The Roman epic retelling of the quest for the golden fleece.
Valerius Flaccus, Gaius, Latin poet who flourished in the period ca. AD 70–90, composed in smooth and sometimes obscure style an incomplete epic Argonautica in eight books, on the auest for the golden fleece. The poem is typical of his age, being a free re-handling of the story already told by Apollonius Rhodius, to whom he is superior in arrangement, vividness, and description of character. Valerius’ poem shows much imitation of the language and thought of Virgil, and much learning. The chief interest of the epic lies in the relationship between Medea and Jason, especially the growth of Medea’s love, where Valerius is at his best. The long series of adventures and various Roman allusions suggest that the poet meant to do honor to Vespasian (to whom the epic is dedicated) with special reference to that emperor’s ships in waters around Britain.
Helen Vendler, widely regarded as our most accomplished interpreter of poetry, here serves as an incomparable guide to some of the best-loved poems in the English language.
In detailed commentaries on Shakespeare’s 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries—presented alongside the original and modernized texts—offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare’s techniques as a working poet. With the help of Vendler’s acute eye, we gain an appreciation of “Shakespeare’s elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent.”
Verdi’s Attila, his ninth opera, had its premiere at Venice’s Teatro La Fenice in March 1846. Based on the German play Attila, King of the Huns, the libretto has its own storied history: as Verdi fell seriously ill before the work’s completion, the main librettist moved permanently to Madrid, leaving the last act of Attila only a sketch. It was then that Verdi called upon Francesco Maria Piave, the librettist for two of his earlier works, who at the composer’s behest scratched plans for a large choral finale and decided instead to concentrate on the dramatic roles of the protagonists.
In years since, Attila has become one of Verdi’s most popular and oft-staged early works. The composer's inimitable vitality, soaring arcs of melody, grand choruses, and passion are here amply apparent. This critical edition, based on Verdi’s autograph full score preserved at the British Library, restores the opera’s original text and accurately reflects the composer's colorful and elaborate musical setting, while Helen M. Greenwald’s masterful introduction discusses the opera’s origins, sources, and performance questions, and her critical commentary details editorial problems and their solutions.
“The classic of all Europe.” —T. S. Eliot
Virgil (Publius Vergilius Maro) was born in 70 BC near Mantua and was educated at Cremona, Milan, and Rome. Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogues, which imitated freely Theocritus’ idylls. They deal with pastoral life and love. Before 29 BC came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil’s remaining years were spent in composing his great, not wholly finished, epic the Aeneid, on the traditional theme of Rome’s origins through Aeneas of Troy. Inspired by the Emperor Augustus’ rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BC at Brundisium on his way home from Greece, where he had intended to round off the Aeneid. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will.
The Loeb Classical Library edition of Virgil is in two volumes.
American Literary Naturalism, a Divided Stream was first published in 1956. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The literary concept of naturalism perpetually contradicts itself, oscillating between the transcendental affirmation of human freedom and the demonstration of its nonexistence. In this tension it gropes for forms that will satisfy both demands. These contradictions, and this divided stream, Mr. Walcutt shows, represent the central intellectual and social problem of the modern world, where the confusions between materialism and religion are ubiquitous.
In tracing the development of naturalism in the novel, the author provides a background with chapters on naturalistic theory and the theory and practice of Emile Zola. He then traces the shifts in form through the worlds of Harold Frederic, Hamlin Garland, Stephen Crane, Jack London, Frank Norris, Winston Churchill, Theodore Dreiser, Sherwood Anderson, James T. Farrell, John Steinbeck, Ernest Hemingway, and John Dos Passes.
College English commented: "This is a book that will clarify some of the confusion that teachers and students face when they discover that naturalistic novels do not always follow naturalistic theory."
Writing in Prairie Schooner, Ihab Hassan pointed out: "In speculating on the origins of naturalism, in perceiving the inner contradictions of its spirit and the tensions of its form, and in following its full and vital sweep as it allies itself now with impressionism, now with expressionism, Professor Walcutt manages to throw new light on a major movement in American letters."
This volume is a sequel to the comprehensive study by Professors Robert A. Wardle and James A. McLeod, The Zoology of Tapeworms, published by the University of Minnesota Press in 1952. The new book is based on research and publications which have become available since the earlier volume was published.
While much of the information in the earlier book was devoted to the identification, description, and classification of families, genera, and species, research efforts in the last two decades have been focused in new directions. Although some researchers have been engaged in revising the original classification in the light of new findings, others have been exploring specificity, serology, and genetics, and have undertaken studies of host-parasite relationships, pathogenesis, and therapeutics in the treatment of tapeworm infestation. These investigations have been facilitated by laboratory techniques which were not available for earlier studies.Following introductory chapters on the recent expansion of tapeworm research and the phylogeny of tapeworms, the authors devote a chapter each to 21 orders of tapeworms. The material is based on a survey of the literature including more than 2,000 papers on tapeworm zoology published since 1950. Chapters on laboratory propagation and on therapeutics complete the text, and there is an extensive list of references. Many drawings illustrate the text.Acts of Gaiety explores the mirthful modes of political performance by LGBT artists, activists, and collectives that have inspired and sustained deadly serious struggles for revolutionary change. The book explores antics such as camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside more familiar forms of "legitimate theater." Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously by mainstream society, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism.
The book mines the archives of lesbian-feminist activism of the 1960s-70s, highlighting the outrageous gaiety that lay at the center of the social and theatrical performances of the era and uncovering original documents long thought to be lost. Juxtaposing historical figures such as Valerie Solanas and Jill Johnston with more recent performers and activists (including Hothead Paisan, Bitch & Animal, and the Five Lesbian Brothers), Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.
Contibutors. David Cahill, Mark Goodale, Edward O. Kohn, Frank Salomon, Fernando Santos-Granero
Ambrose Bierce - American Writers 37 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Alpines, From mountain to garden is a refreshing new perspective on the many stunning plant species that make their home above the treeline. Where most guides to alpine plants have favored collecting and rare species, Richard Wilford offers a holistic approach that describes their discovery and introduction into cultivation and why these factors must be taken in to consideration when planting these mountain dwellers in your garden.
Organized geographically, Alpines, From mountain to garden covers the conditions—drainage, climate, light levels, temperature, and precipitation—and species native to each of nine regions, including the United States and Canada, South America, China, Europe, and Africa. In all, over three hundred plants are described and prolifically illustrated. Additional chapters cover cultivation, conservation, and the impact of indiscriminate collecting on the many species that are now on the verge of extinction. With its wealth of insight into where alpine plants come from and how this affects their cultivation, this new book from Kew’s Botanical Magazine Monograph series is sure to be a hit with gardeners, collectors, travelers, and photographers alike.
The civil rights problem of the mid-twentieth century was one of the greatest challenges to the American social fabric since the Civil War. Riots in scores of cities, and serious intergroup tensions and conflicts in thousands more, underlined the seriousness of the problem.
Administrative Implementation of Civil Rights examines the role, operation, and contribution of the device most often relied on by local and state governments for dealing with intergroup problems—the human- relations commission. First used in the early 1940s to deal with discrimination against blacks, this commission was later often charged with implementing the civil rights of other minority groups and of women, the elderly, the handicapped, and the poor. It is Joseph Parker Witherspoon’s thesis that the human-relations commission was not used effectively, that an agency of this type has great strengths that most local and state governments did not utilize, and that its weaknesses are susceptible of remedy and must be eliminated. He explains these weaknesses and develops proposals for correcting them.
Witherspoon examines the roles of the local, state, and federal governments in solving this country’s complicated and serious civil rights problem and demonstrates that a program that carefully coordinates action by the federal government with action by local and state governments could be made to work effectively. As a part of this demonstration he proposes the enactment of a new form of comprehensive civil rights legislation at local, state, and national levels, and presents a series of four model statutes—the Alpha Model Acts—for effectuating his proposals. The approach emphasized in these statutes greatly strengthens the role of the human-relations commission as a law-enforcement agency and, in particular, focuses the operation of federal and state action upon life in the individual community.
The book concludes with a group of appendices listing all state and many local commissions and agencies handling human-relations problems at that time, and summarizing the type of authority, the jurisdiction, the operating budget, and the legislative basis for each. This list will be of interest to those studying the history of civil rights and public policy in the United States.
In Americans First, K. Scott Wong uses archival research and oral histories to provide the first detailed account of Chinese Americans in the American military. Wong traces the history of the 14th Air Service Group, a segregated outfit of Chinese Americans sent to China in support of the American Army Air Corps and the Chinese Air Force. His ethnic history of inclusion shows how this new generation of Chinese Americans was more socially accepted, moving from the margins of society into the American mainstream during a time of pervasive racism.
Contributors. Jonathan Beller, Joan Kee, Kyung Hyun Kim, Helen Hok-sze Leung, Bliss Cau Lim, Gina Marchetti, Susan Napier, Esther C. M. Yau
These essays foreground the work of important hemispheric writers, artists, and public intellectuals such as Roberto Bolaño, Alejo Carpentier, Aimé Césaire, Gabriel García Márquez, Édouard Glissant, José Martí, Ricardo Piglia, and Leopoldo Zea. Topics include migration to the Americas from Asia, Europe, and Africa; hemispheric exceptionalisms since the establishment of the first colonies; the interdisciplinary foundations of border studies; theories of the neobaroque and their application to Latin American cultural formations; Latino critical theory; and the emergence of a southern theory inclusive of the intellectual work of often-marginalized cultures.
Antiquities have been pawns in empire-building and global rivalries; power struggles; assertions of national and cultural identities; and cross-cultural exchanges, cooperation, abuses, and misunderstandings—all with the underlying element of financial gain. Indeed, “who owns antiquity?” is a contentious question in many of today’s international conflicts.
About Antiquities offers an interdisciplinary study of the relationship between archaeology and empire-building around the turn of the twentieth century. Starting at Istanbul and focusing on antiquities from the Ottoman territories, Zeynep Çelik examines the popular discourse surrounding claims to the past in London, Paris, Berlin, and New York. She compares and contrasts the experiences of two museums—Istanbul’s Imperial Museum and the Metropolitan Museum of Art—that aspired to emulate European collections and gain the prestige and power of owning the material fragments of ancient history. Going beyond institutions, Çelik also unravels the complicated interactions among individuals—Westerners, Ottoman decision makers and officials, and local laborers—and their competing stakes in antiquities from such legendary sites as Ephesus, Pergamon, and Babylon.
Recovering perspectives that have been lost in histories of archaeology, particularly those of the excavation laborers whose voices have never been heard, About Antiquities provides important historical context for current controversies surrounding nation-building and the ownership of the past.
“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.
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