There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human nature unexamined in past treatments, from the first great essay by Diderot to the exhaustive system described by Stanislavski. With wide appeal to actors, directors, acting students, acting teachers and trainers, Donna Soto-Morettini draws from twenty-five years of experience as an acting teacher and director to introduce innovative ways of thinking about acting.
Here is the first attempt by scholars to make a comprehensive analysis of voting patterns in Texas. Examining the results of fourteen elections from 1946 through 1962 and organizing a vast fund of statistics relative to Texas political parties and voters, the authors have laid a solid groundwork for further studies in this field.
The previously ineffectual Texas Republican Party made great strides in the twentieth century and became a competitor in state as well as national races. Specifically, the authors maintain that Texas in the 1960s was a “one and two-thirds party state.” Within the Democratic Party, factions analogous to warring camps immensely complicated the political struggle. Although the conservative elements within the Democratic Party still had a slight edge, growing liberal strength forced them to moderate their policies and tactics.
The authors also contend that there were significant changes in the nature of the issues and the modes of political operation. Though some of the old motivations and tactics lingered on in less significant rural areas, friendship-oriented campaigns appealing to regional and family-like sentiments were being quickly replaced by an organized politics in which political activists made strong ideological appeals to economic and social interests.
The Republicans, the conservative Democrats, and the liberal Democrats are each analyzed in relation to regionalism, demography, ethnic elements, and the economic system in Texas; and the history, present status, and future prospects of these factions are discussed in detail. Of special interest are the last two chapters, which analyze the 1962 elections and their bearings on evolving patterns of competition. The developments within the Republican Party and its challenge to the traditional Democratic Party are seen in the perspectives of the growing importance of minority groups and the impact of urbanization.
All those interested in Texas politics and the history of the rise of the Republican Party in the state will find this study indispensable for an intelligent appraisal of historical developments.
Samuel Bangs, the first printer in the territory that is now Texas, once owed his life to his printing press. One of the few survivors of the Mina Expedition to Mexico in 1817, Bangs wrote to Servando de Mier, “I had the good fortune, through the will of God, to have my life saved, as I was a printer.”
Bangs was not always so fortunate. Losses and disappointments plagued him throughout his career, and he spent many miserable months in Mexican jails. But his ingenuity in the face of adversity, his courage and charm, stamped him not only as a storybook hero but as a man whose virtues were large enough to be their own reward.
Lota Spell’s fine biography of Samuel Bangs is at the same time a fascinating history of northern Mexico (including Texas) in the first half of the nineteenth century. Through the successes and failures of an individual it presents the facts about the operation of a business during a time of important political and economic change.
Even more important is its contribution to our knowledge of printing and of the contemporary periodical press. Although first of all a printer, Samuel Bangs was also involved in the production of newspapers, making this book a detailed history of journalism in the Mexico and Texas of his day. His printing office also functioned as a typographer’s school, through which he instituted the apprentice system in the Southwest; and as a result of his interest in presses as a commodity of trade, the first business for merchandising and servicing printing presses in the area was developed.
This narrative, combining the story of a man’s life, the history of his times, and the development of his profession, fills a gap in our knowledge of Mexico and Texas, and does it with perception and charm.
This compelling new study considers contemporary painting’s relationship with time and with events, ideas, and paintings from the past. Following French philosopher Jean-François Lyotard’s determination of painting as entailing a series of temporal sites, Painting, History and Meaning examines works that tendentiously engage with aspects and events derived from the past. Craig Staff explores art that has encompassed strategies of excavation, anachronism, and memorialization, examining key works by artists including Dana Schutz, Tomma Abts, Gerhard Richter, Marlene Dumas, Johannes Phokela, and Taus Makhacheva. A scholarly examination of contemporary painting through an innovative interdisciplinary research methodology, this fascinating study illuminates the complex relationship between art and history.
“This delightful compendium of short, savory, and highly tellable tales embodies the beliefs and folkways of rural Japan—specifically the area most impacted by the recent tsunami and nuclear disaster. It adds immeasurably to our insight into that endangered world.”
—Joseph Sobol, Ph.D., director, ETSU Storytelling Graduate Program
A land of long ago on the brink of tomorrow. That is the Algarve, the southernmost province of Portugal, a land that knew the Phoenicians, Carthaginians, Greeks, Romans, Visigoths, Moslems—and yet retained its own distinctive personality. In the 1950s it first felt the impact of industrialization, and from that situation the author developed this book.
In presenting this descriptive geography of the Algarve, Dan Stanislawski offers no thesis, except that geographers, economists, politicians, humanists—all those interested in the way the world is developing—should watch the small, culturally disparate areas of the world, to learn what they have of value to teach, to enjoy the qualities of their independent ways of living, and to observe and evaluate their reaction to modern change. This book, the result of detailed observation of one such region, is a valuable contribution to the knowledge necessary to form sound value judgments on the future development of these areas.
From this account the charm of the Algarve emerges in all of its picturesqueness. With the aid of Stanislawski's vivid descriptions, his eighteen helpful maps and graphs, and his more than ninety photographs, the reader moves leisurely through this appealing, but unpublicized, region: along roadways bordered by rock walls and blooming almonds, traveled by sturdy burros bearing their loads of produce; through colorful landscapes of the Lower Algarve, with their pastel-calcimined dwellings and their intensively cultivated plots of olives, figs, carobs, grain, and vegetables; along the rugged cliff coast near Portimão, and the boat-filled port of Faro; past the canyon gardens of the Caldeirão; along the Arade River with its cork barges; northward past Cape S. Vicente to the area of wind-sheared trees.
Guided by Stanislawski, the reader comes to understand Algarvian problems inherent in soils, topography, climate, location, and history. He sees the Algarvians following the occupational practices that have produced for them, in the midst of difficult conditions, a stable culture: fishing, netmaking, shipbuilding, farming, herding, and so on. He realizes that these people, with their unique cultural background and environment, desire to live, and to change, in their own way. Finally, he learns how it is possible to communicate effectively with the Algarvians and with millions of other people whose peculiar problems tend to isolate them from the rest of the world.
Contributors: Luvell Anderson, Keota Fields, Justin Khoo, Carlotta Pavese, Brian Rabern, Jennifer M. Saul, Una Stojnic, Eric Swanson, Lynne Tirrell
Contents:
Hermeneutical Impasses – Luvell Anderson
Intensional Liar – Keota Fields
Code Words in Political Discourse – Justin Khoo
A Theory of Practical Meaning – Carlotta Pavese
Racial Figleaves, the Shifting Boundaries of the Permissible, and the Rise of Donald Trump – Jennifer M. Saul
Omissive Implicature – Eric Swanson
Toxic Speech: Toward an Epidemiology of Discursive Harm – Lynne Tirrell
SYMPOSIUM ON TWO DIMENSIONAL SEMANTICS
On the Connection between Semantic Content and the Objects of Assertion – Una Stojnić
A Bridge from Semantic Value to Content – Brian Rabern
In late 1842, Private William Preston Stapp and about three hundred other citizens of the Republic of Texas took it upon themselves to invade Mexico. They intended to retaliate for a recent Mexican attack on San Antonio and to humiliate President Sam Houston, who had been hesitant to seek revenge.
Stapp provides a closely observed, day-by-day narrative of the disastrous adventure later known as the Mier expedition. While his style might be described as "elegantly restrained" in comparison to the literary excesses of that early Victorian age, Stapp's flair for drama and description makes for colorful reading.
In response to the public outrage prompted by the San Antonio incident, Houston issued a presidential proclamation inviting volunteers for a retaliatory expedition across the Rio Grande. After the bloodless "capture" and pillage of two Mexican border towns, he called the volunteers back home. Most were relieved to comply, but some felt compelled to pursue the honor of the Republic further, and the Mier expedition was launched on December 20, 1842. On the day after Christmas, all save a forty-man camp guard were captured outside of Mier, a few miles across the Mexican border.
The prisoners faced a brutal forced march to Mexico City. Stapp was one of a large group that escaped along the way, became lost in the mountains, and suffered badly from hunger and thirst before recapture. He survived the notorious Black Bean Episode in which 17 of the 176 returned escapees were shot after drawing black beans in a lottery. The Texans were delivered to Perote Prison near Mexico City in September 1843, where a few of them tunneled to freedom and many more died in captivity. Mexico released the last of the prisoners in 1844, and Stapp was among them.
First published in 1845 and later issued in pamphlet form in 1933 by the La Grange Journal, The Prisoners of Perote is a fascinating view of a painful episode in Texas history.
The foreword by Joe B. Frantz provides a perspective on the Texas-Mexico relations during this period "when both countries were shaking down and had not yet found their way." He points out that The Prisoners of Perote provides some clues to the reasons behind the inherent tenseness that exists between Texas and Mexico today.
This collection gathers a unique group of contributors, including representatives from Congress, the United Nations, and Israel’s Ministry of Justice, as well as senior diplomats from Canada, Bulgaria, Portugal, Spain, and Turkey. Presenting their diverse perspectives, the contributors address regional and policy issues related to the mass migration of people, as well as questions concerning citizenship and national security, human trafficking in the form of prostitution, and cultural discrimination. The result is a multifaceted exploration of issues underlying many of the world’s economic, security, and social challenges. Other topics include the impact of state failure on migration, immigration in California, security measures and “preferred” immigrants in Canada after September 11, 2001, and Albanian migration into Greece.
Contributors. Alexandre Afonso, David Binder, Andrew C. Danopoulos, Constantine P. Danopoulos, Francis M. Deng, Mohamed A. El-Khawas, Omar G. Encarnación, Rochelle Gershuni, Larry L. Gerston, Ahmet Içduygu, Benjamin Kline, Bojan Korenic, Erin Kruger, Robert S. Leiken, Marlene Mulder, Elena Poptodorova, Tom Tancredo
Perilous Balance was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
An abolitionist and a champion of free love and women’s rights would seem decidedly out of place in nineteenth-century Texas, but such a man was Stephen Pearl Andrews (1812–1886), American reformer, civil rights proponent, pioneer in sociology, advocate of reformed spelling, lawyer, and eccentric philosopher. Since his life mirrored and often anticipated the various reform movements spawned not only in Texas but in the United States in the nineteenth century, this first biography of him sharply reflects and elucidates his times.
The extremely important role Andrews played in the abolition movement in this country has not heretofore been accorded him. After having witnessed slavery in Louisiana during the 1830s, Andrews came to Texas and began his career as an abolitionist with an audacious attempt to free the slaves there.
His singular career, however, comprised many more activities than abolitionism, and most have long been forgotten by historians. He introduced Pitman shorthand into the United States as a means of teaching the uneducated to read; his role in the community of Modern Times, Long Island, was as important as that of Josiah Warren, the “first American anarchist,” although Andrews’s participation in this communal venture, along with the significance of Modern Times itself, has been underestimated.
Other causes which Andrews supported included free love and the rights of women, dramatized by his journalistic debate with Horace Greeley and Henry James, Sr., and by his endorsement of Victoria Woodhull as the first woman candidate for the Presidency of the United States. These interests, together with his consequent involvement in the Beecher-Tilton Scandal, provide insight into some of the more colorful aspects of nineteenth-century American reform movements.
Andrews’s attacks upon whatever infringed on individual freedom brought him into diverse arenas—economic, sociological, and philosophical. The philosophical system he developed included among its tenets the sovereignty of the individual, a science of society, a universal language (his Alwato long preceded Esperanto), the unity of the sciences, and a “Pantarchal United States of the World.” His philosophy has never before been epitomized nor have its applications to later thought been considered.
“I have made it the business of my life to study social laws,” Andrews wrote. “I see now a new age beginning to appear.” This biography of the dynamic reformer examines those social laws and that still-unembodied new age. It reanimates a heretofore neglected American reformer and casts new light upon previously unexplored bypaths of nineteenth-century American social history. The biography is fully documented, based in part upon a corpus of unpublished material in the State Historical Society of Wisconsin.
This second edition of Peru’s Indian Peoples and the Challenge of Spanish Conquest includes Stern’s 1992 reflections on the ten years of historical interpretation that have passed since the book’s original publication—setting his analysis of Huamanga in a larger perspective.
“This book is a monument to both scholarship and comprehension, comparable in its treatment of the indigenous peoples after the conquest only to that of Charles Gibson for the Aztecs, and perhaps the best volume read by this reviewer in several years.”—Frederick P. Bowser, American Historical Review
“Peru’s Indian Peoples and the Challenge of Spanish Conquest is clearly indispensable reading for Andeanists and highly recommended to ethnohistorians generally. In technical respects it is a job done right, and conceptually it stands out as a handsome example of anthropology and history woven into one tight fabric of inquiry.”—Frank Salomon, Ethnohistory
Poets and Playwrights was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Poets and Playwrights is a collection of nine essays by the eminent Shakespearean scholar and critic, the late Elmer Edgar Stoll. In this work, which was first published by the University of Minnesota Press in 1930, Professor Stoll presents his maturest consideration of the art of the poets and playwrights of his subtitle—Shakespeare, Jonson, Spenser, and Milton. The most extensive essay, "Shakespeare and the Moderns," includes, in Mr. Stoll's words, "a review of Shakespeare as I conceive him, in order the better to compare him with those who in some respect or other are his peers."
Struminski's study concentrates on text-critical, biographical, and linguistic aspects of the Speech in order to demonstrate that the original (no longer extant) was in Ukrainian and that it was an actual speech delivered at the Warsaw Diet, not a parody of such a speech as has been assumed. The author has discovered hitherto unknown copies of the text and archival materials concerning the historical Meleško. With the use of this data Struminski was able to build a stemma for the interrelationship of the extant copies and to reconstruct the archetype of the text.
Further, the author has established little known facts of Meleško's life and connected them with the origin of the Speech. The study concludes with a full glossary to the text, with translation of all foreign words into English.
The work will be useful to experts and students in the field of Slavic languages and literature.
Embedded in the consciousness of Americans throughout much of the country’s history has been the American Dream: that every citizen, no matter how humble his beginnings, is free to climb to the top of the social and economic ladder. Poverty and Progress assesses the claims of the American Dream against the actual structure of economic and social opportunities in a typical nineteenth century industrial community—Newburyport, Massachusetts.
Here is local history. With the aid of newspapers, census reports, and local tax, school, and savings bank records Stephan Thernstrom constructs a detailed and vivid portrait of working class life in Newburyport from 1850 to 1880, the critical years in which this old New England town was transformed into a booming industrial city. To determine how many self-made men there really were in the community, he traces the career patterns of hundreds of obscure laborers and their sons over this thirty year period, exploring in depth the differing mobility patterns of native-born and Irish immigrant workmen. Out of this analysis emerges the conclusion that opportunities for occupational mobility were distinctly limited. Common laborers and their sons were rarely able to attain middle class status, although many rose from unskilled to semiskilled or skilled occupations.
But another kind of mobility was widespread. Men who remained in lowly laboring jobs were often strikingly successful in accumulating savings and purchasing homes and a plot of land. As a result, the working class was more easily integrated into the community; a new basis for social stability was produced which offset the disruptive influences that accompanied the first shock of urbanization and industrialization.
Since Newburyport underwent changes common to other American cities, Thernstrom argues, his findings help to illuminate the social history of nineteenth century America and provide a new point of departure for gauging mobility trends in our society today. Correlating the Newburyport evidence with comparable studies of twentieth century cities, he refutes the popular belief that it is now more difficult to rise from the bottom of the social ladder than it was in the idyllic past. The “blocked mobility” theory was proposed by Lloyd Warner in his famous “Yankee City” studies of Newburyport; Thernstrom provides a thorough critique of the “Yankee City” volumes and of the ahistorical style of social research which they embody.
José María Rodríguez Méndez is a noted playwright, an acerbic cultural critic, and a political dissident under Franco. In Performing Spanishness, the first English-language examination of Méndez’s life and work, Michael Thompson sets the playwright’s lifelong struggle against censorship in the context of Spain’s shifting national identity. Méndez’s work presents “Spanishness” not as a static trait, but as an ongoing performance; Performing Spanishness is an indispensable resource to those interested in theater, Spain, and the relationship between art and activism.
Peter Nielsen's Story was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
One of the great kingdoms of human history, the Mughal empire is now lost to the relentless sweep of time. But the wealth of art treasures the Mughals left behind is nonetheless a lasting testament to the sumptuousness of their culture. Among the most notable vestiges of their art are the lush miniature paintings of Mughal imperial life, and Andrew Topsfield explores a rich array of these painted works in Paintings from Mughal India.
Between the sixteenth and eighteenth centuries, the Mughal emperors presided over a flourishing cultural renaissance, and these miniature paintings vividly depict the splendor of this period. Topsfield examines the paintings’ unique blend of Indian, Islamic, and Persian styles and analyzes their varied subjects—ranging from hunting, royal banquets, and other scenes of imperial life to legendary tales, mythic deities, and battles. Among the paintings featured in the book’s vibrant reproductions are works created between the reign of Akbar and the fall of Shah Jehanan—an era considered to be the height of Mughal painting—and illustrations from the celebrated Baharistan manuscript of 1595. A fascinating and gorgeously illustrated study, Paintings from Mughal India will be an invaluable resource for all art scholars and anyone interested in the legacy of the Mughal Empire.
Set to generate discussions in the field for years to come, The Poetics of Poetry Film is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time.
Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, The Poetics of Poetry Film includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers.
Despite its emblematic place within contemporary racism and its increasingly important position in defining relations between states and ethnicised minorities, Islamophobia remains a contested, frequently unrecognised and largely under-theorised form of racism.
The Politics of Islamophobia provides a definitive contribution to these debates, offering a theoretically sophisticated account which draws upon a series of substantive case studies to position Islamophobia as an expression of racialised governmentality.
By taking into account connections across different national contexts, and by moving beyond the limiting framing of the war on terror which has dominated recent debates, this book offers a new perspective on the study of Islamophobia.
The Patient Self-Determination Act of 1990 required medical facilities to provide patients with written notification of their right to refuse or consent to medical treatment. Using this Act as an important vehicle for improving the health care decisionmaking process, Lawrence P. Ulrich explains the social, legal, and ethical background to the Act by focusing on well-known cases such as those of Karen Quinlan and Nancy Cruzan, and he explores ways in which physicians and other caregivers can help patients face the complex issues in contemporary health care practices.
According to Ulrich, health care facilities often address the letter of the law in a merely perfunctory way, even though the Act integrates all the major ethical issues in health care today. Ulrich argues that well-designed conversations between clinicians and patients or their surrogates will not only assist in preserving patient dignity — which is at the heart of the Act—but will also help institutions to manage the liability issues that the Act may have introduced. He particularly emphasizes developing effective advance directives. Ulrich examines related issues, such as the negative effect of managed care on patient self-determination, and concludes with a seldom-discussed issue: the importance of being a responsible patient.
Showing how the Patient Self-Determination Act can be a linchpin of more meaningful and effective communication between patient and caregiver, this book provides concrete guidance to health care professionals, medical ethicists, and patient-rights advocates.
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