A SCHOLARLY BOOK REPOSITORY
Contributors. Samuel Charap, Valentina Feklyunina, Henry E. Hale, Philip Hanson, Kathryn Hendley, Marlene Laruelle, Ellen Mickiewicz, Ben Noble, Thomas F. Remington, Bettina Renz, Ora John Reuter, Graeme Robertson, Richard Sakwa, Darrell Slider, Stephen White, John P. Willerton
In his previous book, Demos Assembled, historian Stephen W. Sawyer offered a transatlantic account of the birth and transformation of the modern democratic state. In Demos Rising, he presents readers of political history with a prequel whose ambitious claim is that a genuine demos became possible in France only with the development of government regulation and administration. Focusing on democracy as a form of administration rather than as a form of sovereignty allows Sawyer to explore urban planning, work and private enterprise, health administration, and much more, as cornerstones of a self-governing society of equals.
Focusing on the period between 1800 and 1850, Sawyer examines a set of thinkers who debated at length over the material problems of everyday life, sparking calls for political action and social reform in the face of conflict wrought by issues like deforestation, urbanization, health crises, labor relations, industrial capitalism, religious tensions, and imperial expansion. The solutions to these problems, Sawyer argues, were sought and sometimes found, not through elections, as one might assume, but rather through the “care for all” promised by modern administrative power, regulatory intervention, and social welfare programs. By studying this profound transformation in governance, the book wagers, we can better understand the origin and meaning of democracy when events in our own time have thrown the concept into doubt.
In Dinomania, Boria Sax, a leading authority on human-animal relations, tells the story of our unlikely romance with the titanic saurians, from the discovery of their enormous bones—relics of an ancient world—to the dinosaur theme parks of today. That discovery, around the start of the nineteenth century, was intimately tied to our growing awareness of geological time and the dawn of the industrial era. Dinosaurs’ vast size and power called to mind railroads, battleships, and factories, making them, paradoxically, emblems of modernity. But at the same time, their world was nature at its most pristine and unsullied, the perfect symbol of childhood innocence and wonder. Sax concludes that in our imaginations dinosaurs essentially are, and always have been, dragons; and as we enter a new era of environmental threats in which dinos provide us a way to confront indirectly the possibility of human extinction, their representation is again blending with the myth and legend from which it emerged at the start of the modern age.
Fun and ferocious, and featuring many superb illustrations of dinosaurs from art, popular culture, film, and advertising, Dinomania is a thought-provoking homage to humanity's enduring dinosaur amour.
The essays take up a variety of episodes from modern European and American history and explore, from various angles, three interrelated themes: 'public religion', and the role of Catholicism as a determined critic of modernity; religion as an impetus for innovation; and the tendency to reduce religion to culture.
Developmental Programming for Infants and Young Children: Volume 3 provides a reservoir of ideas for carrying out planned program objectives. Each developmental area contains sequenced develop mental behaviors that would be expected in a normal child, with adaptations for specific handicapping conditions noted. This volume describes ways to handle, stimulate, and interact with a young child functioning in the developmental age range 0-to-36 months. It can be used by parents for at-home activities.
This volume is available as a set in combination with Volumes 1 and 2.
Developmental Programming for Infants and Young ChildrenIn Five Volumes
Developmental Programming for Infants and Young Children has proven to be an invaluable tool for teachers, therapists, and other professionals who assess and facilitate the development of children functioning primarily in the 0-to-60 month range. The authors address six areas of development: perceptual/fine motor, cognition, language, social/emotional, self-care, and gross motor. Volumes 1, 2, and 3 are designed for use with children functioning in the 0-to-36-month developmental age range, while Volumes 4 and 5 extend assessment and programming guidelines to 5-year (preschool) levels.
Carefully designed and tested by the University of Michigan's Institute for the Study of Mental Retardation and Related Disabilities, all volumes bridge the gap between assessment and program implementation.
It soon became apparent, however, that technological progress had not obviated the inherent value of drawing, and that, in fact, it opened up new avenues for convergent and hybrid drawing practices. This book traces the evolution of design-based drawing through analysis of a series of research projects from the 1980s to recent years that have sought to characterize the changing practices of design within various industries. Built on more than three hundred interviews with designers, academics, and design students, and an exhaustive analysis of thousands of drawings, it aims to generate discussion around historical and contemporary models of the design process.
The Council has changed and enlarged its membership from its origins as a small, low-key group consisting primarily of faculty and staff engaged in the disability arena, to an organization that encompasses a diverse, cross-campus and local community membership, with an extensive mailing list, as well. The achievements of the Council over the years and the goals that it envisions for the future, we hope, will serve as a template for other institutions.
But those in the trenches of academe are well acquainted with the professoriate’s dark underside: the hierarchies and pseudo-political power plays, the peculiar colleagues, the over-parented students, the stacks of essays that need to be graded ASAP.
No one understands this world better than novelist Julie Schumacher, who here provides a bitingly funny distraction designed to help you survive life in higher education without losing your mind. Sardonic yet shrewdly insightful, Doodling for Academics offers the perfect cognitive relief for the thousands of faculty and grad students whose mentors and loved ones failed to steer them toward more reasonable or lucrative fields.
Through forty pages of original illustrations and activities—from coloring to paper dolls to mad libs—this book traces the arc of a typical day on campus. Get a peek inside the enigma of the student brain. Imagine a utopian faculty meeting. Navigate the red tape maze of university administration. With the help of hilarious illustrations by Lauren Nassef, Schumacher infuses the world of campus greens and university quads with cutting wit, immersing you deep into the weirdly creative challenges of university life. Offering a satirical interactive experience for scholars, the combination of humor and activities in this book will bring academia into entertaining relief, making it the perfect gift for your colleagues, advisors, or newly minted graduates.
From "a dirty hand":
Words are very powerful. You aren't sure of that? Think of all the things you won't say.
- Wonderful remark in a note I had this week from William Carlos Williams. He spoke of the "disease" of wanting to write poetry; said he had been "off" poetry for many months and—he said—"I feel clean and unhappy."
- One reason for keeping this kind of notebook: you can put on record the retort you couldn't think of at last night's party.
- Photographs of Henry James in his middle years should be commented upon. Gone is the shy aesthete of the youthful portrait (by LaFarge?) . This bearded man has a fierce look, even a bestial one. Here is perhaps-I don't know-James at his most generative. Again this man disappears in the shaven, bald, final James, the famous James—the Grand Lama.
- I noticed when Lindsay (thirteen) read aloud a passage from a hunting book the other day he pronounced "genital" as "genteel." I'd love to see a literary history titled "The Genital Tradition."
- Contrast "business ethics" and the ethics of art. Nobody writes a poem hoping it will wear out in four or five years.
Between 1951 and 1966 the distinguished American poet Winfield Townley Scott kept a series of notebooks in which he set down his thoughts on poetry, literature, the literary scene, and life in general. Shortly before his untimely death in 1968 he made a selection of the entries he thought were best and gave it the title "a dirty hand." These perceptive notes, some tart, some gentle, some boisterous, some wistful, give us a remarkable insight into the workings of his creative mind. George P. Elliott has said of Scott: "In a very solid way, I think he was as rock-bottom American a poet as we have had since Frost." The introduction is by Scott's good friend Merle Armitage, who also designed the original edition of this book.
The first major biography of Duveen in more than fifty years and the first to make use of his enormous archive—only recently opened to the public—Meryle Secrest's Duveen traces the rapid ascent of the tirelessly enterprising dealer, from his humble beginnings running his father's business to knighthood and eventually apeerage. The eldest of eight sons of Jewish-Dutch immigrants, Duveen inherited an uncanny ability to spot a hidden treasure from his father, proprietor of a prosperous antiques business. After his father's death, Duveen moved the company into the riskier but lucrative market of paintings and quickly became one of the world's leading art dealers. The key to Duveen's success was his simple observation that while Europe had the art, America had the money; Duveen made his fortune by buying art from declining European aristocrats and selling them to the "squillionaires" in the United States.
"By far the best account of Joseph Duveen's life in a biography that is rich in detail, scrupulously researched, and sympathetically written. [Secrest's] inquiries into early-twentieth-century collecting whet our appetite for a more general history of the art market in the first half of the twentieth century."—John Brewer, New York Review of Books
This is an auto-narrated audiobook edition of this book.
The story behind the historic Mineral King Valley case, which reveals how the Sierra Club battled Disney’s ski resort development and launched a new environmental era in America.
In our current age of climate change–induced panic, it’s hard to imagine a time when private groups were not actively enforcing environmental protection laws in the courts. It wasn’t until 1972, however, that a David and Goliath–esque Supreme Court showdown involving the Sierra Club and Disney set a revolutionary legal precedent for the era of environmental activism we live in today.
Set against the backdrop of the environmental movement that swept the country in the late 1960s and early 1970s, Dawn at Mineral King Valley tells the surprising story of how the US Forest Service, the Disney company, and the Sierra Club each struggled to adapt to the new, rapidly changing political landscape of environmental consciousness in postwar America. Proposed in 1965 and approved by the federal government in 1969, Disney’s vast development plan would have irreversibly altered the practically untouched Mineral King Valley, a magnificently beautiful alpine area in the Sierra Nevada mountains. At first, the plan met with unanimous approval from elected officials, government administrators, and the press—it seemed inevitable that this expanse of wild natural land would be radically changed and turned over to a private corporation. Then the scrappy Sierra Club forcefully pushed back with a lawsuit that ultimately propelled the modern environmental era by allowing interest groups to bring litigation against environmentally destructive projects.
An expert on environmental law and appellate advocacy, Daniel P. Selmi uses his authoritative narrative voice to recount the complete history of this revolutionary legal battle and the ramifications that continue today, almost 50 years later.
Mock trial—Roman style.
Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: controversiae on law-court themes, suasoriae on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BC–?AD 40) he collected together ten books devoted to controversiae (some only preserved in excerpt) and at least one (surviving) of suasoriae. These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that colored the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca’s own contribution, the lively prefaces, engaging anecdotes about speakers, writers, and politicians, and brisk criticism of declamatory excess.
This is the first book in English to trace the history of the food of Spain from antiquity to the present day. From the use of pork fat and olive oil to the Spanish passion for eggplants and pomegranates, María José Sevilla skillfully weaves together the history of Spanish cuisine, the circumstances affecting its development and characteristics, and the country’s changing relationship to food and cookery.
A woman terrified by the threats of a jilted suitor is denied police protection. A workman collapses on the job and the employer is slow to help him. A bully in a bar begins to carry out threats of serious injury to a customer, after the bartender’s lackadaisical response. Springing from varied areas of human activity, such cases occupy an important area of the legal battleground called modern tort law. They also provide the basis for a fascinating legal analysis by Marshall S. Shapo.
Tort law is an important social mediator of events surrounding personal injuries. It impinges on many other areas of the law—those dealing with crime, constitutional protections against government officials and agencies, and property rights. Since litigated tort cases often involve brutal treatment or accidents inflicting severe physical harm, this area of the law generates much emotion and complex legal doctrine.
Shapo cuts through the emotion and the complexity to present a view of these problems that is both legally sound and intuitively appealing. His emphasis is on power relationships between private citizens and other individuals, as well as between private persons and governments and officials. He undertakes to define power in a meaningful way as it relates to many tort issues faced by ordinary citizens, and to make this definition precise by constant reference to concrete cases. His particular focus is on an age-old problem in tort law: the question of when a person has a duty to aid another in peril.
In analyzing a large number of cases in this category, Shapo develops an analysis that blends considerations of economic efficiency and humanitarian concern. Recognizing that economic considerations are significant in judicial analysis of these cases, he emphasizes elements that go beyond a simple concern with efficiency, especially the ability of one person to control another’s actions or exposure to risk.
These considerations of power and corresponding dependence provide the basis for Shapo’s study of the duties of both private citizens and governments to prevent injury to others. Calling on a broad range of legal precedents, he also refers to social science research dealing with the behavior of bystanders when fellow citizens are under attack.
Beyond his application of a power-based analysis to litigation traditionally based in tort doctrine, Shapo offers some speculative suggestions on the possible applicability of his views to several controversial areas of welfare law: medical care, municipal services, and educational standards.
This book was written with a view to readership by interested citizens as well as legal scholars, judges, and practicing attorneys.
Using dance as a lens through which to study political, ethnic, and gendered phenomena, Anthony Shay shows us how dance and mass movement have served as important political tools throughout history and across a variety of authoritarian regimes. Dance and Authoritarianism is a significant and original contribution to the scholarship at the intersection of dance, ethnology, anthropology, cultural studies, and history.
These are tales of seekers, often damaged, who find themselves caught up in skewed realities, facing lurking threats, violent deaths, strange entities, and alienating technologies. Confronted with unsettling, escalating, circumstances, the disparate cast of characters are driven toward self-revelation and perverse moments of poignancy.
A troubled high schooler traps a peer in an underground storage space. A traumatized felon returns home to rob the man who molested him as a child. A videogame help-line operator suspects a regular caller, obsessed with a disturbing role-playing game, of real-life misdeeds. In the title story, an unhappy couple adopts a “designer animal,” a genetic hybrid created to be the perfect pet. But the “grot” makes trouble in the neighborhood, becoming emblematic of a deeper problem. “Something is wrong with the world,” the narrator’s husband explains. “A design flaw. It’s so thoroughly corrupted, I’m not sure how to fix it.”
Inventive and unpredictable, these thirteen stories are wholly immersive, showing Sheehy at his captivating best.
The jubilant mood sours when an unidentified passenger is found dead on a ferry. Longtime residents recall with dismay the disastrous festival decades earlier, when another woman died and a valuable sixteenth-century instrument—the fabled yellow viol—vanished, never to be found.
Cubiak follows a trail of murder, kidnapping, and false identity that leads back to the calamitous night of the twin tragedies. With the lives of those he holds most dear in peril, the sheriff pursues a ruthless killer into the stormy northern reaches of Lake Michigan.
Forced to confront the past, the morose Cubiak moves beyond his own heartache and starts investigating, even as a popular festival draws more people into possible danger. In a desperate search for clues, Cubiak uncovers a tangled web of greed, betrayal, bitter rivalries, and lost love beneath the peninsula’s travel-brochure veneer. Befriended by several locals but unsure whom to trust or to suspect of murder, the one-time cop tracks a clever killer.
In a setting of stunning natural beauty and picturesque waterfront villages, Death Stalks Door County introduces a new detective series, “The Dave Cubiak Door County Mysteries.”
Finalist, Traditional Fiction 2014 Book of the Year Award, Chicago Writers Association
Rethinking our relationship with Earth in a time of environmental emergency
The world is changing. Progress no longer has a future but any earlier sense of Earth as “providential” seems of merely historical interest. The apparent absence of Earthly solicitude is a symptom and consequence of these successive Western modes of engagement with the Earth, now exemplified in global capitalism. Within these constructs, Earth can only appear as constitutively indifferent to the fate of all its inhabitants. The “provisional ecology” outlined in Does the Earth Care?—drawing on a variety of literary and philosophical sources from Richard Jefferies and Robert Macfarlane to Martin Heidegger and Gaia theory—fundamentally challenges that assumption, while offering an Earthly alternative to either cold realism or alienated despair in the face of impending ecological disaster.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
The authors argue that current ways of thinking are inadequate for the nature of the work and future demands because of the neglect of the context, the lack of understanding of teacher career stages, and disregard of the "ripple effect" of educational policy. A coherent, cohesive approach must replace the fragmented and autonomous efforts that predominate today. The volume's authors demonstrate that until a more seamless and comprehensive human resource system is employed, widespread improvements in teacher quality are unlikely and the quality of learning will itself remain compromised.
In Dreamtelling, Pierre Sorlin does not deal with our nocturnal visions per se, but rather with what we say regarding them. He explores the influence of dreams on our imaginations, and the various – sometimes inconsistent, always imperfect – theories people have contrived to elucidate them. Sorlin shows how our accounts are built on recurrent patterns, but are also totally and entirely individual. He examines the urge to analyze night visions and why it is that some people have become experts in dream interpretation.
Many books have been published on the nature of dreams, on their psychological or biological origins and on their significance, but this book takes as its premise that all we can allege about nocturnal visions is based on dreamtelling. Sorlin shows how dreams arouse our creativity and how, in turn, our creativity influences our dream accounts. Dreamtelling is aimed at all those who not only dream, but are curious about the experience, and wonder why they feel compelled to analyze and recount their night visions.
This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, parlayed a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. The result was a generation of movies, including The Hired Hand, Five Easy Pieces, Two-Lane Blacktop, The Last Picture Show, and Pat Garrett and Billy the Kid. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world.
With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees, and diasporas, culture, religion, and magic as well as representations of children, music, languages, and symbols.
A survey of national cinemas in one volume, DirectoryofWorldCinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveler.
Drawing on the knowledge, research, and experience of university and industry plant pathologists, this manual will guide everyone—researchers, teachers, personnel from federal and state agencies, plant nursery staff, hobbyist gardeners, or anyone else who works with plants—to better plant-disease work and less time spent in learning diagnostic procedures.
In this manual for rapid and accurate diagnosis, control, and prevention of plant diseases, Dr. Rubert B. Streets has not only developed a practical field and laboratory guide for plant-disease diagnosis, but also articulated a vision for the role of the plant pathologist: a careful observer, a dedicated practitioner who embraces the personal challenge of identifying plant diseases—and a questioner.
With 44 years of distinguished post-doctoral experience in many areas of his field, Dr. Rupert B. Streets, Sr., is best known for his research on the control of Texas root rot in field crops, tree crops, and ornamentals; diseases of dates, citrus, and guar; brown rot of stone fruits and roses; his selection of flax resistance to wilt; the serology of citrus viruses; and the use of antibiotics for the control of crown gall and fire blight. Joining the University of Arizona faculty in 1924, Dr. Streets served for eight years as head of the department of Plant Pathology and taught courses at every level, instructing students on the identification and control of plant diseases.
Dancing Bahia is an edited collection that draws together the work of leading scholars, artists, and dance activists from Brazil, Canada, and the United States to examine the particular ways in which dance has responded to socio-political notions of race and community, resisting stereotypes, and redefining African Diaspora and Afro-Brazilian traditions.
Using the Brazilian city of Salvador da Bahia as its focal point, this volume brings to the fore questions of citizenship, human rights, and community building. The essays within are informed by both theory and practice, as well as black activism that inspires and grounds the research, teaching, and creative output of dance professionals from, or deeply connected to, Bahia.
Buy land, girl, buy land. You will never go hungry if you have land, advised Mimi LaFollette Summerskill's grandfather. So she and her husband John purchased a 30Ðacre farm just north of Princeton, New Jersey. After an initial try at cattle farming, the novice farmers decided to try their hands at wine making. Literally. In the spring of 1979, the family planted 2,000 Seyval Blanc seedlings. After months of research, soil testing, charting weather patterns, pruning, fertilizing, picking, pressing, filtering, bottling, and labeling, the LaFollette Vineyard and Winery was born.
Learning the ins and outs of actual wine making turned out to be one of the smaller difficulties the family faced. Until the passage of the Farm Winery Act of 1981, only seven New Jersey farms were licensed to operate a winery. Once that hurdle was passed and the vineyard duly licensed by the state, the federal government stepped in. The Summerskills had to pass inspection by the Bureau of Alcohol and Firearms for a federal license. Then the family had to save their farm from the New Jersey Department of Transportation, who planned to run a major highway right through the vineyard.Learning each and every step along the way, the Summerskills produced success. Today, people around the state enjoy the fruits of the Summerskill's labor.
Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.
Divine Love and Wisdom has been called the most profound work of the Enlightenment scientist and seer Emanuel Swedenborg. It demonstrates how God’s love, wisdom, and humanity are reflected in creation and in ourselves, and suggests that the act of Creation is not a mystery of the past, but a miracle ongoing in every instant of the present. Like a blueprint of things unseen, Divine Love and Wisdom makes visible the hidden design of the universe, as well as the qualities of its Architect. Its vivid depiction of the spiritual mechanism of the world has impressed thinkers such as William Blake, Samuel Taylor Coleridge, Ralph Waldo Emerson, and Henry James, Sr.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe edition.
Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.
This volume begins with a substantial investigation of the murder of several members of the imperial family during the summer of 337, following the death of Constantine. Two other major articles are devoted to well-known Byzantine illustrated manuscripts, the ninth-century Sacra Parallela and the fourteenth-century collection of theological works by the emperor John VI Kantakouzenos, both now in Paris. A third art-historical paper presents a detailed analysis of the architectural decoration of the church of the “Red Monastery” near Suhag in Egypt. Other studies treat the mystery of the Incarnation as well as the earliest version of the Life of the Virgin and its relationship with the cult of Marian relics in Constantinople.
The volume concludes with three papers from a colloquium on the hymnographer Romanos the Melode.
Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.
In this issue: Alexander Sarantis, “War and Diplomacy in Pannonia and the Northwest Balkans during the Reign of Justinian: The Gepid Threat and Imperial Responses”; Peter Hatlie, “Images of Motherhood and Self in Byzantine Literature”; Maria Evangelatou, “Liturgy and the Illustration of the Ninth-Century Marginal Psalters”; Henry Maguire, “Ivories as Pilgrimage Art: A New Frame for the ‘Frame Group’”; Vasileios Marinis, “Tombs and Burials in the Monastery tou Libos in Constantinople”; and three fieldwork reports: “Second Report on the Excavation in the Monastery of Apa Shenute (Dayr Anba Shinuda) at Suhag,” by Peter Grossman, Darlene L. Brooks Hedstrom, and Saad Mohamad Mohamad Osman, with a contribution by Hans-Christoph Noeske; “To Live and Die in a Turbulent Era: Bioarchaeological Analysis of the Early Byzantine (6th–7th Centuries AD) Population from Sourtara Galaniou Kozanis (Northern Greece),” by Chryssi Bourbou; and “Study and Restoration of the Zeyrek Camii in Istanbul: Second Report, 2001–2005,” by Robert Ousterhout, Zeynep Ahunbay, and Metin Ahunbay.
Volume 60 of this annual journal explores a range of Byzantine subjects: the classification of stamping objects (including six previously unpublished metal stamps); the date and purpose of the construction of Constantinople’s church of Saints Sergius and Bacchus; the Coptic Church’s literary construction of its identity in post-conquest Egypt; the evidence for the tenth-century revision of the so-called Chronicle of 811; an unusual development in the iconography of St. Menas; and versions of Niketas Choniates’ History.
Also included are editions and translations of Byzantine Communion prayers newly discovered in Massachusetts and two funerary epigrams written by Manuel Philes; both articles include commentary. The volume concludes with reports from 2003 and 2004 on Dumbarton Oaks–supported archaeological fieldwork projects on a church in Bizye and an aristocratic rock-cut Byzantine settlement in Cappadocia.
This latest volume of Dumbarton Oaks Papers focuses in part on literary and historical texts: historicism in Byzantine thought and literature; the Chronicle of Matthew of Edessa, encompassing the First Crusade and the Armenian diaspora; and a reappraisal of the satirical prose work Mazaris’s Journey to Hades. The history and architecture of the Cypriot Monastery of Saint John Chrysostomos at Koutsovendis occupy a lengthy and informative chapter, which also includes a first edition of the “Letter of Nikon of the Black Mountain to the Founder George.”
The volume also contains selected papers from the 2005 Dumbarton Oaks symposium on the archaeological evidence for settlement patterns in Anatolia and the Levant between 500 and 1000.
Dumbarton Oaks Papers is an annual journal of scholarly articles on Byzantine topics. Many of the articles are based upon presentations made at the Byzantine conferences hosted by Dumbarton Oaks. Numerous maps, tables, illustrations, and color plates provide supplementary information.
Dumbarton Oaks Papers 59 includes papers from a colloquium on Byzantine glass, guest edited by David Whitehouse of the Corning Museum of Glass. Other articles feature a discussion of zodiac cycles in ancient Palestinian synagogues, a study of early Christians' responses to the spectacles of fifth-century Carthage, and an analysis of scientific and literary sources pertaining to the mysterious cloud that darkened the sky for about a year in 536, to determine what, if any, immediate effects it had. A fieldwork report on the ongoing excavations at the Amorium project is also featured.
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged—and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men—fought on, over, and through the feminine body of the Motherland. She shows how the military’s representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public—limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina’s national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina’s spectacle of terror.
From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan.
In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.
The second issue of Dialectic, “Architecture between Boom and Bust,” is dedicated to the question of economy. While the boom of the 1990s and 2000s made architects and media designers the epitome of the urban creative class, the credit crunch and economic downturn of 2008 dramatically shrunk the profession. With the collapse of the U.S. housing market arguably the trigger for global financial and economic crisis, the building industry became a primary victim. All this has directly affected architects, whose fees are linked to building costs and built volume.
Dramatic economic turns, while involving individual hardship, are nevertheless great indices for making visible the immanent connections of the discipline to the marketplace. They challenge our understanding of what it means “to architect.” The history of the architecture profession in the twentieth century bears witness to the attempts of the Modern Movement to bring the elite cultural products to the ordinary person. Architects in the 1960s critiqued the paternalism of their disciplinary forebears and interrogated the role of an architect both as a social engineer and as a moderator of participatory design. The accompanying post-modern turn to semiotics and imagery moved the discipline to the opposite position of “art for art’s sake.” The public learned to expect extravagant signature buildings, formal experiments and endless artistic ingenuity. With this, they traded the role of the architect as a keeper of a common good for a celebrity figure who would bring global fame and tourists to their communities. Now, following the economic downturn in 2008, what may we expect from the next calibration of architecture to society?
Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design.
An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Thompson describes Watertown's early government, its relations with Native Americans and neighboring communities, its religious and economic affairs, and the day-to-day experiences of its people. Conflict occurred over a wide variety of issues: land allocation, administrative accountability, religious orthodoxy and exclusivity, generational and gender differences, livestock and fencing, haves and have-nots.
Thompson brings these disputes to life through a series of vivid case studies drawn from the unpublished Middlesex County Court Records. Among others, we meet John Sawin, who despite his best efforts at subterfuge was convicted of stealing and selling a neighbor's horse; Susanna Woodward, whose pregnancy resulted in a fiercely contested paternity case; and Edward Sanders, whose punishment for child abuse was both a whipping and a ruling that when in public he must "wear a rope round his neck openly to be seen hanging down two feet."
Throughout the book, the same themes reappear: continuity and change, the persistent conflicts of the first two generations, and the countervailing forces of communal cohesion.
An analysis of the efforts of American nurses to establish nursing as an academic discipline and nurses as valued researchers in the decades after World War II.
Nurses represent the largest segment of the U.S. health care workforce and spend significantly more time with patients than any other member of the health care team. Dr. Nurse probes their history to examine major changes that have taken place in American health care in the second half of the twentieth century. The book reveals how federal and state health and higher education policies shaped education within health professions after World War II.
Starting in the 1950s, academic nurses sought to construct a science of nursing—distinct from that of the related biomedical or behavioral sciences—that would provide the basis for nursing practice. Their efforts transformed nursing’s labor into a valuable site of knowledge production and proved how the application of their knowledge was integral to improving patient outcomes. Exploring the knowledge claims, strategies, and politics involved as academic nurses negotiated their roles and nursing’s future, Dr. Nurse highlights how state-supported health centers have profoundly shaped nursing education and health care delivery.
This is an auto-narrated audiobook edition of this book.
and as a perspective, offers insights that are central to the study of
communication and unavailable through other approaches.
The current field of communication derives from the historical study
of rhetoric. Over the last few decades, however, as the trend toward theoretical
conceptions has driven analysis and as a host of "isms" has defined
criticism, communication studies have moved away from a predominantly historical
perspective.
Yet many scholars in the field continue to find benefits in rhetorical
history. In the thirteen essays gathered here, eminent scholars address
the ongoing dialogue over the regrounding of rhetorical study and the relationship
between theory and history as well as history and criticism in the field.
Some examine the conceptual issues involved in the juncture of rhetoric
and history; others offer case studies, often based on research with primary
documents, to illustrate the process and promise of rhetorical history.
Collectively, their work tests theory and complements criticism while standing
as a distinct and valid approach in and of itself.
The conceptualizations and methodologies of rhetorical history will
increase in significance during the burgeoning "Communication Age"
as we seek to cope with the present and prepare for the future by better
understanding the past. This volume serves as an excellent overview of
a recently neglected methodological approach and acts as the first step
in ending that neglect.
Rivers are one of nature’s most vital energy sources, and their power can be efficiently harnessed through the construction of dams. But now dams have become a controversial engine in the race toward technological advancement, so much so that the World Commission on Dams convened in 1998 to debate the issue. Are dams a help to society or an agent of environmental destruction? Trevor Turpin explores the answers to that question here in his comprehensive historical chronicle.
Among the most amazing feats of human engineering, a dam can sustain societies in a multitude of ways, as 40,000 of them around the world provide such things as electricity, water for farms and cities, and canals for boat navigation. Turpin traces their development, design, and consequences from the Industrial Revolution to now, examining edifices in China, Las Vegas, and places in between. The often contentious debate between environmentalists, architects, and engineers, Dam shows, is a complex one that pits the benefits of dams against the long-term ecological health of nations.
Neither a polemic against dams nor a defense of their proliferation, Dam offers a judicious and in-depth account of this cornerstone of our modern age.
Despite the efforts of these groups, by 1842 the antislavery movement in Rhode Island was nearly moribund, the unified hopes of earlier years having fallen victim to political wrangling. A year later the largest auxiliary in the state, the Providence Antislavery Society, turned its funds over to Amarancy Paine, who in concert with other women not only revived the abolitionist movement in the state but kept it running for another ten years.
This detailed study explores how and why women like Paine emerged from the background to resuscitate and lead the antislavery cause in Rhode Island. It suggests that women more than men were accustomed to working behind the scenes, informally and without much public recognition.
The crumbling of the male-centered organization revealed a previously invisible female-based structure of personal ties on which leaders were able to build the Rhode Island State Anti-Slavery Society. Because these informal ties crossed traditional racial, geographic, and gender-role boundaries, they were often tenuous and fragile. Nevertheless, by developing this network among themselves and then extending it to national leaders, a few dedicated women managed to continue a program of antislavery petitioning, meetings, and literature circulation.
The long-lasting effects of colonialism—racism, political persecution, ethnic extermination, and extreme capitalism—are still felt throughout Latin America. This volume explores how heavy metal music in the region has been used to challenge coloniality and its present-day manifestations. Drawing on extensive ethnographic research in Puerto Rico, Cuba, the Dominican Republic, Mexico, Guatemala, Colombia, Peru, Chile, and Argentina, Nelson Varas-Díaz documents how metal musicians and listeners engage in “extreme decolonial dialogues” as a strategy to challenge past and present forms of oppression.
Most existing work on metal music in Latin America has relied on theoretical frameworks developed in the global North. By contrast, this volume explores the region through its own history and experiences, providing a roadmap for this emerging mode of musical analysis by demonstrating how decolonial metal scholarship can be achieved.
“There is more history in a bowl of pasta than in the Colosseum,” writes Andreas Viestad in Dinner in Rome. From the table of a classic Roman restaurant, Viestad takes us on a fascinating culinary exploration of the Eternal City and global civilization. Food, he argues, is history’s secret driving force. Viestad finds deeper meanings in his meal: He uses the bread that begins his dinner to trace the origins of wheat and its role in Rome’s rise as well as its downfall. With his fried artichoke antipasto, he explains olive oil’s part in the religious conflict of sixteenth-century Europe. And, from his sorbet dessert, he recounts how lemons featured in the history of the Mafia in the nineteenth century and how the hunger for sugar fueled the slave trade. Viestad’s dinner may be local, but his story is universal. His “culinary archaeology” is an entertaining, flavorful journey across the dinner table and time. Readers will never look at spaghetti carbonara the same way again.
Gëzim Visoka argues that state derecognition is a highly controversial and unstable practice that has less to do with the unfulfillment of the conditions of statehood by the claimant than with the advancement of the self-interest of the former base state and derecognizing state. The derecognition of states is not a rule; rather, it is an exception in international diplomacy, driven by political expediency and is incompatible with original rationales for granting recognition. Yet, the derecognition of states is far more important than previously recognized in shaping the reversal dynamics of secession and state creation and in influencing regional peace, geopolitical rivalries, and the international order. By analyzing the withdrawal of recognition, the book offers a window into the reversal politics of unbecoming a sovereign state and how the arbitrary beginning and the end of diplomatic relations between states take place.
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