On the RoadCollection by Cassandra Verhaegen (10 items)Not just for the Beat writers. Includes the following tags:
Alaska, Appalachian Region, Southern, Central, Central Asia, Clements, Jonathan, Design and construction, Fiction, Grief, Hadas, Rachel, Independence, Italy, Kaster, Robert A., Mojtabai, A. G., Narration (Rhetoric), North Carolina, Novel, Pittock, Murray, Poems, Poetry, Popular literature, Queen, Railroads, Road, Roads, Rome, Scotland, Silk Road, Sixties, State & Local, Story, Travel, United States
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The Road to Armageddon
by Cecil D. Eby
Duke University Press, 1988
The Lost Generation has held the imagination of those who succeeded them, partly because the idea that modern war could be romantic, generous, and noble died with the casualties of that war. From this remove, it seems almost perverse that Britons, Germans, and Frenchmen of every social class eagerly rushed to the fields of Flanders and to misery and death. In The Road to Armageddon Cecil Eby shows how the widely admired writers of English popular fiction and poetry contributed, at least in England, to a romantic militarism coupled with xenophobia that helped create the climate that made World War I seem almost inevitable. Between the close of the Franco-Prussian War of 1871 and the opening guns of 1914, the works of such widely read and admired writers as H. G. Wells, Rudyard Kipling, J. M. Barrie, and Rupert Brooke, as well as a host of now almost forgotten contemporaries, bombarded their avid readers with strident warnings of imminent invasions and prophecies of the collapse of civilization under barbarian onslaught and internal moral collapse. Eby seems these narratives as growing from and in turn fueling a collective neurosis in which dread of coming war coexisted with an almost loving infatuation with it. The author presents a vivid panorama of a militant mileau in which warfare on a scale hitherto unimaginable was largely coaxed into being by works of literary imagination. The role of covert propaganda, concealed in seemingly harmless literary texts, is memorably illustrated.
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The Road to Independence?
by Murray Pittock
Reaktion Books, 2008
Independence has been a contested issue in Scotland since the region was first invaded by England in 1707, and the realm continues to linger in a no-man’s land between regional status and full sovereignty. The issue of independence has risen to the forefront of Scottish discussion in the past fifty years and Murray Pittock offers here an examination of modern Scottish nationalism and what it means for the United Kingdom.
Pittock charts Scotland’s economic, cultural, and social histories, focusing on the history and cultural impact of Scottish cities and industries, the role of multiculturalism in contemporary Scottish society, and the upheaval of devolution, including the 2007 election of Scotland’s first nationalist government. From the architecture and art of Edinburgh and Glasgow to the Scottish Parliament, the book investigates every aspect of modern Scottish society to explain the striking rise of Scottish nationalism since 1960. The Road to Independence? reveals a new perspective on modern Scottish culture, making it an invaluable read for history scholars and lovers of Scotland alike.
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The View From On the Road
by Omar Swartz
Southern Illinois University Press, 2000
Through careful analysis of Jack Kerouac’s On the Road, Omar Swartz argues that Kerouac’s influence on American society is largely rhetorical. Kerouac’s significance as a cultural icon can be best understood, Swartz asserts, in terms of traditional rhetorical practices and principles. To Swartz, Kerouac is a rhetor who symbolically reconstructs his world and offers arguments and encouragements for others to follow. Swartz proposes that On the Road constitutes a “rhetorical vision,” a reality-defining discourse suggesting alternative possibilities for growth and change. Swartz asserts that the reader of Kerouac’s On theRoadbecomes capable of responding to the larger, confusing culture in a strategic manner. Kerouac's rhetorical vision of an alternative social and cultural reality contributes to the identity of localized cultures within the United States.
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The Road
by John Ehle
University of Tennessee Press, 1998
"In The Road John Ehle's skill as a storyteller brings an early episode of road building in the North Carolina mountains to rich and vivid life. Hardship and humor, suffering and dreams are the balance for survival in a landscape that makes harsh demands on its intruders. Ehle lets us experience this place, people, and past in a fully realized novel."—Wilma Dykeman
"The Road is a strong novel by one of our most distinguished authors. Muscular, vivid, and pungent, it is broad in historical scope and profound in its human sympathies. We welcome its return with warm pleasure."—Fred Chappell Originally published in 1967, The Road is epic historical fiction at its best. At the novel's center is Weatherby Wright, a railroad builder who launches an ambitious plan to link the highlands of western North Carolina with the East. As a native of the region, Wright knows what his railway will mean to the impoverished settlers. But to accomplish his grand undertaking he must conquer Sow Mountain, "a massive monolith of earth, rock, vegetation and water, an elaborate series of ridges which built on one another to the top." Wright's struggle to construct the railroad—which requires tall trestles crossing deep ravines and seven tunnels blasted through shale and granite—proves to be much more than an engineering challenge. There is opposition from a child evangelist, who preaches that the railroad is the work of the devil, and there is a serious lack of funds, which forces Wright to use convict labor. How Wright confronts these challenges and how the mountain people respond to the changes the railroad brings to their lives make for powerfully compelling reading. The Author: A native of Asheville, North Carolina, John Ehle has written seventeen novels and works of nonfiction. His books include The Land Breakers, The Journey of August King, The Winter People, and Trail of Tears: The Rise and Fall of the Cherokee Nation. Among the honors he has received are the Lillian Smith Prize and the Thomas Wolfe Memorial Award.
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The Golden Road
by Rachel Hadas
Northwestern University Press, 2012
A central theme of The Golden Road is the prolonged dementia of the poet’s husband. But Rachel Hadas’s new collection sets the loneliness of progressive loss in the context of the continuities that sustain her: reading, writing, and memory; familiar places; and the rich texture of a life fully lived. These poems are meticulously observed, nimble in their deployment of a range of forms, and capacious in their range of reference. They take us to a Greek island, to Carl Schurz Park in New York City, to an old house in Vermont, to a performance of Macbeth, and to the neurology floor of a hospital. Hadas finds beauty in all those places. The Golden Road laments, but it also celebrates.
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Dirt Road Home
by Cheryl Savageau
Northwestern University Press, 1995
Cheryl Savageau writes of poverty, mixed ancestry, nature, and family in poems that are simultaneously tough and tender, and salted with a rich folk humor from her Abenaki and French Canadian ancestry.
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Crooked Road
by David A. Remley
University of Alaska Press, 2008
Crooked Road tells the tale of how the Alaska Highway was built during World War II. David Remley chronicles how Americans and Canadians mapped and built the highway under the 1942 authorization of President Franklin D. Roosevelt, who ordered its construction for the joint defense of the United States and Canada. Crooked Road draws upon archival images and oral histories from those who lived in the prior unpaved wilderness and those who regularly drive on the highway today, and ultimately offers a fascinating historical account of the expansion of the American landscape.
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A History of the Silk Road
by Jonathan Clements
Haus Publishing, 2017
The Silk Road is not a place, but a journey, a route from the edges of the Mediterranean to the central plains of China, through high mountains and inhospitable deserts. For thousands of years its history has been a traveler’s history, of brief encounters in desert towns, snowbound passes and nameless forts. It was the conduit that first brought Buddhism, Christianity and Islam into China, and the site of much of the “Great Game” between 19th-century empires. Today, its central section encompasses several former Soviet republics, and the Chinese Autonomous Region of Xinjiang. The ancient trade route controversially crosses the sites of several forgotten kingdoms, buried in sand and only now revealing their secrets. A History of the Silk Road not only offers the reader a chronological outline of the region’s development, but also provides an invaluable introduction to its languages, literature, and arts. It takes a comprehensive and illuminating look at the rich history of this dynamic and little known region, and provides an easy-to-use reference source. Jonathan Clements pays particular attention to the fascinating historical sites which feature on any visitor’s itinerary and also gives special emphasis to the writings and reactions of travelers through the centuries.
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All That Road Going
by A. G. Mojtabai
Northwestern University Press, 2008
In the middle of the night, somewhere in Oklahoma—or is it Missouri?—a bus hurtles down an anonymous American highway. Its passengers, among them two children traveling on their own, a retired salesman, an unwed teenage mother, an unemployed chemist, and the driver who ferries and broods over all of them, are in the middle of their journeys. Soon, two of the passengers will be lost, and then the bus itself will lose its way.
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The Appian Way
by Robert A. Kaster
University of Chicago Press, 2012
The Roman poet Statius called the via Appia “the Queen of Roads,” and for nearly a thousand years that description held true, as countless travelers trod its path from the center of Rome to the heel of Italy. Today, the road is all but gone, destroyed by time, neglect, and the incursions of modernity; to travel the Appian Way today is to be a seeker, and to walk in the footsteps of ghosts.
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