They measure, they demonstrate, they reveal unseen worlds. Through the ages, scientific instruments have been used not only to advance understanding, but also to advance careers, dazzle audiences, and impose standards. These eleven essays take stock of the philosophy of instrumentation and the impact of new instruments in both the physical and life sciences, carefully considering the important interplay between instruments and authority, audience, and culture.

Contributors include Albert Van Helden on telescopes and authority, Jan Golinski on the demonstrative order of proof in Lavoisier's chemistry, Bruce J. Hunt on the development of electrical standards, Deborah Warner on terrestrial magnetism, Bruce Hevly on Stanford's supervoltage X-ray tube, Robert W. Smith and Jose h N. Tatarewicz on devices and black boxes, Thatcher Deane on the imperial astronomical bureau in the Ming dynasty, Thomas L. Hankins on Louis-Bertrand Castel's ocular harpsichord, Simon Schaffer on demonstration devices in Georgian mechanics, Timothy Lenoir on Helmholtz and the materialities of communication, and Robert Frank on instruments, biological techniques, and the "all-or-none" principle.

Order and History, Eric Voegelin's five-volume study of how human and divine order are intertwined and manifested in history, has been widely acclaimed as one of the great intellectual achievements of our age.

In the fourth volume, The Ecumenic Age, Voegelin breaks with the course he originally charted for the series, in which human existence in society and the corresponding symbolism of order were to be presented in historical succession. The analyses in the three previous volumes remain valid as far as they go, Voegelin explains, but the original conception proved "untenable because it had not taken proper account of the important lines of meaning in history that did not run along lines of time."

The Ecumenic Age treats history not as a stream of human beings and their actions in time, but as the process of man's participation in a flux of divine presence that has eschatological direction. "The process of history, and such order as can be discerned in it," Voegelin writes, "is not a story to be told from the beginning to its happy, or unhappy, end; it is a mystery in process of revelation."

In the present volume, Voegelin applies his revised conception of historical analysis to the "Ecumenic Age," a pivotal period that extends roughly from the rise of the Persian Empire to the fall of the Roman. The age is marked by the advent of a new type of political unit—the ecumenic empire—achieved at the cost of unprecedented destruction. Yet the pragmatic destructiveness of the age is paralleled by equally unprecedented spiritual creativity, born from the need to make sense of existence in the wake of imperial conquest. These spiritual outbursts gave rise to the great ecumenic religions and raised fundamental questions for human self- understanding that extend into our historical present.

This third volume of Order and History completes Voegelin's study of Greek culture from its earliest pre- Hellenic origins to its full maturity with the dominance of Athens. As the title suggests, Plato and Aristotle is principally devoted to the work of the two great thinkers who represent the high point of philosophic inquiry among the Greeks.

Through an absorbing analysis of the Platonic and Aristotelian vision of soul, polis, and cosmos, Voegelin demonstrates how the symbolic framework of the older myth was superseded by the more precisely differentiated symbols of philosophy. Although this outmoding and rejection of past symbols of truth might seem to lead to a chaotic and despairing relativism, Voegelin makes it the basis of a profound conception of the historical process: "the attempts to find the symbolic forms that will adequately express the meaning [of a society], while imperfect, do not form a senseless series of failures. For the great societies have created a sequence of orders, intelligibly connected with one another as advances toward, or recessions from, an adequate symbolization of the truth concerning the order of being of which the order of society is a part."

In this view, history has no obvious "meaning," yet each society makes a similar venture after truth. Although every society works out its destiny under different conditions, each nonetheless creates symbols"in its deeds and institutions"which bear the meaning of its own existence. History, then, acquires a unity in the common endeavor toward meaning and order. The rationality and nobility of this view of history has much to say to the present age.

Dante Germino's powerful introduction to this edition of Plato and Aristotle eloquently directs the reader into Voegelin's search through the thought of Plato foremost and Aristotle secondarily and toward a full understanding of their relevance to the "modern" world. This masterpiece, Germino argues, provides a welcome antidote to the spirit of an era Voegelin once called the Gnostic age.

Eric Voegelin's Israel and Revelation is the opening volume of his monumental Order and History, which traces the history of order in human society. This volume examines the ancient near eastern civilizations as a backdrop to a discussion of the historical locus of order in Israel. The drama of Israel mirrors the problems associated with the tension of existence as Israel attempted to reconcile the claims of transcendent order with those of pragmatic existence and so becomes paradigmatic.

According to Voegelin, what happened in Israel was a decisive step, not only in the history of Israel, but also in the human attempt to achieve order in society. The uniqueness of Israel is the fact that it was the first to create history as a form of existence, that is, the recognition by human beings of their existence under a world-transcendent God, and the evaluation of their actions as conforming to or defecting from the divine will. In the course of its history, Israel learned that redemption comes from a source beyond itself.

Voegelin develops rich insights into the Old Testament by reading the text as part of the universal drama of being. His philosophy of symbolic forms has immense implications for the treatment of the biblical narrative as a symbolism that articulates the experiences of a people's order. The author initiates us into attunement with all the partners in the community of being: God and humans, world and society. This may well be his most significant contribution to political thought: "the experience of divine being as world transcendent is inseparable from an understanding of man as human."

When critics of poet Phillis Wheatley, the first African American to publish a collection of poetry, dismiss her work as derivative, they fail to see her writing as part of a new creative pantheon, sitting alongside other works that, like the popular copybooks in antebellum America, are structured as a conversation between artistic allies. Different kinds of copying in this period were distinctly feminized practices, such as artistic copying, pedagogical recitation, and literary imitation. Ekphrasis, the literary description of a work of visual art, reveals a particularly interesting form of copying, as the artwork in question becomes a kind of mediated space between author and reader; this practice, then, becomes the emblematic form of literature as collective production.

Original Copy frames ekphrasis and other forms of literary and visual copy-work as key concepts for understanding the discussions of nationalism, originality, and gender that dominated US literary circles during the first half of the nineteenth century. Christa Holm Vogelius focuses on four major writers of the period—Phillis Wheatley, Margaret Fuller, Sophia Hawthorne, and Henry Longfellow—to offer a narrative of a self-consciously feminine antebellum literary culture that was equally invested in literary nationality and convention. The explicitly feminized forms of the copy between and within media, she argues, became a productive means by which writers across a variety of genres interrogated the ill-defined but ubiquitous idea of an “original” American literature. Original Copy bridges three bodies of scholarship that have remained largely distinct—studies of literary nationalism and transnationalism, scholarship on gender in nineteenth century literary culture, and aesthetic and media theory—to argue for the significance of both imitation and intimate author-reader relations to the development of an American literature. 

From the team that created the Baby’s First Signs books come two new board books. A Book of Colors depicts the charming character with the favorite hat signing all of the primary and secondary colors—red, yellow, blue, orange, green, and purple—in interesting settings. The other pages display a wide variety of appealing colors, too, including pink, white, black, gray, brown, and tan, topped off with a richly rendered illustration of a rainbow.

Out for a Walk offers toddlers their first look at signs for the world around them. As they follow our distinctively hatted youngster on a stroll, they encounter familiar animals and insects, among them a dog, cat, butterfly, and squirrel, and learn which ones can be pets. They’ll enjoy imaginative images of the senses, too—sight, smell, hearing, taste, and touch. Printed on robust cardboard stock, these delightful full-color books will engage toddlers in new topics as they discover more basic signs, proven to accelerate their grasp of language.

This work examines how the discourses surrounding "youth" and "generations" in America, from the colonial era to the eve of the Civil War, emphasized continuity rather than conflict. This invested the young with a special responsibility for building a new society that preserved traditional values

Dysfunction in the Senate is driven by the deteriorating relationship between the majority and minority parties. Regular order is virtually nonexistent and unorthodox parliamentary procedures are frequently needed to pass important legislation. Democrats and Republicans are fighting a parliamentary war in the Senate to steer the future of the country. James Wallner presents a bargaining model of procedural change to explain the persistence of the filibuster in this polarized environment, focusing on the dynamics responsible for contested procedural change. Wallner’s model explains why Senate majorities have historically tolerated the filibuster, even when it has defeated their agendas, despite having the power to eliminate it. It also shows why the then-Democratic majority deployed the nuclear option to eliminate the filibuster for an Obama judicial nominee in 2013. On Parliamentary War’s game-theory approach unveils the relationship between partisan conflict and procedural change in the Senate.

This selection from Max Weber's writings presents his variegated work from one central focus, the relationship between charisma on the one hand, and the process of institution building in the major fields of the social order such as politics, law, economy, and culture and religion on the other. That the concept of charisma is crucially important for understanding the processes of institution building is implicit in Weber's own writings, and the explication of this relationship is perhaps the most important challenge which Weber's work poses for modern sociology.

Max Weber on Charisma and Institution Building is a volume in "The Heritage of Sociology," a series edited by Morris Janowitz. Other volumes deal with the writings of George Herbert Mead, William F. Ogburn, Louis Wirth, W. I. Thomas, Robert E. Park, and the Scottish Moralists—Adam Smith, David Hume, Adam Ferguson, and others.

Twentieth-century ideologies, from liberalism to fascism, are rooted in humanism—the faith in the sovereignty of human reason and potential that grew out of Renaissance thought and discovery. This special issue asks if it is true that all vestiges of humanism have been dismantled, or whether humanism has taken on new forms. Have new versions of historical analysis and cultural studies reanimated humanist themes? What is posthumanism? These essays examine relationships among structuralism, poststructuralism, and the subject; explore the challenge of anticolonialist critique to the coherence of antihumanism; reconsider the canon of antihumanists such as Heidegger and Foucault, and broach the intractable problems posed by efforts to comprehend the Holocaust, the camps, and ethnic cleansing.

Contributors. Athena Athanasiou, Etienne Balibar, Mara de Gennaro, Carolyn J. Dean, Brady Thomas Heiner, Lynne Joyrich, Jacques Lezra

The proscription against interracial marriage was for many years a flashpoint in American culture. In One Nation, One Blood, Karen Woods Weierman explores this taboo by investigating the traditional link between marriage and property. Her research reveals that the opposition to intermarriage originated in large measure in the nineteenth-century desire for Indian land and African labor. Yet despite the white majority's overwhelming rejection of nonwhite peoples as marriage partners, citizens, and social equals, nineteenth-century reformers challenged the rule against intermarriage. Dismissing the new "race science" that purported to prove white superiority, reformers held fast to the religious notion of a common humanity and the republican rhetoric of freedom and equality, arguing that God made all people "of one blood."

The years from 1820 to 1870 marked a crucial period in the history of this prejudice. Tales of interracial marriage recounted in fiction, real-life scandals, and legal statutes figured prominently in public discussion of both slavery and the fate of Native Americans. In Part One of this book, Weierman focuses on Indian-white marriages during the 1820s, when Indian removal became a rallying cry for New England intellectuals.

In Part Two she shifts her attention to black-white marriages from the antebellum period through the early years of Reconstruction. In both cases she finds that the combination of a highly publicized intermarriage scandal, new legislation prohibiting interracial marriage, and fictional portrayals of the ills associated with such unions served to reinforce popular prejudice, justifying the displacement of Indians from their lands and upholding the system of slavery. Even after the demise of slavery, restrictions against intermarriage remained in place in many parts of the country long into the twentieth century. Not until the 1967 Loving v. Virginia decision did the Supreme Court finally rule that such laws were unconstitutional.

Finishing on a contemporary note, Weierman suggests that the stories Americans tell about intermarriage today—stories defining family, racial identity, and citizenship—still reflect a struggle for resources and power.

On Record provides descriptive accounts of record keeping in a variety of important organizations: schools, from elementary to graduate school; consumer credit agencies, general business organizations, and life insurance companies; the military and security agencies; the Census Bureau and the Social Security Administration; public welfare agencies, juvenile courts, and mental hospitals. It also examines the legal status of records. The authors pose questions such as the following: Who determines what records are kept? Who has access to the records?

The milestone 100th issue of Camera Obscura recognizes the work and legacy of Belgian filmmaker Chantal Akerman (1950–2015). Arguably the most important figure in feminist film culture, Akerman is central to Camera Obscura's own legacy, and her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of the first issues of the journal. The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators.

Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White

For more than three centuries, Oxford has served as a source of inspiration for fine illustrated books and engraved prints. These works hold an important place in the historical record of the city, showing its identity to be deeply rooted in history while also chronicling Oxford’s development through the architecture of its most beautiful college and university buildings.
           
With Oxford in Prints, Peter Whitfield has assembled a rich selection of more than seventy illustrations and prints that offer a portrait of Oxford before it became the modern city it is today. Seventeenth-century prints by David Loggan show the medieval origins of Oxford University already overlaid by Tudor and Stuart buildings. Eighteenth-century editions of the Oxford Almanack depict a city dominated by neoclassical ideas. By the nineteenth-century, illustrations in the Almanack had an increasingly romantic feel, with buildings against a natural background of the river, trees, and sky. Each illustration or print is accompanied by an insightful description, including salient historical features.
 

Ostriches may not be able to fly, but they loom large in the bird kingdom. They are the world’s tallest and heaviest living birds, and they lay the largest eggs. With their long legs, ostriches are also fleet of foot, running up to 43 miles per hour, and formidable fighters—an ostrich kick can kill. But since the beginning of history, these extraordinary and outlandish birds have also been exploited by humans for their eggs, meat, skin, and feathers. In Ostrich, Edgar Williams provides a singular, comprehensive insight into the natural history, behavior, and habitat of this monumental bird.

 

Williams describes how the demand for ostrich feathers was so great during the Victorian era that vast fortunes were made from ostrich farming, particularly in South Africa and the United States. After fashions changed following World War I, farmers lost their fortunes, but the now domesticated ostrich found a new purpose—today, ostrich farmers produce plumes and leather for luxury markets, as well as meat for grocery stores. In addition to telling its, Williams reveals how the ostrich has been featured in culture, from its representations in cave paintings, medieval manuscripts, and the Bayeux tapestry to its use in advertising and cartoons. Featuring many striking illustrations, Ostrich will interest nature lovers, artists, and fashionistas alike.

A fascinating survey of the history of political and economic ideas in the US that have led to an increasingly entrenched ultra-rich class of oligarchs

In 1791, Mary Wollstonecraft drew upon her experiences as a governess as well as her understanding of the philosophy of Jean-Jacques Rousseau to publish this popular collection of moral tales for children. Not surprisingly, the woman who would later write A Vindication of the Rights of Women had strong views on children's education. Wollstonecraft desired nothing less than liberating children, both girls and boys, from what she believed were irrational modes of education in late eighteenth-century European culture. Her hyper rational stories became influential models for expressing particular philosophies of education through children's literature.

This beautiful facsimile of the 1791 edition includes the original illustrations by William Blake. A commentary by Eileen Hunt Botting puts the text in context and hints at influences on Wollstonecraft's daughter Mary Shelley and the pedagogical philosophy behind Shelley's novel Frankenstein.
 
Like all volumes in the Women in Print series, Original Stories from Real Life is provided as an open access book and downloads to a wide variety of platforms and online e-readers.
 

In this study of prehistoric trade in the Near East, Gary A. Wright uses obsidian—which comes from just a few sources in the region—to analyze long-distance distribution networks and local exchange.

Korea continues to grapple with the shared memory of its Japanese and US occupations. The poems in Ordinary Misfortunes incorporate actual testimony about cruelty against vulnerable bodies—including the wianbu, euphemistically known as “comfort women”—as the poet seeks to find places where brutality is overcome through true human connections. Emily Jungmin Yoon asks Why do we write poems amid such violence? What can I, and what can poetry, do? Her response to those tough questions is a sequence of reverberating poems that blend documentary precision with impassioned witness, bringing to bear both scholarship and artistry.

Botanical, a new series from Reaktion, is the first to integrate horticultural writing with a broader account of the cultural and social impact of plants. Oak, one of the first two books in the series, narrates the biography of the tree that since time immemorial has been a symbol of loyalty, strength, generosity, and renewal. Peter Young explores how the oak, native to the northern hemisphere and found in locations as diverse as the Americas and tropical Asia, has played an important role in state-building, art, folk tales, poems, and songs.

 

Starting with the pagan societies that venerated the oak, Young examines how the tree was used in other religions, revealing how it was believed to be a gateway between worlds in Celtic mythology and later became sacred to Thor in Norse mythology. He follows the oak as it was adopted by many Western European countries as a national symbol, including England, France, and Germany. The United States Congress designated the oak as America’s national tree in 2004, and it is the state tree of Iowa, Connecticut, Illinois, Maryland, New Jersey, and Georgia. Individual oak trees have also gained historical importance, such as the Charter Oak in Hartford, Connecticut, which became a symbol of American independence. In addition to tracing the history of the tree itself, Young investigates oak as a wood used to make furniture, bridges, wine casks, homes, ships, weapons, and even the electric chair, and he describes how the tree has been used as a food source—its fruit, the acorn, was eaten in ancient Greece, ancient Iberia, and Korea, and it was a traditional food of Native Americans.

 

Packed with information and beautiful illustrations, Oak tells the fascinating tale of this stately, durable member of the natural world.

Opera, Sex, and Other Vital Matters gathers both classic and never-before-published essays from one of the leading stylists in contemporary American letters, and one of our more revered public intellectuals, Paul Robinson. Diverse and elegant, the essays in this new collection showcase the sly wit and lightly worn erudition of their author. Each celebrates art and the flesh, directing us to the twin ecstasies of music and eros.

The essays on opera gathered here explore how masterpieces like Fidelio and The Magic Flute reflect the intellectual currents of their day. Be it the work of Verdi or Mozart, Wagner or Strauss, Robinson compels us to search for meaning not just in the lyrics of opera but also in the music. In melody, not libretto, we are more likely to discern key historical complexities and appreciate the way opera transcends language and time. The essays on sexuality, meanwhile, are ruminative, funny, and even moving. At one moment, Robinson measures whether homosexuality is the result of destiny or free choice. In another, he shares a touching exchange of letters with a gay student in the process of coming out. The final essays that encompass "other vital matters" find Robinson at his most incisive. Whether defending Freud as the most influential thinker of the twentieth century, attacking the dreaded use of semicolons, reflecting on his own mortality, or even meditating on the nature of cats, Sex, Opera, and Other Vital Matters is an eclectic work that will appeal to any reader interested in the continuing relevance of ideas to life.

A witty and incisive exploration of the philosophical conundrums that animate the digital humanities

Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s On the Digital Humanities, a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities.

 

A founding figure in what was once known as “humanities computing,” Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives. The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist.

 

These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While “digital humanities” may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry.

In this collection of essays, Bromberger explores the centrality of questions and predicaments they create in scientific research. He discusses the nature of explanation, theory, and the foundations of linguistics.

Michel Meyer offers a new beginning for philosophy rooted in a theory of questioning that he calls "problematology." Meyer argues that a new beginning is necessary in order to resituate philosophy, science, and linguistic analysis, and he proposes a global view of rationality by returning to the nature of questioning itself.

For Meyer, philosophy does not solve problems or give answers but instead shows how propositions are related to a whole field of questions that give them meaning. Reason is identified not with answers but with the question-answer process. Meyer pursues this new theory of reason and meaning in a critique of Western philosophy from Socrates, Plato, and Aristotle through Heidegger, Wittgenstein, and Foucault. He provides a detailed analysis of Descartes' notion of radical doubt and demonstrates its implications for the subsequent philosophical tradition that ignored the questioning process while pursuing an unshakable foundation for knowledge. Meyer argues that recent work in rhetoric points toward a theory of radical questioning and claims that the methods of rhetoric and argumentation must be turned back on philosophy itself in order to recover the original significance of metaphysics as the science of ultimate questions.

Born of a terrible insomnia—"a dizzying lucidity which would turn even paradise into hell"—this book presents the youthful Cioran, a self-described "Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights."

On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to a metaphysical revelation.

"No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."—Bill Marx, Boston Phoenix

"The dark, existential despair of Romanian philosopher Cioran's short meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard."—Publishers Weekly, starred review

"This is self-pity as epigram, the sort of dyspeptic pronouncement that gets most people kicked out of bed but that has kept Mr. Cioran going for the rest of his life."—Judith Shulevitz, New York Times Book Review

“Whoever distrusts the barking of watchdogs, however, does not immediately have to begin howling with the wolves.”—Bernhard Waldenfels

In this seminal work, acclaimed philosopher Bernhard Waldenfels deals with the problem of the nature of order after the “shattering of the world,” and the loss of the idea of a universal or fundamental order.

Order in the Twilight unites phenomenological methodology with recent work on the theory of order, normativity, and dialogue, as well as structuralism and Gestalt theory. Philosophically stringent, it expresses a more optimistic attitude than much modern philosophy, especially deconstruction.

Waldenfels passes the question of order through numerous defining aspects, and concludes that there is not one global order, but rather various conflicting domains of order. Whenever the boundary of a vital or experiential domain is crossed, a discourse speaks at the boundary, not about it, and across a threshold without abolishing it. The rest is rationalization, i.e., an attempt to find a place in the respective order for what is to-be-ordered. But why, the author concludes, should a theory be more unambiguous than reality?

Order in the Twilight is an important book at this time, because it may help lift the humanities out of the skeptical, relativistic disarray in which they have been embroiled in recent decades. Waldenfels does not attempt to dictate what reality should be; rather, he is open to any valid evidences. His book offers a solid footing to the human and social sciences as they seek to escape from deconstructive irrationalism.

This anthology brings together classic perspectives on violence, putting into productive conversation the thought of well-known theorists and activists, including Hannah Arendt, Karl Marx, G. W. F. Hegel, Osama bin Laden, Sigmund Freud, Frantz Fanon, Thomas Hobbes, and Pierre Bourdieu. The volume proceeds from the editors’ contention that violence is always historically contingent; it must be contextualized to be understood. They argue that violence is a process rather than a discrete product. It is intrinsic to the human condition, an inescapable fact of life that can be channeled and reckoned with but never completely suppressed. Above all, they seek to illuminate the relationship between action and knowledge about violence, and to examine how one might speak about violence without replicating or perpetuating it.

On Violence is divided into five sections. Underscoring the connection between violence and economic world orders, the first section explores the dialectical relationship between domination and subordination. The second section brings together pieces by political actors who spoke about the tension between violence and nonviolence—Gandhi, Hitler, and Malcolm X—and by critics who have commented on that tension. The third grouping examines institutional faces of violence—familial, legal, and religious—while the fourth reflects on state violence. With a focus on issues of representation, the final section includes pieces on the relationship between violence and art, stories, and the media. The editors’ introduction to each section highlights the significant theoretical points raised and the interconnections between the essays. Brief introductions to individual selections provide information about the authors and their particular contributions to theories of violence.

With selections by: Hannah Arendt, Walter Benjamin, Osama bin Laden, Pierre Bourdieu, André Breton, James Cone, Robert M. Cover, Gilles Deleuze, Friedrich Engels, Frantz Fanon, Michel Foucault, Sigmund Freud, Mohandas Gandhi, René Girard, Linda Gordon, Antonio Gramsci, Félix Guattari, G. W. F. Hegel, Adolf Hitler, Thomas Hobbes, Bruce B. Lawrence, Elliott Leyton, Catharine MacKinnon, Malcolm X, Dorothy Martin, Karl Marx, Chandra Muzaffar, James C. Scott, Kristine Stiles, Michael Taussig, Leon Trotsky, Simone Weil, Sharon Welch, Raymond Williams

This insightful explication of oriental philosophy meets a long felt need for a critical introduction to four systems of eastern thought—Confucianism, Taoism, Buddhism, and Hinduism—presented in familiar western terms.

Students of comparative religion, eastern philosophy and civilization, and the philosophy of religion who have been trained in traditional western modes of thought often find the intuitive and aphorisic quality of eastern writing a major stumbling block to understanding. This is eastern philosophy presented to westerners by a westerner, a practical and understandable guide for students and for others who wish to expand their understanding in this important area.

Where does consciousness exist? In the mind? In the external world? On Consciousness features the most up-to-date considerations of the subject by the internationally renowned philosopher Ted Honderich. In this series of meditations, he systematically contemplates the very nature of consciousness as well as the separate question of how consciousness is related to the brain.

His careful, if not conventional, argument begins with Anomalous Monism, a doctrine that holds that mind and brain are one thing with two kinds of properties not lawfully connected. Honderich goes on to consider the thinking of neuroscientists and functionalists who suppose conscious events are caught for us by their causes and effects. He reconsiders humble truths about the mind as well as his own Union Theory, and the anti-individualism that disconnects the mind from the brain.

Honderich examines each of these beliefs in terms of whether they satisfy agreed criteria for acceptable accounts of consciousness. Because each is found wanting, he puts forth a radically new theory of consciousness as experience. Rather than explaining consciousness in terms of awareness, he develops a new kind of materialism, which transcends the traditional labels given to it by philosophers.

On Consciousness respects the most resilient proposition in the history of the philosophy of mind-that consciousness is not just cellular. Honderich's concept of perceptual consciousness consists in a world that is not merely mental, for it is spatial and contains physical objects. This shift to a near-physicalism asserts that all of consciousness is open to science. Proceeding logically through his arguments, Honderich offers a clearly written, refreshing dose of persuasive realism.

Shakes up postmodern criticism with paradigms from the social and techno-sciences.

Shakes up postmodern criticism with paradigms from the social and techno-sciences.

The rubric of systems theory brings together conceptual models and approaches in the sciences and social sciences that study complexity. It attempts to provide a coherent means of describing all systems, whether organic or inorganic, and offers a theory of knowledge that can account for the integration of humans in the social, informational, and ecological systems in which we are enmeshed. Observing Complexity brings the major concepts and foremost thinkers of systems theory into interaction with the major figures of postmodern theory. The format is multiplex and open-a rich montage, including interviews, exemplary essays, and staged dialogues. The writers’ aim is not to solidify theory but to provide a thorough explication and an open-ended exploration of how systems theory can address, in a fresh and productive way, theoretical questions that too often have led to impasses between different schools of postmodern theory. Contributors: Drucilla Cornell, Rutgers U; Jonathan Elmer, Indiana U; N. Katherine Hayles, UCLA; Peter Uwe Hohendahl, Cornell U; Eva Knodt; Marjorie Levinson, U of Michigan; Niklas Luhmann; Brian Massumi, SUNY, Albany.

In this powerful memoir, philosopher Karyn L. Freedman travels back to a Paris night in 1990 when she was twenty-two and, in one violent hour, her life was changed forever by a brutal rape. One Hour in Paris takes the reader on a harrowing yet inspirational journey through suffering and recovery both personal and global. We follow Freedman from an apartment in Paris to a French courtroom, then from a trauma center in Toronto to a rape clinic in Africa. At a time when as many as one in three women in the world have been victims of sexual assault and when many women are still ashamed to come forward, Freedman’s book is a moving and essential look at how survivors cope and persevere.

At once deeply intimate and terrifyingly universal, One Hour in Paris weaves together Freedman’s personal experience with the latest philosophical, neuroscientific, and psychological insights on what it means to live in a body that has been traumatized. Using her background as a philosopher, she looks at the history of psychological trauma and draws on recent theories of posttraumatic stress disorder and neuroplasticity to show how recovery from horrific experiences is possible. Through frank discussions of sex and intimacy, she explores the consequences of sexual violence for love and relationships, and she illustrates the steep personal cost of sexual violence and the obstacles faced by individual survivors in its aftermath. Freedman’s book is an urgent call to face this fundamental social problem head-on, arguing that we cannot continue to ignore the fact that sexual violence against women is rooted in gender inequalities that exist worldwide—and must be addressed.

One Hour in Paris is essential reading for survivors of sexual violence as well as an invaluable resource for therapists, mental health professionals, and family members and friends of victims.

On Descartes’ Passive Thought is the culmination of a life-long reflection on the philosophy of Descartes by one of the most important living French philosophers. In it, Jean-Luc Marion examines anew some of the questions left unresolved in his previous books about Descartes, with a particular focus on Descartes’s theory of morals and the passions.

Descartes has long been associated with mind-body dualism, but Marion argues here that this is a historical misattribution, popularized by Malebranche and popular ever since both within the academy and with the general public. Actually, Marion shows, Descartes held a holistic conception of body and mind. He called it the meum corpus, a passive mode of thinking, which implies far more than just pure mind—rather, it signifies a mind directly connected to the body: the human being that I am. Understood in this new light, the Descartes Marion uncovers through close readings of works such as Passions of the Soul resists prominent criticisms leveled at him by twentieth-century figures like Husserl and Heidegger, and even anticipates the non-dualistic, phenomenological concepts of human being discussed today. This is a momentous book that no serious historian of philosophy will be able to ignore.

Does Descartes belong to metaphysics? What do we mean when we say "metaphysics"? These questions form the point of departure for Jean-Luc Marion's groundbreaking study of Cartesian thought. Analyses of Descartes' notion of the ego and his idea of God show that if Descartes represents the fullest example of metaphysics, he no less transgresses its limits. Writing as philosopher and historian of philosophy, Marion uses Heidegger's concept of metaphysics to interpret the Cartesian corpus—an interpretation strangely omitted from Heidegger's own history of philosophy. This interpretation complicates and deepens the Heideggerian concept of metaphysics, a concept that has dominated twentieth-century philosophy. Examinations of Descartes' predecessors (Aristotle, Augustine, Aquinas, and Suarez) and his successors (Leibniz, Spinoza, and Hegel) clarify the meaning of the Cartesian revolution in philosophy.

Expertly translated by Jeffrey Kosky, this work will appeal to historians of philosophy, students of religion, and anyone interested in the genealogy of contemporary thought and its contradictions.

Paul Ricoeur has been hailed as one of the most important thinkers of the century. Oneself as Another, the clearest account of his "philosophical ethics," substantiates this position and lays the groundwork for a metaphysics of morals.

Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.

Gottfried Wilhelm Leibniz (1646-1716) possessed one of history's great minds. The German philosopher, mathematician, and logician invented (independently of Sir Isaac Newton) calculus. His metaphysics bequeathed a set of problems and approaches that drove the course of Western philosophy, from Kant's eighteenth century until the present day.

For over fifty years, the study of Leibniz has been a consistent passion for distinguished philosopher Nicholas Rescher. On Leibniz offers eleven of his essays, written with signature clarity, exploring the aspects of Leibniz's work and life that still resonate in the discipline of philosophy.

Rescher's essays are snapshots of Leibniz, lucidly drawn case studies that explain the fundamentals of his ontology: the theory of possible worlds, the world's contingency, space-time frameworks, and intermonadic relationships.

Several illuminating pieces reveal Leibniz as a substantial contributor to theories of knowledge. Discussions of his epistemology and methodology, its relationship to John Maynard Keynes and Talmudic scholarship, broaden the traditional view of Leibniz as a uniquely metaphysical thinker.

Rescher also explores, in four absorbing biographical essays, Leibniz's scholarly development and professional career in historical context. As a "philosopher courtier" to the Hanoverian court, Leibniz was associated with the leading intellectuals and politicians of his era, including Spinoza, Huygens, Newton, Queen Sophie Charlotte, and Czar Peter the Great.

A concluding essay holds up Leibniz's mode of philosophy as a role model for today's scholars. Rescher argues that many current problems can be effectively addressed with principles of process philosophy along lines inspired by Leibniz's monadology. On Leibniz is essential reading for students of Leibniz and Rescher alike.

Contemporary philosopher John Searle has characterized Gottfried Wilhelm Leibniz (1646–1716) as “the most intelligent human being who has ever lived.” The German philosopher, mathematician, and logician invented calculus (independently of Sir Isaac Newton), topology, determinants, binary arithmetic, symbolic logic, rational mechanics, and much more. His metaphysics bequeathed a set of problems and approaches that have influenced the course of Western philosophy from Kant in the eighteenth century until the present day.

On Leibniz examines many aspects of Leibniz’s work and life. This expanded edition adds new chapters that explore Leibniz’s revolutionary deciphering machine; his theoretical interest in cryptography and its ties to algebra; his thoughts on eternal recurrence theory; his rebuttal of the thesis of improvability in the world and cosmos; and an overview of American scholarship on Leibniz.

Other chapters reveal Leibniz as a substantial contributor to theories of knowledge. Discussions of his epistemology and methodology, its relationship to John Maynard Keynes and Talmudic scholarship, broaden the traditional view of Leibniz. Rescher also views Leibniz’s scholarly development and professional career in historical context. As a “philosopher courtier” to the Hanoverian court, Leibniz was associated with the leading intellectuals and politicians of his era, including Spinoza, Huygens, Newton, Queen Sophie Charlotte, and Tsar Peter the Great.

Rescher extrapolates the fundamentals of Leibniz’s ontology: the theory of possible worlds, the world’s contingency, space-time frameworks, and intermonadic relationships. In conclusion, Rescher positions Leibniz as a philosophical role model for today’s scholars. He argues that many current problems can be effectively addressed with principles of process philosophy inspired by Leibniz’s system of monadology.

     One of the most significant philosophical works of the twentieth century, Contributions to Philosophy is also one of the most difficult. Parvis Emad, in this collection of interpretive and critical essays, unravels and clarifies this challenging work with a rare depth and originality. In addition to grappling with other commentaries on Heidegger, he highlights Heidegger's "being-historical thinking" as thinking that sheds new light on theological, technological, and scientific interpretations of reality. At the crux of Emad's interpretation is his elucidation of the issue of "the turning" in Heidegger's thought and his "enactment" of Heidegger's thinking. He finds that only when Heidegger's work is enacted is his thinking truly revealed.

"I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism—of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought—they still want to today—to oppose to the inhuman.

"Derrida's ruminations should intrigue anyone interested in Post-Structuralism. . . . . This study of Heidegger is a fine example of how Derrida can make readers of philosophical texts notice difficult problems in almost imperceptible details of those texts."—David Hoy, London Review of Books

"Will a more important book on Heidegger appear in our time? No, not unless Derrida continues to think and write in his spirit. . . . Let there be no mistake: this is not merely a brilliant book on Heidegger, it is thinking in the grand style."—David Farrell Krell, Research in Phenomenology

"The analysis of Heidegger is brilliant, provocative, elusive."—Peter C. Hodgson, Religious Studies Review

M. C. Dillon (1938–2005) was widely regarded as a world-leading Merleau-Ponty scholar. His book Merleau-Ponty’s Ontology (1988) is recognized as a classic text that revolutionized the philosophical conversation about the great French phenomenologist. Dillon followed that book with two others: Semiological Reductionism, a critique of early-1990s linguistic reductionism, and Beyond Romance, a richly developed theory of love. At the time of his death, Dillon had nearly completed two further books to which he was passionately committed. The first one offers a highly original interpretation of Nietzsche’s ontology of becoming. The second offers a detailed ethical theory based on Merleau-Ponty’s account of carnal intersubjectivity. The Ontology of Becoming and the Ethics of Particularity collects these two manuscripts written by a distinguished philosopher at the peak of his powers—manuscripts that, taken together, offer a distinctive and powerful view of human life and ethical relations.

One of the pioneers of modern sociology, Max Scheler (1874-
1928) ranks with Max Weber, Edmund Husserl, and Ernst
Troeltsch as being among the most brilliant minds of his
generation. Yet Scheler is now known chiefly for his
philosophy of religion, despite his groundbreaking work in
the sociology of knowledge, the sociology of emotions, and
phenomenological sociology. This volume comprises some of
Scheler's most interesting work—including an analysis of the
role of sentiments in social interaction, a sociology of
knowledge rooted in global social and cultural comparisons,
and a cross-cultural theory of values—and identifies some of
his important contributions to the discussion of issues at
the forefront of the social sciences today.

Editor Harold J. Bershady provides a richly detailed
biographical portrait of Scheler, as well as an incisive
analysis of how his work extends and integrates problems of
theory and method addressed by Durkheim, Weber, and Parsons,
among others.

Harold J. Bershady, professor of sociology at the University
of Pennsylvania, is the author of Ideology and Social
Knowledge and the editor of Social Class and
Democratic Leadership.

Heritage of Sociology series

This second volume of Voegelin's magisterial Order and History, The World of the Polis, explores the ancient Greek symbolization of human reality. Taking us from the origins of Greek culture in the Pre-Homeric Cretan civilizations, through the Iliad and Odyssey, Hesiod, and the rise of philosophy with the Pre-Socratics Parmenides and Heraclitus, this masterful work concludes with the historians of the classical period.

In The World of the Polis, Voegelin traces the emergence of the forms of the city-state and of philosophy from the ancient symbolism of myth. He maintains that the limits and ultimate goals of human nature are constant and that the central problem of every society is the same—"to create an order that will endow the fact of its existence with meaning in terms of ends divine and human." Thus, Voegelin shows how "the meaning of existence" achieved concrete expression in the typical political, social, and religious institutions of Greece and in the productions of its poets and thinkers. He deals with more than fifty Greek writers in the course of his analysis of the rise of myth and its representation of the divine order of the cosmos as the first great symbolic form of order, one later supplanted by the leap in being reflected in the emergence of philosophy.

The book is a tour de force, a virtuoso performance by a scholar and philosopher of great power, learning, and imagination that places its subject matter in a new light. The editor's critical introduction places The World of the Polis in the broader context of Voegelin's philosophy of history. Scholars and students of political science, philosophy, and the history of ideas will find this work invaluable.

In Search of Order brings to a conclusion Eric Voegelin's masterwork, Order and History. Voegelin conceived Order and History as "a philosophical inquiry concerning the principal types of order of human existence in society and history as well as the corresponding symbolic forms." In previous volumes, Voegelin discussed the imperial organizations of the ancient Near East and their existence in the form of the cosmological myth; the revelatory form of existence in history, developed by Moses and the prophets of the Chosen People; the polis, the Hellenic myth, and the development of philosophy as the symbolism of order; and the evolution of the great religions, especially Christianity.

This final volume of Order and History is devoted to the elucidation of the experience of transcendence that Voegelin discussed in earlier volumes. He aspires to show in a theoretically acute manner the exact nature of transcendental experiences. Voegelin's philosophical inquiry unfolds in the historical context of the great symbolic enterprise of restating man's humanity under the horizon of the modern sciences and in resistance to the manifold forces of our age that deform human existence. His stature as one of the major philosophical forces of the twentieth century clearly emerges from these concluding pages. In Search of Order deepens and clarifies the meditative movement that Voegelin, now in reflective distance to his own work, sees as having been operative throughout his search.

Because of Voegelin's death, on January 19, 1985, In Search of Order is briefer than it otherwise might have been; however, the theoretical presentation that he had set for himself is essentially completed here. Just as this volume serves Voegelin well in his striking analyses of Hegel, Hesiod, and Plato, it will serve as a model for the reader's own efforts in search of order.

Turn-of-the century Vienna is remembered as an aesthetic, erotic, and intellectual world: the birthplace of Freud and psychoanalysis, the waltz, and novels of Schnitzler. The contexts of this cultural vibrancy, Chandak Sengoopta argues, were darker and more complex than we might imagine.

This provocative, enlightening study explores the milieu in which the philosopher Otto Weininger (1880-1903) wrote his controversial book Sex and Character. Shortly after its publication, Weininger committed suicide at the age of twenty-three. His book, which argued that women and Jews were mere sexual beings who lacked individuality, became a bestseller.

Hailed as a genius by intellectuals such as Ludwig Wittgenstein and Karl Kraus, Weininger was admired, not for his prejudices, but for his engagement with the central issues of the time—the nature and meanings of identity. Sengoopta pays particular attention to how Weininger appropriated scientific language and data to defend his views and examines the scientific theories themselves.

A natural heir of the Renaissance and once tightly conjoined to its study, continental philosophy broke from Renaissance studies around the time of World War II. In The Other Renaissance, Rocco Rubini achieves what many have attempted to do since: bring them back together. Telling the story of modern Italian philosophy through the lens of Renaissance scholarship, he recovers a strand of philosophic history that sought to reactivate the humanist ideals of the Renaissance, even as philosophy elsewhere progressed toward decidedly antihumanist sentiments.
           
Bookended by Giambattista Vico and Antonio Gramsci, this strand of Renaissance-influenced philosophy rose in reaction to the major revolutions of the time in Italy, such as national unity, fascism, and democracy. Exploring the ways its thinkers critically assimilated the thought of their northern counterparts, Rubini uncovers new possibilities in our intellectual history: that antihumanism could have been forestalled, and that our postmodern condition could have been entirely different. In doing so, he offers an important new way of thinking about the origins of modernity, one that renews a trust in human dignity and the Western legacy as a whole.

Ontology of Production presents three essays by the influential Japanese philosopher Nishida Kitarō (1870–1945), translated for the first time into English by William Haver. While previous translations of his writings have framed Nishida within Asian or Oriental philosophical traditions, Haver's introduction and approach to the texts rightly situate the work within Nishida's own commitment to Western philosophy. In particular, Haver focuses on Nishida's sustained and rigorous engagement with Marx's conception of production.

Agreeing with Marx that ontology is production and production is ontology, Nishida in these three essays—"Expressive Activity" (1925), "The Standpoint of Active Intuition" (1935), and "Human Being" (1938)—addresses sense and reason, language and thought, intuition and appropriation, ultimately arguing that in this concept of production, ideality and materiality are neither mutually exclusive nor oppositional but, rather, coimmanent. Nishida's forceful articulation of the radical nature of Marx's theory of production is, Haver contends, particularly timely in today's speculation-driven global economy. Nishida's reading of Marx, which points to the inseparability of immaterial intellectual labor and material manual labor, provokes a reconsideration of Marxism's utility for making sense of—and resisting—the logic of contemporary capitalism.

Given that Enlightenment rationality developed in Europe as European nations aggressively claimed other parts of the world for their own enrichment, scholars have made rationality the subject of postcolonial critique, questioning its universality and objectivity. In On Reason, the late philosopher Emmanuel Chukwudi Eze demonstrates that rationality, and by extension philosophy, need not be renounced as manifestations or tools of Western imperialism. Examining reason in connection to the politics of difference—the cluster of issues known variously as cultural diversity, political correctness, the culture wars, and identity politics—Eze expounds a rigorous argument that reason is produced through and because of difference. In so doing, he preserves reason as a human property while at the same time showing that it cannot be thought outside the realities of cultural diversity. Advocating rationality in a multicultural world, he proposes new ways of affirming both identity and difference.

Eze draws on an extraordinary command of Western philosophical thought and a deep knowledge of African philosophy and cultural traditions. He explores models of rationality in the thought of philosophers from Aristotle, René Descartes, Francis Bacon, and Thomas Hobbes to Noam Chomsky, Richard Rorty, Hilary Putnam, and Jacques Derrida, and he considers portrayals of reason in the work of the African thinkers and novelists Chinua Achebe, Ngugi wa Thiong’o, and Wole Soyinka. Eze reflects on contemporary thought about genetics, race, and postcolonial historiography as well as on the interplay between reason and unreason in the hearings of South Africa’s Truth and Reconciliation Commission. He contends that while rationality may have a foundational formality, any understanding of its foundation and form is dynamic, always based in historical and cultural circumstances.

What is real and what is noble, as well as what is deranged and wrong, can often be stated briefly. Nietzsche was famous for his succinct aphorisms and epigrams. Aquinas in one of his responses could manage to state clearly what he held to be true. Ultimately, all of our thought needs to be so refined and concentrated that we can see the point. So these are “brief” essays and they are largely of a philosophical “hue.” They touch on things worth thinking about. Indeed, often they consider things we really need to think about if our lives are to make sense.

The advantage of a collection of essays is that it is free to talk about many things. It can speak of them in a learned way or in an amused and humorous way. As Chesterton said, there is no necessary conflict between what is true and what is funny. Oftentimes, the greatest things we learn are through laughter, even laughter at ourselves and our own foibles and faults.

So these essays are “brief.” And they are largely of philosophical import. At first sight, taxing beer may seem to have no serious principle, except perhaps for the brewer and the consumer. But wherever there is reality, we can find something to learn.

Each of these essays begins with the proposition “on”—this is a classical form of essay in the English language. Belloc, one the essay’s greatest masters, wrote a book simply entitled “ON”—and several other books with that introductory “ON” to begin it. The word has the advantage of focusing our attention on some idea, place, book, person, or reality that we happen to come across and notice, then notice again, then wonder about.

These essays are relatively short, often lightsome, hopefully always with a consideration that illumines the world through the mind of the reader. These essays are written in the spirit that the things we encounter provoke us, our minds. We need to come to terms, to understand what we come across in our pathways through this world. Often the best way to know what we observe or confront is to write about it, preferably briefly and with some philosophical insight. This is what we do here.

From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? Other Things explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo.

The book ranges across the literary, visual, and plastic arts to depict the curious lives of things. Beginning with Achilles’s Shield, then tracking the object/thing distinction as it appears in the work of Martin Heidegger and Jacques Lacan, Bill Brown ultimately focuses on the thingness disclosed by specific literary and artistic works. Combining history and literature, criticism and theory, Other Things provides a new way of understanding the inanimate object world and the place of the human within it, encouraging us to think anew about what we mean by materiality itself.

“Interpretation” is a term that encompasses both the most esoteric and the most fundamental activities of our lives, from analyzing medical images to the million ways we perceive other people’s actions. Today, we also leave interpretation to the likes of web cookies, social media algorithms, and automated markets. But as John Frow shows in this thoughtfully argued book, there is much yet to do in clarifying how we understand the social organization of interpretation.
 
On Interpretive Conflict delves into four case studies where sharply different sets of values come into play—gun control, anti-Semitism, the religious force of images, and climate change. In each case, Frow lays out the way these controversies unfold within interpretive regimes that establish what counts as an interpretable object and the protocols of evidence and proof that should govern it. Whether applied to a Shakespeare play or a Supreme Court case, interpretation, he argues, is at once rule-governed and inherently conflictual. Ambitious and provocative, On Interpretive Conflict will attract readers from across the humanities and beyond.
 
 

This book provides an innovative approach to meeting the challenges faced by philosophical hermeneutics in interpreting an ever-changing and multicultural world. Rudolf A. Makkreel proposes an orientational and reflective conception of interpretation in which judgment plays a central role. Moving beyond the dialogical approaches found in much of contemporary hermeneutics, he focuses instead on the diagnostic use of reflective judgment, not only to discern the differentiating features of the phenomena to be understood, but also to orient  us to the various meaning contexts that can frame their interpretation.
           
Makkreel develops overlooked resources of Kant’s transcendental thought in order to reconceive hermeneutics as a critical inquiry into the appropriate contextual conditions of understanding and interpretation. He shows that a crucial task of hermeneutical critique is to establish priorities among the contexts that may be brought to bear on the interpretation of history and culture. The final chapter turns to the contemporary art scene and explores how orientational contexts can be reconfigured to respond to the ways in which media of communication are being transformed by digital technology. Altogether, Makkreel offers a promising way of thinking about the shifting contexts that we bring to bear on interpretations of all kinds, whether of texts, art works, or the world. 

The Open Mind chronicles the development and promulgation of a scientific vision of the rational, creative, and autonomous self, demonstrating how this self became a defining feature of Cold War culture. Jamie Cohen-Cole illustrates how from 1945 to 1965 policy makers and social critics used the idea of an open-minded human nature to advance centrist politics. They reshaped intellectual culture and instigated nationwide educational reform that promoted more open, and indeed more human, minds. The new field of cognitive science was central to this project, as it used popular support for open-mindedness to overthrow the then-dominant behaviorist view that the mind either could not be studied scientifically or did not exist. Cognitive science also underwrote the political implications of the open mind by treating it as the essential feature of human nature.     

           

While the open mind unified America in the first two decades after World War II, between 1965 and 1975 battles over the open mind fractured American culture as the ties between political centrism and the scientific account of human nature began to unravel. During the late 1960s, feminists and the New Left repurposed Cold War era psychological tools to redefine open-mindedness as a characteristic of left-wing politics. As a result, once-liberal intellectuals became neoconservative, and in the early 1970s, struggles against open-mindedness gave energy and purpose to the right wing.