Contents
List of Illustrations
Introduction | Lisa Jackson-Schebetta
Part I. Studies in Theatre History
“A Good Union Doesn’t Have to be Dull”: White-Collar Union Theatre | Lisa Milner
A Stained Glass Menagerie | Matthieu Chapman
Theatre Like an Oak in the Town Square | Courtney Elkin Mohler
Tiktok is Theatre, Theatre is Tiktok | Trevor Boffone
Imagining Access: What does Digiturgy Have to Offer? | Alex Vermillion
The Gaza Monologues: Palestine, Representation, and Reciprocity | Samer Al-Saber, in Conversation with Jeanmarie Higgins, with an Introduction by Ryan J. Douglass, Jeanmarie Higgins, and Michael Schweik Ardt
Part II. Commingled Histories: Theatre and Dance
Editors’ Introduction to the Special Section | Angela K. Ahlgren And Victori A Fortuna
A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat’s Black Chorus (1927) | Bethany Wood
The Branson Hillbilly: Commingling Power and Marginalization on the “Heartland” Stage | Joanna Dee Das and Jay Buchanan
Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto these Hills | Heidi L. Nees
“A Body Without Labels”: Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy | Giulia Taddeo
Choreographing Displacement in Sankofa Danzafro’s La Ciudad de los Otros | Melissa Blanco Borelli
Part III. Book Reviews
Seán Kennedy, Ed., Beckett Beyond the Normal —Reviewed By Kelly I. Aliano
Laura L. Mielke, Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States —Reviewed by Gordon Alley-Young
Hannah Durkin, Josephine Baker and Katherine Dunham: Dances in Literature and Cinema —Reviewed by Joanna Dee Das
Mary Mcavoy, Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century —Reviewed by Christiana Molldrem Harkulich
Rebecca Lemon, Addiction and Devotion in Early Modern England —Reviewed by Alani Hicks-Bartlett
Sara E. Lampert, Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 —Reviewed by Erin Rachel Kaplan
Carolyn Grattan Eichin, From San Francisco Eastward: Victorian Theater in the American West —Reviewed by Heather Kelley
Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey, Eds., Law and Performance —Reviewed by Patrick Maley
Barry Houlihan, Ed., Navigating Ireland’s Theatre Archive: Theory, Practice, Performance —Reviewed by Karin Maresh
Tracy C. Davis And Peter W. Marx, Eds., The Routledge Companion to Theatre and Performance Historiography —Reviewed By Heather S. Nathans
Béatrice Picon-Vallin (Trans. Judith Miller), Le Théâtre du Soleil: The First Fifty-Five Years —Reviewed by Sebastian Samur
Natalie Crohn Schmitt, Performing Commedia Dell’arte, 1570–1630 —Reviewed by Teresa Simone
Andrew Gibb, Californios, Anglos, and The Performance of Oligarchy in the U.S. West —Reviewed by Dennis Sloan
Yann Robert, Dramatic Justice: Trial by Theater in the Age of the French Revolution —Reviewed by Kyle A. Thomas
Books Received
Contributors