In The Forgotten Ones, originally published in 1972, Anne-Marie Henshel examines the lives of a group of persons living within the community who had been diagnosed at one time or another as mentally retarded. The analysis makes use of three sets of comparisons—Anglo and Chicano, married and single, male and female—and the subjects in each category are analyzed in terms of personal characteristics, employment situation, material possessions, living conditions, family background, social activities, and contacts with “officials”—including the police. In addition, Henshel gives a detailed presentation of the conjugal lives of the married subjects: mutual feelings, marital satisfaction, reproduction, parenthood.
All data were gathered through three in-depth interviews with each subject, at intervals of about three months. In the case of a married respondent, the spouse was interviewed simultaneously, whenever possible, but separately. Interviewer was matched with subject by sex and ethnicity. Although the respondent’s reports were complemented by the interviewer’s perception, emphasis was placed on the individual’s perception of his or her own situation, and the data were analyzed accordingly.
The predominant themes are cultural differences between the two ethnic groups, especially in marriage, the relative superiority of the married over the single, the advantages and disadvantages of the male and the female in view of sex-role norms, and some of the problems with which the respondents are besieged—on the whole, problems very similar to those of other poor people. All-pervasive are social isolation, loneliness, lack of money, deficient education, poor physical appearance, failure in birth-control efforts, the presence of handicapped children, and the need for humane guidance and training.
Suggestions for improving relations with individuals once labeled retardates are presented in the last chapter.
Federalism and Regional Development is the resuit of the first German-American geography seminar, held at the University of Texas in September 1979. The chapters deal with the impact of geographic policy planning by various governmental agencies in both the Federal Republic of Germany and the United States, two countries with federal systems of government. Although various bureaucratic offices at the federal, state, county, and city levels became involved in spatial planning in both countries, no overall coordination of development planning existed. The contributors to this volume offer many theoretical and empirical perspectives on the evolution of federal policies and programs and their impact on geographic planning activities at all levels of government. The topics covered range from actual regional case studies in both countries to the framework of the agencies concerned with spatial planning. Numerous maps and tables document the data resources of the contributors and yield useful insights on the workings of the federal system.
We turn to Richard Hooker to understand the intellectual background of the Renaissance. He sets forth in his writing the ethical, political, and religious assumptions of his age. This magnificent old-spelling edition of Hooker’s works has long been needed, and is being greeted with universal admiration.
Volume Four presents the text of the first and only major attack on the Laws of Ecclesiastical Polity—namely, A Christian Letter, 1599—with Hooker’s marginal notes made on his own copy of the Letter; and the more extensive essays which he left in manuscript, written in preparation for a published reply. The importance of these notes and essays lies in their expansion of some of the more controversial points made in the Laws, and in the light they shed on Hooker, his personality, method, and sources.
John Booty’s Introduction and substantial commentary place Hooker’s arguments firmly in their historical and theological contexts.
From the text:
“Too often, it is overlooked or its meaning blurred. It comes between the brightness of the 1300’s—Chaucer’s time—and the time of Elizabeth I. Looking into it, we may be so dazzled by the two bright centuries which bound it that it is a dim space of time with no exact shape or clear colors in it. Yet the whole century was active, practical, strong, unique, humane, searching and changing, mystical.”
Flannery O'Connor - American Writers 54 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
West German filmmakers have tried to repeatedly over the past half-century to come to terms with Germany’s stigmatized history. How can Hitler and the Holocaust, how can the complicity and shame of the average German be narrated and visualized? How can Auschwitz be reconstructed? Anton Kaes argues that a major shift in German attitudes occurred in the mid-1970s—a shift best illustrated in films of the New German Cinema, which have focused less on guilt and atonement than on personal memory and yearning for national identity.
To support his claim, Kaes devotes a chapter to each of five complex and celebrated films of the modern German era: Hans Jürgen Syberberg's Hitler, a Film from Germany, a provocative restaging of German history in postmodern tableaux; The Marriage of Maria Braun, the personal and political reflection on postwar Germany with which Rainer Werner Fassbinder first caught the attention of American and European audiences; Helma Sanders-Brahms's feminist and autobiographical film Germany, Pale Mother, relating the unexplored role of German women during and after the war; Alexander Kluge's The Patriot, a self-reflexive collage of verbal and visual quotations from the entire course of the German past; and, finally, Edgar Reitz's Heimat, a 16-hour epic rendering of German history from 1918 to the present from the perspective of everyday life in the provinces.
Despite radical differences in style and form, these films are all concerned with memory, representation, and the dialogue between past and present Kaes draws from a variety of disciplines, interweaving textual interpretation, cultural history, and current theory to create a dynamic approach to highly complex and multi-voiced films. His book will engage readers interested in postwar German history, politics, and culture; in film and media studies; and in the interplay of history, memory, and film.
The US commitment to stability—both domestically and abroad—has been a consistent feature in the way Washington, DC carries out international relations. This commitment is complimented by the increased overlap between the economic and political spheres in international affairs. Consequently, this US approach to foreign interaction is informed by an assumption that foreign policy tools can influence global stability for the better. In order to investigate this assumption, this book details the foundations of what Amir Magdy Kamel refers to as the US Stability Policy—how it evolved over time and how it was implemented in Egypt. He finds that domestic and global forces were left unaccounted for by the Stability Policy, ultimately leading to a failure to achieve the self-stated stability goals.
Kamel’s analysis is informed through a unique mixed-method approach that sheds light on how and why this policy fared so poorly under Mubarak’s Egypt. He develops and tests a unique and particular way of examining the Stability Policy and presents a framework for future work to replicate and build on in the quest to understand other state-on-state relationships and the effectiveness of other foreign economic policies in achieving stability goals. Floundering Stability reflects on what Kamel’s findings mean for the relationship between the US and Egypt, as well as specific US foreign policy suggestions on how the same mistakes can be avoided in the future.
This tale of youth and the immutable forces of society arrayed against its innocence and optimism has been called the best football novel in years.
I died exactly the way I lived.” So begins the astonishing story of C. P. (Corinthians Phillipians) McKay, a star football player and passionate student who loves poetry. C. P. is a young man who appears to have everything going for him. But his downfall begins when he receives a scholarship to a major university. There, he finds his dream blocked from all directions by a ruthless coach, an unethical university president, and a cynical professor as he attempts to play the game he loves, satisfy his desire for knowledge, and guard his integrity.
Said to rival John Grisham’s A Time to Kill among debut novels, The Forever Season was first published by St. Martin’s Press in 1995. Bookpage proclaimed, “It is so much more than a sports story. . . . As understated and as clearly written as the better work of Erskine Caldwell. And as shocking!” The Chattanooga Free Press described it as “a fast-paced, funny and poignant look at coming of age [with] vivid characters [and] well-drawn witty prose [that] will engage readers who don’t know a clip from a couplet.”
In The Forever Season, Don Keith writes with a concise, hard-edged pen about a subject he knows well—the South, its trailer park culture, and its passion for gridiron glory—while exploring universal themes of fumbling youth and innocence lost.
In Figurations of France: Literary Nation-Building in Times of Crisis (1550-1650), Marcus Keller explores the often indirect and subtle ways in which key texts of early modern French literature, from Joachim Du Bellay’s Défense et illustration de la langue française to Corneille’s Le Cid, contribute to the fiction of France as a nation. Through his fresh take on these and other classics, he shows that they not only create the French as an imaginary community but also provide venues for an incisive critique of the political and cultural construct that underpins the modern nation-state.
Current theories of nationhood, in particular the concepts of the nation form and fictive ethnicity (Étienne Balibar), inform the close readings of Du Bellay’s Défense, Ronsard’s Discours, d’Aubigné’s Tragiques, Montaigne’s Essays, Malherbe’s odes, and Corneille’s Le Cid and Horace. They reveal the imaginary power and unifying force of early modern figurations of France that come to bear in this heteregoneous corpus of French literature, with texts ranging from manifesto and epic poem to essay and tragedy. Situating each author and text in their particular historical context, the study suggests that the literary invention of France in the sixteenth and seventeenth centuries is as abundant as it is conceptually innovative: Du Bellay, for example, develops an idea of France by portraying the French language as a pruned and grafted tree while d’Aubigné proposes to think of the French as a nuclear but fatherless family. Blood functions as a highly charged metaphor of nationhood in all texts.
Opening up new perspectives on these canonical works, the focus on literary nation-building also puts them into unexpected and thought-provoking relationships to each other. Figurations of France deliberately crosses the fictive boundary between the sixteenth and the seventeenth centuries and argues that, in terms of imaginary nation-building, the contours that delineate the early modern period and separate it from what we call the modern era quickly begin to dissolve. Ultimately, the book makes the case for early modern literature as a creative and critical discourse, able to nourish and nuance our thinking about the nation as the postmodern nation-state is increasingly called into question by the economical, political, and cultural effects of globalization.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.The Mexican folkways described in this monograph, of scientific interest to anthropologists, will fascinate laypeople as well. Isabel Kelly collected these notes in the 1950s, as a diversion when official field work was not feasible, in the vicinity of Torreón and particularly in the nearby village of El Cuije, in northern Mexico. She recounts folk customs and habits, focusing on beliefs and practices related to health and healing and on notions concerning magic. These form, Kelly believes, a core of folk culture which has survived tenaciously in the rural areas and on the outskirts of the cities, among mestizo families of scant education and limited economic resources.
These people are well acquainted with simple, matter-of-fact illnesses which result from natural causes and which respond to treatment by herbal and other home remedies or by modern medicines. But they also recognize the evil eye and the emotional upset known as “fright.” They are thoroughly familiar with the ever-present danger of ailments which are not “natural” and God-sent, but which are deliberately inflicted by an enemy, through the artifice of a sorcerer or a spiritualist. Such “instigated” illnesses may take any form, from a cold in the head to a false pregnancy. If a person suspects that poor health results from such malevolence, he or she spurns Western medicine and looks instead to the witch or to the spiritualist as the only hope of a cure.
El Cuije pays an annual quota from community funds to make available modern health services provided by the government. But community funds are similarly drawn upon to provide “medical” attention for those who repair to the sorcerers. Once a week the village truck takes all presumed witchcraft victims to a nearby town, where they receive clinical treatment from professional sorcerers.
Kelly sees little that is genuinely indigenous in the beliefs and practices described; many of them demonstrably result from infiltration from the Old World in the years following the Spanish Conquest. She considers spiritualistic curing—important in northern Mexico and many other parts of Latin America—in some detail, but the specific outlines of its history in northern Mexico still awaited clarification at the time of her research.
A comprehensive biography of the Seceretary of State and Comendador for the kingdom of Castile under Emperor Charles I of Spain.
In recent years, Chinese film has garnered worldwide attention, and this interdisciplinary collection investigates how new technologies, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures. For the first time, international scholars from film studies, media studies, history and sociology have come together to examine technology and temporality in Chinese cinema today.
Futures of Chinese Cinema takes an innovative approach, arguing for a broadening of Chinese screen cultures to account for new technologies of screening, from computers and digital video to smaller screens (including mobile phones). It also considers time and technology in both popular blockbusters and independent art films from mainland China, Taiwan, Hong Kong, and the Chinese diasporas. The contributors explore transnational connections, including little-discussed Chinese-Japanese and Sino-Soviet interactions. With an exciting array of essays by established and emerging scholars, Futures of Chinese Cinema represents a fresh contribution to film and cultural studies.
When, at the end of the First World War, Marshal Ferdinand Foch, soldier and popular hero, assumed the role of self-appointed peacemaker, he proved himself a source of embarrassment and irritation. Challenging Georges Clemenceau's right to negotiate the peace settlement, Foch attempted to arrange a peace which, according to him, would provide France with security, but which, according to his civilian superior, would have lost France's urgently needed allies.
French internal conflict in civil-military relations during the Versailles Peace Conference was thus primarily between Clemenceau and Foch, both inspired by the most patriotic of motives.
Foch versus Clemenceau gives a vivid account of the diplomatic maneuvers among France, its allies, and Germany during the period of the Conference. It sketches the Rhineland separatist movement in 1919--with Dorten's abortive, even amusing putsch, the Palatine-Rhineland Rebellion--as incidental background to the momentous struggle between Foch and his field commanders on the one hand and the President of the Council, Clemenceau, on the other over their differing conceptions of a realizable peace which could guarantee France's security.
Finland in the Twentieth Century was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Finland's search for a national identity is the underlying theme of this book. A small nation, geographically isolated and linguistically distinct from its neighbors, Finland has long maintained close ties with Sweden and also has had to come to terms with a powerful eastern neighbor, the Soviet Union. D.G. Kirby opens his history with a description of Finland at the turn of the century, when it was a Grand Duchy in the Russian Empire, and traces its emergence as an independent state with the collapse of the Empire in 1917. He examines the new republic's struggle for survival—and identity—after the civil war of 1918, which left a legacy of political instability through the interwar years.
Finland's complex political history is closely tied to its external relations. Kirby describes the evolution of Finnish foreign policy from the period when Finland and the Soviet Union were distrustful and then warring neighbors down to the present policy of friendship and cooperation which grew out of the treaty of 1948. The book closes with an account of Finland's international and domestic status in the Kekkonen era.
Throughout, Kirby provides a substantial socio-economic background to round out his political and diplomatic themes. He also brings to the English-language readers the results of modern Finish historical research. Since historians have played a key role in Finland as interpreters of the nation's recent past, his analysis of their debates helps clarify the ways in which Finland has developed as an independent state in the twentieth century.
The recent financial crisis and Great Recession have been analysed endlessly in the mainstream and academia, but this is the first book to conclude, on the basis of in-depth analyses of official US data, that Marx’s crisis theory can explain these events.
Marx believed that the rate of profit has a tendency to fall, leading to economic crises and recessions. Many economists, Marxists among them, have dismissed this theory out of hand, but Andrew Kliman’s careful data analysis shows that the rate of profit did indeed decline after the post-World War II boom and that free-market policies failed to reverse the decline. The fall in profitability led to sluggish investment and economic growth, mounting debt problems, desperate attempts of governments to fight these problems by piling up even more debt – and ultimately to the Great Recession.
Kliman's conclusion is simple but shocking: short of socialist transformation, the only way to escape the ‘new normal’ of a stagnant, crisis-prone economy is to restore profitability through full-scale destruction of existing wealth, something not seen since the Depression of the 1930s.
Among the most serious challenges facing health systems in lower and middle income countries is establishing efficient, fair, and sustainable financing mechanisms that offer universal protection. Lack of financial protection forces families to suffer the burden not only of illness but also of economic ruin and impoverishment. In Latin America, financial protection for health continues to be segmented and fragmented; health is mainly financed through out-of-pocket payments.
Financing Health in Latin America presents new and important insight into the crucial issue of financial protection in health systems. The book analyzes the level and determinants of catastrophic health expenditures among households in Argentina, Brazil, Chile, Colombia, Costa Rica, the Dominican Republic, Mexico, and Peru, applying both descriptive and econometric analyses. The results demonstrate that out-of-pocket health spending is pushing large segments of the population into impoverishment and that the poorest and most vulnerable segments of the population are most at risk of financial catastrophe. This work is a product of the collaboration between more than 25 researchers and 18 institutions associated with the Research for Health Financing in Latin America and the Caribbean Network, with support from the International Development Research Centre of Canada.
Products and services based on advanced technologies such as artificial intelligence and blockchain are normally considered to be for rich consumers in advanced countries. Fourth Revolution and the Bottom Four Billion demonstrates how marginalized and vulnerable groups with limited resources can also benefit from these technologies. Nir Kshetri suggests that the falling costs and the increased ease of developing and deploying applications based on these technologies are making them more accessible. He illustrates how key emerging technologies are transforming major industries and application areas such as healthcare and pandemic preparedness, agriculture, finance, banking, and insurance. The book also looks at how these transformations are affecting the lives of low-income people in low- and middle-income countries and highlights the areas needing regulatory attention to adequately protect marginalized and vulnerable groups from the abuse and misuse of these technologies. Kshetri discusses how various barriers such as the lack of data, low resource languages, underdeveloped technology infrastructures, lack of computing power and shortage of skill and talent have hindered the adoption of these technologies among marginalized and vulnerable groups. Fourth Revolution and the Bottom Four Billion suggests that it is the responsibility of diverse stakeholders—governments, NGOs, international development organizations, academic institutions, the private sector, and others—to ensure that marginal groups also benefit from these transformative innovations.
Both communitarianism and casuistry have sought to restore ethics as a practical science—the former by incorporating various traditions into a shared definition of the common good, the latter by considering the circumstances of each situation through critical reasoning.
Mark G. Kuczewski analyzes the origins and methods of these two approaches and forges from them a new unified approach. This approach takes the communitarian notion of the person as its starting point but also relies upon the narrative and analogical tools of case-based reasoning. He separates out the rhetoric that is incongruent with the Aristotelian aspirations of each method to show that the two are complementary, and that consensus can emerge from fragmentation.
He then applies his resulting method to three major problems in bioethics: the difficulties that the issue of personal identity poses for advance directives, the role of the family in medical decision making, and the refusal of treatment because of religious beliefs. He analyzes the need to assume a communitarian notion of the person as a starting point for the application of casuistic insights.
Combining theoretical, practical, and scholarly insights, this book will be of interest to philosophers, political and social scientists, and bioethicists.
Popular films can do more than merely entertain us; they can contribute to our understanding of human nature and the ethical theory that informs it. Feminist Ethics in Film explores a varied group of cinematic narratives from the perspective of care-based ethics. The interpersonal relationships they portray disclose important dimensions of care that have been overlooked in less contextualized discussions. In particular, the book examines the relationships between care and community, autonomy, family, and self transformation. Interpreting films from the perspective of the feminist ethics of care both expands our knowledge of this burgeoning area of philosophy and adds depth to our appreciation of the films.
A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism
Václav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, Aimé Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.
A Flora of Northeastern Minnesota was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A manual for the identification of the ferns, fern allies, flowering plants, trees, shrubs, and herbs of Minnesota's Arrowhead region, this volume lists 113 botanic families and describes 1,300 species, with keys for identification. There are 80 line drawings of plant species and 419 maps showing distribution.
Inspired by a classic walking guidebook of the area, Foodloose in Washtenaw County takes readers on tours to discover food-related treasures throughout the county. What better way to get to know this place—or experience something new—than to bike, bus, carpool, walk, even kayak your way through food-filled Washtenaw County?
From centennial farms to trendy upscale restaurants, the self-guided tours of Foodloose offer an opportunity to explore where our food is grown, produced, distributed, and enjoyed in Washtenaw County. Within these pages lies a chance to celebrate the local food community, learn more about our unique food system, and maybe even find a new favorite place to dine.
Faulkner’s Revision of Absalom, Absalom! is a study of the creative process as exemplified in one of the major achievements in twentieth-century fiction. Portions of the original handwritten version of the story are collated, line by line, with corresponding sections of the published version. In an introductory discussion the major changes are analyzed and evaluated.
It is particularly interesting to observe Faulkner revising not only his choice of words and the construction of his sentences but also the central design of the story. Most notably, he changed his mind about having it known from the beginning that Charles Bon was Sutpen’s part-Negro son, and he developed Quentin Compson into the pivotal figure who finally supplies this missing piece of information.
In the process of revision Absalom, Absalom! became a kind of detective story, and the reader is forced to join the quest and participate in the undertaking which is the basic subject of the book—the human attempt to comprehend and deal with the past.
To trace the process of this revision is to experience a sharp focusing of theme and to witness a demonstration of how the meaning of a fictional work can shape its structure and, in turn, stand revealed by what has become the outward sign, or form, of that meaning.
Was Sanctuary really a “cheap idea,” as Faulkner himself called it, a book “deliberately conceived to make money”? The question has teased the reading public since its publication. Many readers have had their worst suspicions about Faulkner’s work confirmed by his statement, but most serious critics have discounted the disparagement, emphasizing instead Faulkner’s further statement that when the galley proofs arrived from his publisher, “I saw that it was so terrible that there were two things to do: tear it up or rewrite it. I thought again, ‘It might sell; maybe 10,000 of them will buy it.’ So I tore the galleys down and rewrote the book.”
Now that two sets of the original galleys are available for inspection, one can see just how Faulkner reworked the novel. In the collation provided here by Gerald Langford, using Faulkner’s own corrected galleys held by the University of Texas at Austin, the reader can reconstruct the first version for himself, noting the cancellations, the additions, and the rewritten passages. As Gerald Langford makes clear in his introductory analysis, neither of Faulkner’s statements is to be trusted. Through revision, Sanctuary became theatrically more effective but thematically less interesting than the original version. Particularly noteworthy is the experimental narrative method of the original version, which foreshadows the method of Absalom, Absalom! as opposed to the straightforward, easily accessible method to which Faulkner turned in the revised Sanctuary and Light in August.
As science penetrates the secrets of nature, with each discovery generating new questions, Mary Shelley's Frankenstein will sound its note of warning. Many scientific developments have provoked references to Frankenstein, a story that, for nearly two centuries, has gripped our imaginations and haunted our nightmares. How can society balance the benefits of medical discoveries against the ethical or spiritual questions posed?
Frankenstein: Penetrating the Secrets of Nature accompanies a traveling exhibit of the same name. This lavishly illustrated volume begins by highlighting Shelley's novel and the context in which she conceived it. It next focuses on the redefinition of the Frankenstein myth in popular culture. Here, the fate of the monster becomes a moral lesson illustrating the punishment for ambitious scientists who seek to usurp the place of God by creating life. The final section examines the continuing power of the Frankenstein story to articulate present-day concerns raised by new developments in biomedicine such as cloning and xenografting (the use of animal organs in human bodies), and the role scientists and citizens play in determining acceptable limits of scientific and medical advances.
During the War for Independence, Fort Ticonderoga’s guns, sited critically between Lakes Champlain and George, dominated north-south communications in upstate New York that were vital to both the British and American war efforts. In the public mind Ticonderoga was the “American Gibraltar” or the “Key to the Continent,” and patriots considered holding the fort essential to the success of the Revolutionary cause. Ticonderoga was a primary target in British Lieutenant General John Burgoyne’s 1777 campaign to crush American resistance in the north and end the rebellion in a decisive stroke. American efforts to defend the fort in June against overwhelming odds entailed political and military intrigue, bungling, heroism, and ultimately a narrow escape for the Continental and provincial forces under Major General Arthur St. Clair. The loss of Ticonderoga stunned patriot morale and ignited one of the greatest political firestorms of the war. But the fortunes of war turned. Two months later, the rebels mounted a sensational—if little known—counter-attack on Ticonderoga that had major implications for Burgoyne’s eventual defeat at Saratoga in October. Yet Saratoga brought no peace, and Ticonderoga would be central to additional military and political maneuverings—many of them known only to specialist historians—that would keep the region on edge until the end of the war in 1783.
Based on new archival research and taking advantage of the latest scholarship, Fort Ticonderoga, The Last Campaigns: The War in the North, 1777-1783 by distinguished historian Mark Edward Lender highlights the strategic importance of the fort as British, American, and regional forces (including those of an independent Vermont Republic) fought for control of the northern front at a critical point in the war. The book tells the Ticonderoga story in all of its complexity and drama, correcting misconceptions embedded in many previous accounts, and sheds vital new light on this key chapter in America’s struggle for independence.Free India in Asia was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The critical importance of India to the global future of democracy is recognized throughout the world, but perhaps less well understood is the significance to India's future political course of her relations with the other Asian nations. This carefully documented study surveys India's position in the whole of Asia and her relations with each of the countries in the area, with emphasis on developments since India's independence in 1947. Much of the material is based on Dr. Levi's personal observations and interviews with Indian leaders during a recent visit to the country.
In contrast to most studies of India's foreign policy, which are either speculative or partisan, Dr. Levi's work is based on factual findings, not on preconceived ideas.
Fundamentals of World Organization was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This book offers fresh insight into the possibility of one peaceful world. It stresses pragmatic realities; it does not rest on formulation of the ideal.
Anti-democratic forces can be prevented from controlling the future course of world events only if plans are made now for a realistic world organization. The plans must be based on recognition and knowledge of all the problems involved.
Dr. Levi's approach to the broad subject of world organization is analytical, in contrast to most previous studies, which have been historical or descriptive.
With the calm, dispassionate viewpoint of a social scientist, the author upsets such common fallacies as the belief that world tension is caused primarily by clashes of ideologies or that world public opinion is effective in shaping the foreign policies of nations.
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