In this volume, authors David Brown and Neil Carmony dig out the tall tales, dispel the myths, and reveal the lizard’s true character. Through a collection of biological and historical facts mixed with entertaining stories, they have created an illuminating account of America’s largest and only poisonous lizard. Written in an engaging style, The Gila Monster is a fun and educational read for all who are intrigued by the Southwest and its most mysterious denizen.
This collection of essays was the first major attempt to apply game theory, linear programming, and graph theory to anthropological data.
Contributors: John Atkins; Ira B. Buchler; Albert M. Chammah; Luke Curtis; Walter Goldschmidt; Hans Hoffman; Robert Kozelka; Bernhardt Lieberman; Frank B. Livingstone; R. Michael McKinlay; Anatol Rapoport; Richard F. Salisbury; T. C. Schelling; M. Shubik; and Martin Southwold.
“Are you there, God? It’s me, Manhattan…Butler…argues that far from being a Sodom on the Hudson, New York was a center of religious dynamism throughout the 20th century.”
—Wall Street Journal
“What a pleasure it is to take a tour of Manhattan’s sacred past led by one of the nation’s preeminent religious historians.”
—Christianity Today
“A masterwork by a master historian…God in Gotham should be an instant classic.”
—Jonathan D. Sarna, author of American Judaism
In Gilded Age Manhattan, religious leaders agonized over the fate of traditional faith practice amid chaotic and sometimes terrifying change. Massive immigration, urban anonymity, and the bureaucratization of modern life tore at the binding fibers of religious community.
Yet fears of the demise of religion were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism as Catholics, Jews, and Protestants peppered the borough with sanctuaries. A center of religious publishing and broadcasting, by the 1950s it was home to Reinhold Niebuhr, Abraham Heschel, Dorothy Day, and Norman Vincent Peale. While white spiritual seekers sometimes met in midtown hotels, black worshippers gathered in Harlem’s storefront churches. Though denied the ministry almost everywhere, women shaped congregations, founded missionary societies, and fused spirituality and political activism. God in Gotham portrays a city where people of faith embraced modernity and thrived.
The conquest that begot the Roman Empire.
Caesar (C. Iulius, 102–44 BC), statesman and soldier, defied the dictator Sulla; served in the Mithridatic wars and in Spain; entered Roman politics as a “democrat” against the senatorial government; was the real leader of the coalition with Pompey and Crassus; conquered all Gaul for Rome; attacked Britain twice; was forced into civil war; became master of the Roman world; and achieved wide-reaching reforms until his murder. We have his books of commentarii (notes): eight on his wars in Gaul, 58–52 BC, including the two expeditions to Britain 55–54, and three on the civil war of 49–48. They are records of his own campaigns (with occasional digressions) in vigorous, direct, clear, unemotional style and in the third person, the account of the civil war being somewhat more impassioned.
The Loeb Classical Library edition of Caesar is in three volumes. Volume II is his Civil War. The Alexandrian War, the African War, and the Spanish War, commonly ascribed to Caesar by our manuscripts but of uncertain authorship, are collected in Volume III.
Precious snippets of ancient song.
Towards the end of the fifth century BC, Aristophanes and the other writers of comedy used contemporary poets and musicians as targets for their jokes, making fun of their innovations in language and music. The dithyrambs of Melanippides, Cinesias, Phrynis, Timotheus, and Philoxenus are remarkable examples of this new style. The poets of the new school, active from the mid-fifth to the mid-fourth century, are presented in this final volume of David Campbell’s widely praised edition of Greek lyric poetry. The longest piece extant is a nome by Timotheus—the foremost of these poets—called The Persians; it is a florid account of the battle of Salamis, to be sung solo to cithara accompaniment.
This volume also collects folk songs, drinking songs, and other anonymous pieces. The folk songs come from many parts of Greece and include children’s ditties, marching songs, love songs, and snatches of cult poetry. The drinking songs are derived mainly from Athenaeus’ collection of Attic scolia, short pieces performed at drinking parties in Athens. The anonymous pieces come from papyrus, vases, and stone as well as from literary texts, and include hymns, narrative poetry, and satirical writing.
This is the fifth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century).
Precious snippets of ancient song.
The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss.
Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.
Precious snippets of ancient song.
Bacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odes—poems celebrating victories in athletic contests—as well as dithyrambs and other hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek woman poet except Sappho. Ancient authorities regarded Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later, in the third century BC. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyon, author of choral poems and drinking songs.
David Campbell gives all the extant verse of these poets, along with the ancients’ accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and writer of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean Asclepius, Euripides by the few surviving lines of his ode for Alcibiades’ dazzling victory in the chariot race at Olympia.
This is the fourth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus, the illustrious singers of sixth-century Lesbos, are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.
Precious snippets of ancient song.
The most important poets writing in Greek in the sixth century BC came from Sicily and southern Italy. Stesichorus was called by ancient writers “most Homeric”—a recognition of his epic themes and noble style. He composed verses about the Trojan War and its aftermath, the Argonauts, the adventures of Heracles. He may have been a solo singer, performing these poems to his own cithara accompaniment. Ibycus probably belonged to the colony of Rhegium in southwestern Italy. Like Stesichorus he wrote lyrical narratives on mythological themes, but he also composed erotic poems. Simonides is said to have spent his later years in Sicily. He was in Athens at the time of the Persian Wars, though, and was acclaimed for his epitaph on the Athenians who died at Marathon. He was a successful poet in various genres, including victory odes, dirges, and dithyrambic poetry. The power of his pathos emerges in the fragments we have.
All the extant verse of these poets is given in this third volume of David Campbell’s edition of Greek lyric poetry, along with the ancients’ accounts of their lives and works. Ten contemporary poets are also included, among them Arion, Lasus, and Pratinas.
The LCL edition of Greek Lyric is in five volumes. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first volume. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.
How might an oceanic Gramsci speak to Black aquafuturism and other forms of oceanic critique? This succinct work reads Antonio Gramsci’s writings on the sea, focused in his prison notes on waves of imperial power in the inter-war oceans of his time. Sharad Chari argues that the imprisoned militant’s method is oceanic in form, and that this oceanic Marxism can attend to the roil of sociocultural dynamics, to waves of imperial power, as well as to the capacity of Black, Drexciyan, and other forms of oceanic critique to “storm” us on different shores.
Guaranteed Annual Wages was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
One of the last acts of President Roosevelt was to order a study of the guaranteed annual wage. The question that naturally arises in the mind of every thinking person is—what is the annual wage? What can it do for me? Is it economically feasible? Is it socially desirable? Will it work for the entire industrial structure as well as for individual firms within an industry?
Chernick and Hellickson in Guaranteed Annual Wages present an unbiased report showing to what extent the guaranteed annual wage contributes a solution to intermittent employment and indirectly to other forms of unemployment. Labor has followed the initiative of forward looking management in advocating guaranteed annual wages. Economists regard the guaranteed annual wage as a step toward full employment and the mass purchasing power so
essential to keep the wheels of industry turning.This book is the first substantial popular treatment of the annual wage in operation -- its effect upon the community, and how it relieves not only the wage earner but the homemaker from worry over the essentials of food, clothing, and shelter.
Chernick and Hellickson present the theory that the traditional wage system is obsolete and that, for the well-being of individuals and for society as a whole, it must be supplanted by a wage system that will make the operation of the economy more stable -- and that although the annual wage may not be a perfect system, it deserves a fair trial until something better is conceived.
Grain Storage was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The deterioration or spoilage of stored grain is a problem of serious dimension, both from the standpoint of the financial balance sheet of those engaged in commercial grain enterprises and as a formidable factor in the worldwide fight against hunger. In this useful book the authors present practical information, in non-technical language, about the causes and methods of preventing the deterioration of stored grains and seeds.
The emphasis is on the role of fungi but material also is included on problems with insects, mites, and rodents in connection with grain storage. The fungi are of prime importance since not until recently have they been recognized as a major cause of loss of quality in grains and seeds. Even today many of those who deal with grains, from warehouses to management personnel, fail to realize that fungi may play a decisive role in their operations.
The book will be of special interest and value to grain merchants and processors, grain elevator managers and operators, grain inspectors, agronomists and agricultural economists concerned with crop production, and many others in agricultural or food processing fields.
This special issue challenges postcolonial theorists to engage with urban studies and challenges urban analysts to turn their focus to the postcolonial societies where these cities have developed. Gathering well-known scholars in postcolonial theory and urban studies, the collection opens an interdisciplinary exchange through a series of case studies focused on cities in Africa and Asia. One essay argues that the world’s urban spaces are key to the continuance of inequity under capitalist globalization (exemplified by rapidly expanding urban slums), as well as to any possible resistance to that inequity. Another article considers the history and politics of Harlem from the perspective of a well-known academic, activist, and postcolonial theorist whose work here is interwoven with the photographic art of Alice Attie. A third reflects on the politics of representation of Hindu and Muslim populations in Mumbai, evaluating popular media including film and the cosmopolitan fiction of Salman Rushdie.
Contributors. Alice Attie, Mike Davis, Ashley Dawson, Brent Hayes Edwards, Brian Larkin, Rossana Reguillo, Gayatri Chakravorty Spivak, Rashmi Varma, Victor Vich
This is the travel diary of a young German businessman who came to Texas and worked for several years in Houston and the surrounding areas. His diary, originally published in German as Texanisches Tagebuch, gives a fascinating view of life in the Texas republic.
This is an ambitious survey of the history and state of the world economy, covering the major upheavals of the capitalist system over the last 100 years.
Bill Dunn provides an original and enlightening explanation of the state of the world economy. He covers all the main aspects of global political economy explaining the theories behind production, trade, finance and relations between rich and poor countries. He also tackles the question of the origin of capitalism, a debate that always proves popular among students and academics. Dunn also includes a critique of alternative perspectives, showing that Marxism still provides the best analytical tools for understanding the global economy.
This comprehensive text is a must for students of politics and economics who are keen to understand how the economy reached its current stage and what the future is likely to bring.
A unique account of combat in World War II provides parallel day-to-day records of the same events as seen by two men in the same company, one an enlisted man, one an officer
Give and Take offers a new history of government in Tokugawa Japan (1600–1868), one that focuses on ordinary subjects: merchants, artisans, villagers, and people at the margins of society such as outcastes and itinerant entertainers. Most of these individuals are now forgotten and do not feature in general histories except as bystanders, protesters, or subjects of exploitation. Yet despite their subordinate status, they actively participated in the Tokugawa polity because the state was built on the principle of reciprocity between privilege-granting rulers and duty-performing status groups. All subjects were part of these local, self-governing associations whose members shared the same occupation. Tokugawa rulers imposed duties on each group and invested them with privileges, ranging from occupational monopolies and tax exemptions to external status markers. Such reciprocal exchanges created permanent ties between rulers and specific groups of subjects that could serve as conduits for future interactions.
This book is the first to explore how high and low people negotiated and collaborated with each other in the context of these relationships. It takes up the case of one domain—Ōno in central Japan—to investigate the interactions between the collective bodies in domain society as they addressed the problem of poverty.
This is an auto-narrated audiobook edition of this book.
J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines.
By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.
With over 25 percent of its land set aside in national parks and other protected areas, Costa Rica is renowned worldwide as "the green republic." In this very readable history of conservation in Costa Rica, Sterling Evans explores the establishment of the country's national park system as a response to the rapid destruction of its tropical ecosystems due to the expansion of export-related agriculture.
Drawing on interviews with key players in the conservation movement, as well as archival research, Evans traces the emergence of a conservation ethic among Costa Ricans and the tangible forms it has taken. In Part I, he describes the development of the national park system and "the grand contradiction" that conservation occurred simultaneously with massive deforestation in unprotected areas. In Part II, he examines other aspects of Costa Rica's conservation experience, including the important roles played by environmental education and nongovernmental organizations, campesino and indigenous movements, ecotourism, and the work of the National Biodiversity Institute.
A great deal has transpired in the cyber realm during the past year. These events, particularly the Snowden Affair, have drastically shaped the debate over state power projection and its consequences. Global public discourse previously tended to center upon the Internet as a democratizing force, capable of weakening the control of the nation-state. The Internet transcended national borders and empowered the masses at the expense of traditional power blocks. However, this battle for the control of cyberspace is far from over. The nation-state is attempting to retrench its power in the digital realm, and the forces of centralization are appearing to gain strength in the struggle between diffusion and consolidation. This shift has raised serious questions regarding the responsibilities and limits of government cyber control. State Building on a New Frontier—the third edition of our annual International Engagement on Cyber series—attempts to explore some of these difficult themes. This edition also features articles that deal with the technical side of the cyber discussion, namely attempts to create appropriate standards for continuing infrastructure development.
The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries. Annual peer reviewed ‘special editions’ feature collected academic analysis on rapidly changing domains within the arena of international affairs, including the International Engagement on Cyber series.
Although synthetic rubber emerged from World War II as one solution, the issue of ever-diminishing natural resources and the question of how to meet twenty-first-century consumer, military, and business demands lingers today.
In this illustrated examination of the Lindbergh kidnapping case, Jim Fisher seeks to set the record straight regarding Bruno Hauptmann's guilt in "the crime of the century."
In February 1935, following a sensational, six-week trial, a jury in Flemington, New Jersey, found German carpenter Hauptmann guilty of kidnapping and murdering the twenty-month-old son of Charles and Anne Lindbergh. Although circumstantial, the evidence against Hauptmann—the handwriting on the ransom notes, the homemade kidnapping ladder, Colonel Lindbergh's money found in his garage, his matching the description of the man who accepted the ransom payoff in the Bronx cemetery, his inability to prove an alibi, and his incredible explanation of his possession of the ransom money—was overwhelming, leaving few to doubt his guilt. After a series of appeals and stays, Hauptmann died fourteen months later in the electric chair. A confession would have spared him the death sentence, but Hauptmann chose to die maintaining his innocence.
It was not until the mid-1970s that revisionists began to challenge the conventional wisdom in the case: that Hauptmann was the lone killer. Revisionist books and articles appeared, as did plays, TV shows, and a movie, all portraying Hauptmann as the victim of a massive police and prosecution frame-up.
At this point, the focus shifted from the evidence to the conduct of the police. By the 1980s, most people familiar with the case were convinced of Hauptmann's complete innocence. Many denied the murder, believing that the Lindbergh baby remained alive. Several men claimed to be the firstborn son of Charles and Anne Lindbergh, one of whom sued to claim his share of the Lindbergh estate after Charles Lindbergh's death in 1974.
Another group held that the kidnapping was an elaborate hoax to cover up the murder of the baby by his parents. Anna Hauptmann¹s series of federal lawsuits against New Jersey and others in the mid-1980s fueled further interest in the case. Although Hauptmann's widow lost all of her lawsuits, she had won the hearts and minds of the American people before her death at the age of ninety-four.
Former FBI agent Fisher discusses the hard evidence, such as the ransom notes and the wood of the kidnapping ladder. He analyzes and debunks the various revisionist theories and presents new evidence that, coupled with the undisputed facts, prove beyond a reasonable doubt that Hauptmann was guilty as charged: he kidnapped and murdered the infant son of Charles and Anne Lindbergh.
The "Queen City" of Texas they called her—or the "Octopus of the Gulf." Galveston from 1845 to 1860 was the center of culture in Texas—or the monster with an economic strangle hold on all Texas trade. It was a gracious city with wide paved streets, impressive buildings, and neat gardens; yet it was also a pestilence-ridden place where no sanitary code was ever enforced and where one in every two children died before reaching maturity. Its citizens, avid for culture and knowledge, attended concerts and plays in great numbers and exhibited an eager interest in science and history; yet they could not be brought to support the school system. Galveston was a city where no person in need was ever left uncared for, where the sick and needy—strangers or friends—were succoured; yet no free Negro was safe from legalized abduction and forced enslavement, and the city served as a center for the revived African slave trade.
Earl Fornell makes the charming, colorful, cosmopolitan, contradictory city of Galveston the focal point of his study of the Texas Gulf Coast on the eve of the Civil War. The years 1845-1860 were crucial for this area; during that period the economy became more and more dependent upon slave labor, and thus the stage was set for secession.
Dr. Fornell describes with clarity the interrelated events, the decisions, and the conflicts that went into the development of Galveston and the Texas Gulf Coast during these years. He portrays the people and their way of life. He introduces us to some of the notables who helped to shape the destiny of Texas: Sam Houston, the old general; Lorenzo Sherwood, the golden-tongued propounder of radical economic doctrines; Willard Richardson, Hamilton Stuart, Ferdinand Flake, and Edward Cushing, the newspapermen whose writing both reflected and guided the thought of their fellow citizens; Arthur Lynn, the British consul whose observing and compassionate nature brought him onto the stage of Galveston history with striking frequency and whose voluminous letters provide a rich source for historical details; and William Ballinger, a minor player on the stage but one whose conscience and interests mirrored those of many other thoughtful Galvestonians.
Always present, affecting and affected by virtually every aspect of life on the Coast, the slave-labor problem grew ever more acute as the expanding railroad system laid more and more of the land open for development. Dr. Fornell shows with keen insight how it eventually forced Texans into a position where conflict with the federal government was unavoidable and the decision to secede from the Union inevitable.
The late Earl W. Fornell, a native of Wisconsin, held B.A. and M.A. degrees in political science from the New School for Social Research, the M.A. degree in political history from Columbia University, and the Ph.D. degree in political history from Rice University. He taught at Columbia, Amarillo College, Rice, and Lamar State College of Technology.
The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries.
In this issue, the Forum section addresses the plight of international refugees, questions about migration and cultural integration, and assylum policy. Other topics addressed in this issue include US-Iran relations, corruption in Indonesia, Chinese direct investment in Africa, and much more.
The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries.
The theme of this issue will be a look at the United Nations past, present, and future, to commemorate its 70th anniversary. The secondary theme will be global development.
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day.
Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.
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