A gripping portrait of life in the hard-bitten wilderness of Revolutionary Kentucky, Harriette Simpson Arnow’s The Kentucky Trace follows surveyor William David Leslie Collins as he struggles to survive. Collins finds his fellow settlers to be almost as inscrutable as the weather—at times, they are allies, and at others, they are adversaries. Collins battles nature, bad luck, and the quickly shifting political tides to make his way in a changing world. Showcasing Arnow’s ear for dialogue and offering a wealth of historical detail, The Kentucky Trace is a masterful work of fiction by a preeminent Appalachian writer.
Two of the essays examine the antagonism between Christianity and utilitarianism in postrevolutionary French economics and the rising influence of the materialism of the market vis-à-vis the declining authority of the Roman Catholic Church in eighteenth-century Europe. Other topics explored include the work of the great American neoclassicist Frank Knight, the combination of utility analysis and Christian principles among the “clerical economists” in America, and the effect of a crisis of personal faith on the theories of the English philosopher and economist Henry Sidgwick.
Roy Bedichek spent most of his life working in the educational field in Texas, but his main interest was always the great outdoors. His first book, Adventures with a Texas Naturalist, was published when he was almost seventy, and his second, Karánkaway Country, appeared three years later. Both were the result of a lifetime of exploring a beloved land, of searching observation, of discussion, debate, wide reading, and reflection. Long out of print, Karánkaway Country is now available in a handsome second edition with a new Foreword by W. W. Newcomb, Jr.
Karánkaway Country focuses on the natural history of a strip of coastal prairie lying roughly between Corpus Christi and Galveston and once inhabited by the poorly known and much maligned Karankawa Indians. It serves as home base for an exposition of Bedichek's philosophy, providing a convenient local setting for richly tailored essays on wildlife, soil, human skin, and a variety of other topics suggested by a wide-ranging intellect. Bedichek's philosophy, if it can be reduced to a few words, is essentially that humans must learn to live on peaceful and conciliatory terms with our natural environment.
Karl Marx's materialistic conception of history claimed to account for the past, confidently predicted the future, and made history itself. In analyzing the Marxian theory of social evolution, M. M. Bober closely examines the writings of Marx and his friend, Friedrich Engels, tracing the formulation of the doctrine in Capital, The Poverty of Philosophy, Civil War in France, Revolution and Counter-Revolution, The Communist Manifesto, and other of their voluminous publications. By careful, objective investigation, the author is able to present an accurate interpretation of Marx's economic and historical concepts, and he evaluates the theory in the light of actual historical development.
In the extensive revision of his authoritative study, Bober has taken full account of developments since its first publication. Unknown writings by Marx and Engels recently have been discovered; new voices have been raised in defense of and against Marxian concepts; and economic theory has changed, with the problems of the business cycle and economic calculation assuming greater prominence. Bober's critical analysis of Marx and of his influence make a valuable and timely book, of interest not merely to scholars but also to everyone who is stirred to serious reading by the present conflict of political ideologies.
In the early morning hours of July 26, 1953, several hundred Arizona state officials and police officers moved into the polygamist community of Short Creek, Arizona, to serve warrants on thirty-six men and eighty-six women. Officials staging the raid believed they were rescuing the community’s 263 children from a life of bondage and immorality.
Kidnapped from that Land is the first book to bring together the story of the 1953 raid and two previous raids in 1935 and 1944. Martha Bradley tells the story with insight and compassion for the families that were fragmented by the arrests. She also deals with the complex legal issues that persist in both Arizona and Utah, where the practice of polygamy is a felony that is no longer prosecuted.
Kidnapped from that Land will appeal to those interested in the study of Mormon history, of polygamy, and of western regional and American social history.
Kinethic California: Dancing Funk and Disco Era Kinships documents the emergence of new forms of black social and vernacular dance invented by youth living in 1970s California, who helped build the foundations of contemporary hip hop/streetdance culture. Naomi Macalalad Bragin weaves interviews and ethnographies of first-generation (1960s-70s) dancers of strutting, boogaloo, robotting, popping, locking, waacking, and punking styles, as it advances a theory of dance as kinetic kinship formation through a focus on techniques and practices of the dancers themselves. She offers that the term given to these collective movement practices is kinethic to bring attention to motion at the core of black aesthetics that generate dances as forms of kinship beyond blood relation. Kinethics reorient dancers toward kinetic kinship in ways that give continuity to black dance lineages under persistent conditions of disappearance and loss. As dancers engage kinethics, they reinvent gestural vocabularies that describe worlds they imagine into knowing-being.
The stories in Kinethic California attend to the aesthetics of everyday movement, seen through the lens of young artists who, from childhood, listened to their family’s soul and funk records, observed the bent-leg strolls and rhythmic handshakes of people moving through their neighborhoods, and watched each other move at house parties, school gyms, and around-the-way social clubs. Their aesthetic sociality and geographic movement provided materials for collective study and creative play. Bragin attends to such multidirectional conversations between dancer, community, and tradition, by which California dance lineages emerge and take flight.
Kenneth Burke - American Writers 75 was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
'One the foremost writers and participants in the Kurdish women's movement' - Harsha Walia
The Kurdish women's movement is at the heart of the most exciting revolutionary experiment in the world today: Rojava. Forged over decades of struggle, most recently in the fight against ISIS, Rojava embodies a radical commitment to ecology, democracy and gender equality. But while striking images of Kurdish women in desert fatigues proliferate, a true understanding of the women's movement remains elusive.
Taking apart the superficial and Orientalist frameworks that dominate, Dilar Dirik offers instead an empirically rich account of the women's movement in Kurdistan. Drawing on original research and ethnographic fieldwork, she surveys the movement's historical origins, ideological evolution, and political practice over the past forty years. Going beyond abstract ideas, Dirik locates the movement's culture and ideology in its concrete work for women's liberation and radical democracy.
Taking the reader from the guerrilla camps in the mountains to radical women's academies and self-organized refugee camps, the book invites readers around the world to engage with the revolution in Kurdistan, both theoretically and practically, as a vital touchstone in the wider struggle for a militant anti-fascist, anti-capitalist feminist internationalism.
The Austrian artist Oskar Kokoschka (1886–1980) achieved global fame with his intense expressionistic portraits and landscapes. In this first English-language biography, Rüdiger Görner depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and “hunger artist” who had to flee the Nazis to a wealthy and cosmopolitan political and critical artist who played a significant role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day.
In Kokoschka: A Life in Art, Görner emphasizes the artist’s versatility. Kokoschka, although best known for his expressionistic portraits and landscapes, was more than a mere visual artist: his achievements as a playwright, essayist, and poet bear witness to a remarkable literary talent. Music, too, played a central role in his work, and a passion for teaching led him to establish in 1953 the School of Seeing, an unconventional art school intended to revive humanist ideals in the horrific aftermath of war. This biography shows brilliantly how all the pieces of Kokoschka’s disparate interests and achievements cohered in the richly creative life of a singular artist.
An author’s true meaning has always been largely a matter of opinion among literary critics, even when only objective language was analyzed. However, a writer’s inner meaning, which perhaps not even he or she consciously realizes, interests the “new critics,” who base their theory of criticism on the writings of Immanuel Kant and hold philosophical values to be essential in studying a literary work.
William J. Handy, a former student of John Crowe Ransom, himself a critic of note, reveals the inadequacy of logical concept to represent the full quality of human experience. In Kant and the Southern New Critics he discusses the theories and practices of some pioneers of philosophical criticism—John Crowe Ransom, Allen Tate, Cleanth Brooks, and others—and traces the influence of the Kantian generative idea on their assumption that a work of art is the celebration of one’s qualitative experience.
Critics in the new school believe that knowledge of experience is distorted when abstracted into scientific, quantitative notations, and that the artist, to portray things in their more natural state, must employ particulars in order to achieve “universals.” Knowledge of any subject or object must include the aesthetic qualities of imagination and emotion that cannot be discovered through analysis.
This study explores Ransom’s theory of “ontological criticism.” The basic difference in symbols representing things and those representing ideas was discerned by Kant, who distinguished between understanding (analysis of an object in order to classify it)and imagination (realization of an object undistorted by logical reduction). Handysuggests that ontological structure requires a writer to use the logic that springs from his image-making faculty—a thought also expressed by T. S. Eliot, who says, “The only way of expressing emotion in the form of art is by finding an ‘objective correlative.’ ”
The discipline of philosophical aesthetics is necessary for the critic, Handy says, if his principles are to be substantial enough to make a significant contribution to knowledge of literary theory. This book clearly delineates the origins of a philosophical approach and leads the reader to an appreciation of the deeper enjoyment and meaning it can give to literary experience.
Konduru was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is a detailed anthropological description and analysis of life in Konduru, a village in the central part of southern India about one hundred miles south of Hyderabad. The study is based on field work done by Professor Hiebert over a period of several years when he lived in the village, spoke its language, Telugu, and became closely acquainted with the people and their culture.
After sketching the geographic and historical setting of the village, Professor Hiebert describes and discusses the social structure, including the societal categories, the various castes, the social groups including family, patrilineage, associations, and communities, and hamlets, villages, and towns in the region. There are chapters on status and power, networks of interpersonal relationships, panchayats (the system of justice), and rituals. Finally, the author discusses changes which are taking place in the society and culture of Konduru and presents his conclusions. He points out that this study of Konduru illustrates the importance of the village within the social order but at the same time demonstrates that the village cannot be understood apart from the other social groups in which its members are involved and interrelated, and that these relationships are neither static nor simple. But, as he concludes, the village is, for the individual, the concrete expression of his society.
The book is illustrated with photographs, maps, and drawings. E. Adamson Hoebel, Regents' professor of anthropology at the University of Minnesota, writes a foreword.
Dorothy Mary Kamenshek was born to immigrant parents in Norwood, Ohio. As a young girl, she played pickup games of sandlot baseball with neighborhood children; no one, however, would have suspected that at the age of seventeen she would become a star athlete at the national level.
The outbreak of World War II and the ensuing draft of able-bodied young men severely depleted the ranks of professional baseball players. In 1943, Philip K. Wrigley, owner of the Chicago Cubs, led the initiative to establish a new league—a women’s league—to fill the ballparks while the war ground on in Europe and the Pacific. Kamenshek was selected and assigned to the Rockford Peaches in their inaugural season and played first base for a total of ten years, becoming a seven-time All-Star and holder of two league batting titles. When injuries finally put an end to her playing days, she went on to a successful and much quieter career in physical therapy. Fame came again in 1992, when Geena Davis portrayed a player loosely based on Kamenshek in the hit movie A League of Their Own.
Kammie on First is a real-life tale that will entertain and inspire young readers, both girls and boys. It is the first book in a new series, Biographies for Young Readers, from Ohio University Press.
In science, more than elsewhere, a word is expected to mean what it says, nothing more, nothing less. But scientific discourse is neither different nor separable from ordinary language—meanings are multiple, ambiguities ubiquitous. Keywords in Evolutionary Biology grapples with this problem in a field especially prone to the confusion engendered by semantic imprecision.
Written by historians, philosophers, and biologists—including, among others, Stephen Jay Gould, Diane Paul, John Beatty, Robert Richards, Richard Lewontin, David Sloan Wilson, Peter Bowler, and Richard Dawkins—these essays identify and explicate those terms in evolutionary biology which, though commonly used, are plagues by multiple concurrent and historically varying meanings. By clarifying these terms in their many guises, the editors Evelyn Fox Keller and Elisabeth Lloyd hope to focus attention on major scholarly problems in the field—problems sometimes obscured, sometimes reveals, and sometimes even created by the use of such equivocal words. “Competition,” “adaptation,” and “fitness,” for instance, are among the terms whose multiple meaning have led to more than merely semantic debates in evolutionary biology.
Exploring the complexity of keywords and clarifying their role in prominent issues in the field, this book will prove invaluable to scientists and philosophers trying to come to terms with evolutionary theory; it will also serve as a useful guide to future research into the way in which scientific language works.
There is growing interest in Europe and the United States in the work of the major German social-political philosopher Karl Korsch. Korsch participated in the turbulent struggles in Weimar Germany and while in exile continually reflected on history and politics. His work affords one of the most important interpretations of the role of Marxism in twentieth-century revolutionary movements, while developing an ongoing critical interrogation of Marxism. His thought provides an illuminating perspective on the process of revolution and counterrevolution in recent history. Karl Korsch: Revolutionary Theory is the first English anthology of his most important writings.
This collection presents Korsch's essays on a wide range of subjects, including Marxism and socialization, Lenin and the Soviet Union, the crisis of Marxism, models of revolutionary practice, fascism and counterrevolution, and Korsch's final evaluation of Marxism. Much of this work is translated into English for the first time, and many unknown essays first published in radical journals which are no longer available appear here. The volume includes Korsch's major essays written during the 1920s and 1930s as well as some of his later work.
Douglas Kellner's detailed introduction, "Korsch's Revolutionary Marxism," contains the first comprehensive critical interpretation of Korsch's work to appear in English. It provides a historical-theoretical reconstruction of Korsch's life and thought and roots his political theory in the sociopolitical context in which it evolved. The introduction has been described by Korsch scholars as a "first-class piece of exposition and interpretation" and a "serious, first-rate contribution likely to preempt the field in the English language." The editor's introduction along with the representative selection of essays provide firm grounding in the ideas and historical significance of Karl Korsch.
Explores the representation of slave revolt in video games—and the trouble with making history playable
Kill the Overseer! profiles and problematizes digital games that depict Atlantic slavery and “gamify” slave resistance. In videogames emphasizing plantation labor, the player may choose to commit small acts of resistance like tool-breaking or working slowly. Others dramatically stage the slave’s choice to flee enslavement and journey northward, and some depict outright violent revolt against the master and his apparatus. In this work, Sarah Juliet Lauro questions whether the reduction of a historical enslaved person to a digital commodity in games such as Mission US, Assassin’s Creed, and Freedom Cry ought to trouble us as a further commodification of slavery’s victims, or whether these interactive experiences offer an empowering commemoration of the history of slave resistance.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Stories include: Spring, Summer, Fall, & Winter.
Age Level: 5/6
Grade Level: Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
This set of four books offers engaging stories that combine features of early literacy learning while exploring weather-related concepts from Common Core State Standards and Next Generation Science Standards.
Stories include: May, Rain, December, & Is It Hot or Cold?.
Age Level: 5/6
Grade Level: Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Klondike Saga was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is the story of the Monitor Gold Mining and Trading Company, an organization of sixteen Minnesotans who went to the Canadian Klondike region in the late 1890's to prospect for gold. It is based on diaries and letters written by the men during their venture. Most of the company members were of Scandinavian origin, recent immigrants to America, and a number of the letters were written to Nye Normanden, a Norwegian-language newspaper published in Minneapolis at the time.
The leader of the company, Lars Gunderson, was the grandfather of the late Carl L. Lokke, author of the book. Mr. Lokke, a historian, was chief of the foreign affairs branch of the National Archives at the time of his death in 1960.
This is the first book issued under a joint publishing arrangement between the University of Minnesota Press and the Norwegian-American Historical Association. It is Volume 7 in the association's Travel and Description Series. There is a preface by Kenneth O. Bjork, editor of the association, and Senator Ernest Gruening of Alaska writes a foreword.
'A fascinating, inspiring journey' - Meredith Tax, author of A Road Unforeseen
Kurdistan has had a tumultuous history, and the women who lived there have experienced life like no other. From Saddam Hussein’s reign of terror beginning in the 1960s, to the fight against ISIS today, violence, revolution, and questions around identity, agency, survival, and resistance have been at the forefront of women’s lives for decades.
This book is a collection of these women’s stories written in their own words. Each story reveals a tapestry of experiences, including political activism under Saddam and armed resistance in Rojava’s PKK and YPG and Komala in Rojhalat. This is in addition to experiences of FGM and overcoming victimhood, life under extreme conservatism, as well as a look into the work of artists, poets, novelists, and performers whose work represents a complicated relationship with Kurdistan.
These rich and nuanced insights come from a group of women from a nation without a state, who are now scattered across the world. Collectively, they take the reader on a journey that will inspire feminist, anti-fascist, and anti-racist people across the world.
A CHOICE Outstanding Academic Book
For many Plains Indians, being a warrior and veteran has long been the traditional pathway to male honor and status. Men and boys formed military societies to celebrate victories in war, to perform community service, and to prepare young men for their role as warriors and hunters. By preserving cultural forms contained in song, dance, ritual, language, kinship, economics, naming, and other semireligious ceremonies, these societies have played an important role in maintaining Plains Indian culture from the pre-reservation era until today.
In this book, Williams C. Meadows presents an in-depth ethnohistorical survey of Kiowa, Apache, and Comanche military societies, drawn from extensive interviews with tribal elders and military society members, unpublished archival sources, and linguistic data. He examines their structure, functions, rituals, and martial symbols, showing how they fit within larger tribal organizations. And he explores how military societies, like powwows, have become a distinct public format for cultural and ethnic continuity.
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer.
Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles.
Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
From Kant to Kierkegaard, from Hegel to Heidegger, continental philosophers have indelibly shaped the trajectory of Western thought since the eighteenth century. Although much has been written about these monumental thinkers, students and scholars lack a definitive guide to the entire scope of the continental tradition. The most comprehensive reference work to date, this eight-volume History of Continental Philosophy will both encapsulate the subject and reorient our understanding of it. Beginning with an overview of Kant’s philosophy and its initial reception, the History traces the evolution of continental philosophy through major figures as well as movements such as existentialism, phenomenology, hermeneutics, and poststructuralism. The final volume outlines the current state of the field, bringing the work of both historical and modern thinkers to bear on such contemporary topics as feminism, globalization, and the environment. Throughout, the volumes examine important philosophical figures and developments in their historical, political, and cultural contexts.
The first reference of its kind, A History of Continental Philosophy has been written and edited by internationally recognized experts with a commitment to explaining complex thinkers, texts, and movements in rigorous yet jargon-free essays suitable for both undergraduates and seasoned specialists. These volumes also elucidate ongoing debates about the nature of continental and analytic philosophy, surveying the distinctive, sometimes overlapping characteristics and approaches of each tradition. Featuring helpful overviews of major topics and plotting road maps to their underlying contexts, A History of Continental Philosophy is destined to be the resource of first and last resort for students and scholars alike.
Now the Journal of Health Politics, Policy and Law examines this legacy, opening with a foreword by Mark V. Pauly, one of the first to publish a response to Arrow’s original article and a major voice in health economics today. A reprint of the article itself serves as a springboard from which contributors assess the accuracy of Arrow’s portrayal of the United States health care system in the early sixties and evaluate how the system has progressed since that time. The contributors to this remarkable collection include some of the most distinguished scholars in the health policy field.
Designed to be an effective reference tool, this issue sets Arrow’s original article apart from the rest by printing it on tinted paper. The contributors’ responses to Arrow are divided into four parts—Part 1: Supply, Demand, and Health Care Competition; Part 2: Risk, Insurance, and Redistribution; Part 3: Information, Knowledge, and Medical Markets; Part 4: Social Norms and Professionalism.
Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.
As volume six, The Kindly Ones (1962), opens, rumblings from Germany recall memories of Nick Jenkins’s boyhood and his father’s service in World War I; it seems clear that all too soon, uniforms will be back in fashion. The looming threat throws the ordinary doings of life into stark relief, as Nick and his friends continue to negotiate the pitfalls of adult life. Moreland’s marriage founders, Peter Templer’s wife—his second—is clearly going mad, and Widmerpool is, disturbingly, gaining prominence in the business world even as he angles for power in the coming conflict. War, with all its deaths and disruptions, is on the way.
"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune
"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times
"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker
“The most brilliant and penetrating novelist we have.”--Kingsley Amis
A key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability to experience empathy merely by observing the movements of another human being. Encouraging readers to sidestep the methodological and disciplinary boundaries associated with the arts and sciences, Kinesthetic Empathy in Creative and Cultural Practices offers innovative and critical perspectives on topics ranging from art to sport, film to physical therapy.
Popular lore has long depicted the Karankawa Indians as primitive scavengers (perhaps even cannibals) who eked out a meager subsistence from fishing, hunting and gathering on the Texas coastal plains. That caricature, according to Robert Ricklis, hides the reality of a people who were well-adapted to their environment, skillful in using its resources, and successful in maintaining their culture until the arrival of Anglo-American settlers.
The Karankawa Indians of Texas is the first modern, well-researched history of the Karankawa from prehistoric times until their extinction in the nineteenth century. Blending archaeological and ethnohistorical data into a lively narrative history, Ricklis reveals the basic lifeway of the Karankawa, a seasonal pattern that took them from large coastal fishing camps in winter to small, dispersed hunting and gathering parties in summer. In a most important finding, he shows how, after initial hostilities, the Karankawa incorporated the Spanish missions into their subsistence pattern during the colonial period and coexisted peacefully with Euroamericans until the arrival of Anglo settlers in the 1820s and 1830s. These findings will be of wide interest to everyone studying the interactions of Native American and European peoples.
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