance of the collected essays. An annotated bibliography serves as a catalog of all relevant literature.
Philosophical Perspectives on Metaphor provides an entry point into the philosophical exploration of metaphor for students, philosophers, linguists, psychologists, artists, critics, or anyone interested in language and its relation to understanding and experience.
In this book, Daniel Johnston examines how phenomenology can describe, analyze, and inspire theater-making. Each chapter introduces themes to guide the creative process through objects, bodies, spaces, time, history, freedom, and authenticity. Key examples in the work are drawn from Chekhov’s The Cherry Orchard, Sophocles’ Antigone, and Shakespeare’s Hamlet. Practical tasks throughout explore how the theatrical event can offer unique insights into being and existence, as Johnston’s philosophical perspective shines a light on broader existential issues of being. In this way, the book makes a bold contribution to the study of acting as an embodied form of philosophy and reveals how phenomenology can be a rich source of creativity for actors, directors, designers, and collaborators in the performance process.
Brimming with insight into the practice and theory of acting, this original new work stimulates new approaches to rehearsal and sees theater-making as capable of speaking back to philosophical discourse.
In Penguin’s Way, a playful colony of emperor penguins lives on the edge of a faraway secret sea. During the summers, the penguins are content to fish and swim in the icy waters. But, when the seasons change, they must travel more than one hundred miles to the snowy lands surrounding the South Pole. All across the snow plain, the penguins sing songs to welcome newly hatched chicks into the world, but how will the fluffy newborns survive the freezing winter?
Few things pique children’s curiosity about the world around them better than a good book. Brought back for a new generation of young readers, Penguin’s Way offers a fun and creative introduction to these fascinating animals.
General George S. Patton’s legendary image was carefully crafted during World War II and continues to shape our understanding of American history and culture today. Historian Nathan C. Jones explores the creation of the Patton legend and its enduring legacy in Patton’s Shadow.
Proceedings of the Harvard Celtic Colloquium, 24 includes “The Celticity of Galicia and the Arrival of the Insular Celts,” by Manuel Alberro; “Reading Aislinge Óenguso as a Christian-Platonist Parable,” by Brenda Gray; “Celtic Legends in Irish Opera, 1900–1930,” by Axel Klein; “‘I wonder what the king is doing tonight’—Looking for Arthur in All the Wrong Places,” by Laurance J. Maney†; “What Future for the Irish Gaeltacht Communities in the Twenty-First Century?” by Nollaig Ó Gadhra†; “Acallam Na Senórach as Prosimetrum,” by Geraldine Parsons; “Traditional and Courtly Themes in a Medieval Welsh Elegy to a ‘Góann Wargann Wery’ (‘A Fair Virgin, Meek and Mild’),” by Laura Radiker; and “Welsh Prophetic Poetry in the Age of the Princes,” by Elizabeth Schoales.
Proceedings of the Harvard Celtic Colloquium, 25 includes “Keltoi, Galatai, Galli: Were They All One People?” by Timothy P. Bridgman; “On Verbal Nouns in Celtic Languages,” by Chao Li; “Cross-Linguistic Discourse Markers in Manx Gaelic and English,” by Marie Clague; “The Acallam na Senórach: A Medieval Instruction Manual,” by Annie Donahue; “Gendered Postcolonial Discourse in the Mabinogi,” by Morgan Kay; “Language Death and Resurrection in the Isle of Man: The Continuity of Manx Gaelic Exemplified by the Use of Inflected Verb Tenses,” by Jennifer Kewley Draskau; “High Kings and Pipe Dreams: Revisiting John Vincent Kelleher’s Theory of Revision to the Early Irish Annals,” by Laurance J. Maney†; and “The Rise of Christian Nomenclature in Medieval Scotland,” by David Morris.
Pyschological anthropology is a vital area of contemporary social science, and one of the field's most important and innovative thinkers is Melford E. Spiro. This volume brings together sixteen essays that review Spiro's theoretical insights and extend them into new areas. The essays center on several general problems: In what ways is it meaningful to speak of a social act as having "functions"? What elements and processes of human personality are universal, and why? What is the relationship between religion and personality? Why? What are the pyschological underpinnings of social manipulation?
Lynne Joyrich is Professor of Modern Culture and Media at Brown University. She is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture. She has been a member of the Camera Obscura editorial collective since 1996. Misha Kavka is Associate Professor of Media, Film, and Television at the University of Auckland. She is the author of Reality TV and Reality Television, Affect and Intimacy: Reality Matters and is the coeditor of Feminist Consequences: Theory for the New Century. Brenda R. Weber is Associate Professor of Gender Studies at Indiana University. Her books include Makeover TV: Selfhood, Citizenship, and Celebrity and Reality Gendervision: Sexuality and Gender on Transatlantic Reality TV, both also published by Duke University Press, and Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender.
Contributors: Pier Dominguez, Jane Feuer, Hunter Hargraves, Jennifer Jones, Lynne Joyrich, Misha Kavka, Michael Litwack, Kristen J. Warner, Brenda R. Weber
Post-Specimen Encounters in Art, Science and Curating examines the ways in which scientific objects held within museums and other collections act as inspiration to contemporary art practices, curating strategies, and their histories. With cross-disciplinary contributions from art historians, artists, poets, anthropologists, critics, and curators, this volume looks at how artistic encounters in museums, ranging from anatomy museums to contemporary cabinets of curiosity, can provoke new modes of thinking.
In particular, this volume draws upon the concept of the specimen—a paradigmatic object in science—as a way of critically investigating these hybrid art–science practices and a means of innovating the practice of art writing itself. Edward Juler and Alistair Robinson bring together a variety of interdisciplinary perspectives from leading specialists in the visual arts that inspire new understandings of the relationships between art, science, and curating.
Understanding paras as key players in Black and Latino struggles for jobs and freedom, Nick Juravich details how the first generation of paras in New York City transformed work in public schools and the relationships between schools and the communities they served. Paraprofessional programs created hundreds of thousands of jobs in working-class Black and Latino neighborhoods. These programs became an important pipeline for the training of Black and Latino teachers in the1970s and early 1980s while paras’ organizing helped drive the expansion and integration of public sector unions.
An engaging portrait of an invisible profession, Para Power examines the lives and practices of the first generation of paraprofessional educators against the backdrop of struggles for justice, equality, and self-determination.
Prague Soundscapes seeks to understand why in human society—in its behavior, values, and relationships—music is produced and how those who make it listen to it. Based on recent theories of cultural anthropology, this study offers an account of the musical activities of contemporary Prague in different musical genres, cultural spaces, and events. The text is bolstered by color photographs of the musical events, producers, and listeners.
David Kaiser looks at four hundred years of modern European history to find the political causes of general war in four distinct periods (1559–1659, 1661–1713, 1792–1815, and 1914–1945). He shows how war became a natural function of politics, a logical consequence of contemporary political behavior. Rather than fighting simply to expand, states in each war fought for specific political and economic reasons. The book illustrates the extraordinary power of politics and war in modern Western civilization, if not in history as a whole.
In a provocative and original new preface and chapter, Kaiser shows which aspects of four past areas of conflict do, and do not, seem relevant to the immediate future, and he sketches out some new possibilities for Europe.
Jon Kear begins with Cézanne’s formative years in Provence, highlighting the deep and abiding impressions the landscapes of the region would have on his paintings. He follows him through his turbulent years as a young artist in Paris, where he would create the larger-than-life artistic persona—through a rugged painting style detailing explicit subjects—that would become a lasting mythology for him throughout all of his phases. He looks closely at Cézanne’s relationships with Edouard Manet—whom he both emulated and critiqued—and the writer Émile Zola, as well as his close collaboration with Camille Pissarro. Above all, he tells the story of his life as a part of the pivotal shift toward the twentieth century, illuminating how much his work and ideas helped to usher it in.
Contents:
Why a Feminist Volume on Pluralism? – Bonnie Mann and Jean Keller
PLURALISM ’S FAILURES AND CERTAIN CONDITIONS FOR THE POSSIBILITY OF SUCCESS
Indigenous Agencies and the Pluralism of Empire – Scott L. Pratt
What Would Philosophic Pluralism Look Like?: True Dialogue, Epistemic Credibility, Rational Parity, and Death in the University – Jennifer Lisa Vest
Asking Too Much? Civility vs. Pluralism – Alison Reiheld
Attending to Others: Simone Weil and Epistemic Pluralism – Shari Stone-Mediatore
FEMINIST PLURALISM AND RELIGIOUS WORLDVIEWS
Islamic Feminisms and Freedom – Allison Weir
Is an “Islamic Feminism” Possible?: Gender Politics in the Contemporary Islamic Republic of Iran – Paria Gashtili
Beyond the Modern/Religious Dichotomy: The Veil and Feminist Solidarity in Contemporary Turkey – Fulden Ibrahimhakkioglu
Philosophy, Religion, Race, and Queerness: A Question of Accommodation or Access – Kim Q. Hall
FEMINIST PLURALISM AND FUNDAMENTAL VALUES
Value Pluralism, Intuitions, and Reflective Equilibrium – Lisa Tessman
Radical-cum-Relation: Bridging Feminist Ethics and Native Individual Autonomy – Shay Welch
A writer has penned a novel about the great love of his youth. After a public reading, he is approached by a woman he doesn’t recognize—but it’s his lover. He is the author; she, the figure in his novel. The young girl from back then has turned into an interesting and attractive woman—but she’s also married. Soon the situation becomes a little strange: they sit down together, have a glass of wine, talk about French romantic novels, ask each other what one expects of love when one grows older. And all the while her husband is sitting in the next room. How is this going to end? Navid Kermani has written a romantic novel like no other—surprising, witty, profound—and one can barely put it down.
In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity—both among the reluctant residents of the house and the inhabitants of the quarter at large—will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.
Following the path of her late geneticist husband, Laure arrives in the town of Malaterra in the harsh mountains of Abruzzo in Italy, where her husband was studying the close-knit Albanian inhabitants. At first an intruder, she is gradually accepted by the population, which is made up of amusing, eccentric characters. Among them: Helena, who hanged her dishonored daughter from the fig tree in her garden, and who has been waiting for thirty years with her gun for her daughter’s rapist to return; the Kosovar, a distrusted bookseller languishing in his dusty shop; Mourad, the baker, who proposes marriage to Laure and every other woman who enters his bakery; and Yussuf, the postman, who makes his rounds even if there is no mail to deliver. We also meet the unfortunate assailant who returns from his exile to reclaim and restore his family home. With humor and compassion, this book brings to life the inhabitants of a small, remote town in the mountains of Abruzzo.
This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‘Black Friday’ because Wall Street’s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We’ve encountered a pandemic. We’ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation—just like ships that navigate the high seas. We might just find that in Kluge’s vignettes and stories.
Medieval peasantry represents a particularly attractive unknown for historians, as it is crucial for understanding both later economic growth and the surprising stagnation of some European regions. Our existing knowledge about the social structures and institutions of the medieval peasantry is incomplete, existing only in rough outlines. Almost nothing is known about their real inner dynamics and demographic aspects. This monograph takes on this challenge, taking advantage of the previously unnoticed preserved written sources of the Cheb city-state, a place unique in the European context. Drawing from this material, the book presents a remarkably detailed view of social mobility, migration, and the method of social reproduction of peasantry in the late Middle Ages, including new perspectives on the phenomenon of the disintegration of country settlements during that period.
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