John Evelyn (1620–1706), an English virtuoso and writer, was a pivotal figure in seventeenth-century intellectual life in England. He left an immensely rich literary heritage, which is of great significance for scholars interested in garden history and the histories of intellectual life and architecture.

Evelyn is perhaps best known for Sylva, a compilation of thoughts on practical estate management, gardening, and philosophy, and the first book published by the Royal Society in London. As one of the group of learned men who founded the Royal Society in 1660 to promote scientific research, discussion, and publications, John Evelyn was at the center of many of the vital intellectual currents of the time. “Elysium Britannicum,” Evelyn’s unpublished manuscript of almost a thousand pages of densely packed drafts, rewrites, and projects, was perhaps something of an enigma to his contemporaries, who nevertheless urged its publication. It remains for scholars today a treasure-trove of fascinating insights on Evelyn and his milieu.

The contributors to this volume approach Evelyn and his work from diverse disciplines, including architectural and intellectual history and the histories of science, agriculture, gardens, and literature. They present a rich picture of the “Elysium Britannicum” as one of the central documents of late European humanism.

Professor Russell Burns attempts to offer a balanced biography of one of the twentieth century's outstanding inventors, published to coincide with the 75th anniversary of Baird's first public demonstration of a rudimentary television system. The author's meticulous treatment is based on primary source documents although many personal recollections are included to add humour, colour and context. A great deal of material regarding Baird's business partnerships in the early 1920s has only recently become available to researchers and is covered here for the first time.

When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. Renowned European photographers Raimund von Stillfried and Felice Beato established studios in Japan in the 1860s; the work was soon taken up by their Japanese protégés and successors Uchida Kuichi, Kusakabe Kimbei, and others. Hundreds of these photographs, collected by travelers from the Boston area, were eventually donated to Harvard’s Peabody Museum of Archaeology and Ethnology, where they were archived for their ethnographic content and as scientific evidence of an "exotic" culture.

In this elegant volume, visual anthropologist David Odo examines the Peabody’s collection of Japanese photographs and the ways in which such objects were produced, acquired, and circulated in the nineteenth century. His innovative study reveals the images' shifting and contingent uses—from tourist souvenir to fine art print to anthropological “type” record—were framed by the desires and cultural preconceptions of makers and consumers alike. Understood as both images and objects, the prints embody complex issues of history, culture, representation, and exchange.

At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia.
In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia. Now digitized and publicly available, his images are a sensation in Russia, where people visit websites dedicated to them.
William Craft Brumfield—photographer, scholar, and the leading authority on Russian architecture in the West—began working with Prokudin-Gorsky's photographs in 1985. He curated the first public exhibition of them in the United States and has annotated the entire collection. In Journeys through the Russian Empire, Brumfield—who has spent decades traversing Russia and photographing buildings and landscapes in their various stages of disintegration or restoration—juxtaposes Prokudin-Gorsky's images against those he took of the same buildings and areas. In examining the intersections between his own photography and that of Prokudin-Gorsky, Brumfield assesses the state of preservation of Russia's architectural heritage and calls into question the nostalgic assumptions of those who see Prokudin-Gorsky's images as the recovery of the lost past of an idyllic, pre-Soviet Russia.
This lavishly illustrated volume—which features some 400 stunning full-color images of ancient churches and mosques, railways and monasteries, towns and remote natural landscapes—is a testament to two brilliant photographers whose work prompts and illuminates, monument by monument, questions of conservation, restoration, and cultural identity and memory.

Winner, James Beard Foundation Book Award, 2016
Art of Eating Prize, 2015
BCALA Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association, 2016

Women of African descent have contributed to America’s food culture for centuries, but their rich and varied involvement is still overshadowed by the demeaning stereotype of an illiterate “Aunt Jemima” who cooked mostly by natural instinct. To discover the true role of black women in the creation of American, and especially southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind.

The Jemima Code presents more than 150 black cookbooks that range from a rare 1827 house servant’s manual, the first book published by an African American in the trade, to modern classics by authors such as Edna Lewis and Vertamae Grosvenor. The books are arranged chronologically and illustrated with photos of their covers; many also display selected interior pages, including recipes. Tipton-Martin provides notes on the authors and their contributions and the significance of each book, while her chapter introductions summarize the cultural history reflected in the books that follow. These cookbooks offer firsthand evidence that African Americans cooked creative masterpieces from meager provisions, educated young chefs, operated food businesses, and nourished the African American community through the long struggle for human rights. The Jemima Code transforms America’s most maligned kitchen servant into an inspirational and powerful model of culinary wisdom and cultural authority.

The just war tradition is central to the practice of international relations, in questions of war, peace, and the conduct of war in the contemporary world, but surprisingly few scholars have questioned the authority of the tradition as a source of moral guidance for modern statecraft. Just War: Authority, Tradition, and Practice brings together many of the most important contemporary writers on just war to consider questions of authority surrounding the just war tradition.

Authority is critical in two key senses. First, it is central to framing the ethical debate about the justice or injustice of war, raising questions about the universality of just war and the tradition’s relationship to religion, law, and democracy. Second, who has the legitimate authority to make just-war claims and declare and prosecute war? Such authority has traditionally been located in the sovereign state, but non-state and supra-state claims to legitimate authority have become increasingly important over the last twenty years as the just war tradition has been used to think about multilateral military operations, terrorism, guerrilla warfare, and sub-state violence. The chapters in this collection, organized around these two dimensions, offer a compelling reassessment of the authority issue’s centrality in how we can, do, and ought to think about war in contemporary global politics.

Justice After War is aimed especially to both undergraduate and graduate students, as well as the general audience who want to understand the significance of a recent development within the just war tradition, namely, the increasing attention given to the category of jus post bellum (postwar justice and peace). While examining the interrelated challenges of moral and social norms in both political and legal domains, as well as church practices, this work proposes an innovative methodology for linking theology, ethics, and social science so that the ideal and the real can inform each other in the ethics of war and peacebuilding. The main task of this project, then, is to identify what the author views as three key themes of jus post bellum, and three practices that are essential to implementing jus post bellum immediately after a war: just policing, just punishment, and just political participation. David Kwon endeavors to challenge the view of those who suggest that reconciliation, mainly political reconciliation, is the foremost ambition of jus post bellum. Instead, he attempts to justify the proposition that achieving just policing, just punishment, and just political participation are essential to building a just peace, a peace in which the fundamental characteristic must be human security. It thus demonstrates that human security is an oft-neglected theme in the recent discourse of moral theologians and that a more balanced understanding of jus post bellum will direct attention to the elements composing human security in a postwar context.

Japan’s U.S.–imposed postwar constitution renounced the use of offensive military force, but, as Sheila Smith shows, a nuclear North Korea and an increasingly assertive China have the Japanese rethinking that commitment, and their reliance on United States security.

Japan has one of Asia’s most technologically advanced militaries and yet struggles to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, while China and South Korea remain wary of any military ambitions Japan may entertain. Yet a fundamental shift in East Asian geopolitics has forced Japan to rethink the commitment to pacifism it made during the U.S. occupation. It has increasingly flexed its muscles—deploying troops under UN auspices, participating in coercive sanctions, augmenting surveillance capabilities, and raising defense budgets.

Article Nine of Japan’s constitution, drafted by U.S. authorities in 1946, claims that the Japanese people “forever renounce the use of force as a means of settling international disputes.” When Prime Minister Shinzo Abe broke this taboo by advocating revision of Article Nine, public outcry was surprisingly muted. The military, once feared as a security liability, now appears to be an indispensable asset, called upon with increasing frequency and given a seat at the policymaking table.

In Japan Rearmed Sheila Smith argues that Japan is not only responding to increasing threats from North Korean missiles and Chinese maritime activities but also reevaluating its dependence on the United States. No longer convinced that they can rely on Americans to defend Japan, Tokyo’s political leaders are now confronting the possibility that they may need to prepare the nation’s military for war.

Representing four centuries of collecting and a thousand years of Jewish history, this book brings together Hebrew manuscripts and rare books from the Bodleian Library and Oxford colleges. Highlights of the extraordinary collections include a fragment of Maimonides’ autograph draft of the Mishneh Torah, the earliest dated fragment of the Talmud, exquisitely illuminated manuscripts of the Hebrew Bible, stunning festival prayer books, and one of the oldest surviving Jewish seals in England. Lavishly illustrated essays by experts in the field bring these outstanding works to life, exploring the personalities and diverse motivations of their original collectors.
 
Saved for posterity by religious scholarship, intellectual rivalry, and political ambition, these extraordinary collections also detail the consumption and circulation of knowledge across the centuries, forming a social and cultural history of objects moved across borders from person to person. Together, they offer a fascinating journey through Jewish intellectual and social history.

The present volume is a supplement, equal in size and scope, to the volume published in 1955, Japanese Studies of Modern China, by John K. Fairbank, Masataka Banno, and Sumiko Yamamoto. Summaries and critical evaluations of more than one thousand books and articles are arranged by topics. There is a comprehensive general index and a special character index to establish the correct readings of the names of Japanese authors.